tv [untitled] December 3, 2022 11:00am-11:30am EET
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wars about the trials that ukrainian culture faced during the war about the loss of challenges and opportunities for ukrainian culture , the name halyna krug rostyslav derzhypilsky mykola knyazhytskyi bohdan tikholos leonid finberg iryna tsylyk via carpathia 2022 discussions, the presentation of the awarding of the stanislav vincens award follow the events of the forum on the espresso tv channel via carpathia forum live december 3 at 11:10 a.m. and 12 and 10 december 4 at 12:10 a.m. greetings dear tv viewers, this is the news of yana yava melnyk and together with the espresso team i will tell about
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the most important thing at the moment, i will start with the fact that in the kherson region they announced an evacuation from part of the temporarily occupied left bank of the dnieper , people who are in summer houses and want to get to kherson can leave, the evacuation will last from the third to the fifth of december, for the time being the ban on crossing the river is lifted, but only in the area of the river station during daylight hours, the head of the regional military administration, yaroslav yanushevich, informs that evacuation is necessary due to the possible intensification of hostilities in this area, people must have documents certifying identity and confirming citizenship of ukraine terror of the civilian population in donetsk region four people were injured as a result of enemy shelling in the region, in particular two civilians were injured in the blast in the city an administrative building and a company
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were damaged a resident was wounded in the night , eight high-rise buildings and three private houses were shot at at night, and maryanka was stabbed early morning shelling of avdiyivka, the head of the regional military administration pavlo kyrylenko reports, the invaders also do not stop firing on torsk and zarichny in the lyman community, the local authorities once again call on civilians to evacuate to stay in donetsk region, it is currently dangerous for the past 24 hours, 510 invaders joined the ranks of the black-pack troops , together with the rashists, they took 8 units automotive equipment and fuel tanks, eight drones, three armored combat vehicles, one art system and one helicopter, all this fit into
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the only tank that drove them to their destination. in total, 90,600 russian soldiers are already warming in hell. the separatists have no place to hide . began to cooperate with the local occupation administration in their positions, they contributed to the strengthening of the kremlin regime in the region and supported the activities of illegal armed groups, now the perpetrators are hiding in the temporarily occupied areas of luhansk region, however, their whereabouts are known and responsibility for crimes against ukraine is not far off. the head of diplomacy of the european union, jose borel, called the ukrainian
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army one of the best in the world. the politician expressed admiration for the courage and determination of our soldiers after meeting with them at the training ground of the eu mission for of the military in poland, the main goal of the mission is to prepare our soldiers to fight the russians at the front, in particular, the defenders are learning how to handle artillery anti-aircraft and sniper weapons, as well as the tactics of launching a war, a new life in a new home , benefactors presented a new house for the yukhymchuk family from irpen, because their house was destroyed by the russians during the occupation of the city, the room has everything you need, and it was built using energy-efficient technologies, but how much does such a house cost and what was inside and i felt this
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explosion, well, that's how our house is. it jumped up and it was alive and stood in place. this is a capital structure . what was the force of the explosion? i asked at the reception in the yard she covered her head with her hands because all the plasterboard from the ceiling began to fly, all these ceiling beams, that's how tetyana yukhymchuk remembers on march 4, 2022, then a russian plane dropped an aerial bomb on her husband's house. one, and when i started to clean the rock from this side, i saw that some kind of flashlight was moving towards me. and this one, he was looking for me with a mobile phone in his hands, and when we met it was both tears and joy for the fact that we survived and will forever be. the family had a large house of more than 100 square meters. the couple
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lived in it for more than forty years. they gave birth to and raised a son and lost everything in one day. now, thanks to benefactors and volunteers, the yukhymchuk family has its own home. oh, how beautiful. look at the wooden house. yes, the wood smells. the house was built in one month, according to the frame technology, such a house costs almost $20,000, and you can live in it from 30 to 50 years, it is insulated with basalt insulation, it is insulated with a minimum of 200 mm, so i think it will be comfortable to live here in the winter, in fact , foreign people are also involved here if we talk about funds, then these are only ukrainian hands that built from the beginning to the end
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. if we talk about funds, then a significant part of the funds came from the christian community abroad from europe and from the united states of america. they plan to build seven more such houses for families who suffered from russian aggression in the city of irpin heroes dmytro didora oleksandr burlevich tv channel espresso another life saved in mykolaiv oblast during the demining of pyrotechnics they found an owl with a broken wing they reported to the main office of the regional emergency service of the region the bird could not fly so the rescuers they took it with them and handed it over to a specialist, a man named dmytro, who knows birds, agreed to take out the poor owl, unfortunately, it suffers from the russian invaders not only people, but also animals, and our armed forces are doing everything possible to expel the invaders from ukrainian land, the central and eastern europe forum via carpathia 20-22 starts today, the
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topic of discussion is the potential of culture for the moral stability of society, but how does culture pass ? the trials of war will be discussed by artists, directors, designers, public activists and people's deputies, the start is at 11:10, so don't miss it and be with the press. and i will meet you at 12:00 events the most important events events that are happening just now and affect our lives, of course the news feed reports about them, but there is little to know what is happening, you need to understand antin borkovsky and the invitation experts soberly assess the events, analyze them by modeling our
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near future that saturdays at 1:00 p.m. with a repeat at 10 p.m. studio event with anton by borkovsky, the best espresso, the war is a terrible page in the history of our country, an experience that changes life, and people who return from the war change, it accumulates inside, accumulates, and then it is just like a glass of water, so that everything starts to pour out however, the most important thing is to start living a new life, not to be startled by the sound of an alarm or a closed door, psychologists play the role of a kind of bridge through which people are transferred from one side of the world of perception to the other. at 21:30 naspresso
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greetings, dear tv viewers. now we have a slightly unusual broadcast, but you have the opportunity to take part in the solemn open may you have the form of central and eastern europe via in a television format carpathia 2022 usually it took place in kryvorivna in verkhovyna in our glorious carpathians, but this year, taking into account the fact that a full-scale war is going on, we have reduced the scale of our events, but our forum will not lose from this. today to talk about culture during the war culture trials of war save endure inspire our guests today is maria makivchuk, a
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deputy of the verkhovyna settlement council, the head the flower of the carpathians should be a public organization, that's why rostyslav luzhetskyi works in our studio, artist, designer, director, public figure. greetings to rostyslav. good day via skype. mykola knyazhytskyi, people's deputy of ukraine, chairman of the committee on cultural policy of the committee on humanitarian and information policy of the verkhovna rada, is joining us now. congratulations you and today's forum, today's day more precisely, it's not only about the opening of the via carpathia forum, today is a huge huge holiday of the 300th summer anniversary hryhoria savycha skovorody, a wandering philosopher, thinker, a person whom the world was chasing but did not catch, but
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we will talk about this a little later. there about the imperial period, so in the times of occupation in the russian empire, in the austro-hungarian empire, and not only the ukrainian culture of the renaissance in the 1918s and 20s, which were also washed away by the bloody moscow terror it is in particular about the destruction of our ukrainian cultural renaissance and this is the current phase of a major rethinking. i would like to talk about those things with rostislav luzhetsky now, that is, how do we reflect, how do we catch this bloody , unexpected, understandable, but unexpected moment of atrocity in the xxi century, well, they irreparably
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noted this 20 - those years are the beginning of this renaissance of ukrainian independence and culture, which, unfortunately, did not succeed, and the impression is that after 100 years there is a repeat attempt, repeated attempt, repeated attempt the culture is very similar again. as they say now at the forefront, we in the whole world are trying to redefine ourselves as a civilized country of the nation and relevant against the background of atrocities and war, it is difficult as it was and scary and difficult in the 20s. moreover, the stalinist machine is everything has been destroyed, this entire cultural breakthrough, now i hope that this will not happen again and the war is going on quite seriously. that is, we
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see every day, especially from europe and from the world, these signs of the imperial leadership, which is trying to distort this game of good for us by all kinds of methods of russians, uh, this is just redrawing, as they say , rewriting something for ukrainians, and using all kinds of other methods to simply knock out from under our feet that we are like that and ukraine exists on the world map. this is now the main task and obviously all spheres of culture. there artists, all artists clearly understood this and they are making an effort, the world is beginning to understand us , they are beginning to invite us, they have begun to see the end of it. ugh, little ones, but they are beginning to see it, we are gnashing our teeth. it is very difficult because, well, in that france, to prove that ukraine is still rashynkal or cool, and there is another aspect of this, now we do not clearly understand that this whole myth of russian culture was
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perfectly prepared by fsb money on all levels, an artificially constructed story that was, well, that served to build up imperial practice. that is, de facto, we faced it like this when there they told us one or another story there about valuev, i don't know about the strategy from russia, not yet the peoples, we perceived it through the prism of some such remoteness in time. yes, and here we came face to face with it directly. real-time regime, both from the side of certain kremlin criminals who hold certain positions , and here we saw how they implement this collective sandormoh, in particular, he became everywhere where their hand could reach. ivan franko national academic drama theater people's artist of ukraine
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shevchenko prize laureate greetings, greetings, gentlemen . so, i have a question for mykola knyazhytsky people's deputy, how should we correctly and faithfully respond to the challenges brought about by russian atrocities? it is not just about the war, it is about the military phase. neighbors, but the whole world, but on the other hand, we understand that the world is also looking at us, and here the key question is how we should respond institutionally, including correctly. in rostyk of derzhopolsky remembered that he dreamed that today we should meet like this it is true
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that i am standing somewhere on the stairs of the ivano-frankivsk music and drama theater and there is a ros coming downstairs, i am shouting commands to him, he is not hearing me, i want ukrainian culture to hear me if that is why it is very nice to see everyone properly and i congratulate everyone on the opening. even so, the opening of the via carpathia forum is very important for us. tomorrow in lviv , the events of the awarding of the vincenzo award will be determined. i hope that by then he will have arrived in lviv from kyiv, and today i want to say that what is happening in general with culture now, like everything that happens during the war, shows the real true essence of things. did we ever imagine that we would remove busts of pushkin in ukrainian cities? russian literature, did we ever imagine that in many foreign european cities
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russian ballet would be denied performances of course it was very difficult to imagine why it is not easy it seemed difficult to us that it was not. we ourselves, as humanists, sometimes thought to europeans that this was not entirely true, that the culture here is innocent, that it is not the case that there are bad russians and good russians, we always turned a blind eye to what even the most holy pope of rome has now turned a blind eye to the essence of dostoyevsky's works on the essence of russian culture on the essence of russian literature because all this culture and all this literature is very often built on xenophobic or humane principles even when it is written brilliantly or very talented, even when we talk about the attitude towards ukraine and read pushkin's poems, we understand that this attitude was absolutely imperial. although i won't say genius, but with the talentedly described inscriptions, we always closed our eyes to it and the world always closed its eyes to it, and now
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the world has seen what kind of society this culture brought up when we see killers of rapists in buch, irpen , kherson or in other places, and it is not only the leadership of this country, the terrorist aggressor country, it is its ordinary citizens, in whom cruelty is number one alone, the values are worth nothing, those values to which we are accustomed, of course, we can rely on and remember our entire great history and the diversity of the history of the grand duchy of the commonwealth of lithuania, the ukrainian russian principalities, and what happened on the territory of the khanate. these are completely different cultural, religious, and value traditions, but in addition, these are completely different traditions that have been preserved for a very long time and why they are respected now. we understood that culture forms values and that culture can be different, it can be a brilliant film of lenin by refenstyle, who glorifies hitler in the stadium and everyone applauds it, and when you look at it from an artistic point of view, it is
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really brilliantly shot, but it glorifies fascism, and ukrainian culture glorifies humanism, we saw it, we also saw that a lot of those singers who captured our broadcasts before the war, all these russian-speaking ani lorak, where they are all in a worse situation, they all sit in russia and support russia or simply remain silent, and supposedly in a better situation, they leave for europe and also they are just silent, where are all these stars - there are some who went to the front to fight, but we see where the representatives of ukrainian culture are, we see folma at the front, we see maria burmaku, who collects funds for the front, we see boombox, we see in many others who truly became ukrainian heroes and either they are fighting or they are not silent but support the ukrainians with all their talent. during this terrible war, what should we do with the institutional response to the so-called russian imperial or any other cybernetic
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russian culture, we understand that they consciously created a certain space using an almost endless toolkit, it is about finances , about attracting the capabilities of certain institutions and so on, and here we have to give an emphatic institutional answer as to what we should do right now, simply responsibly. we started these reforms, we created the ukrainian cultural fund and the book institute, we supported the ukrainian the language was revived by ukrainian cinema from the 14th to the 19th year, we started doing all this, then irresponsible people came who returned all this to the kuchki times, but now they are also getting the price of this. therefore it is necessary to continue the reforms in the field of culture, and the reforms consist in fact of very simple things in the support of talented people, that is why i see here rostyk derzepilsky for me he is the most talented ukrainian director. yes, it will be easier, yes, but those people who do
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something themselves, change, have this energy, have values and are ready to carry them, the state must support and educate the young generation and let them educate young people, so that there is a benefit from this process, this is the main thing . thank you. rostyslav derzypilsky will have to blow his nose for entering the galaxy of leading ukrainian artists. yes, in the end, i support such an outline, but in any case, we understand that the war is an extremely important story for all of us, so on the other hand, we understand that culture is about reflection on certain events. so it is about the reaction to certain events, to heroism, to fear, to death, to blood, to uncertainty, and so on. i would like to ask you your vision of the reaction with side of our ukrainian artistic environment well , at the same time, i would like to remind you that rostislav was from trypil together with his colleagues, so during the
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air raids, he went to people, so they staged performances. before i answer again, mr. mykoly knyazhytskyi himself touched on the question you asked, er, the question of how really we, er, we were simply fed up with completely artificial narratives and you know the catch i often think about myself. well, people are often traumatized by other issues, and it's kind of unsophisticated, as i say. gutsalo from the mountains. how could i have guessed that dostoevsky is the coolest, chekhov is the coolest, i'm ostrovsky, and so on and so on, and ours is still different i'm talking about me, it happened , maybe very hard. imagine that at the beginning of
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march, i wasn't supposed to have the premiere of dostoyevsky's idiot, which i dreamed about, and so on, that is, and everything else lesya ukrainka, well, this kind of women's literature who else is there, even ours ukrainian classics, well, pants, let them have pumpkins in the servers, they do it all there. that is, now i understand that my eyes have actually opened, and there is a desire. we put uh ukrainians almost all the time, well, that is, to be honest, it is always is it modern literature is it an experience of classics but in a new reading as enlightenment on goncharivka or so last week the premiere of lesya ukrainka genius genius lesya ukrainka took place well it's just that well well, i don't know how lucky it is to touch
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such material and you can talk about it a lot, a lot, a lot, a lot and a lot, and that's why we have a very huge work now for ukrainian artists, how about us again? because it cannot replace those soviet russian narratives then there was a replacement, it was simply a replacement and an artificial replacement, we have a huge field of work, i always say that our nation is the most talented and we have a lot of things, but at the same time, to throw it away or i don’t know why to clarify, but rostyslav said about the propaganda that the ukrainians spoons without spoons were consumed for centuries, but not only did they consume, but also took part in it, and this is another extremely important, perhaps not fully reflected moment, so when we talk about some obvious evil, yes, i don’t know about some incarnation of evil. it’s like that i don't know buryat in buchach and so on there according to the list, but there is
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also such latent or hidden evil, such as feofan prokopovich, one of the fathers of the russian orthodox church, and he came there after the then buch, after baturin was cut out cut into a stump by the russian troops, what should we do with such things well, unfortunately, unfortunately , there are enough traitors in the history of ukraine, and feofan prokopovich is one of them. we must know them. we must not forgive them, but today we must look for better traits in the ukrainian nation, so that they can simply be accumulated and multiplied, because what the ukrainian nation has, the ukrainians have, well, indeed, today in europe, in the
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world, it is often already lost, but things are necessary to call by your names a traitor everything if you served even today you are anything that serves for e-e in russian peace for russian culture in russia it should all be simple well, just go away and everything is the same as with the language today after the fourth of february we really don't have the right to give ourselves, you know, we all love and i have always loved semitones in art and in theatrical performances because it's beautiful after buchi after washing and all the rest that we know today for a long time, we don't have the right to have semitones, we must have or black or white all this is for ukraine and for life or is it for russia for the aggressor and for death that is why today it is very clear that traitors must be traitors as with the moscow patriarchate the church and god forbid it may
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already collapse and many, many, many things and everything with the language there is no for me today there are no compromises extremely so significant characteristic moment rostyslav derzypilskyi so proposed to polarize and separate the grain from the chaff, black from white, that’s how we understand this approach, in short, that is, vegetables it’s simple such a very interesting example because, first of all, prokopovych was a great ukrainian intellectual, he was an extremely deep person, but he was an adaptable person. it is necessary to understand this very well. he first left the catholic religion and converted to orthodoxy. he wrote dedications to hetman mazepa, but then he was invited by peter and he essentially built this state church, which we now prohibit, applying all his talents to it. that is, this is an example of such an adaptable politician and shows once again how close the church is about the politics of which we have a lot now, but i want to say that you mentioned baturin and what is the
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difference between those times and now, now we have the internet and video, and what happened in baturin , a lot of people did not know, well, they heard, they imagined, but they imagined this horror now we see all this in the conditions of the information age, there is a very big chance for us, supporting democratic values, to actually build a strong ukraine if we profess the values ourselves and join others , because these channels of inclusion and communication are open this was not the case before, and precisely because these channels were blocked, russia managed to capture us all the time. thank you very much. by the way, an important note. well, we must understand that culture is also about reflection not only on the present , but not only on the future, that is, not only attempts to construct it, and also over the past, and our assessment, our attitude, i do not know us, our sailing in the past also largely determines our future, at the same time, if we have already immersed ourselves a little
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in the history of the solemn day today, 300 years from on the birthday of our glorious hryhoriy savych skovoroda, this is how you can characterize him in different ways now. i think that our colleagues did it extremely well in our story, although the story is actually not only about this, but about how despite all russian attempts to destroy specific manifestations of ukrainianness in frying pans in the kharkiv region, he somehow not only got stronger, somehow shone with a completely new light. fragments of an enemy projectile ignited and the remains of the museum scattered for hundreds of meters around , employees are trying to save the exhibits
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