[000:00:00;00] diplomat, come to our program at 20:00, i will wait for you, we put an end to it , i wish you all good health, take care of yourself and your relatives, goodbye, congratulations, it is 11:00 on the clock, which means that the time news on espresso, kateryna shirokpoyas works with you. 11 shellings per day on kherson community. the enemy used 35 shells, said roman mruchko, head of the city's military administration. at night , the occupiers shelled the city from the ponadnipryansk, podnadnipryansk rocket systems. and

as a result of the shelling in the village of the youth school, damage was also recorded in prydniprovskyi, komyshany and antonivka. attack on kryvyi rih. in the evening, the enemy fired a rocket at a cottage cooperative in the dnipropetrovsk region, a 60-year-old man was killed, his wife is in serious condition, the hit caused a fire in the house. this was announced by the head of the regional military administration, serhii lysak. at night, the enemy struck the city again. they flew rockets and rockets, damaged industrial infrastructure facility, building caught fire, passed without casualties. new tactics from the enemy. it was the first time russia launched missiles and guided aerial bombs simultaneously during the night's shelling. natalya gomanyuk, head of the press center of the southern defense forces, told about it. according to her, previously the ukrainian military did not record the simultaneous

launch of cruise missiles and cabs, thus the enemy tries to deliver a maximum blow, because it knows that the zsu cannot shoot down aerial bombs. another 790 club-footed russians will be taken home in black bags, and such since the beginning of the full-scale invasion of the aggressor in 29,300 were added to ukraine . 21 units of automobiles and five special equipment will no longer go, and in the sky, ukrainian defenders destroyed four drones. the final data from the general staff of the armed forces are being clarified. the new traffic rules were approved by the cabinet of ministers. from now on, car drivers outside the settlement must always turn on the daytime running lights, and in the absence of them, the dipped beam. previously, this requirement applied to the autumn-winter period.

the rules for the transportation of children were also established. with a height of up to 150 cm, all must be in car seats, it is forbidden to put minors on the back seat of a motorcycle and moped, except in special cases. today , the rafah border crossing between the gaza strip and egypt was opened at 10 a.m. local time. the united states embassy was the first to make such information public. before the opening, diplomats warned of a chaotic situation that could arise on both sides of the crossing. let me remind you that since the beginning of the conflict, international mediators have been working on concluding an agreement on opening the border with egypt. this will allow evacuation of the gas sector foreigners and in particular more than three hundred ukrainians. china was urged to influence russia in the european union, and the united states issued a joint statement following the results of the eu-us summit.

its members ask china to use its authority and persuade putin to end the war in ukraine, to withdraw troops from all occupied territories. the european union and washington also declared their readiness to build constructive and stable relations with china. books and films for blind ukrainians in five months in lviv adapted three films, the same number of books printed in braille and created their audio versions. the project was implemented by the ukrainian association of the disabled together with the resource center of the lviv polytechnic. let's find out how the lviv team takes care of the cultural development of visually impaired people. mykhailo petriv has not seen the world since childhood. the man came to the premiere of the film vladyka andrey. the film was created using a special technology that allows visually impaired people to independently understand what is happening on the screen. i want to watch this movie,

of course. because we have already heard the announcement and know that this film is so difficult, if, well, i want to watch it, to understand everything , especially since it is performed in a very good audio description, as part of the cultural and artistic project to overcome the past of ukraine in events and personalities, three films were screened in lviv for people with visual impairments, the tapes tell about historical figures who influenced the formation of our statehood. these are the films assassination about stepan bandera, invincible about roman shukhevich and vladyk andrey about the metropolitan. andrey shabtytsy, all three films were shot by the director oles yanchuk. the project brought together a team of professional actors, artists, sound engineers and editors. movies have become accessible and understandable for blind people. thanks to the comments written and voiced by

the singer yaroslav nudyk. the man explains how he works on adapting the story. i watch this movie, maybe 50 times. you know, to write, to, not just, not to spoil it. not to spoil the director's idea, then, in order not to interfere with the actors' speaking, you know, in the pauses, andrey enters the yard, greets the children, the children in the house surround andrey, the metropolitan is dressed in a long white sudan, on his head is a slovenly crown, in his hands is a long wooden stick. the children barely reach andreev's waist, the metropolitan towers over them like a good shepherd among the little janis. in addition to the film, three books were made, and an audio version was made from them, the publication lyubomyr

huzar, outstanding ukrainians, an encyclopedia for the curious and overcoming the past, the global history of ukraine. all text is written in braille. in total, 640 copies of the books were printed, and the relief drawings were created by the artist elvira boson. we we look with our eyes, and the blind look with their fingers, already when you create a picture, you have to take into account this relief and how a person can shield, according to this, the saturation of some elements and lines, conditionally, even a centimeter square must be taken into account, some texture must be taken into account, the complexity of the line must be taken into account. the ukrainian cultural fund allocated more than uah 8,000 for the project. the books were transferred free of charge to special inclusive libraries and to regular regional libraries so that children and adults could read without restrictions. kateryna oliynyk, andriy polikovsky, espresso tv channel. almost uah 235, and you and i collected this in just a few

days. to those of our viewers who have not yet donated, i will remind you that we are collecting two night vision devices for the soldiers of the 12th brigade of the 2011 battalion of the verkhov territorial defense. military personnel already. for months they have been holding the defense in the zaporozhye direction and have not given the aggressor even a centimeter of ukrainian land. our goal is 342,000 hryvnias, a little more and we will be able to please our defenders, and they will be settled with new numbers of destroyed occupiers. this is all the news for now, to learn more, follow our issues in teteriso, we will see you at 12 o'clock. did ukraine transfer western weapons to hamas militants? a video was circulated on the internet, in which the terrorists allegedly thanked for receiving weapons to fight israel. true or fake - my colleagues from

franz-24 will tell. further. and now the truth is that these fakes with vedika are so bad. information that ukraine allegedly supplied weapons to hamas even before its attack on israel on october 7. tell me in more detail, please. that's right, there is a video on which you can see the weapons that ukraine allegedly has sent to the hamas group. and it is interesting that the date of publication of the video coincides with the date of the attack on israel, october 7. the duration of the video is only 11 seconds. on it we can see a pile of various weapons lying on the floor, in the background someone can be heard speaking in arabic, which in translation sounds like: we thank ukraine for the provided weapons, which we will use against

our enemy israel. thanks to reverse image and video search technology, i was actually unable to find out anything about the origin. video, the only thing i paid attention to was the platforms it was on published it is clearly about a russian account. in social networks and russian-language telegram channels, and therefore i definitely questioned the authenticity of such loud statements. so, you managed to find where the video came from and whether you managed to confirm that it is nothing but a fake. in order to find out, to understand the contextual details, i spoke with two expert analysts. and my first expert is a weapons specialist who

has followed in detail the entire arsenal at the disposal of hamas. and he told that the weapons shown in the video were never used by hamas. the first footage shows this weapon, namely the javelin portable anti-tank missile complex, which hamas has never used. it is also visible here on the left. m240. it is interesting that both types of american-made weapons, the use of which we recently observed in ukraine. my second expert, who examines open sources of information, shared that there is no evidence as to why these particular us-made weapons that were transferred ukraine, ended up in the hands of hamas. he added, each cream. since

the beginning of the conflict, there have been no reports on israeli pages that such types of weapons were among the weapons seized from hamas. after all, there were no such messages even on the official hamas telegram account. instead, among the weapons seized by israel are products of israeli, iranian and lebanese origin. hamas has not expressed itself in any way regarding relations with ukraine. and after all , all hamas videos posted on their official account always feature theirs logotype. in our case, there is no logo. both analysts suggested that the weapons we saw in the video are most likely western aid to ukraine, that is, weapons that soldiers leave behind when they retreat and that could have been seized by the russian military, in their opinion, the video was filmed either in russia or in ukraine . this is very interesting, in particular. if we take into account that footage from the video was used, if i'm not

mistaken, in a false bbc story that promoted the narrative that ukraine supports hamas? yes, we've seen it before, in one of the social media was a hoax about a joint collaboration between the bbc and the bellingkat investigative journalism community, the video shows the images we mentioned earlier today. interestingly, the video uses the bbc logo and their graphic style, which viewers immediately recognize. this fake video claimed that the government of ukraine had given hamas most of the weapons that were used in the attack on israel. however, this video is not published on the official bbc sites. it is interesting that in the message hamas

is called a terrorist group, and in the bbc after a flurry of criticism, they announced that they would no longer be called that in their content. representatives of belinyk also deny, claim that the video is fabricated and that there is no evidence of cooperation between ukraine and hamas. therefore, taking into account everything that we managed to find in the framework of expert analysis, everything points to the fact that this video is fake and was created by russian accounts with the aim of further discrediting ukraine. the fact that an entire fake investigation was created indicates how wide and deep the propagandists are aiming to operate. indeed, after seeing these videos, it's scary how far you can go when it comes to fakes, so we should be

extra careful and critical about the information we consume, it was vedika bahel, the truth or fake and we, having finished, went to look for a new house. and they found a green house and a room in a dark grove, in meadows, in wide steppes, in bayiraks,

steep, deep, everywhere there is a house. this is a new series of the attic documentary project, and this time we want to tell you about what we found while traveling through central ukraine, namely, amazing hundred-year-old windmills, restored mazankas of the poltava region and the outskirts of kyiv, and unique ukrainian modernism, imbued with folk culture. the end of the 19th century in general in the european world is a departure from the first classical models, greek, roman, or their substantial revision, and a departure from historicisms, and that is, each

country began to develop its own approaches to what it should be, indeed, fashion on the italian renaissance of neo-baroque, neo-gothic style, which at one time filled all the european cities of that time and made them similar to each other. then young architects began to look for new individual styles. this style was called modern, or new, new art. this is the beginning of the 20th century. this is a huge rise of the ukrainian idea, it is already the appearance of ukrainian political parties. ukrainian literature, ukrainian painting, and ukrainian music are developing rapidly. the ukrainian theater, this, this elevation, this, this had to be felt. on the territory of ukraine, the question actually arose as to what this, universal arnuvo trend should be, whether it could incorporate some elements of the traditional

ukrainian architecture. the question was whether ukrainian architecture and ukrainian culture even existed outside the village and outside the church, because in general, such a doctrine at that time was that ukrainian architecture is peasant, ukrainian culture is peasant, and further than baroque churches 17, there the beginning in the 18th century , it did not show itself, and it was precisely with this thesis that architects began to struggle. a unique project in a completely new wedding style at that time. on voloska initially, the top management from moscow imposed a project typical of the russian empire at that time, in the style of the french pseudo-renaissance. and despite the resistance from the representatives of the zemstvo themselves, in 1901 construction began. but in a few years

it was possible to stop it. the majority of zemstvos voted that the project needed to be replaced, and finally in 1903, when construction was already underway, that is, the perimeter of the building had already been determined, construction began walls, construction was frozen, a tender was announced for the project, a new project, well , roughly speaking, it was a facade project, because the plan was already more or less established. six projects were submitted to the competition, among which was the project of 30-year-old vasyl krychevskyi. at that time, he worked as the chief assistant of the very famous kharkiv architect oleksiy beketov. krychevskyi had a lot of practical experience. in addition, he traveled a lot in the villages of the present kharkiv oblast, sumy oblast, poltava oblast, explored ancient churches, researched the arrangement and decoration of ancient houses, which colors were used, which ornaments were used, which carvings were used, which materials.

the jury of the competition included an artist, serhii vasylkivskyi, well-known from kharkiv, he knew krychevskyi, and of course he understood that krychevskyi was their hope. now show something radically different. krychevsky's bold project was also supported by the well-known ethnographer and architect opanas slastion, although the other members of the jury were not yet ready for experiments in a new style. when it became the question about krychevskyi's project from the first there were two votes against six for him, but after the speech of the slastion himself, he was listened to, and in the end krychevskyi's project won, and we now have a ... priceless masterpiece of the ukrainian style in poltava, then this is incredible, this , this is our, this, this is our treasure, today the building of the poltava zemstvo. operates as a local history museum named after krychevsky, walking through its halls you can not only marvel at the scale of the implemented project of urban architecture,

but also see hundreds of references to folk architecture and decoration, which previously did not go beyond the boundaries of the village. regarding the references, yes, they are so general, they are not specific objects, yes, they are general types of objects, this is a wooden church, we can see it in the towers, we see in general these inclinations of the walls, the external facade, if look carefully they are slightly inclined, they are not vertical, because in this way they refer to wooden churches, which were built in this way for moisture resistance, but this gave them great beauty, slenderness, and this slenderness is translated by krychevsky here, it was very difficult, honestly, uh, to say the least, the builders didn't want to do it, they wanted to make everything simpler, but krychevsky insisted that it was very important, it's a traditional hut, but the hut is not so ordinary. and a wealthy house: the red stripe that runs along the main facade is again from the tradition of painting with red ocher,

painting the walls of ukrainian houses, so he transfers this example to this building. the shape of the roofs of the building of the poltava zemstvo, an uneven triangle, as well as the characteristic slope of the roof, also a tribute to ukrainian tradition. it this is precisely the attribute that is more characteristic of slavic, including mostly ukrainian buddhists. tradition and it is not there conditionally in northern europe , here we dealt with specialists, architects, who say oh, you have such roofs, but we have not seen such, then this is a characteristic feature, just for them, they immediately distinguish it, and of course , buildings in the ukrainian arnovo style can be easily recognized by their hexagonal windows and spiers. in the building of the poltava zemstvo, the spires are crowned with symbols of the sun. they are just very were also common in the cult. and in the civil architecture of the 17th-18th century, if it was a civil building, it could not

be crowned with some cossack cross, it was crowned with a glow, it was a symbol of elevation, a symbol of progress, a symbol of development, it was extremely important, separately , i would still point out the importance of ornaments, such as the tree of life, but it is constantly present, the use of a ceramic facade is not traditional, we do not have such examples of all-ceramic ones, but also in ukrainian churches of the period of the ukrainian baroque, cossack baroque, we know about the use of ceramic decoration on facades, we know about the huge practice of spreading the use of ceramic tiles in the decoration of interiors, and furnaces, and parts of other rooms, as it were, and krychevsky carried this tradition outside, that is, it is manifested in this it is not a banality, it is not in the forehead, it is not just an enlarged house, an enlarged church, it is not an enlarged hetman 's tenement house, he interprets it very competently,

patriotism was brought up in elements, in details, then there between the first and second tier, coats of arms of poviats of poltava province are placed, and there are lubny, and there is pyratyn, and there is gadyach. an important feature of modern architecture was the locality of both the materials themselves and handicrafts; for the implementation of the project, the architects involved individual local craftsmen and entire local industries. ceramic coats of arms were produced by the myrhorod art and industrial school. ornamental eyes, all compositions were made by opishna masters. separately, there were orders for the carving of an explosion. we see it also on the door, it is the carvings inside, this is the carving of the balconies in the main hall, the reinforced concrete is used, which makes this building very modern, many metal structures, that is, here ... serious industrial productions and craftsmen worked before that, and we can see this especially in

the ceramic decoration of this courtyard entrance, these tiles, which are there, they are essentially different from the others, they are more folk, more irregular, somewhat chaotic, because, once again , krychevsky specifically wanted to give an opportunity to present the entire spectrum of these individual masters who make such naive art, they are also here... represented, in this way this building not only became a visual example of some ukrainian ornaments, symbols, colors and so on, but it also gave work to all these industrial productions that at that time were not in the best condition, because industry gradually displaced all national productions. the building of the poltava zemstvo not only reflected the general european architectural processes of the development of the arno. but he also personified that mad internal wave of ukrainization that raged at the turn of the 19th and 20th centuries

centuries it is interesting that ukrainian modernism proved that ukrainian architecture can be. ukrainian, civilian, full-fledged, that is , can we take this work of ukrainian modernism? probably we can and probably should, but we definitely shouldn't build new buildings with domes, hexagonal windows and say that we are reviving the tradition, we should go further. yes, modern architecture should correspond to modernity, and at that moment, the building of the poltava zemstvo was the personification of the modern, modern era. he not only became a star of ukrainian modernism, but also a madman impetus for the development of style. then buildings in the style of ukrainian modern appear throughout the poltava province, the kremenchug zemstvo also orders in the ukrainian style, in sorochynets in khomuk credit societies in the ukrainian style of ukrainian modern. in myrhorod, there was a whole complex of water spas, mud spas, the myrhorod resort was built anew in the style of ukrainian art nouveau. one of the founders of the style was the

previously mentioned opanas slastion. opanasovich. at that time, he was a well-known teacher at the mygorod academic school, a connoisseur of ukrainian of the past, ethnographer, graphic artist, public figure, musician, kobzar, that's all about him. opanas slostion was born in the city of nogaisk, which is now in the zaporizhzhia region. after receiving an education in st. petersburg, he returns to ukraine and begins to actively develop ukrainian culture. he chooses the provincial myrhorod, while it was little known, the deposit was still open. water teaches children , develops, pottery, ceramics, he had many constructions of floating in the myrhorod region, and the peasant union, and the myrhorod resort, and the cooperative societies, but all of them did not reach us even in the porudinam corort, but it was

the school, this building, something other than a pilot project where you... the embedded idea of ​​opananas georgiyovych slastion, one of the creators of the ukrainian architectural style, reached us. the school, the zemsky school, it is still the decoration of our village, this pilot project was extremely successful and already in 1912 schools began to be built en masse all over the lohvytskyi district. there were 54 of them - these are the ones that are known today, this is now the territory of sumy oblast and chernihiv oblast region in our lokhvytskyi region, most of them remain in such a condition that you can see and even visit inside, until somewhere in 1993-5 years, we even had children studying here. currently , two museums operate simultaneously in this building: the museum of education development and

the museum of folklore. this is the only educational institution that... the event to this day by appointment, as an educational institution, this is all, this is all our achievements, these are the children who performed, up to the eighth grade, yes, from the first to the eighth grade we have, we have there is no ninth it is warm in the school, it is an ecologically clean school, there is another room like this, well, nowadays, it is a fabulous amount to build, build a similar room, it is a reconstruction, of course already... in the 90s, when central heating was installed, heating was done when the children studied here, the room is warm in general, the walls are extremely thick, probably 60-80 centimeters, and you can see that the foundation itself is extremely high, this again says something, that the room is very, very warm, so i invite you to school to

ours, this is the fireplace in front of you, here, of course this door has already been replaced, and this is in its original form, which was used during the construction, this is at the beginning of the 20th century, then they were heated by these fireplaces, they were on this side, here you see, one, two, over there a third, and here is a fourth, school buildings are especially impressive, if you remember where children studied before that, most often they studied... simply in houses, the premises of which were used as schools, so the buildings erected by slastion with high ceilings and windows became not only bright works of architectural art, but in the first place queue an important educational reform. a very interesting thing about this school is that two adjacent classes were connected by such a movable