[000:00:00;00] for the guy, if you at least get some information about him, don't be indifferent, please look carefully at the photo, of course , a lot of time has passed since the disappearance , the guy could have changed, but please note that aurelio is about 180 cm tall , thin, he has dark hair and brown eyes from special the sign on the lower back is a scar after the operation, so if possible you know where the guy can be, please contact us by short number 116 000, our hotline works 24/7 and therefore if do you know anything about aurelia the messenger? immediately let us know. calls to the hotline of the child tracing service from all mobile operators are free. i also ask you to repost this program, please do not share it on social networks, because the more people see this video, the more chances there will be

to find a boyfriend and although he disappeared in the rally in 2019 , of course, we will continue to look for him, because we really do not lose hope. for more than 20 years of the existence of the child tracing service, there have been such cases when a missing child was found after a year, three and even 10 years of searching, however, the very first hours after the disappearance are still the most effective in such a situation , every minute can be decisive , so there is no need to delay. and urgently you can also call the child tracing service i have told you only one story of a missing child in total since the start of the war alone we have received thousands of requests for help tracing now many children are disappearing in

pro-front areas or in the occupation, but there are also many such cases in relatively peaceful cities and villages , fortunately, most of the missing children have already been found, but the fate of many remains unknown, many such stories occur in temporarily occupied territories where the police do not work and from where it is impossible to leave yes there are communication problems in some places, people who can't find their own children don't even know what to do and where to turn. if you suddenly find yourself in a similar situation and don't know how to act, call the short number 116 000 we will consult you in detail and advise you on how to act as usual, i ask you to take just a few minutes of your time and go to the website of the child tracing service, please look into the faces of these missing boys and girls.

to keep her safe, we have created a resource thanks to which you can report any crime against a child in any place at any time, just go to the site and report and we will launch all possible mechanisms for punishing the criminal of all countries when an allergic runny nose is bothering them, they want to go to the humer resort for daily prevention and for complex treatment of allergic runny noses, there are discounts on humer spray of 20% in podorozhnyk bam and oschad pharmacies .

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weekdays at 9:00 events the most important events events that are just happening now they affect our lives, of course the news feed reports about them, but there is little to know what is happening , you need to understand antin borkovskyi and invited experts soberly assess the events analyze them by modeling our near future that saturdays at 1:00 p.m. with a repeat at 10:00 p.m. studio event with anton borkovsky naispresso big air of vasyl zima my name is vasyl zima two hours of air time two hours of your time we will talk about the most important thing two hours to learn about the war serhiy zgoretska joins our broadcast, military summaries of the day. what is the world like? what is there in the world? yuri the physicist will tell you two hours to stay up to date with economic news . oleksandr marchenko will tell us about

the economy during the war and the new sport yevhen pastukhov is ready to talk about sports for two hours in the company of his favorite presenters, about culture during the war, he is ready to talk about lena or other presenters who have become familiar to many, maybe the weather will give us some optimism, mrs. natalka didenko is ready to tell us, and we will also have an honorable guest of the studio today, volodymyr hryshko, if everything goes well, the events of the day in two hours , vasyl's big broadcast of winter, a project for the intelligent and caring in the evening, the most expresso, the war in ukraine, the main topic for ukrainians, victories and losses, analysis and forecasts, politics and geopolitics serhiy rudenko and the guests of his program will talk about all this people who have information and shape public opinion people who defend ukraine and create

the future right now the main and interesting thing in the program is the verdict by serhii rudenko from monday to friday at 20:00, repeat at 12:00: 10 lordship my greetings, today we will talk about how ukraine will culturally influence france for a long time and finally, in october , the representative office of the ukrainian institute in france will be opened. i will remind you that the ukrainian institute is such a fedorite institution she is engaged in cultural diplomacy, she belongs to the structure of the ministry of foreign affairs. and we will talk with olga sahaydak, who is the representative of the ukrainian institute of france. she told a lot of interesting things, what will be the first steps , what are the biggest challenges ?

and we will also talk about the good russians. how without them, what can we do with them there? can we somehow resist them? well, now i will remind you of several new scandals that have taken place in our cult world, because you know in us in general, every day it's a shit that is taken from, well, sometimes it just falls on our shit from the sky and we sit for several days discussing it until it is interrupted by something else , but in the culture, something scandalous also happens steadily every week, but this week, literally days ago, a very it's funny, it's kind of heartbreaking for me, because you know very often some of our artists. but some of our artists took and moved after the full-scale invasion of russia, but as a rule, they rushed to moscow, st. petersburg, well they need to make a career, they went where there is more money. and here are such gentlemen as glib mykhailochenko and damir sukhov, they are actors, you

may not know them, but here it turned out that they are now in saransk. i had to go to google maps to see where this saransk is - these mordovians are not as far away as i thought, but they went here to make a film school and there are such, they did and opened it and now they say that everyone from six to 50 years old, we invite everyone to teach you the art of cinema , no one would know about it if it were not for the actor oleksandr lived because he found it from apostilles. by the way, i wonder why my colleagues didn’t see this before, because this is glib mykhailychenko. he talked about it quite actively on instagram and, well, he obviously had a lot of ukrainian e-e followers and somehow it escaped their attention. by the way, it is funny that at the beginning of the full-scale invasion, gleb mykhailychenko went to various events in support of zes, and even in the comments he wrote in ukrainian and was very mi-mi-mi and

then his parents moved to russia, they are already laughing they joke in the comments that the russian prosecutor's office should be informed about this, because do you remember the story with ani lorak and valery meladze , the prosecutor's office accuses them of helping to finance and financing the armed forces of ukraine well, by the way, sukhov, if you watch ukrainian tv series, god forbid, you you know and he played such roles , mostly negative characters, he was in mariupol during the occupation and because he worked there and prepared a film school because they planned this film school mariupol to make and open it in march 2022, but it didn't work out, and even then, when damir left for russia, he started giving various interviews to russian propagandists, and there he talked about the fact that the drama theater there exploded from the middle or that people from liazov

came and took it to people who didn't return the car, the wheels were shot, well, it's a nightmare in one word well, we hope that this publicity will not give gleb will be able to move to ukraine, stay there in russia, do his film school and so on well, what about one more a scandalous event, well, i don't know if it's scandalous, it's more like, well, it concerns svitlana loboda, lord, this is such a series , and radio svoboda reports that the singer came to refugees in warsaw, one of the largest centers for refugees, and brought some equipment there as a gift and gave them a small concert or they enjoyed it , the audience enjoyed her songs, i was completely surprised by these attempts of svitlana loboda to return to ukraine, see, in contrast to dymir, for example, hleba also wants to return

and every time she is unlucky because every time she does something wrong and cannot learn from her mistakes, the fact is that the correspondent of radio svoboda reports that many people simply left the premises . when she came, some people would stay to film her and ask some questions she is not very comfortable and svitlana answered something there , but there were also people who were happy to take pictures with her and take selfies. although i don't know , i can't predict the reaction when people on social networks will see this selfie, let's listen two women, two of our refugees, refugees who were recorded by radio freedom, what was their reaction, decided to go on, sing, you came out, he manipulates her now with ostentatious kindness , this is really disgusting. well, let's continue with something that is much more pleasant.

representatives of the film community remind us that since our cinema is not financed, but we are financed by television and various television series and television content, well, cinema may disappear and our cinematographers will not be able to go more to different events, but for now they go, for example, marina froda went to the festival in lokarno to show her film is steppe, and my mother is already old, she is dying and he goes to visit her, and there i understood so much , i remember some of my moments from the past, marina herself says that the film is not sad at all, on the contrary, it is bright and life-affirming. i will also remind you that this is one of the most prestigious film sites, and i will also say if you have forgotten that in 2011 marina proda won the cannes palme d'or for the short film cross and here

finally we got a full meter from her. if you are in italy right now, don't miss the screenings of the vampire dmytro suholytko osupchuk , they will take place until august 22. be sure to watch this film on the big screen, and in general, there were a lot of great ukrainian films being released there luxembourg, luxembourg, mavka, the same panfir, and so on. and ah, many of them are already on the online platform, you can watch them legally , but unfortunately, it is not always possible to watch it abroad, often there is no access, so take the opportunity, the movie is very cool, i love you i advise him, let's listen to the italian trailer, to the pity of the eternal lord, 10 days of viscount nazar 40 stolen well, and also to the festival in the heart of sarajevo in sarajevo, respectively, and

the crews of three ukrainian films are going to go for the first time. what is it called ? some events are happening, but also ficus avocado and six dracaena martys morchynska is a short documentary about things that ukrainians had to leave for one reason or another and lose and we will not fade away alisa kovalenko also absolutely recommend when it is released this tape tells about teenagers who live simply on the dividing line, the film in 2019 is also a documentary , extremely good characters are very nice, very

cool and i will definitely remind you about this film, i hope that it will receive some kind of award in sarayevo, not just any, but preferably on some of the best, yes, it will also evoke sympathy from the audience, this is also extremely important. well, now let's move on to the conversation with olga sagaydak and talk about how this cultural influence of ukraine on france, ukrainians on france will take place. i will only say that olga emphasized all sorts of things it won't happen quickly, because she gave such an example that some big exhibition is really resonant and cool in france, it has been planned and prepared for 7-5 years, you can imagine it, and some smaller one takes three or five. that's why you need to be patient

if we want it was all qualitatively, we will have to wait and prepare for it for a long time. after six months, the big exhibition will not take place anywhere. our interventions will be included in joint projects and in international french. for now, we will study . there will definitely be a big exhibition, but it will be such that they really said wow, the worst thing we can do now is to mold a dumpling, you know , it's so bad and to disappoint and that the worst thing that can happen is that later you know they all said no, well, we knew what, you see ukrainians can only do this. we should not give such a chance, that is, what we will do is large-scale, it must be really high-quality, and it must be such that the effect will take place, for this we need time, resources and trust in each other. i know what it is like, looking at everyone

shit that happens in space i really want to tell all my colleagues that damn we are cool and powerful but we need to trust each other more well, we don't have to wet ourselves, we have to treat each other very carefully yes to each other to each other i have the first question about who we are dealing with in general ago that i have heard from many people who are engaged in cultural diplomacy that france is one of the most terrible cities along with germany , that the french have a very strong sentiment for russian culture and it is impossible to break it, and even after a slow-scale invasion , something has changed, and that's why i want to ask how difficult this country is for uh , it is precisely the cultural influence of ours, well, on the one hand, it is all true, there is really great sentiment for russian culture, indeed, a

lot of french experts have devoted uh literally their lives working with russian culture, that is, for example, there is a group of sorbonne professors with whom we communicate closely, they defended their dissertations and specialized in the philosophy of dostoyevsky there or the aesthetics of tolstoy, and this is their profession , their bread, on the other hand, i think it is important to consider that as we are very we are changing dynamically and they are changing very dynamically changing and well we are still talking about a certain bubble i cannot assess the attitude of all the french yes but i am talking about people who work in the field there culture and education during this time, since the full-scale invasion, there have been very noticeable changes in the perception of russian culture by both russians and ukrainians, and for example, the same people who specialized in russian culture. and now they understand that it will not be a trend in the near future, they are looking for

themselves the opportunity, as it were, to acquire another qualification, other knowledge, and this is an absolute reason for us to enjoy adventures, that is , to offer now a different agenda and an alternative is well, simply, one of our main tasks is that we are interesting and they are clearly realized that well, they directly speak about it, they articulate that , unfortunately, they did not know anything about us, and they discover ukraine for themselves and see that we have an unploughed field there and that it is an area for work and study and research and restoration, that is, they see potential for themselves application of their professional knowledge, skills, and abilities, and this is again a reason for us to take advantage and give them such an opportunity, that's why the context changes, and we can't describe it

in the same way every time, it's exactly every quarter it is possible to fix the changes and what happened to the positioning of ukrainian culture in general, all these 30 years of independence will be taken. it is this period because i was also there, for example, at one time , they interviewed oleg the violinist at oleg skrypka's, he was there, he lived there, and he is quite pessimistic about i watched everything, everything was terrible, there were crowns of lard, we included everything at the time when the russians were doing something cool, so i’m going to ask what was happening in general, the positioning of ukrainian culture in france in paris, what kind of positioning was it, what was wrong with it or maybe there were some good moments that should be continued. well, in fact, i think that there was no positioning as such in principle, there were manifestations, and mostly they were of such an ethnographic nature, that is

, what they were able to do with them, they did not go often, because it was expensive, because in in principle, we did not have a state policy of any kind of cultural diplomacy. i think that france is not an exception, we simply did not make any special efforts to tell a coherent story about ourselves, moreover , since we did not have this concept as we we want to look like we didn't agree on this and internally not at the professional level, yes, well, it was obvious that those ukrainians who have been living abroad for a long time are a diaspora. they always have a certain sentiment towards such an ethnographic section, that is, embroidered dumplings and borscht, because they naturally miss it there. and that's why they strengthened their presence here. accordingly , we looked like an exotic country with such beautiful traditions, unique

, and so that you show yourself as a modern or developing country in which some phenomena, we simply did not make consistent efforts before that, so now we are starting to put time into it. well, unfortunately, culture is not a field where you can dynamically show something like that, really, the russians were very consistent, and since we are now studying there in the military field, yes, eh well, i think the experts there, how and what they did, how they strategized , we should also analyze this cultural intervention, because it was also about a truly very consistent presentation of russian culture. it was about large financial investments in presenting it. bright well, what is the value of several exhibitions that took place in paris

before the war there repin rouge red or i remember in the 19th year i specially went to see an exhibition of rouge in the grand palia i did not arrive in the first week and there were queues of french people standing on the street to get to this exhibition, well, this movie theater and away all spheres and of course it was very such a consistent work involving both large state capital and private again what is the history of the question at which he presented a collection of russian art there he conformists and the antengrund of the center of pomp, yes, that is, there is no truth. children, we did not make systematic efforts. we have what we have . well, now we need to correct ourselves. we will talk about money . how much money is there in the ukrainian institute of the representation

of france? and the main thing, of course , is to position us, our er, on our art , our everything, er, when will the opening take place? october, somewhere around the week from october 23 to 27, now the date is being specified and it will be a small office. well, there will be four people working there, but we already have a very good foundation because we have a very large one. i think during this time we have developed a network of partnerships and partnerships in such long-term we are building our policy in a slightly different way now, and it is also about money and approaches. that is, we are aware that since the russians we could not then, we definitely

cannot now, well, we are really helpless and the human resource is very small and financial that's why we reason and we want to involve the french themselves in the creation of the ukrainian , er, ukrainian agenda in france , we are betting on an expert environment. we want that in each expert environment from different fields, be it literature, music, theater , i don't know, philology, history, and for french to appear experts because, again , it is necessary to take into account that the french are a rather self-confident nation and about their contribution to world culture . they have an objective or subjective but

very high reasoning and therefore better than they will not tell their audience about us. well, let's put it this way, that is, we create conditions for the emergence of experts in ukraine, mysticism among the french in ukraine. such an epithelium yes, on which this layer of knowledge, experience and needs in each other will grow, and if we talk about measures because, well, if we say so, for example, there is the ukrainian institute yes, there are analogies with what was done in ukraine by the french institute, yes. people saw all these french spring there, all these events . was there a ukrainian spring in france ? are there any such events planned, which

are designed specifically for the french public and not for specialists? what could it be? what can a french person be interested in with ukrainian culture in cinema museums anywhere, well, it can be interesting for everyone, the main thing is how we package it, yes, but, of course, there will be events for a wide audience and, well, what exactly is the ukrainian spring it was so good the training ground is because we tested certain formats and we understand that , for example, exhibitions in public spaces , an exhibition of postcards from ukraine, which has already made a tour, it has already visited four cities and we have an application for a fifth city, it started in paris and then it was in er, nanti, and then she was in toulouse, then an exhibition about

ukrainian monuments and cultural buildings , what they looked like before the war, how they look as a result of war damage, this exhibition in public space, it was discussed a lot many people stopped and read the information. the format was good. we are really proud of it. this is the week of ukrainian drama. it was precisely because it was counterproductive. that is, it was the text of ukrainian playwrights, but they were read by french actors, and accordingly the audience listened not only to ukrainian drama. but she looked at her actors and it was very interesting that the actors, for example, it was such a performative reading, it was not clear in its pure form, that is, the actors were preparing, they were rehearsing and themselves the actors asked a lot about the context, for example, it was rumored about mina mazailo, then they asked what ukrainianization

is, why did this happen, why does this mina suddenly want to change her last name? and in general, what is the difference in the sound and what is happening ? we are also going to scale up and continue, of course, this concert and lecture programs , film screenings, but for now, the ambition is to do some very massive events for hundreds of thousands of people. to prepare for the fact that the french actively participated in this, as the russians actually did , they actually invited a french curator to every large-scale project, that is, they invested artifacts, they invested money