very recently, and to be honest, why am i speaking from the standpoint of stereotypes, because i really, when i talk to potential viewers there, talk about some kind of movie, people always think that there will be some kind of movie they are afraid that they will see again what they saw before that they didn't like, that's why i want you to write about what exactly, well, i don't know the drama and the problem of this heroine and at the expense of what exactly she solves this problem of hers, well, in general, that's what i said to nastya i thought about the fact that i, in principle, it is difficult for me to understand what it is women's cinema, that is, what does this term mean, uh , it's true, how did you say that uh, men make films about for everyone, and women for some reason make women's films, so i don't think so, uh, hmm, i think that

again it's quite natural that a woman directs a screenwriter and writes a story about a woman too, but it's just my choice, it's not because it's such a specific women's film about women's problems, it's problems, it's a film, as i already said about moral choices here it's hard to know, it's hard to say how it will differ from, well, again, from others films about women, because we again and again enter into such an incomprehensible perspective before i was understood. i think that in principle it is just like this for those a-a who wants to ask themselves difficult difficult questions to which er i think there are few who has the answers and this is how they tried to make this film. we are, in principle, when i approach some work, i try to answer first of all some questions to myself, to which i do not have an answer. when i work on films, i find answers, uh, and in

principle this is what a lot of people have locally i also noticed those who watched these films, they say that when you watch this film , you really constantly ask yourself what i would do in the place of this woman, i will remind all our viewers. the film received two awards, and in particular, anastasia also received an award for her acting. by the way, we wanted to ask about the medical theme as well, and of course, this is not me - it's not a medical drama either. just the main character, er, is a doctor, yes, but also anastasia played in serials the medical ones are quite popular, i think you watched the first doctor kovalchuk, one of these series is called, and she also played in a female doctor, it’s just not a break, these films have passed, and in general, it is considered that the medical theme in series and films is oh-oh-oh one they will usually watch it because there are always a lot of dramas of different types , you can make different heart-breaking plots

, and what kind of role does it play in your film? of the standard story that we see in the tv series well , here is this tool because, in principle, we have a story. if so in general terms, then this story of the fall of man is a story of moral decline and that is why it was important here that the main character is a doctor because a doctor - a person who saves the lives of many people and doctors, in principle, very often these are idealists who go into this profession for the sake of something higher, they will pay hippocrates and well, i will not spoil the films in full, but of course in the process our heroine of the film departs from this initial position, well, and secondly, it was also a plot tool because,

well, the film has several such plot twists in which it is important that she is a doctor, but i have already said several times in other interviews that, in principle, this story was well, if it was created, after i read it for the first time, there was a short meter before the full number, and i came up with a short meter. she was raped, that is, then it seemed to me that this was a very interesting moral and ethical question, and i thought about it for a long time. and so, this was the starting point after which we came to what this story is today, but what played in us in other e- well, let's say, let's talk about the topic of medicine. it's a complete coincidence, of course, i don't cough it up, but because she was filmed at the doctor kovalchuk, in principle, we filmed

a short method with her before the doctor kovalchuk, well, it also happened that we have a lot of tv series on medical topics and indeed there are a lot of them a lot because they will be filmed because they are very popular there, you can stamp them in any way you want, they will still be watched because it is a hospital well, actually, on another broadcast, we talked about serial actors and how skeptical they are of the movie tussovka, i would definitely she said that skeptics are more skeptical of directors, screenwriters, and actors. it's more condescending. but still, that is, if you're a serial hero, it means you can't play a serious movie here. it's a pity - i would like to talk about it for anastasia. to talk because it absolutely does not work in her case, because she is very, very good at her craft and the acting profession but again , what is the reason for such skepticism or, more precisely , is it justified or really if people play

for a very long time in tv series they then it is very difficult for them to adapt to more serious cinema. well, i think that the situation is completely unjustified. you just have to look at it in a separate class. it depends on what he wants in general, if there are simply many cases when actors who first come a profession with dreams that he will act in a big movie, and then reality sets in, in which , uh, well, not so many films are made and it is difficult to get into them, and how soon you need to feed yourself with something. he goes into tv series, gradually filming all the tv series in principle, i don't even remember why he came to buy a profession, he has some kind of income, er, a serial, and well, that suits him, there are many such ready actors, but in principle, it is possible in this situation, you really lose er, what is called that boast and

craft and in general understanding of the profession if the actor is smart if the actor knows where he is going and what he wants it is a completely different situation, but i just repeat that i uh well we have several uh casting directors who have a very negative attitude towards serial actors and i, as a director, want to say that this is a problem because, of course, we cannot know all the actors, and for us, the director is a very important person in the production and very often a great director. maybe you can't show the actors, er, who were great actors simply because what is there in he has some certain preferences and er well, many cool actors in fact simply do not invite real actors to auditions, believing that they er no longer know how to act .

also separately, well, do your work and know all the actors, understand and distinguish them, understand that this serial actor is actually a super pro and that’s just how he earns money. well, how? quantities were produced for two markets. first of all, for several markets, first of all for the russian market, and then already on the ukrainian market, and there for many others . now this bench has definitely closed. although i know cases when our serial producers are still holding on to at least some good russian actors, although i would like to film someone from the russians, because without the russians , we cannot live, but i wanted to talk with you that we have a little time left, i would like to talk about a really important topic, what will happen to ukrainian cinema in general, because now we are happy with us a huge number of films right now, but in october, just watch it here and kharkiv-madox, you can

watch a lot kyiv critic week will be in the box office at the end of the month, you can pick up any ukrainian films you want, even dramas, even comedies, go and watch but it will surely not happen again at times, we got close because the whole culture is not funded, everything disappeared in one word. how do you look at this situation in general, how bad is everything in the future ? -is i well, it's true that we have for this year that i'm just i think it's some kind of very interesting irony that this year ukrainian cinema not only every class a festival has one, sometimes even two films from ukraine ukrainian cinema feels very confident, well, auteur cinema feels very confident on international platforms,

but the funding will be in the following years. well, we all understand that it will not be the closest. probably for lesson two. this is the minimum i, er, before that, er, i think that i think that this situation, which was similar, was in the 14th year, when in the 14th year, more of our industry was sitting on russian money, sitting on tv series and, in principle , did not understand how to find financing in a different way, and then when the war happened and, in principle , there was an opportunity, of course, some part of the tv series remained, but in principle, a lot producers stopped working with russia and began to think about what to do next, and began to switch gears and realized that, in principle, we still have a world of european production, there is a whole industry there, and precisely since the 14th year. of course, this is also connected with the fact that cinema is also started actively to work, but since the 14th year, our producers began to learn to work with europe. i think that now we have

a very, well, the situation is a little difficult, but it motivates a lot of producers to learn to find financing not through cinema and to find financing in europe in general, in the world through platforms through different different tools. i see that many producers have already started to do it. hmm. for example, i am now where i am starting to register my new project. i understand realistically. i have not even calculated the state cinema money, that is, i understand that my next project i need to find quality money, there is no, well, this is the reality but i think that if we can cope with this, the industry will in principle be much stronger, yes, in principle, i absolutely agree, because there are other sources of funding besides state ones, well, of course, it is more difficult to find international partners, but it’s real and maybe it ’s not even a secret, it’s better in a certain sense to learn to work with other sources, we’ll master them, then

state funding will come, and in general, what will be bigger? well, in short, i’ll be optimistic the conclusion was made by kristina. thank you very much kristina tinkevich, we had my connection, the director of the film, how are you, katya, you can, i don't know if there are still tickets left, but to see it at the kharkiv festival - mi dox, which in general, in kharkiv, there is always sadness for the name, that's understandable but now the only thing i hope is that it will take place in kyiv, while it is not completely safe to watch movies in kharkiv, ah, well, regarding funding, i will say again that there are some foreign sources, european funds, there are co-productions in general, european countries european film producers and cinematographers have long had a tradition of making movies. let's say it's complicated , that is, two, three, four, five, sometimes even seven countries collect money together and make a film that would

be interesting for all these countries. there may be actions in one country, characters from other countries. countries and so on and so on and so cheaper is more profitable we also already participate and have previously participated in such a scheme and mastered enough interesting and successful cases to say yes usually it was a festival film that was successful at international film festivals, so it is clear that the state should finance culture and art - this is definitely the case, but so far the state cannot do this. i think the producers must find another way out, because without cinema, without culture, we simply cannot remain. now we will talk about the film klondike, which we have already discussed they said more than once, it is important not only because it is also being built now. show it, and you can watch it

. there have already been several analyzes of some analytical materials by the international press. well, let's say that we can hope for a sufficiently high result not because there is a lot of attention to ukraine now, although this is also quite a reason, but the cinema should not be underestimated either, because it is very well made , first of all, it is and the author’s is a smart movie, but it is at the same time very spectatorial. that is, you do not count on the fact that you will come. you will have to sit and endure some kind of art house, which is what many people from the gla call it tormenting there something to others, no, no, this is absolutely an interesting story from which it is very difficult to distract yourself, this is a story about a couple who lives in the front zone and they begin to fire very

heavily on them, they fire on the house, they demolish a whole wall, and an mh17 falls nearby. by the way , i have already seen a lot of headlines about the fact that this movie is about a disaster email 17 no really no this episode happens like that like one of those triggers for this family for the main characters the main character is pregnant she is already in her last month but she refuses to leave from these dangerous conditions, the main character, whose name is irka, was played by oksana cherkashina, one of such actresses as she is in such a film critic and film and theater party. viewers, so if you are not familiar with her, now we will introduce you. if oksana is in direct contact with us, we say hello to her oksana greetings hello good day hello

yes, yes, we already tried to contact oksana last time, but oksana drove terribly europe so, you also went to the presentation of the film when you were on the train, now i hope we’d better talk about your character in more detail and in depth. and in general , your character irka is about the movie. yes, you can. well, this is a standard question from journalists. how would you describe your character, because it is from from my point of view, not that little character that can be described there in two words, first of all, she is very interesting, she is funny, you got it but she is very stubborn, what do you see her as, how would you describe her, who is she, uh, thank you for the question, i think this phrase that once said marina in the interview is a woman who made up her mind, who believed that she herself could stop the war. marina

is the director of the film. i really liked this phrase because there is something like that in this, uh, some kind of utopia , uh, although in reality, this woman has no choice. that is, we all the film seems that she will have some way out and that she is struggling with something, but in reality there is no way out . because in the face of war, in the face of a military armed attack, you really have no choice and there is no time for reflection and there is no time to decide something, that is, people act it seems to me in an unexpected way for me. but to be honest, hmm, the first time i watched this film was at the premiere in sandenka and i saw that this heroine was built in such a way, by the script, by the editing, that she plays a very important role in the films, as if she is such a struggler . a strong woman who stops tanks by herself, but i saw a completely

different thing in my heroine in this film, i saw that this strength is this resistance that the heroine demonstrates against the war, or does it have such forms, they are not at all aggressive and not at all demonstrations of strength. and this is some kind of care practices practices, well, such female practices. she is at home all day, she is pregnant, which are usually considered uh, such practices that repress women. but in this film, these practices suddenly become such, and protests and resistance . i don't know my life and it seemed to me that it is very interesting that the form of protest can also be gentle, it can also be different, just different oksana, and is it possible or correct to say that this is a movie that

klondike is a movie about a strong and, er, prudent women and about weak and emotional men, is this a wrong impression? i absolutely do not agree with this. and i heard and read such reviews. but i think that this film absolutely avoids any such webinars that women are like this and men are like that, that is, i am in this film e- well, i, for example, an artist myself, am absolutely against such a division of the binary world, yes, because both men and women sometimes use the same strategies there, for example , if we talk about violent strategies and simply the question of how much a person is out of bounds system and the normative system of society, or it remains no, that's how it is in our film, i just really see it the same way, and i'm often asked in interviews about the political positions of the heroes and heroines, so i don't see this

division into black and white men in this movie women, i really see the story of people who suddenly find themselves in front of the events that millions of ukrainian men and women are facing now and in the 14th year a little less when you really don't know what to do, you have no answers and this political intensity of the main characters heroes who live in the village. that is, this is a different type of life. i think so, we, for example, artists, artists, have this privilege and to be in this political intensity, read the news, watch, er, i don’t know some website, well, watch some er, telegram channels, and people who live you know, they don't have this time, that's why i just see the situation and the war of people jumped in. of course, these characters are somewhat confused like we are now, and this film reminds us again that everything didn't start

now, that there were people who were going through the same thing now the whole of ukraine was going through much earlier and what they like to repeat now is that in fact in many situations there are no right decisions to stay there or to go and stay right to go right and wrong at the same time we are going through very, very difficult and ambiguous situations oksana i think that you are the one an actress who, well, is simply incredibly capable of reincarnation, because if you look at your previous roles, for example, bad roads, too, well, there were also a lot of compliments for this role in the film natalka fortune teller, you will win such a brutal girl, which is also quite difficult, you don't immediately understand why she behaves like that, we can even listen to an excerpt from this movie, we will talk later today,

nothing personal, just to say, lord, it took time, he looked at me with hungry eyes between these broken, well, incredible dramaturgy , screenwriter and uh, a huge number of phrases that are in this film are bad roads well, you can just use it, i don’t always do it understand. he said so, especially in relation to this phrase that was in this passage. by the way, the characters are two military men who are going, i won’t tell you where they are going. watch the movie. you will find out, but hey, hm. actually , regarding this reincarnation, yes, because uh, no, usually very often the actors have some kind of stage presence there or we play in comedies or there is someone else and how exactly do you achieve this reincarnation

do you even aim for this and do you deliberately choose such different roles or it all works out eh thank you for the excerpt i to things i want to say that i yesterday, the day before yesterday, i presented the film bad roads in the melon, that is, this film also lives its festival life and also presents ukraine. now at the festivals, i watched this film again, it is incredible. and about reincarnation, you know everything is very, very simple, and i'm like ... athlete somewhere in a month or two, it depends on when i am approved people, i just start training every day within the framework of psychophysics and the character of the character that i am going to play, that is, i am actually the one i create. it seems to me that when i meet with people think that i'm like that, i'm a little bit crazy, crazy. in fact, i work every day. and at

some point before filming, this character is a heroine. she just becomes my second nature. she 's just in my body, and the only thing left for me is you . the site is full. combat readiness, i apologize for this influence, but now it is appropriate and simple to forget everything i knew before and become authentic, become myself . that is, my personal secret is daily work and a plus. i noticed. i looked at my good works, which for some reason i consider good i still have one the secret is that i have to be in love at the moment when i create something, a new role or a new play, then if i have some kind of passion and love, then everything , er, everything turns out as best as possible, that is, daily methodical work for me is always like if er, i don’t know below my professionalism i can no longer afford to lower myself, so

i can't afford to work less oksana we have 5 minutes with you, i would like to ask you a few more questions do you play in on the left bank at the end of one of the best theaters in general in ukraine now has an experimental theater that is trying to be as progressive as possible, to cooperate with theater directors from different countries, and you are all poles, you cooperate with germans, and i read that you were included in the list of the 50 bravest women in poland. the version of the edition is i apologize for my polish language high abscesses high heels can you well can you explain what exactly this is an award what is this rating and exactly what did you get an award for yes it is very a valuable award for me in 2018, i made

a play with the controversial title lviv we will not give it back. it was a play made by a director, also on er-e shengera, a polish director with ukrainian roots. and it was a play against the manifestations of polish nationalism, because there on the border, you know in us there was a very difficult history with the poles, and because of the fact that the piz party came to power in poland, it is quite traditional, uh, some poles. even your fascists say their views here, and they very much began to politicize history by exposing ukrainians guilty of that conflict, and this, er, increased the level of aggression, hatred towards ukrainians living in poland, we made the play lviv, we will not give it away because this part of the people considered that they consider some part of the ukrainian territory to be their own, well, historically , historically, this is what they did against this play, absolutely i i would say anti

-nationalistically polish, er, and er, in general, they created such a precedent of ukrainian women on the stage who are self-sufficient, i played this to poland, to ukraine, to ukrainians, this was my personal, very strong gesture, i was, well, i know that i am always responsible when i work abroad, to represent myself, that is already in my work, in the type of theater that i do and so it was dangerous because i had problems with the nationalists from this side who told me that this is not true, that everything she says is not true, and i actually by the way, it is very important to say now that they also hung this putin propaganda about nationalists exist in ukraine i told them i'm sorry, i've lived in this country for 30 years, that is, i completely overturned the understanding of

some part of the polish community about the reality of ukraine, because i was a subject on the stage and not an object that someone was talking about, and after that i simply won a lot acting awards there well, and because it was a very tense situation, well, that is, there were such people, hey there, bullying, meetings with different people on the streets, that is, i was included in this list for the fact that i represented the voice of the ukrainian community in poland, narcotic method, well, of course, it’s very cool. and this is once again a confirmation of how important art is for conveying meaning. again, we repeated what we call cultural diplomacy, it’s when someone thinks that there are fascists in ukraine, and a performance comes that proves to its audience that there are no fascists in ukraine and by the way, culture has always been so actively done by the russian federation, which knew the value of cinema and culture and invested a huge amount of money, all

this, and with the help of cinema, even they achieved incredible heights in all this propaganda. therefore, we must also take into account the fact that cinema is not just to come to the cinema and watch to have fun, and all this is much more serious. oksana, i thank you very much. i hope we will talk about the klondike with you again, we will to say a lot more, i would like to save our viewers and you because this is also an invitation to the cinema, i myself thank you once again oksana cherkashina, we had a direct call, the actress and performer of the main role in the film klondike by maryna r. gorbach, which will soon be released in ukrainian cinema, which has already got a few like a few high-profile awards and a lot of just prestigious good awards and this year ukraine will compete for the oscar in every way we hope that we can get nominated for the first time i will remind you that in the oscar race

we did not get nominated well, that's all i have. hmm, i wish you a good day, a calm, desired day. look at espresso, my colleagues have already prepared a lot of different information for you. and i'm saying goodbye to you for now. the first league of the ukrainian football championship karpaty vs. prykarpattia lviv vs. ivano-frankivsk who will emerge victorious in this battle and get the desired three scoring points or will the teams in the sixth round be able to present beautiful goals and a spectacular game, we will find out this saturday, october 1, watch football together with the title sponsor fc karpaty live broadcast