[000:00:00;00] they decided that what the russian invaders had done was also to preserve what remained intact. and on podgorodetska , a building without windows inside, destroyed and damaged exhibits, this is the okhtyr museum of local history after the russian attack on the night of march 8, 2022. museums, and we saw that the plaster was falling off the walls, there would be no elephant. they once presented visitors with an authentic sumshchyna, the director of the museum told the project team the recommended culture , now they are creating a virtual tour that can be loaded into your helmet arthur helmet and

see eh actually move to the okhtyr museum hear the director tour see the exhibits programmers founders of the startup aspici film damaged museums with the help of technology vr and 360° shooting. adding video comments from museum staff and creating virtual tours this is how a person will be able to take a walk through an injured she is there when she puts on a vr helmet. she is inside this sphere and conditionally contemplates, and now serhiy and oleksandr, and our film people, they are engaged in the formation of the digital museum that we are currently engaged in, the purpose of which is to record the crimes of russia and preserve what is left, says viktor samoilenko, co-founder of mrs. aspici, says with the team, he sought to create a platform of digitized artifacts according to our

first attempt, other museums will emerge that will form such a cultural method, the universe, that is, i will wear a helmet and in i will have the opportunity to look at several museums, look again, compare the selection of the wounded culture project team , there is already a tour of the ivankiv historical and local history museum in the kyiv region, where the works of the artist maria pryimachenko were stored, the audience can look around the nivochka building . we still travel a lot in ukraine, there are conditionally de-occupied territories where you can record all these crimes and there are a lot of conditionally

destroyed cultural buildings there houses of culture or museums, so the plan actually is that we finish with a bang and then there are 30-40 museums. metalist of the injured culture project team will help reconstruct the building in the future . destroyed objects of cultural heritage, those cultural institutions, for example, museums or libraries or archives, which are not located directly in the monuments of cultural heritage, so these statistics are constantly updated. now it is centralized in several sources, and one of these sources will become a register of immovable cultural heritage in some time, our national platform is actually the creation of which is currently being taken care of by the ministry of culture, information policy , virtual tours of the ministry of culture

are used during diplomatic meetings , for example, the results of russian shelling of buchi irpen in vr were seen by the ministers of culture of the eu countries during their visit to lviv anna podhorodetska vladyslav nagorny public news new block of postage stamps warriors of light warriors of good presented by ukrposhta, it was dedicated to the employees of special services who restore the infrastructure of cities and villages after rocket attacks, in particular, to energy workers, road workers, water suppliers, gas workers and signalmen , it is about our colleagues who work in extraordinary conditions, very extraordinary and also work even in the harsh conditions of life in conflict cities to ensure energy and all let's say the energy system of ukraine in the following material about operating room nurses who are celebrating their professional

holiday today. they prepare patients, tools and operatively, and with surgeons, they participate in all surgical interventions, such are the duties of the operating room nurse in the second city hospital of poltava . there are eight of them. and their working day was seen by the correspondents of the public. we were able to give tools to the surgeons in the operating room of the second city hospital of poltava. karina altaini lays out the tools for the operation. she says that they will need about 60 tk. each has its own place. karina has been working in the operating room for 9 years. at first i worked as a ward nurse, after a year i began to build my path as an operating room nurse, but unfortunately at first i had difficulties and even lost

consciousness several times, but thanks to the support of my colleagues, i began to master myself in the operating rooms of the second city hospital of poltava, now there are eight nurses working there are enough operating room nurses, we don’t have enough paramedics in very difficult work, uh, and you know a lot of nurses went abroad, that’s why two and that responded on their shoulders three times more work, no one except surgeons can evaluate their work, the most in a day i had to do 17 operations, remembers karina alyanini, we are very tired, but it is very important to get out of the operating room and switch , nurse maria yefimenko from poltava has about three years of experience working in the operating room a woman came from

north donetsk almost a year ago because of the war, now she works in the surgical department at home, i was more of a traumatology oncology nurse here , she mastered new operations by analogy, she began to help in laparoscopic gynecology there are many directions of work between the surgeon and the operating room nurse. she is more intuitive , there is no time to say the time of work, all our nurses know the hit of the operation, they don't need to be told, just look at her , she already gives you the tool you need , tetyana vesna ayuryomenko, social news, poltava for this hour, everything, but the marathon , the only news, continues, and the next news release , watch at midnight, have a peaceful evening

. take care. i want to return to mariupol when he is released. i really want to return to mariupol and show what's wrong with him. happened after the occupation during the occupation of mstislav i welcome you to the first public broadcasting channel i sincerely thank you for your time and also congratulate you on the fact that your documentary film 20 days in mariupol very recently at the end of january won the prize of audience sympathy at the american sundance festival , probably the largest independent film festival i congratulate you, i congratulate you, thank you, in fact, you, er, your colleagues on land and tedpress are the people thanks to whom we have seen for a long time what

is happening in mariupol after february 24, this the beginning of hell and this film is about that, about your 20 days in mariupol, what will this film tell us about these events in mariupol , what we haven't seen yet in your photos and operational video report, the most important thing is how the film differs from the news that we everyone saw what probably the whole world saw then. in those days, it is because it gives context and scope , when the viewer watches 30 seconds or 90 seconds

, it is already a big news story, ah. secondly, it does not provide enough depth to understand the tragedy of those people who were besieged in mariupol and the extent of the destruction caused by the russian federation to ukrainian cities, in particular mariupol , but all i say when i go out to the convention there were six shows, halls full of 500 people and tears of anger even after i go on stage and i tell, i answer questions, but the first thing i say is that i always try to give the audience a context and the film, too, because it is called 20 days in mariupol, but the siege is 86 days, and the full-scale invasion

is almost a year old. it has been 9 years, that's all. it is important to say, it is important to say that what the viewer saw is not meant to be over and over, it is not the past , it is what is happening now, every day is now happening with bakhmut, for example, for a better understanding of our viewers, i will explain that 20 days is not really the case and is not enough that you were the only foreign group of journalists who stayed in mariupol for so long, and in fact this film partially shows the story of how you evacuated from there - it is a separate adventure story in its own way. and i am very grateful to you for the opportunity to watch this film before our interview and once again i hope that as many people as possible will see this film. is there any plan for when it will be able to be seen by a wider audience than festival-goers, there are definitely no plans. it depends on which festival it will be at, but it is still ahead major festivals

in europe after that, most likely in the summer it will be released in cinemas and then it will be on streaming and american european channels, maybe even ukrainian it depends on the distribution it is very difficult to watch this film actually with of the first shots is a certain chronology uh and it goes on increasing but being at that point where we are now when we realize that in mariupol everything happened even worse than we could imagine uh you see these first shots very deeply the tragedy of these people, for example, who decided to stay in the city hoping that everything would not be so terrible when you started working in mariupol on february 24, did you understand that things could go so far there, and already when we

made the decision to leave to mariupol it is it was night. we already understood that most likely if the russian federation dares to invade, we did not know the scale of this invasion, we did not know that they would attack every ukrainian city, but we understood that mariupol would be one of the strategic targets anyway, and we understood that there was a chance and sooner after all, he will be surrounded at least for a while, we didn't know how it would end, we didn't understand the scale of it and the worst thing was that they understood me how quickly it would happen, and i think that no one expected that the russians would surround mariupol so quickly, you also say in this film

in particular, that at some point you understood that this invasion would happen, but now you say that you still did not fully know what the scale would be. at what moment did it become clear to you that there will be something more, you have been watching since 2014 in ukraine, you know, since 2014 i was not only in ukraine , i filmed various conflicts, i filmed nagorno -karabakh, syria and cancer, afghanistan, gaza, libya and in all these countries it was clear that the conflict which started, it ends in one way or another, but it goes through the escalation phase and i think that many ukrainian journalists, i think that ukrainian society too, maybe someone did not want to think about it, but ukrainian

society also understood that escalation is inevitable. that is, this is a full-scale invasion , it will happen anyway when no one knew but the conflict cannot be frozen because it is not a conflict because it is an invasion and every year russia conducted military exercises on the border with ukraine, this was also a signal to that one day these exercises will grow into an invasion. no one knew when , but, well, somewhere in the 20s, it was clear that this time everything would happen, and in the photos of you, your colleagues, and in the videos used in this film, you recorded a lot of such intimate

moments for people who are going through terrible crisis events, how did people in mariupol react to your work, and i will try to record it in different, very different ways, and this is exactly what i am trying to show in the film, different reactions and a little aggressive and uh, when people just they come up to me and say please take me down because i have no contact with my relatives and maybe they will see me on tv in the movie this is one this is one person actually there were dozens of them here just you walk down the street and they come up to you they say whatever please take me down and do they just come and ask oh the press what news is kyiv still standing or kharkiv still standing what about odesa what about the left bank district that is people already perceived

the press as someone who can give me some information i want some information and the doctors who tried to save the children just said take it off the world must see this, the world must help, and there were people who wanted to express a different opinion, there were people who said that ukraine is the name of ukraine, that is, for me as an international journalist, it was important to show all reactions, all emotions, and the bigger the city, the further the city fell into the abyss into this black abyss of panic and destruction, the more alienated it was in people, the more acutely they reacted to us. it is noticeable in this film that in some moments you tried

to calm people down, convince them of something, or is it what you did as a war correspondent and on other wars. is this some specifics of the fact that the war is happening in your country ? this is something that never got into the news, of course , these moments when i just talk to people and throw the camera and they just talk to people . it's interesting that i didn't even remember. about these moments until i started editing the film. it was an opening, these reactions , how we react to the death of children, uh, these conversations with the ukrainian military, when we say that uh, this is a historical war, we must film it, these moments when we we're just trying to calm people down, and i'm still in that moment i believe that

the russian federation will not shoot at the civilian population but they start shooting and i understand my mistake so this is something what i do more in ukraine because i don't know how to say it's just family this is my home it's normal and closer these people's emotions. i was born in kharkiv, i've been to mariupol so many times, i don't remember how many times , i've filmed and just traveled and friends and all this , this is my home. of course, when i see that a person needs help, i just need to calm someone down. i'm trying to do it one of the most famous shots of yours is also in this film, it is when the russians bombed the maternity hospital in mariupol and one of the heroines of your photo, mariana, we will show this

photo to our viewers, we will remind her, shortly after she left mariupol already with a newborn child accused you and your colleagues that you allegedly did not listen to her and posted this footage with her although she did not want it how did you react to such accusations it is our job to film and show people everything we see and we do it and those the footage that was posted in the footage that we posted shows how we communicate with everyone around us. you can see how i am asking maryana a question . that is, i don't know under what circumstances er. i understand that it is difficult for many people of mariupol who stayed in mariupol. i don't know why

under what circumstances did she say that and what did she feel at the time when we filmed it i know that i asked a question to the person she answered she saw the camera and i was polite and i never shoot or post footage of people who tell me not to shoot or post if a person reacts normally to the camera and answers something to my question, i publish it, this is a completely normal process of publishing news and working with news, especially as important as this news, now this is marianna . she lives in donetsk and she is a blogger, you can say, she has her own telegram channel, and from which it follows that it supports russia , accuses the ukrainian military of allegedly shelling civilians in donetsk . what emotions does this path of one of

your heroines evoke in you, absolutely no skin per person decides for herself everything she does i am sure of what i do and it is not my job and it is not my desire to analyze or judge or even try to understand someone i will continue to do my job and every person and with whom i meet or do not meet every person in this world, she has the right to decide everything she thinks. well, you are not offended that she ended up on the other side of the barricade. listen to me if i was offended every time when somehow my shots are manipulated or somehow how and when people with whom i am communicate have a point of view that differs from the point of view of those people with whom i agree or from my point of view, then i simply could not work, could not live, your native city

of kharkiv and it has undergone and continues to undergo great destruction. have you imagined what could happen to kharkiv because you know, when i was preparing for the interview, i remembered some of the street polls that were conducted, in particular, in kharkiv before february 24 , well, people were sure that nothing would happen to kharkiv because, in particular, one of arguments, many kharkiv residents have relatives in russia. i remember i also interviewed people on the street and they were sure, most were sure that russia would not attack. but there were those who were preparing, i remember even that my friends when i filmed stories about how kharkiv was preparing, women were learning how to use weapons

, and young people were training to defend the city, old people were already swimming nets, that is, kharkiv was preparing, but my friends called me when this story came out and said that what are you saying, that you are causing panic, nothing will happen but it happened how it happened after mariupol, and we went to bucha, and after bucha to kharkiv, i asked to go to kharkiv, because it is the city’s hometown, and i spent several months there until the moment when the russians were already pushed away from the city and they stopped flying, it is still flying, but a little less but the body then and at some point seemed like something from kharkiv would be the same as with mariupol. because every day, especially saltivka, but also the city center was a mess, every day there were dead people

on the streets, medics, uh, saved lives, well , it’s just deja vu one on one, but sometimes you when you arrive, you understand what a house is. where did you live? 10 years and you left this entrance, took a coffee and went to the university , and now here your neighbors are killed by a russian projectile, they are just lying here in front of you, this is an onion . is it close? it causes so many emotions of anger and it takes time to do everything so that it does not affect to your work again because anyway you have to remain an international

journalist uh with a neutral position how does this change your city what do you think the city or the people or the people more people of the city in general this happened not only in kharkiv it even happened with mariupol and with kyiv, with everyone, the level of consolidation, the level of identity and mutual assistance has grown so much that people have become like one family. yes, there are those who have separated, there are those who have lost touch with society. but that part of society that fought for protection is now one family for you, as for many war journalists in ukraine

, work in the war began in 2014, and you actually have a unique story because you managed to work in the territories at the beginning of the russian-ukrainian war occupied by russia in the east of ukraine, in particular, you filmed at the site of the malaysian airlines boeing crash in the summer of 2014. how did you manage to do it? it was a short time when international agencies were allowed to work in the occupied territories , but it ended very quickly. donetsk is occupied and thank god that we were there to remove sword 17, because i don't even know if there were no international witnesses to

what happened. if only life life news or ntv were there, they could tell and show it they couldn't manipulate information as they wanted. and that's how many international journalists there were, in particular ukrainian journalists, too. it gave the world the opportunity to see how it was, although it was still the first time when i realized that the struggle in the world was not even for that to show something and not show some footage and for how they will be interpreted because the very next day when i shot and sent this video why am i here press the very next day i saw this video on american channels of european

ukrainian and russian and the information they gave was completely against, well, it was the absolute opposite of what the american or european mass media were talking about. your photo and video were somehow later used as part of the investigation of the 17th catastrophe. everything that was filmed was not only us and everything that was filmed by everyone a little piece of information was used , uh , i know this for sure. am i correct? that is why mariupol, for example, i want to return to mariupol when it is liberated. i really want to return to mariupol and show what happened to it after the occupation. during the occupation, i do not have this opportunity, but i hope that i will have the opportunity when it is liberated, or did you have

the possibility of not filming the war in ukraine after the evacuation from mariupol, why am i asking about this because uh, even after the photo of your uh, you can still imagine, at least for a little bit, how emotionally difficult it would be to work in these conditions and to see what you saw was an opportunity, our editors asked us if we want to continue working or do you want us to go , it was connected with the fact that, well, with security issues, that's all connected with the issue of security and psychological health, too, but that's all the fact that we saw everything that happened in mariupol , it is not, on the contrary, she pushes to do more , to work further, because, apparently, like the doctors who