[000:00:00;00] we will assume that this is an attempt to earn money for our own, that this is some kind of ideological sabotage, we are staying with tamara, the nut of the grain, and andriyko the cat, we will return literally in a few minutes now pause if a woman likes herself she can do everything probiz femina - this is your useful microflora if she is the norm you can immediately see the skin, hair and everything else is just fire that is here probiz femina anu run, grab the germs this was me before bleeding simplicity of heating ash the solution was such problems with the gums

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and sent back and became heroes ukraine became a novel from the ukraine project in that cycle of deoccupation that saturday at 11:1 0 on espresso

hello, this is freedom morning information project radio svoboda guests are here every day, this is the shipping district of kherson, live inclusion, we are somewhere in the middle of the wheel of gold, we tell the main things on weekdays at 9:00, the war in ukraine is the main topic for ukrainians, victories and losses, analysis and forecasts, politics and geopolitics, serhii rudenko and the guests of his program will talk about all this , people who have information and shape public opinion, people who defend ukraine and create the future right now, the main and interesting thing in the program is the verdict by serhii ru denko from monday to friday at 20:00, repeat at 12:10 andriy yanitskyi keeps the economy under control, so it's about economic news on the espresso channel, but it's not about dry numbers and clear terms. it's about the economy. it's about the ability to analyze, forecast and profit, but what will be the currency rates, salaries and pensions, and

how will product prices change ? look, my name is vasyl zima, is that appropriate? spend money on culture, is it necessary to culture during the war, the process will be today. and there is another culture, what kind of culture do we need ? we will continue to talk with andriy kopatyuga. the writer is tamara nyztana zernya. so, now i have a word with tamara. i read the post of our viewer who said that what she is trying to push now is obvious. she means that in these tv series that you are promoted by oleksandr tkachenko, this is not culture. in general, this is horror and has nothing to do with the culture of ms. mara , please explain whether it was a wish well, i don't know some of these series will appear there in the village of ingulets, others were sold there and were worthy. by the way, the project is here, and then mr. andrii will tell you about most of this, but what do you think of this as an attempt to earn money for yourself, support the industry, or really carry the market with such

dramas, actions, comedy and drama that you can emotionally support some people ? how do you understand this, despite the fact that many people who will actually work on these projects once worked in russia? thank you, you need to talk about the taste of 30 with those who have them, and about the series about the turn signal with those who watch the series or even if you have a tv at home, i am not very competent in this matter because i do not watch the series, but i think it is very simple to ask a question at least to the current or as a snow structure . contract

and they were not canceled or because of that invested state money in the promotion and promotion of a new serial star with political ambitions that may threaten someone and this is rather a political issue that has nothing to do with culture when claims are made about an irrational and unfair distribution of funds, what happened? actually speaking, such a thing that we are now sent from the pond full-length i know that

no one addressed these comments a couple of weeks ago attention, and the petition for the resignation of tkachenko, which collected 25,000 signatures, was returned without consideration and with the remark that the government does not see grounds for his resignation, we had a comment from the government on this issue, i have the feeling that there is a certain wavering of persecution and talk of the problem, and the problem is very acute for us, and it is that the situation at the front , the situation at war, the security situation is far from in favor of ukraine, by and large, we bear colossal losses we came out on some on some the plane of the pit but uh, we don't really have it right now, how to talk about it our international partners for we need more weapons for we need more people, more sacrifice, is it visible and more misfortunes that await us in order to advance to the victory of this war in such a situation, is it appropriate to talk about the financing of any other sectors, the culture of health care, the economy of business and thin, and so on, or should we now talk about

the preservation of what is? can we afford to dream and talk about some development on the future, if we are talking about the preservation of what exists in war conditions, then this is actually a basic need that must be ensured, and when, again, within the limits of the budget of state funding for culture, when on one cup of scales we are talking about several series . and for others, for example, about the preservation of libraries, not about development, not

about replenishment. we need to set priorities, we are now losing a huge part of our material cultural heritage, we are losing the premises of the museum collection, we are losing the libraries, which simply have not been physically taken out, saved, evacuated, maybe it's time to finally think about evacuation - evacuation and er conservation and rescue of what can still be saved and in the end about restoration where it is possible to restore about repair rooms about people on the one hand i'm just now working on the translation of a book by richard allendon

- this is the well-known british librarian of the borodyan library. and right now i have been translating for several weeks and jewish libraries during the second world war about the huge pogrom of jewish book collections in europe and about the colossal efforts that were made to save these funds to hide them at the cost of the lives of many jews and non-jews so that it could be saved and passed on to the next generation . hands now we must save as much as possible in order to pass on at least something material to our children and grandchildren, we will not save or return the estate through museums. but what we have left is a huge question to our ministry: why were the funds not saved and not taken away when it could have been done, the great invasion, but even now that's all . they

are repackaged by a number of volunteers let's say initiative funds are engaged in this by people who don't care, and it's a private initiative, there's a lack of systematic state approach, there's a lack of scope, and there's a lack of understanding of how important this is. i'm very worried about it, i don't really care. i can't understand why tv series turned out to be the most important cultural problem at the moment, well, from my point of view, it's far from that , you

know. culture and cinema and poetry and theater they they can tell people the truth, well actually we saw the consequences of talking to people about barbecues and saying that everything will be fine, they didn't take out the funds, uh, they didn't save the missiles there, who could, somewhere, didn't steal access to the front, something else, that's it, that's what else happened, it led to what we saw on february 24. at this stage , everything can end, so it's coming time to talk with people, it seems to me that culture and, again, poetry and literature are so alive. as p. andrii said, poetry evenings are needed, theater is needed, and other moments are needed without people, we need to communicate. there is such a good book by jim lawless, but it is not a good title. go where it is scary and you will have what you dream about, then it is better to tell people what is scary or go where it is scary. and then you can have something or not say only what you dream about . well, it can somehow

be silenced, so it seems to me that after all this is exactly the kind of culture that is alive online. maybe even culture is very necessary now so that people can talk about certain moments, where are we, what are we doing, because people will not get answers to these questions, and povoroznyuk and the series from ingulets will definitely not give people answers to these questions. series of the ingulets village about the fact that two aitishniks are running away from kharkiv, they got to lviv oblast, they got to kirovohrad oblast, and there they started to do something. a similar film is being shot in russia, but there are also some itishniks going there, too, they also get somewhere, too. here is such a farmer, uh, uncle steam train fields. well, it is very strange to me why such similar scenarios were written under the same word somewhere. andriyu. do you think such series are on time? and if not , what series should be ? to say

something important for society, i want to say that what i started talking about in my comment, i like the definition of art less than the definition of culture because culture includes absolutely everything and even the series servant of the people, even the songs of mykhailo poplavsky, even the artist roman skorpion, this is also a certain segment of a certain culture that is needed vinnyk and it is also a certain segment of culture that someone needs another thing and another thing, the problem is not that when we talk about the village of ingulets, the problem is not

yuri gorbunov, whose fault i know is only because 20 years ago he created the company prototype production, which, er, creates a product of the quality that suits the customer. he works to order. the problem is that you, mr. vasyl, have already told vasyl that the problem is in the content. the problem is in who came up with it. and he brought to the ministry of culture a project from a tv series about two absconders who hid in the kirovohrad region under the roof of a bridle povoroznyuk . to whom according to

what principle and distributed this question the second question is not that the word series is used in such a negative context recently, and the series is not to blame for this. like breaking bad, doctor house, ozark, and game of thrones, this is also a series. yes, mr. prime minister, the british satirical series is also a series. watching it, we really show if a repeat can finance the creation of short series today. i mean the series of timing 22 minutes, it is quite possible

to launch several lines of such series about that how they are fighting inside ukraine, i am exaggerating very superficially, i am saying how inside ukraine they are fighting corruption, how inside ukraine they are fighting russia , with russian subversive groups, heroic series to create a heroic ukrainian mythology, an analogue of ukrainian marvel and dc, it is clear that we will not be able to pull it off in terms of budgets, but in the 41st year in america, in the marvel universe, captain america appeared, here is a similar serial product i am not talking about quality and we will not achieve such quality like uh in hollywood there or on nekhlyuka or to other platforms but meaningfully meaningfully such series are needed and if millions of viewers watch it, then once two three four five times sew ukrainian meanings into the heads of these millions let's use simple words, the simplest but ukrainian meanings, to really use such series to raise respect for our

soldiers so that these disgusting cases do not happen. wounded or traumatized by the war, and it is the otaka ot basova culture when it gives the right meanings and will also fulfill its therapeutic function, not only educational but therapeutic, and after our victory will be a component of that therapy that will help integrate our heroes, those who today defend

the country, well, at different stages, it will help to integrate faster into society and educate respect, and the proposed plot is analogous to this village of ingulets, it will glorify those who hide from winter in general, those who are tired of war , those who perceive the war today as a continuation a kind of covid, temporary pains are inconvenient andrii, i'm tearing you up because i still want to speak to tamara now. please tell me how important it would be now for people to read and find answers to their questions in books that are alive, published now, and hot. that's why it's important now, too, please. the literary process did not freeze during the war. there was a certain pause. after

the 22nd year including e-e on dedicated to the new the invasion of me in this great and our new reality is taking place a huge number of meetings with readers a-a we saw at the book arsenal what kind of excitement there was in general around the ukrainian-language ukrainian book, what were the sales. as far as i know, the publishing houses that were shaken were due to the loss of circulation due to the fact that they burned down there due to this increase in the price of paper and so on

. to people the legends of the cultural market they will do their work not to interfere with them we stand we stand and we will stand and we need it we need it to our work we make the answers of tamara nut granted padder volunteer andriyko kotyukh writer beltaurist well , i will not take the way to work in the war . cultures they have to today with their work

to worry, to search for answers and to give people the opportunity to experience what they have to go through, or to find answers together with authors, directors, writers, singers, we should feel each other's shoulders, and culture should help us in this . congratulations . or with shells and debris there it’s good if their dog lives with a thorn and usually they don’t even fence if it’s on shootings and a soldier with a machine gun walks around these boxes, that’s what an open storage warehouse is, it shouldn’t be like that, it can’t be after that, the experiences we acquired during this war. well, it’s clear that airplanes must be protected also when they are empty

and their knapsacks protect them. to tell that it didn't get anywhere in the crimea, so it didn't get there, it turns out that it got into the warehouse and everyone understands it once again. well, what else are they bombed around? it's the planted girkin. well, actually the shelling of odessa, which also, surprisingly, in russia caused such heated disputes . you are surprised by this well, that's what i am, the associates will be surprised by

who this topic is and, accordingly, the whole temple there is nothing else, the port has not yet been completely destroyed, there is still work to be done, what is the main relic in that it is divided into two separate questions, i will explain to you that it has not even been prayed to the end, this temple has not been built at all for 70 years, gentlemen, by the way, i am also interested in who built it. что будет правкат правда, well, that's if someone e-e in russian

it seems to the orthodox church in ukraine that they are somehow treated differently well, you see how they are treated, the church turns out not to be prayed for and not like that and it turns out that it cannot remember who built it there and opened it well, who built it? the russian orthodox church opened it in principle. well, a little bit, not putin, eh, with kirill, and well, only one is russian, apparently , only the dnipropendists do not know about it, but this, as you can see, does not stop it at all russian propaganda patriarch kirill himself he changed into festive blue clothes to hold a divine liturgy and led a procession to this church with the prayers of president putin and even though she. well, you see. and now it turns out that it was a tic-mik, and actually after that they shout about how they care about orthodoxy in ukraine and oh idiots, that's all this discussion about odessa, they went through the most terrible night for them. a

russian-style rocket would hit this temple, there would be a funnel, and this is it a singer from vinnytsia could smoke a cigarette on the ruins and ask what is that, and there are only fragments in the case of this temple, or was it not pre-charged such a moment of the fall of the rocket is very successful . by the way, from the point of view of the picture, it is ideal, that is, a-a, they tell about the ruins. everything fell into

hell, you look. my old man is already saying that you are here for them, that's all the time write, let's borrow what did you do in russia, little goebbels in the world is crying in hell well, you can go on crusades for russian peace for tens of years and then the russian pro-landists will tell you that you are nobody at all and that you care worse about orthodoxy than they do in moscow, this is normal for the russian world in general, that's why the fate of the collaborators is sad, and it will be spit on them in moscow and in kyiv and the circle what did this situation with odessa show with this temple and how

the russians reacted to it well, how did he put it here well what can i say? well, there is nothing to talk about, really, about these already destroyed various temples, good, bad, different. well, you can count hundreds of them, a hundred of them have been destroyed, and this is not news, because i will repeat it again and again. to do when there are fewer of them and in all other cases, no matter how many people say that it is a unesco heritage, that it is the center of the city, what is it? look, it was the russian patriarchy, and nobody from the russians cares about it at all. they only train themselves on the air about how they can still kill someone from the ukrainians and divide something else, this is how luta writes that in a year and a half

, fierce hatred of ukrainians appeared. genocytoma says , but i didn't support anything at all it's written well, in general, this is hatred of ukraine to ukrainians, what can you say, that's it, you know, uh, i don't think that we have any hatred of ukrainians and hold ukraine itself, yes, there is none, and that's why they probably tell us on the air about how to destroy literally entire cities

. that a drama theater should be an opera theater оперный театр 26 well, while ukrainian cities are being destroyed, of course they will go there. putin and lukashenko put candles in different churches there and kiss icons, well, it's such a normal thing because somehow they have absolutely no cognitive dissonance here. well, in general, this week also started with a discussion of how putin and lukashenko met. it's very funny to watch because they probably meet with each other more often than with members of their families there, i think that putin sees his own children not as often as lukashenko, but this time it's literally such a theatrical meeting, which, well, literally, well, for that impression, they were driven so that they could go and take pictures, which is exactly what the tourists strolling around kronstadt on sunday afternoon did not expect. this is how putin and lukashenko met on the anchor square, but they quickly organized themselves and greeted the two