[000:00:00;00] and put a vase somewhere, something is not right, well, for example, somewhere in switzerland or there in austria, or maybe in finland, it was constantly somehow transformed there, but based on these certain traditional techniques, technologies, resources, and everything else , yes, today there is almost nothing left of the authentic clay artyukhivka. the clay went into the ground, ecological local materials were replaced by more functional, modern ones, however, there are still houses in the village where life continues under the roof. knock-knock, day, good day, good day, and we wanted they will ask you about your house, because we are looking for such houses, old ones, that were left there under

the roof, under the reeds. my parents bought it after the war, who built it, how it was built, it was back in the 50s, you can see it over there, behind the rubble, it has been there for a long, long time, it was built at the same time, except for of traditional clay plasters in the north of slobozhanshchyna , interesting examples of wooden ones can also be found to this day. architecture, because there was a small pool and a fountain, and here the fish swam, and here it was like that until the alley was expensive, it was well-kept, well, in general , there was a fairy tale here, and now look carefully point, it says lk, you see it says, leopold kennich. this is a wooden

estate, dating back to 1888, built by a german named leopold koenich. he was a very successful entrepreneur who in the 19th century had a parquet factory, distilleries, brick and sugar factories in slobozhanshchyna. and he built this house just for the head of the sugar factory. the master or manager lived upstairs, while the servant lived downstairs, in the basement, all the rooms. there were those who lived there, cooked, ate, washed, there, everything was done downstairs, only the boilers went up, it was warm, this house was brought in entirely from scarelia, we don’t have such a hole, the bottom was made, one row was made of

oak, but the karelian pine is all gone, all we have is all the architecture somewhere inside our borders, it is all ukrainian architecture, it can be some kind of austro-hungarian, i don’t know, polish, which, from other empires, soviet, but this all ukrainian architecture and no one needs it to give, this is all our heritage, and everything that happened, happened, yes, and we were there , we took part in it, in some different ways, and this is all, this is all ours, it must be preserved, the house is a difficult story, in 1917, the bolsheviks came, the kenikhs managed to emigrate, and the estate was converted, they built the so-called fzo school

, factory training, and it existed until 1975, in 1977 they began to distribute it to people to live in, apartments were i was born here in the huts, lived, went to school, finished everything and worked at the factory, the factory when used to give out the same apartments, and i have been living here for 40 years, in the soviet era, the large rooms of the estate, the distribution between the employees of the factory in terms of interiors changed, but something from the past life of the house remained, you can see how tall we are, look at the stucco, here look at the edges, what a molding, and here, here are the chimneys through which the heat went, here there is the chimney, well, i already pasted a little of them, not white marble, well, here and there i

heat it with trees, then here it goes. these are such rooms. with the beginning of a full-scale war, the apartment became housing for a large family. to parents' children and grandchildren came. the place became a temporary shelter for displaced people. who also came here as families, taking cats and dogs from home. the basement, in which a servant lived during koenich's time, was used as a bomb shelter. well, you see, there were windows, they were fixed, then of course, here you see, there were still windows downstairs, windows, windows, windows, there, they were fixed, well, yes, a servant lived here, well, i will now find out, well, here, now we settled down, well, this is the war, we stocked up, there is gas, well, we stocked up on firewood, we think, but look, what

the ceilings, there is a bomb here, you see, they prepared a shift of what, hap, here, more, well, yes, it’s not only one, they took it there, there was a stove, then you see, there’s a room, there’s a room, there’s a room, there’s three rooms , and this is the fourth, four rooms. there were four families living here, i don't know, in the part where people live, the house is somehow maintained, the other side is slowly collapsing, because the owner of the apartment went abroad, the apartment is not being sold, but it is not being repaired either, several years ago they made a brick extension to the house, which now houses a living room and a kitchen, to equip their own life in such a way as to have comfort at the same time, and at the same time to preserve the authentic appearance of the estate, there is no money, what we support, this one is supported, no one gives anything to anyone, the roof was covered in the 60s, somewhere some

hole was patched, patched, well, themselves we support, mostly people live here now, i have been a pensioner for 10 years, pensioners also live here, they are the same, who will do what here , in my opinion, it should be protected much more than it is now, you know, it’s like with elderly people, they, they are very, very difficult to take care of them, it is a very large amount of medicine, no i know there are some different things, and that, but we do it because we are grateful to them for our lives, for which they gave us, and also, from this same architect, well, for example, in many countries there is a special

additional such state funding, well, for example, if you have an old house, there is a certain one, i don’t know, pensions, scholarships, etc., which are given to support it, many people came there, a lot of people came there for a tour, looked at this house and everyone said, oh, we need him under protection, oh, we need him, we need to do something with him, we need everything, everyone is indignant that such a house, no one, no one needs it, after learning about our interest in ancient examples of local architecture, local residents advised us to go to the nearby village of pavlivka, where a century-old wooden school has been preserved, and not just preserved, and works successfully. this school was built in 1906, a customer specially traveled to siberia from the village, who ordered this wood for the construction of this school,

brought it here, and this school was completed without a single whistle. this building was financed by the same leopold könig, who was a philanthropist and took care of the development of the region. great grief. our school experienced the lessons of the great patriotic war, because it was here that the stable, the fascist stable, was located, and when the village was liberated, then people began to rebuild this school with their own efforts, and the parents of the students, and the students themselves, and the teachers brought the school to normal appearance the residents of pavlivka independently restored the school, it was preserved in its authentic form for a very long time, and only in the last... 30 years were the wooden roof and windows replaced. what is nice, they are proud of their school here, they don't want it to be like everyone else, they don't want to cover it with bricks or cover it with clapboard.

and it happens so much that if acquaintances come to visit someone there, they definitely come , take pictures here, see if there really is such a school here and if it is really so beautiful here, we don't live one day, one life, we try to our school flourished and was beautiful. so that students go to this school with great pleasure. the students are proud of the school, and the school is proud of the students, everything is as it should be. and, participant. ato also, we had students from our school, these are ustinov, shcherbak, and kupovyh, and of course now these guys are ours, and kulyk, artem, now these guys are protecting the borders of ukraine also from

the rashists. every time we travel with expeditions , we are most fascinated by people who do not want to leave their village or town somewhere further away as soon as possible, but stay and develop their own, well, we built this wall, we had nine people then, and that's it just look at all the surnames of those who worked here on this wall, this is exactly from me, i, of course, this wall planned, stood up, told that you are going to make a pink flower, that one makes a leaf, that one, that one, and that's how it turned out amicably, beautifully and very quickly, that as he does, so he does, we started and worked from early morning until late, but they did it, well, my task was to make the composition so that it was unique, so to speak, in every work, you see, here we have birds, there is a rooster, there the poops go further. and so on, this was our main

goal, so to speak, to decorate the center of petrykivka with these wonderful works of ours. patrikivka - a unique place on the map of ukraine, unique in that not only has a special local painting been preserved here, it is still developing at a frantic pace. a large number of modern masters live and work here, who are constantly teaching the next generations. petrykivskyi... painting originated as a decoration of a peasant house, those who had the best in the house were called cheporushkas, our clays were of different colors, and the juices of berries, flowers, leaves, all this was used together with, with an egg , i.e. either protein or yolk was taken, a painting was created, simple elements, but that's it

there was already a mural. petrykivka itself was founded in 1772, in 1772, even then there were eyes, so to speak, small works were already started, done, and all the time it was polished, polished, until bright masters appeared, every the petryakiv woman wanted to have a petryaki ornament in her house, as they say, in our country... tryakiv people are in the house, just like in the church. but not all housewives had the same knack for drawing, so chirushka artists also created, as they said then, little pictures, small drawings on selling. cattle were driven through peterkivka, grain was traded there, and at the same time, since there were many people, it was possible

to sell all kinds of grain. all kinds of products, and now these women, with the appearance of papers, began to paint such sgozhki in order to decorate the bastard, and such postcards that were attached to the komen mirror, then they knew how to do it more exquisitely, in that there were even more hundreds, the phenomenon of petrikovsky painting it was not for nothing that it arose here, the fact is that the village was founded by cossacks, it was a freedmen's place, where there was never serfdom, people fled here people who were freedom-loving, these are people who did not like oppression of any kind, but they fled, since there was no serfdom here , they settled, and what they owned, they survived, in addition, petrykivka had a favorable location, at the crossroads of important trade routes paths, where huge fairs were held four times a year, some embroidered, some wove, some cut wood there, or wicker there or straw there, or painted, well, everyone survived in their own way, and

that is why all the people here were creative, creativity - this is spirituality, this is a highly spiritual settlement, you can say. if the first drawings were simply brought to the fairs to be exchanged for something else or sold, then later the artists began to be approached with orders. craftswomen appeared who actually became the founders of petrykiv painting. these are tatyana pata, bilokin, pylypenko, pavle. and even earlier, the names of the master painters simply did not survive and their works also disappeared, because they were created with paints of natural origin. this work was created with the first factory paints, aniline, which is why it has survived to our time. in some at that time , professional artists, one of whom was oleksandr stativa, became interested in folk art. in 1936, he founded

a school of decorative painting for young people in petrykivka. he took tatyana yakymivna pata as the teacher of petrikhov painting, one of those artists who were just... the first cherushkas, who stood out at the fair with their best drawings. since then , the number of masters in petrykivka increased, men also appeared among them, and painting began to develop at unprecedented rates and is still developing. every school has clubs there is also a petrykiv painting circle in the house of children's creativity. our senior classes are on-the-job training, and at this on-the-job training, the children master the elements of petryakov painting. if you wish , you can also become a professional master after graduating from a special school located right here in petrykivka. children from lviv, kyiv, and donetsk studied with me, petrykyvka

will learn, it is necessary only in petrykyvka. here it arose, here it was born, here they must learn. approach to distribution petrykiv painting continues to gain scale. there are museums, schools, festivals, special literature and even prescriptions on which children learn to reproduce individual elements of painting. in this place, where we are now, we always have a miracle flower every year in the month of september. craftsmen from all over petrykivka come here. it is interesting that , thanks to the festival, the painting still lives in its authentic environment. for 14 years, craftsmen have been painting the village with their compositions on the walls of petrikyvka buildings. when we fence the first, the first was painted by this one, and people pass by and say, well, what are you drawing , they will smear it, they will write everything about it, for which it is only a labor of translation, and we become like this

, i think, when the young guys go, and they stop and say , oh, thank you very much for drawing this, and one of you... i say, what about you , he, yes, yes, i say, no one will write, no one will draw, once the youth said that it is very beautiful , that they like, until today no one wrote or did anything there, nothing, thanks to the masters of the administration village, 10 years ago, the petrykiv painting was included in the intangible heritage of unesco, and just as we were painting this wall, when the representatives, those who were supposed to vote in the youth assembly, came to the devutsvit, then... they were finishing some elements on this wall with us , for example, look, here is a berry, there is a berry somewhere. the voting process was not easy, but in 2013, 600 experts from 95 countries of the world cast their votes for the petryakiv

painting. how do we know that this is the petryakiv painting? only in our painting they paint a cat with a brush, it is called a brush made of cat hair, it is this brush that gives that unique brushstroke that distinguishes our painting from others, chives, wild flowers, these are flowers that you will not find in other paintings, and many of us paint viburnums, it is a symbol of girlish female beauty, oak leaves, it is a cossack symbol, male strength, courage, by the way, a bird is a symbol of goodness, happiness, peace, comfort, well, that is, a lot of elements of our painting have their own sacred meaning, and why were the walls painted, over there were these friezes over the door, above the window, because

people believed that this beauty would not let evil into the house. among the flowers are older birds-parents, well, if it is a family and their children, chicks, it is believed that even the buds on... flowers are future children. petrykiv painting is a complex technique that requires a high level of skill, and if today in order to... master this technique, just desire and perseverance are enough, 50 years ago, learning to be

an artist in the village was not easy, i had the first impression of painting around three years old, when the neighbor's grandmother was repairing her hut, the mazanka, and took off all the drawings of our streets and gave them to me, it was such a pile, well, i was little, for me it was such an enemy of those stitches, and they were all painted , bright, i have never seen such a thing in my life, or life was after the war, i have been in the 57th year, i was just over the moon with happiness, i remember it too, i had a strong first impression of the beautiful, i started early to copy those drawings, as much as i liked them, that i am just their copies did, and thus i just entered the art school, got to vasyl ivonovich sokolenko, i had nothing, no form, nothing, so he invited me to his

house, gave me three powders, such powders, you know, what kind they painted eggs for easter and sold them in the bazaars, they, and he also gave me his brush, a brush made of cat hair, that was my first brush before painting, but i never managed to realize my dream of studying at an art university in lviv , due to difficulty with exams from compulsory subjects, ukrainian language and literature. we have, so to speak, a pro-russian city, so is dnipropetrovsk, and the ukrainian language and literature were ignored in a special secondary school , and i come across an enchanted dexna, a long-haired girl, and we didn’t go through it, because in general only russian language and literature, and that’s all, and my such attempts ended, about the artist managed to realize herself in her native village under the supervision of experienced masters, and as soon as the level became satisfactory,

work at the factory began. at first it was called friendship, and then petrykiv painting and the factory created souvenirs that went not only all over ukraine, but even abroad, souvenirs, plates, caskets, fishbowls were made there. sets, then the tree was gone, the spoons were there, well, different kitchen sets, everything was made, there was a lot of work, and so i gradually grew, grew, i joined the union of artists, and so i continued to grow in this creative environment , although souvenirs were exported to more than 20 countries of the world in order to survive ukrainian folk art in the soviet period constantly.

it was necessary to survive on the edge of the prohibitions, somehow, there, let's say, there was a convention for some anniversary of october, and so on, plates were produced, which were also dedicated there to the victory day of 1500 years of kyiv, well, that is, a little bit of politics was brought into the petryakiv painting, and thanks to this, it was not oppressed , it developed on the contrary, with the collapse of the soviet union, our factory began to decline, and the salary was very, well , it was not there at all, we still had to create souvenirs, souvenirs with which to go somewhere to somehow support ourselves, that's why we traveled around the cities, that's how we somehow survived. attention, an incredible novelty from unbox tv, super warm and very comfortable alaska style boots, perfect fit, water-repellent material and a feeling of warmth even in 30-degree frost. alaska style boots

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