[000:00:00;00] it still rests on the soviet division with the development, in fact, it still seems to me from the 50s called the storm, which was in response to the american project confused with the creation and this project confused, and the storm, they all, well , in fact, brothers, because the concept of the project was confused in the usa in the 1950s and 1960s, the aim was to create a land-based cruise missile with a direct-flow lake engine, in order for it to have a virtually unlimited range, a range of 4.5 equator. it is objectively not limited and due to the low-altitude flight on at high speed to break through air defense and this missile was also quite cunning, it flew and dropped nuclear charges. and it was not put to the test, only that engine was tested, two units, and after that there were big problems , even with that, they are being stored, because even oleg , unfortunately, we have to say goodbye to you,

you tell very interestingly, i understand that it is news now should stimulate washington, berlin and other capitals to help us a little more in order to prevent the next probable stage with the third world, and how you say, oleg katkov, the editor-in-chief of defense express was with us, and then the news and anna eva melnyk is ready to share information. our special forces in the crimea, what is happening in the tavry direction and which country will help to restore the kakhovsk hess, more on that later, stay with us. last day, the defense forces destroyed 251 occupiers in the tavria direction, and another 20 russians surrendered in the last three days. this was announced by the commander of the tavria military group oleksandr ternavskyi. however, the enemy is not it seems yesterday, he fired 732 artillery rounds.

simultaneously. our defenders destroyed 16 units of enemy military equipment, six artillery systems, two drones, seven cars and two muscovite ammunition warehouses. about hundreds of ukrainians return from the occupied territories every day. alyona lunyova, director of the zmena human rights center, said about it. civilians can cross the border of the russian federation and ukraine in the sumy region. this checkpoint works only for returning citizens. of ukraine. lonyova added that the federal security service russia often interrogates those who want to return home. i would like to note that since the beginning of the great war, almost 3 million ukrainians were deported to the territory of the aggressor country. i don't think it looks like a regular crossing point, because it's a military necessity to have such a crossing point for humanitarian purposes, but it's functional, and that's what i think it is for

many. perhaps it becomes a saving grace for the residents of the occupied territories, just a lifeline in order to leave the occupied territory and return to the controlled governments of ukraine. locals were terrorized residents the security service neutralized the gang in the kirovohrad and odesa regions. the attackers demanded money, cars and real estate from people, and in case of disagreement, they threatened to kill relatives. for example, in odesa , a gang artificially resolved the conflict. age, and then demanded that he rewrite his man's apartment. in addition, the attackers sold russian weapons and ammunition that the invaders left on the battlefield. the law enforcement officers detained the perpetrators, they tried

to sell the enemy machine gun and machine gun. bookish the forum returns to lviv, this year the literary festival takes place in a hybrid format, viewers all over the world can watch it in ukrainian, english and spanish, the program includes 150 events in five locations, there will be discussion panels, a children's program and a publisher's program, as well as talks dedicated to honoring the memory and creativity of ukrainian writers victoria amelina and volodymyr vakulenko who died in the war, an interesting creative path, this year we are actually returning some elements, so at the request of our partners, participants, visitors, in particular, we will try a different format, in a different location near the gunpowder chamber, we will hold a fair for 50 participants , this is the first time we went to an open space, we changed our design a little, but the participants are the best publishers from all over ukraine, these are well-known publishers, yes, which are loved, demanded by our visitors, on the other hand we want to present also the newest publishing houses that have already been created during

a full-scale invasion. there are no small donations or insignificant help, the espresso tv channel and the vesna charitable fund collect funds for the purchase of modern drones for our scouts. unmanned aerial vehicles are needed by the 23rd individual. a battalion of the armed forces of ukraine, which is fighting in the hot donetsk direction. our goal is uah 1,900. thanks to you, more than 9,000 have already been collected. we ask that you actively donate. that's the way things are for the moment, i'll see you at 5 p.m. and then my colleagues will continue eterso. be near. antwerp shakhtar on megoogo in the matches against the belgian champion, the miners need to score

maximum points. on october 4 at 19:45, support the victory of shakhtar, turn on the champions league exclusively on mego. people and ideas that protect and create. ukraine, the sixth via carpathia forum, the future of tradition, ukrainian in the global world , ivano-frankivsk, october 14 and 15, discussions about the challenges of time and the projection of the future, meetings with warrior writers, in the center of events, the performance of the nation by the frankiv drama theater, the annual meeting place strong, honest and unique people, traditionally in the carpathian region, see eter espresso, come to the events of the forum in ivano-frankivsk, with the support of the ukrainian cultural fund. under the protection of our military. there are discounts on tablets helpex, 20% in pharmacies podorozhnyk, bam tashchad. there are 15% discounts on bulgarian valerian tablets

in podorozhnyk, bam and oskad pharmacies. the roof is a project about the feeling of home. our roots, about identity, it was the child who built it, my great-great-grandparents built a house behind us, about what the old ukrainian architecture brings to us today? good architecture is not necessarily made with the participation of an architect. churches, mills, houses, mazankas, it depends on us, will these buildings slowly fade into oblivion? the wooden church is a phenomenon, indeed. that's in it is still alive in the ukrainian village. will we still preserve our past? there is legislation, why doesn't it work, we have a democracy where people do what they want, a cult. about ukrainian folk architecture, its features and ways of salvation in

a documentary series from the ukrainer project of the attic. on saturday at 11:15 for espresso. collaborators, who surrendered ukrainian cities to the russians? ukraine is a terrorist state , we have been convinced of this since the age of 14. but how to sell your own conscience for small rubles and fake positions. our future is with russia federation. we must know the traitors in their faces, watch the collaborators program with olena kononenko, every wednesday at 5:45 p.m. on the espresso tv channel. i congratulate you. this is svoboda live on radio svoboda. we have already come to the snake itself. footage can shock you, news from the scene, live, drone attacks, kamikaze, political analysis, objective and meaningful, there is no political season, exclusive interviews, reports from the hottest points

of the front. freedom life frankly and impartially. you draw your own conclusions. vasyl's big broadcast winter two hours of airtime, two hours of your time, two hours to learn about the war and what the world is about, two hours to keep up with economic news and sports news. two hours in the company of favorite presenters, presenters who have become like family to many, as well as distinguished guests of the studio, events of the day in two hours. big broadcast of vasyl zima, a project for intelligent and caring people. espresso in the evening. today at 19:00 in lviv , another, but unusual, lviv book forum, the lviv book forum, will officially open. about literature during war, we will talk with ostap slevynskyi

, a poet, translator, literary critic. glory to ukraine. ostape, you are welcome. glory to the hero, congratulations. well, what if we are talking not about the organizational, but about the conceptual difference of this year's publishers' forum. in lviv, we understand that there will be fewer people, perhaps not all publishing houses will be represented, but this is not the most important story , we understand that it is about a certain stream of consciousness and about the reaction of the so-called ukrainian literary environment to the biggest war since 1945 , like yours do you think this is happening in the current concept of book form? first of all, it is very important that the forum is taking place, and it is not even taking place in a hybrid format, as it was last year, because last year, i will remind you that in the 22nd year , the forum, the book forum, took place, it was very fundamental and it is important not to make this hole.

yes, not cancel the forum because, because of the war, and it took place, but it took place in a closed format, more in an online format, this year, it will be the forum that we know since 94, uh, it it is very important for us, for our cultural community, readers, publishers, that the event lives and lives in a live format, that is , there will be events, i will remind you once again about the whole case that this year, and this is also a difference from many forums, the entrance all events are free, this is also important, some events will take place in a mixed format, i.e. some of the foreign guests and some of the ukrainian guests will not be able to come, but the main emphasis this year is still on live

events, that is, on its live audience , or of publishers who come and listen to live authors and speakers, the change has certainly taken place , we cannot pretend that this is the forum that was before the 22nd year, first of all, because of the topics, the topics of most of the panels, most of the discussions will be related and with how ukraine, as a society, as a state, as an institution, ah, and how, how a culture survives the war, but there will also be many conversations about how to preserve, how, how, how a society after war, we will have very interesting speakers, such as, for example, slovenka drakulic, who can say a lot about the post-war situation society and the state, about that and, in particular, about a very important thing

that concerns the prosecution of those guilty of war crimes, if we talk about the request of the society, about the demand, i understand that the day before, there are literally hours until the official start of the forum, maybe about this it is somewhat difficult to say definitively, but still , you probably have some kind of analysis of the situation that readers want to read and see now. we remember this almost 10 years ago, when the war actually began, with the invasion of the east, in the donbass, when the crimea occupied the little green men and occupied the ukrainian territories, there was a lot of literature, actually, from there, literature about those events, and there was a crazy demand for them, so it is now a year and a half of a full-scale invasion, people are already exhausted, alarmed, very painfully experiencing this war .

do they want to read now about the war, or maybe they want to read something that will help them somehow survive, so many people from the beginning of the war, a full-scale war, remember viktor frankl, so they want to read such literature, maybe some reflections on as it was after the second world war, and perhaps , on the contrary, they want to read something that was written even before the war, so that somewhere there at least they could swallow this kind of normal life, if only through literature. i would say that there is the other , of course, we cannot abstract from the theme of the war, and some of the ukrainian female authors now very rightly say that the theme of the war, the reality of the war, will define ukrainian culture for many years after the end of the war. even when we do not write about war, when it is not the main topic, it will still be present somewhere background, and here are, for example, authors from south-eastern europe, from the balkan

region, who will participate in the forum this year, which is true online, in addition to the already mentioned slavenka drakolic, there will be, for example, a very interesting author from sarajevo, who survived all the years of the siege of sarajevo, ozren-ke in translation, kateryna kalytko, his wonderful book sarajevo for beginners came out, and this is , by the way, just a partial answer to your question, what ukrainian, ukrainian audience now wants to read, and this book sarajevo for beginners kebo, entered such a phase repeated in the 22nd year, it was actively requested in bookstores, and as far as i know, there was even a need to make a reprint of this book, this is a book that helps to survive, dramatic circumstances,

that helps not to lose oneself in such a challenging situation military challenge, if he will be one of the guests of the forum this year, though. online and another one, another author, very important, who will also be joining this year online, but i hope that maybe next year, when his booker prize-winning novel time vault is out, he will come to us, this is heorhiy gospodinov, who also has a lot to say about how to hold on as a society in times of crisis, and also how to cope with difficult memories, which will definitely be ukrainian society, well, did you remember slavenka dracula, or we understand that it is a huge trauma, war, it is a huge trauma and war is not just there, some kind of completed or abstract, some kind of war that happens in literature, that is, a war that constantly kills every day, society

interrupts huge traumas, even just it is scary to think about the traumas that are now in our society, on the other hand, slavenka drakulich, so she was forced to leave croatia, so from her native croatia, which ukraine very often takes or looks up to, so in certain such social or patriotic trends, and here the key story is whether, for example, slovianko drakovic will be ready to talk about how we can avoid certain things that croatia experienced after the seemingly victorious war, but not everyone was able to live in croatia, and this applies without exception, probably. all countries who survived the balkan wars, that is, it is very, very subtle and very difficult there, i would , of course, the experience of croatia can show us a lot, the experience of croatia, the experience of bosnia and herzegovina, but still you cannot

draw direct parallels, croatia is a country , which has a different history and a slightly different background, especially bosnia and herzegovina. hmm, what, what, what is important, what slovenka drakolic, ozren kebo, milenko yergovich, and the late , unfortunately, dobravka uugrisych, who is also worth reading, can tell us now, come, of course she won't come, but she left, left very important literature for us, they are problematizers, these authors and authors, problematize in general, itself, yes, the issue of dialogue itself. so that when the readiness for dialogue comes, and in particular milenko yergovich, who, this year, he will not be at the forum, he has been coming to us for many years, and i hope that we will see him live, maybe next year, he is worth reading, in particular, due to the fact that he asks questions

that we are not yet ready to accept, he asks them because this experience for for bosnians and croats already in the past, in the preface to a book of essays, which was recently published just before the beginning of a full-scale invasion, she calls it, it has such a name, which name itself can even provoke us a little now, put us in an uncomfortable position , it is called, the victims dream of a great military victory, and in the preface to this book, he says that at a certain point there is an objective need for dialogue, and we all understand that we are not ready for this now, we now we don't want to think about any dialogue with an occupier, so this is absolutely unacceptable for us, but these authors and authors, even with

their very presence, force us to go beyond the boundaries of some horizon that we can see for now and still ask ourselves, or maybe at some point after all this necessity will arise, and because we all understand that objectively russia will not disappear anywhere, it must change and we must be the factor that will change, but this rank, this, it will be, it will be hard work, which will also require us to transgress very often because of our own unwillingness to do so, by others with hands, and with hands, some... no one in our country will be able to help us, so to speak , except for ourselves, except for ourselves, so no international organizations will do this, in fact, you said about hard work. and my next question is precisely about this, one of your books, in fact, was recently published in vivat, a dictionary of war, it is documentary

evidence of those people who fled from the war, as well as those who met them at the lviv railway station, how difficult is it , in general, how it is to work with, it is difficult for me to name it content, yes, that is, how difficult it is to work with this material, with such evidence, how difficult it is to work with the theme of war in general for a writer for a poet, or how do you actually interpret your work today in comparison with what was before february 24, do you rate it equally, so equally valuable, or do you think that maybe those previous topics were not so worthy of reading, because i actually heard such theses from writers that sometimes i just want to hide the table somewhere and stop printing. what was written before february 24, that's all has it changed and it is no longer relevant?

i absolutely do not agree with this, with this approach, i understood that it is driven very often by some emotional factors, but we should not cultivate a time gap, cut off our conventional pre-war life, because actually where is that pre-war life, when it ended, yes in the 13-14th year or in the 22nd year. but in any case , there is no need to cut off what was before the full-scale invasion from what we are experiencing now, and this is also a very important factor in our, also psychological return to, relative normality after the victory, we must remember what happened before the full-scale war in order to see this landing pad, of course, it will no longer be like that, but we have no right ... our pre-war, relatively speaking, experience, so we must return to

what we wrote before, it should be published, but with regard to the dictionary of war, how is it, where did it come from and was it difficult to work with these texts, with these stories, to be more precise, i would say that the dictionary of war began from the impossibility of describing reality in familiar words, from feeling the inability of literature, if you will, which overcame... many of my colleagues and myself, in february of the 22nd year, as of the spring of the 22nd year, when it seemed that the language of our literature, and in general, our language, was not capable to describe the reality in which we found ourselves, and here , reality itself came to help me, that is, it already came with certain words, people who came, who experienced very often terrible things. they told and it was necessary to simply listen, listen carefully, record,

write down and pass on, pass on not only for ourselves, as a community that must accumulate this memory, but also pass it on to those on whom the sentences of criminals will depend, because to a very large extent these documentary texts, which are now being written and published on the basis of testimonies, witnesses, victims, participants war and even poetry, er, which has been written very intensively for the past year and a half, er, quantitatively, yes, and qualitatively, er , qualitatively, too, by the way, yes, this is a good question, but i would also underestimate the quality of this poetry, mm , among, er, a very large number of poetic texts that were written after the 22nd, 24 feb 22, i managed to select over 500 pages of quality poetry. i am referring to the anthology called between the sirens, new war poems, it was also published in vevata not so long ago, and it is

more than 500 pages of high-quality poetry, isn’t that enough, that is, it shows that ukrainian literature is currently experiencing an upswing, no matter how strange it sounds, at one time oksana stefanivna zabushko very harshly assessed, so to speak, the cultural scumbag, know-how, or those people who, in particular, are in the surrounding environment environment, they say that very often someone there speculates on the war, that is, i do not give a verbatim quote, yes, well, but we understand what it is about, that is, there is a nerve, there is a vision, there are experiences, there are feelings, i do not want to list them by name those artists who faced the war, there are people who would like to be developers, so to speak, from culture, but this is another story, i would like us to go down with you to the earth, to the sinful earth, on which the book forum will take place . so, zabushko will come, zhadan will come, who else is among our classics, shklyar

will come, er, a large part will take, by the way , ukrainian authors are also online. there will be, oleksandr metviychuk, there will be, er, there will be, oleksandr mykhed, iryna slavinska will present her new book, there will be a night of poetry, zadan will not come, but there will be, well, he will, he is probably one of those who, who was needed would be cloned now, in the interests of all of us, so that he could be in a bunch of different places at the same time, because he , by the way, quite recently there was information that he received another swedish award, it is not a nobel, but it another very prestigious swedish award, that is, it is really a very important ambassador of ukrainian culture and our messages, as well as oksana zabushko, it is very important that authors from abroad come to us, i mentioned slavenko drakolich here, but there are several other

very important ones names, and not all of them will participate online. and some will come or have already arrived physically, for example, this is timothy garton ash, who is coming to ukraine for the second time, during the full-scale invasion, i will remind you that timothy garton ash is a british historian, an essayist, and one of the architects of europe after the fall of the berlin wall, and a very, very important ambassador of ukrainian, ukrainian messages, yes our, yes er, our ideas in the west. which, in particular, is published in the guardian and other influential publications, he will participate tomorrow in the discussion about the marshall plan for ukraine, because he is actually one of the authors of such a marshall plan for ukraine, he will also come, one of the very important participants of this year's forum , this is perhaps not super well-known to the ukrainian

audience, an american writer of turkish origin of elif batuman, who conveys to the west another very important message for us: why do you need to either refuse or radically reread, critically reread russian classics, because she is a person who was brought up on russian classics, well, it just so happened, that's how she taught in - in hungary after the fall of communism, and she is what she actually is, she has no ukrainian roots, she has no russian roots either. she is a person who came to russian literature from the outside and now she calls from the outside to critically reread this russian literature, she will come, also, among such very important authors who will be this year, this, henry marsh will come, he will come, a great friend of the ukrainian people, a legendary doctor, aibolit, surgeon, neurosurgeon, and so on and so forth, man, man , which

is directly connected by ukraine, by some kind of invisible umbilical cord. yes, yes, er, there will be, there will be napplebom, which, well, it will be online, with authors who will come live, another very important author for us, this is peter pomerantsev, who, well, writes, unmasks the mechanisms of russian propaganda, and too an influential author in the west, there will be very interesting reports, ah, who will also physically come, it will be wojciech tokhman. he will present the ukrainian translation of his report on the genocide in rwanda. it is very important to see the events in ukraine and russian violence against ukrainians in a broader historical perspective. it is very good that we are reaching these horizons. there will be luke

harding, a reporter who brings very important messages to the english-speaking audience about. us, thank you, mr. ostap, i already want to take it and run and listen, watch and read, unfortunately, we have to say goodbye, because time is catching up with us, ostap slyvinsky was with us, a poet, translator and literary critic, and we will remind you that, despite everything , a book forum is starting in lviv, and i hope that the book forum will continue forever, that the book forum will actually allow you to feel this nor... this habit, and eventually return us a little to such a normal life, now is the time for news, anna eva melnyk is ready to share information about the most important things. greetings colleagues, thank you for your work, the news editorial office continues to work in this edition, in particular, about how in austria sees the end of the war in ukraine,