of the higher administrative court and complete reform of the supreme court of ukraine. the concern of the united states is related to the corruption in the highest body of judicial power, revealed in the spring of this year, when the head of vsevolod knyazev was caught on a record bribe of almost 3 million dollars. so now, according to us requirements, all supreme court justices must be vetted for integrity. check integrity. acting judges of the supreme court in connection with high-profile corruption cases involving the former chairman of the supreme court and velika chambers of the supreme court and elect new supreme court judges to fill vacancies through a transparent process involving independent experts and civil society. and while the supreme court is waiting for the next reform, its judges are making dubious and even absurd decisions that concern, in particular, the national

security of ukraine. the panel of judges of the first judicial chamber, the criminal court of cassation of the supreme court, consisting of vyacheslav marynych, volodymyr korol and alla makarovets, decided to help avoid responsibility to the odious ex-regional and treason suspect oleksandr shepelev, involved in high-profile criminal crimes. former people's deputy oleksandr shepelev is accused of involvement in four contract killings and the organization of an attempted murder, and is also suspected of embezzling over uah 200 million from a family bank and treason. he is not an entirely simple character, and is related to a number of other criminal processes that have been investigated, there is a contract killing of a businessman there, this is the contract killing of that police colonel.

which now does not incriminate anywhere, but does not appear, after the charges were brought, shepelev moved abroad for a long time, until in 2014 he was finally detained in hungary and extradited to ukraine . got to the hospital, and then ran away again. several vehicles entered the territory of the hospital, on which we... we assume that our suspect disappeared, together with the representative of convoy rod. shepelev appeared already in russia, and so far in a new suspicion of treason was brought against him, he tried to legalize himself in the russian federation as a political refugee and ended up in sizo. however , in 2017, the aggressor country refused to extradite him to ukraine. from the answer of the general prosecutor's office of the russian federation.

in accordance with article 12 of the federal law on refugees, shepelev oleksandr oleksandrovych was granted temporary asylum on the territory of the russian federation. in accordance with article 19 of the convention on legal assistance and legal relations, satisfy the request about it is impossible to extradite oleksandr oleksandrovych shepelev. shepelev was arrested again in 2018 in kyiv region. he has been in custody since then. on august 20 , the desna district court sentenced shepelev to seven years of imprisonment with confiscation of property for escaping from custody while in hospital. the kyiv court of appeal also agreed with this verdict. the defense of the accused ex-nardep filed a cassation appeal against these decisions. and in july of this year, the panel of judges of the first judicial chamber of the criminal court of cassation reviewed the verdict. with decisions of the supreme court from the sixth. july

2023, to consider oleksandr oleksandrovych shepelyev as having fully served his sentence according to the sentence of the desnyan district court of the city of kyiv dated august 7, 2020. how did it happen? judges of the supreme court vyacheslav marynych, volodymyr korol and alla makarovets decided to apply the savchenko law to shepelev, and to add a double term of imprisonment to the sentence imposed by the dysnian court. the odious ex-deputy in the pre-trial detention center and went further, credited the term of stay in sizo in russia. by by law, this rule can only be applied to persons who have been officially extradited. let us remind you that the russian federation did not extradite shepeleva to ukraine. co-author of the savchenko law, former people 's deputy mykola palamarchuk, claims that the supreme court should not have applied this rule regarding the term on the territory of russia, if.

there was no extradition, the law provides that citizens of ukraine who are in prison on the territory of ukraine, that is, if... imprisonment, this citizen was in the territory of another state, then of course, according to the law, the court must not to count moreover, according to the double coefficient, the judges of the supreme court counted shepelev's term of punishment, as well as the term of his arrest as part of the investigation of other criminal crimes, again manipulating savchenko's law, according to which the term of pre-trial detention is counted... to the term of the prescribed sentence only within one criminal proceeding. in addition, the board reassessed the circumstances of the case and canceled the confiscation of exnardep's property in favor of the state. for which, according to the criminal procedure code, the supreme

the court has no authority. however, since two months of arrest are incomplete, which can be used to implement the savchenko law. the judges managed to exchange more than nine years. imprisonment, shepeleev leaves already from the syds, and instead of confiscation of property, on the contrary, he gained the prospect of collecting damages from the state for excessive compensation. shepelyev, well , most likely, received this sentence in this form, given the continuation of other criminal cases, i cannot understand the logic of the judges. savchenko's law, which should not have been applied to him in this. the case is also a question to judges in another case of shepelev, about the murder of donetsk banker serhii kyrychenko, which was ordered back in 2003 and revealed only in 2012, the ex-people's deputy was sentenced last year in august to 15 years in prison.

shepelev's defense is also appealing this sentence, and the decision of the supreme court judges in the escape case opens up considerable prospects for significantly reducing the term of imprisonment, since it is believed that the supreme court actually establishes precedents, which judges of lower instances are obliged to rely on when making decisions their decisions, decisions of the supreme court, they are binding on other courts, lower appellate courts of the first instance, and these are requirements of procedural codes , that is, the supreme court has both legal and informal, huge, huge influences on how the judicial system works in principle, absolutely wild decisions of the supreme court in many cases, this is all an indicator of the huge problems that exist in the supreme court, moreover, after , as far as we understood, how difficult and wild the situation is there, we called the judges

of the criminal court of cassation to ask why did they decide to nullify one of the terms awarded to oleksandr shepelev, it is indisputable that the prosecution party noted, and all the participants in the process did not deny, that this person was detained on the territory of the russian federation, precisely to fulfill the request of ukraine in this criminal proceeding, and the prosecutor personally confirmed this , therefore, in order to ensure that the rights of the individual, which are then constituted by the european court, are not violated and that the state does not reimburse funds, we followed the law, however, the decision of the panel of judges refers to what do you mean... the ukrainian side was concerned with the extradition of shepelev to ukraine, and it did not happen, as we recall, due to the refusal of the russian side to extradite the suspect, so this is very similar to the manipulation of the savchenko law. shepelev's case turned out to be quite revealing. it

well illustrates how the judicial system works in ukraine, when a person accused of serious criminal offenses can avoid punishment thanks to the mastery of the servants of themis to circumvent the norms of laws and a kind of humanism. now free in conditions of a full-scale war with russia, there may be a person responsible for alleged treason in favor of the russian federation, four contract murders, one attempted murder and embezzlement of state funds. and for today i have everything, it was the judicial control program and i, tatiana shustrova. if you want... about corrupt judges or illegal decisions, write to me on facebook or to this email address, see you in exactly a week,

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, the saturday political club helps to understand the processes taking place in ukraine and the world. vitaly portnikov, host of espresso and invited experts based on facts give their assessment and forecast of the development of events. if you want to understand how our today will affect our tomorrow, watch the saturday political club, every saturday on espresso. greetings, this is svoboda live on radio svoboda. we have already come to the snake itself. the following shots may shock you. news from event locations live kamikaze drone attacks. political analytics. objectively and meaningfully. there is no political season. exclusive interviews, reports from the hottest points of the front. shot. svoboda live is frank and unbiased, you draw your own conclusions.

to make a decision to carry out a special military operation. this is just an illustration of a much bigger and more dangerous story, how in 30 years the russian orthodox church in ukraine has evolved from agitators of the russian world to terrorists. if it were not for the activities of the russian orthodox church, then there was no war. we firmly know that the russian world and russian orthodoxy bear the blame for us. death and ruin.

the war in ukraine is the main topic for ukrainians. victories and losses, analysis and forecasts, politics and geopolitics, serhii rudenko and the guests of his program will talk about all this. people who own information and shape public opinion, people who defend ukraine and create the future right now, the main and interesting thing in the program verdict by serhii rudenko, from monday to friday at 20:00, repeat at 12:10.

and we, having exhausted ourselves, went to look for a new house and found a green house and a room in a dark grove, in meadows, in wide steppes, in steep, deep ravines, everywhere there is a house. this is a new series of the rooftop documentary project, and this time we want to tell you about our discovery of a traveling plant. ukraine, namely, amazing hundred-year-old windmills,

restored mazankas of the poltava region and the outskirts of kyiv, and the unique, imbued with folk culture, ukrainian modernism. the end of the 19th century in the european world in general is a departure from, firstly, classical models, greek, roman, or their essential revision, and departure from history. could, and that is, every country began to develop its own approaches to what it should be, indeed, the fashion for the italian renaissance, neo-baroque, neo-gothic, in its time filled all the european cities of that time and made them similar to each other. then young architects began to look for new individual styles. this style was called modern, or arno. new art. this is the beginning of the 20th century. this is a huge rise of the ukrainian idea, it is already

the appearance of ukrainian political parties. ukrainian literature, ukrainian painting, and ukrainian art are rapidly developing. music, ukrainian theater, this, this elevation, this, this had to be felt. on the territory of ukraine, the question actually arose as to what this, universal arnuvo trend should be, whether it could incorporate some elements of traditional ukrainian architecture. the question was whether ukrainian architecture, ukrainian culture even exists outside the village and outside the church, because that was the doctrine at the time. acquires about the fact that it is ukrainian architecture is peasant, ukrainian culture is peasant, and further than the baroque churches of the 17th, early 18th century, it did not show itself, and it was precisely with this thesis that architects began to struggle, the building of the poltava provincial zemstvo is the main business card of the ukrainian modern city of poltava, but at

the beginning of the 20th century, the implementation of this unique project in a completely new at that time style, hung on voloska. initially, the top management from moscow imposed a project typical of the russian empire at that time, in styles of the french pseudo-renaissance. and despite the resistance from the representatives of the zemstvo themselves, in 1901 construction began. but in a few years it was possible to stop it. the majority of zemstvos voted that the project needed to be replaced, and finally in 1903, when the construction was already underway, that is, the perimeter of the building was already determined, the construction of the walls began, the construction was frozen, a competition for the project was announced, a new project, well that is , roughly speaking, it was a project of facades, because the plan was already more or less established. on six projects were submitted to the competition, among which was the project of 30-year-old vasyl krychevskyi. at that time, he worked as the chief assistant of the very

famous kharkiv architect oleksiy beketov. krychevskyi had great practical skills. experience, in addition, he traveled a lot in the villages of the present kharkiv region, sumy region, poltava region, researched ancient churches, researched the arrangement and decoration of ancient houses, what colors were used, what ornaments were used, what carvings were used, what materials, in the jury of the competition was the artist serhiy vasylkivskyi, known from kharkov, he knew krychevskyi, and he of course understood that krychevskyi was their hope. now show something radically different. krychevskyi's bold project was also supported by the well-known ethnographer and architect opanasion, although the other members of the jury were not yet ready for experiments in a new style. when the question arose about krychevsky's project, at first there were two votes against six for it, but after the speech

of the slastion himself, he was listened to, and in the end the project of karychersky won, and now we see a priceless masterpiece of the ukrainian style in poltava, this is incredible, this, this is ours , this, this is our treasure, today the building of the poltava zemstvo operates as a local history museum named after krychevsky, walking through its halls, you can not only marvel at the scale of the realized project of urban architecture, but and see hundreds of references to folk architecture and decoration, which previously did not go beyond the village. regarding the references, yes, they are so general, they are not specific objects, yes, they are general types of objects, this is a wooden church, clearly, this is what we see in the towers, in general, we can see these inclinations of the walls, the external facade, if you look carefully, they are slightly inclined, they are not vertical, because in this way they refer to wooden churches, which were built in this way due to the requirements of stability, but this gave them great

beauty, slenderness, and krychevsky transfers this elegance here, it was very difficult, to be honest, the builders did not want to do it, they wanted to make everything simpler , but krychevsky insisted that it is very important, this is also a traditional hut, but the hut is not so ordinary, but wealthy house, red the strip that runs along the main facade is again from the tradition of painting red ocher , painting the walls of ukrainian houses, so he transfers this example to this building, the shape of the roofs of the building of the poltava zemstvo at the level... a triangle, as well as the characteristic slope of the roof, also a tribute to the ukrainian tradition, this is precisely an attribute more characteristic of the slavic tradition, including mostly ukrainians. building tradition, and it does not exist conventionally in northern europe, here we dealt with specialists, architects who comes, they say, oh, you have such roofs, but we have not seen such, then this is a characteristic

feature, just for them, they immediately distinguish it, and of course, buildings in the ukrainian arnovo style can be easily recognized by their hexagonal windows and spiers. in the building of the poltava zemstvo, the spiers are crowned with symbols of the sun. they were very common both in religious and civil architecture of the 17th and 18th centuries, if it was a civil building, it could not be crowned with some cossack cross, it was crowned with a glow, it is a symbol elevation, a symbol of progress, a symbol of development, it was extremely important, separately, i would still note the importance of ornaments such as the tree of life, but it is constantly present, the use of ceramic... is not traditional, we do not have such examples entirely ceramic, but also in ukrainian churches of the period of ukrainian baroque, cossack baroque, we know about the use

of ceramic decoration on facades, we know about the huge practice of spreading the use of ceramic tiles in interior decoration, and ovens, and parts of other premises, and the krychevskis bring this tradition outside, that is, it is not banality that manifests itself in this, it is not a joke. this is not just an enlarged house, an enlarged church, this is not an enlarged hetman's tenement house, he interprets it very competently , patriotism was brought up in elements, in details, then between the first and second tiers, the coats of arms of the poviats of the poltava province are placed, and there are lubny , and there is an intersection, there is a snake, an important feature of modern architecture was locality, both of the materials themselves and crafts. to implement the project , the architects involved individual local craftsmen and entire local industries. ceramic coats of arms were produced by the myrhorsk art and industrial school. ornamental eyes

, all compositions were made by opyushna craftsmen. separately, there were orders for the carving of an explosion. we can see it on the doors, it's the carvings inside, it's the carving of the balconies in the main hall, the reinforced concrete used, which makes this building very modern, a lot of metalwork. that is, serious industrialists also worked here the production of artisan craftsmen and we can see this especially in the ceramic decoration of this courtyard entrance, these tiles that are there , they are significantly different from others, they are more folk, more irregular, somewhat chaotic, because, again, krychevsky specifically wanted to give an opportunity to present the full range of these individual masters who make such a new art. is also presented here, so this building not only became a visual example of some ukrainian ornaments, there symbols, colors and so on, and she also gave work

to all these industrial productions, which at that time were not in the best condition, because industry gradually displaced all these national productions. the building of the poltava zemstvo not only reflected the general european architectural development processes. arnevo, but he also personified that mad internal wave of ukrainianization that raged at the turn of the 19th and 20th centuries. it is interesting that ukrainian modernism proved that ukrainian architecture can be urban, civil, full-fledged, that is, whether can we take this work of ukrainian modernism? probably we can and probably should, but we definitely should not build new buildings with bastoks, hexagonal windows and say that we are reviving the tradition. we have to go further, yes. modern architecture should correspond to modernity, and at that moment, the building of the poltava zemstvo was the embodiment of the modern modern age. he is not only the founder

of ukrainian modernism, but also gave a crazy impetus to the development of the style. then, buildings in the style of ukrainian modern appear throughout the poltava province, kremenchug zemstvo orders also in the ukrainian style, in sorochenets, in khomuch, credit societies in the ukrainian style of ukrainian modern in myrhorod, a whole complex was a hydrotherapy center, a mud spa, the myrhorod resort, built again in the style of ukrainian modern. one of the founders of the style was the previously mentioned opanas slastion. opanas gregorovych slastion, a well-known teacher at the mygorod academic school at the time , connoisseur of the ukrainian past, ethnographer, graphic artist, public figure, musician, kobzar, that's all about him. opanas slostion was born in in the city of nogaisk, which is now in the region, after receiving an education in st. petersburg, he returns to ukraine and begins to actively develop ukrainian culture. he chooses the provincial myrhorod, while it was little known,

the lineage had not yet been discovered. mineral water, teaches children, develops pottery, ceramics, he had many buildings, especially in the myrhorod region, and the peasant union, and the myrhorod resort, and the cooperative society, but all of them did not reach us even the porudinam resort, but reached precisely schools, this building, something other than a pilot project, where the idea of ​​opananas georgiyovych slastion, one of the creators of the ukrainian architectural style, is laid out. the school, the zemsky school, it is still the decoration of our village, this pilot project was extremely successful and already in 1912 schools began to be built en masse all over the lokhvytskyi district. there were 54 of them, these are the ones that are known to date, this is now

the territory of both sumy oblast and chernihiv oblast, we have the most of them left in lokhvytskyi krai in such a condition that you can to see and even visit inside, until around 1993-5 years, we even had children studying here. currently , two museums operate simultaneously in this building, the museum of educational development and the ethnographic museum. this is the only educational institution that has survived to this day for its intended purpose as an educational institution. that's all, that's all our achievements, these are the children who performed, up to the eighth grade, yes, from the first to the eighth grade we have, we don't have the ninth, the school is warm, it's an ecologically clean school, there's another room like that, well, in current ones

times, it is a fabulous amount, to build, to build such a room, it is a reconstruction since, of course, already in the 90s, when the central heating was installed , it was heated when the children studied here, the room is warm in general, the walls are extremely thick, probably 60 centimeters 80, and you can see that the foundation itself is extremely high, this again says something, about the fact that the room is very, very warm, so i invite you to our school, this is in front of you... well, here , of course, this door has already been replaced, but this is in the original form that was used during construction, this is at the beginning of the 20th century, they were burning with these fireplaces , they were on this side, here you see, one, two, there is a third, and here is a fourth, school buildings are especially impressive, if you remember where children

studied before that, most often ... they studied simply in houses, the premises of which were used as schools, so the buildings erected by slastion with high ceilings and windows became not only bright works of architectural art, but first of all an important educational reform. a very interesting thing about this school is that two adjacent ones classes were connected by such a movable wall, which made an assembly hall and, accordingly, a stage. the audience sits here, and there is even a raised stage, it was a kind of assembly hall, and this is the museum of education, in front of you is the stage i spoke about, where the children performed, and in the middle, you see, a red hole, there they fixed a christmas tree, a rabbit it was designed for 70 students, one teacher in the first-third grade,

another teacher in the second, fourth grade. the fact that the building was designed for living also came in handy at the end of the century. in the mid-90s, when i came here to work, there was a boarding school, and teachers lived here, those who were sent to work at our school. if you pay attention to the facade of the buildings, in addition to the familiar hexagonal windows, an original detail immediately catches your eye - brickwork. decorate with a brick ornament. folk schools, olena pchilka suggested, she lived next to myrhorod in gadyach, she sent samples from her albums, she collected folk art. there was another interesting element that could be found in some schools. this is a triple-hung turret window on the roof, which is called the skylight. this superstructure imitated the tops of national temples. such