[000:00:00;00] this german, his name was neshport, and the village was called semihundka, later the soviet authorities evicted people from fromushika, in its place they created a military training ground, which was considered one of the largest military facilities in the territory of the former soviet union, but people who lost their home, they still didn't want to go far, so they stopped nearby, in the village of semihuntka. to build houses here, because it was good to live here, people had a clearing, a landfill, a lot of space, there was a place to graze cows, sheep, saw firewood, everything needed for life was here. and people here started to build houses for themselves, but they got to

the territory of the landfill, since it was the territory of the landfill, they were told that it was not possible to live here and they began to drive people away again, to send them to live somewhere, but people did not have the strength and money, after the war it was difficult there was somewhere to move again, to build, so they went to moscow to deal with this issue, so they no longer allowed to build here, but those houses that had already been built were allowed, so only a few families remained to live here, in the middle of the basarab desert and nearby landfill from time to time they found training shells in their vineyards, but did not leave. my father built a house in 1951 , 1950, he started building, and that's how he lived here until he died, and i

inherited this house, of course. my parents are buried here, money is such a thing, and this is my parents' house, it will be how it will be, time will tell , i know, it's bad here, there is no store, there is no hospital, there is nothing, there is nothing, old age will come, i don't know how it will be here, maybe i'll go, maybe not, but i'm definitely not planning on it yet. seven hundred today is also changing. if frumushyka nova was conceived as a restored village for the leisure of tourists who want to take a break from the city, but the concept of the seven hundred is different. it should become a smart village with high-speed internet and solar panels on every restored house. smart village, because we tried to make a smart village.

oleksandr andriyovych constantly, when i ask him, he says: "i don't want to promise you, but you will see everything for yourself. since childhood , every summer i have been in the village of seven hundred, my native aunt and your native brother, my same age, lived there, and of course they grazed sheep in the summer near fromushyk, where there is a military training ground, that is, there were shooting ranges, only in late autumn and early spring, at other times sheep were allowed to graze. and so the children, starting at the age of five, there 5, 10, 12 years old, up to 14 years old, went out in the summer and took turns herding sheep, and here i was also herding sheep, so for me this is my native land, my childhood was spent here, the village was already dying out when we started the project in 2006, only five or six families lived here, and when we took on

the seven hundred in the 20th year, there were only three families left, today most of the houses are already restored, but there is still a lot of work to be done here, with the start of a full-scale war, construction has slowed down, but it will definitely continue, everything is ready in the house, only furniture, delivery and plumbing are left, and we just haven't had time yet. if the houses in fromushyk nova had to be rebuilt from scratch, here it was enough to simply restore, everything was like that, only the roof was changed and repairs were made, and so no redevelopment, the houses are as they were before, there is a garage, a basement and all the houses are in in this style, in this house oleksandr andriyovych said, there will be a museum,

there will be a museum here. as i understood, he will collect photos of all residents of the seven hundred who lived here before, a photo, we will see there. said: we will still think about what will be there, according to the general plan, it should become a place where people from aitiv, for example, could come for a while and live with their family. in this way, a small commune could be created in this place, where people live, work, visit each other, share ideas, and when they want to relax, eat delicious food, or go out fishing, only a few kilometers away is fromoshika nova. a village development plan has already been developed, one more street for 100 houses. there are still plans, but obviously the war is holding us back from implementing them, but i think the time will

come. it is quiet there, for example, 100 people come to frumushyk, some want to rest, and some want to have fun, if someone wants to rest, why not settle in a semi-hundred and rest quietly, quietly, wine or tea from medicinal plants that we have grow in the steppe and do not enjoy peace. fromoshyka nova became a family today business i already take care of the farm and winery. children, there are staff who follow the houses and the museum , something new is constantly appearing on the territory, then a wine yogi, then a museum of agricultural machinery, then a park

of stone sculptures created by artists from all over ukraine, and here they installed a giant monument yank to chaban. the largest monument to chaban in the world. where did the idea come from? there was once a maya tribe, when i was on an excursion on easter island, i saw these buildings there, i thought, how come, the tribe disappeared, but it left something behind, and why we can't do something like that in frumushica, especially since it's a monument to a shepherd, now we say it's a monument to my grandfather, a shepherd and a really special figure for bessarabia, because sheep breeding is a centuries-old traditional occupation for the region. we declared in the guinness book of records, we appealed to the fact that we want to build a monument to chaban. initially, it was designed to be twelve meters long, and they confirmed it, opened a personal case, but we

built it, we got 17.94 together with the base, it worked to overtake, for some reason decided that it would be better to make it bigger, and so it turned out 17.93 or 94, 1170 te together with the foundation. in the winter of 2016, the monument was included in the national register of records of ukraine, and in 2017 it was registered in the guinness book of records. but the monument is impressive not only by its size, but also by the material from which it is made. the monument itself is granite made of labradorite. this is one of the strongest types of granite, it is pearlescent, there are such half-grown sparkles, and when you shine a light on it at night, it is like a starry sky,

that's what it is. it was very difficult to get the material it's difficult, there are a lot of different technical things, the equipment was moving, concrete was being transported, cars overturned with these blocks, the car is going, it seems, on a dry road, there are 20-25 in the car. well, 30 tons, 40 tons are being loaded from above there, and at this time it is just before our eyes, it is starting to sag, oh, there was a lot of interesting things. although frumušytsia nova is usually sparsely populated in winter, in february 2022, it was filled with people and became more than just a tourist attraction. now, when the war began, already on the second day, on the evening of february 25, there were more than 60 adults and 20 children here in frumushyka, i believe that frumushyka should have been built and restored at least so that these children would not hear the sirens, and to

minimize their risk of being hit by rockets, ukraine, glory to the heroes , this is an example of traditional architecture, i am an odesa resident who i was used to the steppe, to the sea, so if this was a traditional southern division , it struck me, it was this village that is called the odessa carpathians, or odessa switzerland, when i got here, to these hills, i looked at this architecture, i really liked it. i decided to purchase here ha traveling with

expedition, we heard many stories of young couples who moved to the village from big cities, but each of them has their own motivation, someone moves to rebuild their parents' house, which is standing empty, someone, on the contrary, never had their own childhood memories of life in the village and wants to create them at least for their children, and someone like dmytro with hope was inspired by the idea of ​​preserving the traditional culture of a certain region, which is slowly being lost. nadiya and i met in this house of ours, in 2008 i organized an expedition to the ivan hanchar museum and very beautiful girls came, and nadya was the most beautiful among them, here we are in this house conducting an expedition to study traditional cultural heritage, we met nadya and in the same year we decided to get married and have a traditional wedding of this region, both of us. .. two city dwellers moved to the village and started

farming. the idea, which began with the restoration of the ethnic homestead, eventually grew to its dairy production and another six hectares of its own farm. but they remain the most important asset the houses that managed to be preserved and the knowledge about them that was collected throughout the region. this is a unique village in that everything is built from this type of rubble, stones, limestone, very hard, very strong, because here everywhere, under the layer of earth, everywhere even on the surface, the fathers used layers of limestone, which the truck drivers used to beat, and everyone built houses and everything that pertains to the economy from these stones, but this ravine up there is a spring. this stone and when a very

strong downpour washes away from the fields a very strong current flows, it is locally called tucha and she brings stones from there from above, you see this, this is scattered, this is all brought from there, these stones used to be bound together with clay here, but if it was not at hand, then they made chamur, that is what they call black earth mixed with water, my father's house, for example, was not built on clay and... and the stones were fastened with earthen clay and chamur. it is less than 10 km from the village of grabove to the border with moldova. therefore, historically , not only ukrainians, but also moldovans lived here, which, of course, influenced the local architecture. this is a region in between, so there is a peculiar regional culture, this northern division meets transnistria, with the influence of moldova, its own so unique and regional culture is formed here on the border,

for example, in the house there is a large room, a hall, maybe in some regions it is called, there the family gathers for dinners, for christenings, for weddings, for some holidays, this hall here in our village is called kasamara , translated from moldavian, this is a big house, this house was built by a moldavian, grandfather, dimitru, this is what they told us, and grandmother vera, this is how oral tradition told us about it. most likely it was built before the second world war, that is, somewhere in the 1930s, but it was rebuilt many times, because the owners of this building changed and they added on accordingly, the second half was completed after the war in the 1960s. before the second world war, all the roofs in the region were covered

with rye straw, as everywhere, already after, the richest houses began to be covered with a prototype of slate. the squares like that were very thin, this house before reconstruction, this house of ours, the second house, it was so covered with tiles, and grandfather remembered what he said, all ran from this magala, from this area of ​​the village, it is called, by the way, here is mogala. ran around looking at how the roof is so thin, so thin, so thin, and the rain does not penetrate into the attic, because before everything was very thick from rye straw, and then... after the war, such a small workshop appeared in this seli, who made such cement tiles. they appeared later, mostly the roofs were covered with slate. when dmytro bought the cabin, it was in a dilapidated state, so before moving in, it first had to

somewhat reconstructed and added amenities, solved the sewage problem, brought water, modernized the interior. but all the main traditional elements of local architecture have been preserved. for example, this front door, we photographed it in a traditional house and it was recreated by a 100-year-old modern carpenter, this is the decor of this front door. dmytro lives with nadiya and children in the same house, and a tourist comes to rest at the bilochi ethno-mansion. now we are in this house, which was built before the second world war, if traditional, traditional the house, it should consist of two, of two halves, that is, of this barracks, a cold half and a warm half, where people spent the winter,

where the stove stood, but by the time we bought the house, it was no longer there, that's why if we were to try... to preserve what was there as much as possible, but to do it so that people here could rest comfortably, well, from the traditional and very ancient, i draw your attention to this window, you see, this is a window, which i understand to have a ritual function, it is not for lighting, here are these windows for lighting, this is a window to the setting sun, this is a window through which the souls of the dead come and to... store as in a chest and sleep on them on these sofas. this is the tree of life,

the main symbol that is present everywhere in traditional, weaving, embroidery, this rug, for more than 100 years, that's for sure. because already in the 20th century they didn't make such an ornament and it's just very burnt out, but it was also dyed with her vegetable dyes, so i bought what was saved from people, and here you see, the blue is real indigo, the dyeing was done by the jews here, all the women who were engaged in weaving, they carried them, here in moldova there is such a very ancient town. rashkiv, that's where the jews of rashkiv were engaged in forming threads for these kilometers. over time, the fascination with local culture grew into a large-scale ethno-festival, which

was attended by people from all over ukraine. the idea was to discover, in general, that unique, traditional culture. daytime division of kodem region, about which no one knows, scientists always say, well, odessa, odesa is a white spot, there is nothing there, everything is russified there, nothing here is not russified at all, here is a unique culture, here the traditional in the neighboring village has been preserved almost to our time a complete set that only existed in this village, unique cuisine, unique architecture, unique traditions, weddings, funeral rites. weddings, christenings and so on, that's all we wanted to show at this festival and tried to do it for the first few years, while we were doing it, with the beginning of a full-scale war, dmytro and nadiya's business began to experience a serious crisis, tourism

disappeared, ethnic farms began to be empty, and the number of orders for dairy and cheese products dropped to a minimum. i am now appealing to everyone who can support our production , unfortunately, today in ukraine there are hundreds of such stories, small and medium-sized businesses are closing, people are losing their jobs, but at the same time, architectural monuments are also being lost that barely had time restore, unique houses and villages continue to disappear, this is the internal front, and this must be understood, if we simply cannot hold it now, we will turn, what do we do, and leave it all, it will also be overgrown with bushes, it will be robbed, this is our ten summer work, it will , well, it will come to nothing, that's all. somewhere old houses are

destroyed by time, and somewhere by rockets and artillery shells of the occupiers. due to the russian occupation , we did not get to many places that we wanted to tell you about. for example, about the house and museum of the artist polina rayko, in olezhki on kherson oblast, and about the garden museum-reserve. popova in vasylivka in zaporizhzhia. with the beginning of a full-scale war, we, ukrainians, realized that our houses, our churches, our palaces, all our cultural heritage were also under the sights of the occupiers. the russian army intimidates cultural workers, robs, takes away or simply destroys valuables, and mercilessly fires at museums. in the zaporizhzhia region, near melitopol. the russians mined the territory of a unique monument of geology and archeology of world importance, a stone grave. it is the only

place in all of eastern europe where to this day preserved non-rock painting of the period from the late paleolithic to the middle ages. in melitopol, russian troops looted the local history museum, from which they took away a collection of kyiv, hun and sarmatian gold. currently in the annexed crimea, the russians are dismantling the roof and ensemble of circular stained-glass windows of the unique crimean-tatar architectural landmark, the khan's palace in bakhchesarai. in addition, crimean tatar buildings of historical significance are being destroyed, and not only in the south of ukraine, the situation with cultural monuments is critical throughout the country. distorted and hundreds of unique objects were destroyed, but we will certainly restore each one as soon as we return all our territories. and although we did not manage to go with the expedition to vasylivka, we

were able to visit the other side of the dnieper, in zaporizhzhia. in some villages near the city, we found some interesting folk houses. each time gives birth to its own folk architecture, which comes from available materials, financial opportunities and the general context that surrounds this or that house, this is the idea of ​​the father, in soviet times, building materials were expensive, and in terms of volume, a brick and a bottle of the same size, a brick cost more than 20 kopecks, a bottle only two kopecks. that's how dad got the idea, besides, he wanted to create something unique. he saw somewhere abroad a shower made of bottles. and he wanted to try this very method, his mother refused, but he really wanted to make the house the most unusual of all, he wanted to make

the house the most unusual, my parents built it in 1968, in 2002 we decided to rebuild it, complete it, and then to update, because it is very old, there will be repairs, and that is why we decided to insulate it, for insulation we had to come up with some new option that is not like everyone else’s, and we decided to make such a design from pieces of tile, buy a cheap tile and cover it with some kind of pattern we went to the shops, the price was unaffordable for us and the boys, that we can take just a block of tile, they told us , please take it out, these are your problems, we

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