[000:00:00;00] at the khans, there was a positioning that it would be a representation of ukrainian culture in its best form, also a movie. by the way, they renounced this event because on all advertisements and banners they are declared as informational sponsors. they said no , kamaliya performed there, oleg skrypka performed there , there were some strange screenings of mot and i will say that the audience in cannes. well, i will allow myself to say that it is quite snobbish, so refined, and of course. you see kamalia as a representative of ukrainian culture. i don’t know if they liked it, with all due respect to kamalia, but probably not in this place. but the main thing is that there is a ukrainian pavilion here, as usual at every almost every film festival, people who are cinematographers, producers, my colleagues , journalists who are now there say that almost with one voice they say that it is not very noticeable , to put it mildly, but there different films are presented, different projects are presented in nadia. i understand that

it is necessary to find some partners and so on , financing, but for example, one of the presenters presented his projects was a certain maksym pirsenko. well, the quality of his films let's now i suggest you watch an excerpt from his film from 2011, it's just about a veteran of the second world war who, in the georgiev tapes, gets into a minibus and let's listen to what the driver says to him, rate the acting well, the main thing is that maksym firsenko and the former member of the sharia party, almost all testimonies that i saw before they are already worn out from the internet, but one thing remains

on the youtube channel of the editorial office of infa and from odesa, there is an interview with him, let's listen to the excerpt i wrote in the finale of anatolia and what to do to all of these events in the 14th year was very big, and the information war was very stupid, and there were many fakes . he exposed anatolia, and he exposed not only ukrainian fakes, but also the russian helmsmen, and about the influence or not, here is the producer yuliya sinkevich yuliya we already have several for months, our film club has been criticizing cannes. it first started in berlin in the context of the fact that they continue to trade with the russians on the cannes film market , and you can hear a lot now

that cannes is pro-russian or dependent on of russian money or is it sentimental? what is your opinion about this festival in the context of cooperation with russia and the attitude towards russia? well, cannes really still remains the most prestigious film festival, probably the largest film market, and without the kangaroo, it is almost impossible for the festival itself to exist because it is about business, it is about sales it's about a place where key players meet eh but of course this sentiment towards cooperation with russia has such long-term roots eh and in fact they are integrated very much eh of programs or activities, even film festivals a long, long time ago. that is, it was possible to follow the fact that there were russian cinematographers or producers there , the jury of various programs, that is, their presentation at the stands, pavilions, and so on, student

parties. and all this is not unknown we even know the already somewhat odious jules sha, who is a consultant for eastern europe, but he spent many years in russia, in fact, he translates a lot of russian films , translates subtitles there, for example, for them, and he is actually a kind of consultant who recommends the film he strongly defends the russians and their presence, and we saw last year that when kirill serebrennikov's appearance in the film program was criticized, he rushed to give interviews, comments to various media, write articles, etc. although he is not really such a person publicly, but nevertheless he commented that i know that there were critics from the french side as well, because at that time he was still working in young france, but he continues to work at the cannes film festival and will of course defend these

interests. and if last year cannes was it was the first film festival since the full-scale invasion of ukraine, at which you could actually see the reaction of the international community. and then they had doubts to the last about, for example , the granting of accreditation to the press, the granting of market accreditation, or the presence on the market of russian companies and still er refused it, nevertheless, they were still partially present there, but in much smaller numbers until this year, we can even see from many articles that such and such a company there concluded er weather for the acquisition of rights to films in russia, such and such a company has already been written about by the international media about the fact that they are actually

offering two or three times more than the amount. well, now on the russian edition and near this movie distributor there was an interview with kostiantyn and yerkin yelchyn, who said that his company bought the rights to show 20 films of the legendary japanese studio ghibli a-a and they will officially show this entire catalog uh-uh, well, this studio is very large, it is one of the largest producers of cartoons with a good reputation . that konstantin himself said that they had fierce competition, but they knocked out this catalog

, even after paying several times more, that is , after all, reputation is in the background here, or the sale is not such a stain on our reputation now a-a well, i think which of course the commercial component and money are very important here, the russian market is a very big market, and almost everyone, even the majors, aspire to have it because it is a huge contribution, let’s say their own budget and the actual prosperity of their companies, and they are the majors left the russian market, but they still have to be, what is called in accordance with the sanctions that the state has introduced, that is, they have to somehow deal with them, mini-managers, smaller judges of the company, they can already decide . of course, we do not know everything internal kitchen in

structures and so on, but all the same, there is such an idea what, for example, well, this is cinema , it’s beautiful, it’s possible for children, it ’s what carries the wonderful values ​​of humanism, and it’s still impossible to leave this society without some kind of light in at the end of the tunnel, what else are they thickening their propaganda there and so on, that is, they are also being repaired somehow there for a higher purpose ah and the same , for example, with european large companies. in russia they also communicate the message that people cannot be left without independent art without something that can actually, well, somehow enlighten them about what is happening in the external environment , fresh, so to speak. well, i think that russian propaganda very actively supports this message , and i use it very actively, and of course russian companies

they very quickly found options in general. how to bypass the sanctions ? it is possible that there is not one company that directly concludes these agreements. and it is possible that there are several companies, and it is very difficult to even trace where the original agreement comes from. there also during our discussion , well, among filmmakers on social networks, there was such an opinion that i heard several times, mmm, it is quite controversial, but it is popular , if they say, last year, the attention of the kagans to ukraine was quite high, but our filmmakers expressed themselves there politically , they did even one uncoordinated action, and apparently the leadership, because it was so apparently politically offended, was outraged, and so this year, even our film about

at least one of the main programs of marina broda and ot valerina vroda herself says that well, in particular, uh, well, i don’t know if you can say that they are guilty, but because of this action. last year, because of the political activity of ukrainians. and this year , he is staying away from us . do you share this opinion or not? fate is partial in this, this is an assumption, of course, but one should also understand the situation france itself is in, which has been engulfed in protests during the month of march . needed for that it's about the holiday it's about beauty it's about uh celebrate glamor and so on about ukrainians uh really i'm very sorry that the film marina conducts didn't get into any of the programs maybe there's a village dinner like that there are

still secrets of selection we don't know. they have the right to this question, as well as in relation to the business itself, which is related to russia 's film business, and in this matter to us, to us in a broad sense, what does our state do in order to counteract this, as far as we have proposed and were able to suggest that we've got there is cool content that can be shown. we have professionals who are worthy . how much did this dialogue take place? in the fact that the ukrainian film festival itself, and actually, is it refremo, who is the art director of this film festival, he belongs to such a conservative old generation of the french bourgeois, and now we have also seen in

the press that there are some scandals with him there how did he run over a policeman, for example, it seems to me that they are somewhat losing touch with reality, not really, but they just reflect what is happening in the world, and they want to continue to live like this. about the mission of the film festival in general, but that it should be just the kind of cinema that will a-a show new talents highlighted important topics that dominate in the world in us not to make up this picture of the world they live with old habits old approaches and this is manifested in many ways and what are you for such people are criticized at the festival, but i think that we can deal with all this because there are also people who say, well, this cannes film festival is really old-fashioned. you can't

fix them. let them live in their own holiday of glamor. we have other venues, for example, a venue like sundance is much more sympathetic to ukraine , it is much more appropriate for expressing our position . can we still somehow influence the pockets of the cherkasy film festival and try to change some agenda, because in fact we have unknowingly changed it over the past year many summonses that were considered unchanged before, is it possible to do it in the cinema and how can it be done? i am sure that it is worth trying and carrying out work and having a certain strategy is definitely worth it and it must be approved at a high level and further these activities should not be just activities of cinematographers who care. even if these are professional associations, it should all be as if in one concept that we actually communicate, and

russia is very good at this, and copes with it very well, because they adapt very quickly they understand the value of cinema, they understand the weight and they have been for many years or decades, uh, they say that vernacular actually introduced into this image of russian culture of russian cinema, which did not actually happen in our country and we still have the same activities of the ukrainian institute that i can’t just physically be there with a limited number of teams working with limited resources, i can’t cover it all, but it should be just such a strategy of cultural diplomacy that has well-thought-out messages, a well-thought-out system of financing and support and here, too, it is important to remember that each country has its own specifics and you need to talk to them in their language in order to

actually convey your messages, what are the reactions and successes, say, which were a year ago, they were often spontaneous these decisions, that is, it was a direct challenge to what is happening, but they may no longer be of a systemic nature and cannot take hold . that is, it does not necessarily mean that we convinced them that there is a russian presence there. - it's bad. it was a forced event at that particular moment, but then we still need to work in that direction so that they understand what place in history in the world context ukrainian culture occupies there , of course, and what place russian culture occupies there. it was yulia sinkevich, the producer. they spoke she and i are talking about the cannes film festival , actually about the re-representation of ukraine there and how we should better behave and build our communications with such extremely important

events in the world of art, that's all for me i wish you a peaceful evening, stay with the press . the voice of the piccardian tertiary invites you to the first solo concert. will the ukrainian armed forces manage to surround the russians in the city the united states of america has finally agreed to allow its allies to give f16 fighters to the ukrainian armed forces will

these planes be able to change the situation on the field battle general zaluzhny the supreme commander of the ukrainian armed forces from anatovsk leaders are unsure of the future ukrainian counter-offensive all and other fakes we debunk with our partners from the stop fake about so that ukrainians do not think about so that they do not speak in the first place anyway war war and our victory only on espresso from monday to monday completely different spheres of human activity sports politics military analytics six presenters journalists experts opinion leaders in real time about the most relevant events through the prism of war in author's projects on espresso, join the community with a ukrainian view of the world, become a sponsor

of the espresso youtube channel, and this is access to exclusive content , personal thanks, pinned comments, special icons and the possibility of personal communication with the espresso team, click sponsor and become a part of the community with a ukrainian view, as it was with aiming artillery well , we think that the moron, i have the coat of arms of our country, a trident on my chest, settled down to understand how long you have been sitting here and how much you asked for. 46 we could not leave from the city is already nowhere

, 100-150 may pass through me personally, the god of cattle did not go over my head, happiness for a look, they could take them to drive them out of our land as soon as possible , that is why they ran . and they don't say it will be russia , it will be a military town, we're talking about it, not horodok . today we will record chatter, and we have a planned one hero who was actually tortured there, and in the end we will talk, we will just go to the streets to get to know each other and to ask about what the occupation was like. and what now, after the deoccupation, in fact, quite a bit of time has passed since the deoccupation

, so these are very fresh and such thoughts and reflections . well, we decided to gather to bring humanitarian aid to the city of izyum, one village , humanitarian workers filled us with a full car, and we got bogged down with humanitarian aid in the center of kharkiv, the people of kharkiv region calmed down. the people of kharkiv region also received the same help monitor . the guys prepared 350 portions of food very well

. we chatted about helping. and when our territory was liberated and became occupied . we now have a direction to help people in the de-occupied territories, that's why we come and bring watering cans for children. there are also some toys there. the boys bought coloring pages. you pass all these emotions through yourself and then you are a little tired, but when there is such an atmosphere and you are there, you can give something to people to help them. i am happy, for example, i feel for our people because, for example the day before yesterday, they talked with my former physics teacher , he said to come. we will give you something humanitarian workers. when i came to the village yesterday, they loaded a full car . i'm like that. the people didn't give up how much you help each other

. well, i like how you don't need it. they say leave it for us, we don't need to leave it for the one who needs it, and i was very surprised in general that in balakleia, people pounced on all the apples they picked the apples, we had about 200 kilograms of apples, everything was sorted out very quickly, they didn’t take the cereals there, the pasta , but when they saw the apples, they asked, can you give us an apple when there were hostilities, they were hiding in the basements and couldn’t harvest the crops there, plant the crops there, that’s why in they didn't have vegetables and

fruits because of this. tell me what happened in balaklia, how the war started on february 24, because early in the morning we heard a huge explosion, this explosion happened, why is it so close to my house, and he called talk loudly, the war has started, and well, people, of course, there is a commotion, this is not confusion, where to go, where to run, russian troops entered balaklia on march 2 and began to establish their order . the city somewhere from the middle of may, i don't remember. this happened all the time, it was closed , we couldn't leave the city anywhere and enter the city, and no one could. and we

were at home, of course, uh, well, we were worried these terrible people, well, when they were talking in the city, he disappeared. my neighbor was arrested there, they were arrested there three times. they sat here in balaklia . we have a police station there. near the dwelling of a person they left freely pervomayskyi district there they took products , shops were closed and brought them and sold these products, but one day i moved to his place, i told the military to you they took a lot of questions from us and to this day he is not there disappeared i just started, well, the occupation , we left each other we were told not to go to work and the museum was closed for a long time.

our exhibits and we learn that the museums settled and it was important for them, here is this office right there, the windows overlook the square, the city square, and they had an observation point, they created their own administration in the city, here the department of culture was organized, there was a head of the department culture, she conducted demining here and began to invite those who worked here to work. well, first of all, those who worked here were us. who worked here , there were two here, we refused, but we came here to see what happened here with our museum. they were here. here, on this table, you sat in our expositions. there were snacks on the tables and so on, but interestingly, the flags of ukraine disappeared and we had an exhibition there just like taras shevchenko, the flags were our coats of arms, ours, that’s all that disappeared, that’s really scary, it was probably

our storage that disappeared there, so far they haven’t it is clear. we will find out about all this during the accounting, then this new government came, here are the collaborators, and what about these people who collaborated, we do not know what will happen to them yet, but they. this is the head of the culture department, she is in the city, she is called for questioning, they were hired not they missed the workers and how about those workers, you too look at the destruction here one of the days there was an arrival right in the horn , the building there was destroyed and everything you see flew into our methodical office, that’s all shrapnel cut through the windows and these collaborators they hired these people as technical workers, they are locksmiths, everything here is terrible here, it was terrible when mykola came in, they cleaned it all, well, in the city, they decided to organize the day of russia , or i don’t know, it was not a holiday, it was called well, they called it the day of the city of our city, they are in our in the parks, if you saw them, they organized, cooked porridge, grilled barbecue, they were there, i don’t know what

they did there, not only that, well, the cultural department was also involved in how the liberation took place, an acquaintance told me that he was already in such an area where he saw how they retreated they ran ran who ran who couldn't run the one fell on his leg he was running wounded no district is flowing from his leg he says well that's how they ran away and some still at this moment but on the 6th or 7th they didn't run away from the city they stayed place there were still street fights, they stayed then spoke in that building in the elevator and they sit next to the kindergarten, so for a long time they were kicked out of the city for 2-3 days, well, the liberation took place. at first, as we understand it, our troops crushed the base their

military bases where weapons were located and we have them i told you about the military base, and at first all the flights were there and at the ugu military plant, and there were explosions all the time , explosions, explosions, for several days, well , it flew overhead all the time , there were automatic queues, when there were muddy queues. i was from these events and i found a bullet from a machine gun at home, so i was wondering what it was and how it is here. how our soldiers were met happened, but for a few more days, the troops completely understood that they could not enter the city. well, we tried all this well, to be at home so that you will be ours, there were a lot of eyes, what are now called petals, on our street when they walked, they were military or kori military who entered every house, every yard

, checked whether she was there or not. ours burned very well. it's all good, but we're already here, everything's fine, everything's in order, we're left to enter a little bit , a little bit later, even well, it was hard to even realize, you don't understand, we lived for six months and waited for it to happen. we every day. then here i am. for example, i have already lost hope that this will ever happen, well, it was this oppression all the time that you, you are a ukrainian - it is you who must live under who-knows-who-under-which-authority. i never understood, it could have been done this way. after this war , what corner will appear in your local history museum ? we already have the beginning of this war on another

day. well, why did it start on february 24? already this war is dedicated to the heroes of the anti-terrorist operation and it will be continuation of this corner. i think that over time, i think that the whole hall was dedicated to these events, it will definitely happen, but it will happen quickly, it will not be done for us first . our task is to preserve our premises , here we have destroyed heating, you understand, winter is coming we can lose all the exhibits, we are working on this, we will do a re-accounting when it all happens to us