[000:00:00;00] there is no politics there, so you can say, for childhood, yes, that there is russia, that ukraine, well , everyone talked to shurzhik, the ukrainian school was closed, only in russia they told me that i was ukrainian, specifically, what, what, what my parents said , there, what grandfather said, there, grandmother, well, you understand, there, well, about the famine, they all said such things there , in russia clearly, he began to fight that i was ukrainian when i was studying, there we united with ukrainians there, then i went to a struganovka in moscow, they looked at my work, and there academician chasovytin said: well, why are you being promoted, i join the artists' union, live in moscow, but the most important thing is that you don't go to ukraine, because the khokhlys don't fly, this phrase decided everything, i immediately turned around and went to ukraine. petro antip came home to donetsk region, later integrated into the milieu of ukrainian artists and discovered ukrainian art. i

think, but you think. there are great artists here and let's meet dichenka let's meet balkun completely decided not to go anywhere from ukraine, then i went to lviv, looked, i understood that ukrainian painting and sculpture much more interesting than the russian one, and when i participated in all-union exhibitions, at youth exhibitions, we had our own hall, there was a ukrainian one, there was an armenian one, the russians had their own, the ukrainians were the most powerful, later they recognized them...peter himself. he had numerous personal exhibitions in ukraine and other european countries. his paintings and sculptures are also widely represented, such as decorate the streets of many ukrainian cities. for example, in zaporizhzhia, according to his project , the fountain of life and the composition clock of lovers were created. mytets also became a co-author monument to the composer, author of shchedrik mykola leontovych in pokrovsk. then peter antip

no longer lived in his native donetsk region. the reason for my move was russian aggression, i knew that there would be a war, i gave many interviews on this topic, that in 10-12 years, there i met a fisherman from volodya, before he was killed, we are the older boy thrown out with a fisherman, by the way, they took down the russian flag there three times, by the way, these are myths about donetsk, that donetsk met a loaf of salt, this is a fairy tale, and i will even tell you, you can do it there, i even demand that so they said, so it can be said that butiai also met the khersonnykhs with a drink of salt. met, you understand, since then petro came to the east of ukraine only for work. on the eve of the full-scale invasion, he worked on projects in mariupol and bakhmut, not even suspecting that he would not be able to complete them, but it is with the greatest regret that he now recalls his workshop in horlivka, which he calls the best in

ukraine for sculpture. well, the conditions, i had the coolest workshop in ukraine, the coolest, there i had all the conditions, i had i had a kindergarten, i bought it, i earned a pond, 200 hectares of land was mine, i had a sculpture park, people came to me from lviv, from kyiv, from kharkiv, we worked, damn it, everything was good for me, the exhibition was the best in kiev, all the time i flew to paris, there is an airport nearby. but there was a little different life there, however, petro antip continues on a large-scale project called cosmogony , what is cosmogony, it is where we started, who we are, ours in the other world and what will happen to us, we do this work, since philosophical treatise, we want to give our vision, the essence the work is that there are five to seven parts, the first part is where it all started, that we are

different. we give the views of different people, different religions, different peoples, and different scientists on this issue. the next stage, there is the creation of nature, and we also give it all , the creation of man, the creation of culture, and there is the creation of the noosphere and the future, and there is a discussion in the picture in plastic forms between different theories, between different myths, there is already a leitmotif somewhere will be our theory. that's all, and we also want to discuss that topic, when the idea of ​​cosmogony came to me, the first person i thought about, who could do this project, was petro antip, this picture is being written, it is based on stories, on myths, on legends, and myths - here not only

ukrainian ones, well european there are also myths of india and china, myths of africa will be depicted here. cosmogony is large-scale not only because of the size of the work, but also because issues that the artist tries to outline. he himself tries to find an answer to them and invites the viewer to these reflections. for me, the most important thing is so that the whole composition, the whole painting is seen as a whole, and already there in the details already, here there are many latin expressions there, there are many signs of tripoli, in short, there will be signs of christian, there muslim, there buddhist, there religions, there everything, this is all will make up what she did. in this regard, there is a question of what the future will be, and the purpose of the picture is to say what the future of mankind will be, but we think what the future will be, and therefore, in order to draw it, you need

to know the past and the present, and it all depends , well, on one, the canvas will be filled up, filled up, more work will be added, added on, filled up, here i think, a lot of work was done, we planned to draw it in a year and a half, i think a little more. everything will be, because the ego needs to be filled with these myths, all kinds of stories, i want this picture, and not only this picture, to be seen in the world, and i think that if there is a breakthrough here, then 100 more will go into this breakthrough cool ukrainian artists. i don't know what the task is for artists, i know what it is i have tasks. i want to make ukraine and promote ukrainian art in the world. petro antip believes in such a future of ukrainian painting, and not only believes, but also tirelessly works on cosmogony, plunging into

the past for the sake of the future, because without knowing history, society once again has to learn hard lessons in order to look back, ukrainians need courage. pages of our history, which until recently were considered the blackest, are explored by the lviv territory of terror museum. the museum of the territory of terror is located on the territory of the former lviv ghetto and peresylna prison number 25, for the attention of visitors, our main exposition in barrack number one and barrack number two was a space for discussion and presentation before the war, and now we are returning to this format. the jewish ghetto in lviv was the third largest in nazi-occupied europe. when the communists regained control of the area, they set up a prison here. it was one of the largest soviet prisons of this type on the territory of modern ukraine. the scale of the crimes here

happened, it is difficult to understand. we decided to create a museum that would show the fate of people, ordinary ordinary people, through the prism of the eyes of these people, we had to show how the nazi communist regimes affected the fate of ordinary ordinary people, ordinary not only ukrainians, but those who inhabited western ukraine, jews , in particular. people-centeredness, attention primarily to ordinary people and their fate, destroyed by terror. all this makes the museum unique. this approach helps to rethink all that pain with greater empathy and grief that totalitarian regimes bring. when we have these memories, we can tell about the war as it is, but not as the propaganda portrays it, and also, it is thanks to oral history that we can also present the experience

of ukraine in the second world war, now we are again traveling through international conferences and we see that everyone has forgotten about it, because it is believed that there is the soviet union, there is russia and that's all, there is no one else, right? when we work with human disasters, we are dealing with the fact that a totalitarian regime is behind us cleans up absolutely all traces, plus, as we can see, the totalitarian regime successfully rewrites history, and we are now feeling the consequences, how much the history of the great victory was rewritten by the totalitarian soviet union, then further used by russia, now as propaganda and everything we see now , if the lessons of history are not learned, they repeat themselves, so in the 21st century, ukrainians once again faced an aggressive invasion of their territory, well, they started by

covering the windows with tape on the cross, then little by little, they organized work in new conditions, and above all, they threw all their energies into the actual fund work, the collection. exhibits, because the war threatens not only people, but also exhibits, well, because what every museum is in its essence, it is a collection, a collection. part of everything was uploaded online from the very first days, these are some valuable documents, or some of our funds that have been digitized, well , slowly, little by little, everything moved, we also made a letter, such letters, check sheets, who lives where, is anyone ready to accept someone in the evacuation, that is, we began to work further were in contact all the time, because lviv became a transshipment point and a hub from the first days of the war, and you could call us... and everyone called, well, that is

, absolutely everyone i knew from the museum, non-museum sphere called me, well and international partners also called us first, because everyone else was either on the way or under fire, unfortunately. the terror territory team quickly realized that their facility needed to become a secure rear and support those who were in greater danger due to their proximity to hostilities therefore, the museum began to help not only people, but also the whole for the sake of preserving historical memory. on march 3, the museum crisis center was created, an initiative that actually from march 3 until now deals with helping museum workers, this is the provision of individual financial support, which they can already decide for themselves, whether they make a personal evacuation, or whether they give money for gasoline to evacuate the collection from this aid, whether they remain under occupation or somewhere under fire, but they have this extra money. that's why we do it

until now from march 3. thus, through the museum crisis center, only one museum in galicia managed to help more than a hundred museums almost throughout ukraine. now, unfortunately, there is no region that would not be affected by the war, but we always prioritize such hot spots. an unexpected direction of our activity, which began during the war. this is the rescue of other people's collections, literally in the first days after the war, it was the beginning of march, probably in the 22nd year, one of the kyiv galleries, whose works were stored and exhibited both in the dnipro and in in kyiv, urgently decided to evacuate these works, the collection arrived, one batch and the second batch, it was such a unique challenge for us, because there are not many people, and the collection is large, several hundred works, fine

art, how could the museum staff not allow these paintings, these works of fine art were stored in any way, for this purpose this part of the room was equipped with special nets on which these paintings were hung, and now, i hope so, it has a more museum-like appearance, in principle, we even plan to make such a kind of open... funds from this part of the funds for visitors , this place is very convenient for the kyiv gallery from the point of view of logistics, since very often we, as their partners, now take part in moving these works abroad for exhibitions.

currently, the life of a museum in ukraine depends on the territorial location, the further from russia, the better, because those museums that are located closer to the border, with russia, are either occupied, destroyed, or evacuated, and it is impossible there, well, to continue like this routine, normal museum life. what further from the border, museums try to organize exhibitions, humanitarian hubs, art therapy, etc., in empty walls, for example, that is, for example, kyiv, dnipro. yes, that is, there are examples and the farther, farther, farther, the more, for example, there are evacuated collections, there are evacuated teams, you can do something together, museums that have been destroyed, for example, like the okhtyr museum, they are now starting to think about rebuilding, reconstruction , that is, where the bomb hit, they return to these economic issues and the reconstruction of museums, plus it is worth understanding that in many museums of the team... someone left, someone died, god forbid, someone is under occupation

, that is, it also depends on how much your base, which was under your feet until the 24th, was preserved, the further from russia, the safer it is, all ukrainians have felt this simple truth, and although there is no safe place in our country today due to enemy missiles and drones, the west of the country suffers from shelling much less than the front-line territories. museum of the territory. terror in the first days of the war, emerg itself was engaged in the work of fixing, if what was done preservation of what has been done and the entire digitization of the museum, digitization, that is... to have this copy of the museum in a flash drive, so that if something happens, there is something to restore from, this is a project that completely scanned our museum, that is, our two barracks , towers, wagons, tracks, how about from the point of view of the building, that is, we have such a version of our museum, inside

the exposition, the most valuable exhibits are also scanned, and all this is now online, and for example, we took our audio guide in ukrainian-english and integrated it there , that is, in principle, you can now to see the territory of terror from any part of the world, well, this is an online version of our museum for all occasions, you have a museum on a flash drive, you can evacuate wherever you want. the skairon team helped with the digitization of the museum's collection. even before the invasion, this organization scanned various objects of cultural heritage, including museums. exhibits, we are just working on capturing all the sights digitally as much as possible. our scans in the worst situations, if something happens, as was the case with warsaw, which was broken, there they restored it in the old way

photos, yes, there were no drawings, we will already have highly detailed point clouds, but still in 2015. it was scanned by the same scanner and restoration works are already being carried out on the basis of these materials. we realized after the first flights around lviv that we can continue to scan our lviv architecture and save it at least digitally. skyron has been digitizing monuments of ukrainian culture and architecture for over six years, and cultural heritage is particularly vulnerable. one russian missile can completely destroy a museum or any other institution or monument, and due to the russian terrorist attack, the nakakhov gas flooded entire cities in the lower reaches of the dnipro, thus the cultural assets there were fundamentally damaged, such as the house museum of polina raiko in olezhki. that is why

every person, despite sometimes extremely difficult circumstances, should continue his work. therefore, the team of the territory of terror museum is already recording russian crimes. of this war, during the last year, we managed to contact the soldiers of our armed forces, and they gave us a number of objects to the museum, a number of exhibits, these are things that our soldiers captured during a successful counteroffensive on broken russian positions, it was decided to form a victory collection from these items. which even now testifies to the victories of our armed forces, and we have hope, will be such a clear, expressive evidence of our victory in the future, we are fighting not only at the front, but there is also a war of ideologies, these are

the lies spread by russian leaflets among our soldiers , for example, military russians shoot at those who appear and so on, that is. a peculiar highlight of our collection victories, these are children's letters and drawings that were organized and sent to the front to russian soldiers, for example, a letter from a soldier from a sixth-grade student in the krasnodar region, yehorii batashov writes: thank you for your courage and courage and love for your family, for what you do not give ... the enemy penetrates into the territory of russia, may god give you health , strength and return home alive and unharmed, we are proud and happy for you at such a time, thank you for such exploits on the border of the russian federation, that you do not allow the enemy to penetrate to

us on the territory, god forbid that you returned to your relatives, don't cry there, i still hope my writing will give you confidence, strength and power, keep up with your friends, kill more enemies, i want to become like you, strong, confident and courageous, it's okay, it's time for now, i flew, flew, and a cough stopped me, a cough is a symptom of a respiratory disease. therefore, we treat respiratory, we do inhalation. lordy gial is an inhaler for cough, and with the new zer air + lordy reaches the lungs immediately and sputum leaves faster. thanks to the lord, i am flying again. direct path to sputum removal. the story about new york girlfriends continues on megogo.

turn on a new chapter in the adventures of kerry, miranda and charlotte. and just like that, watch hbo in ukrainian, prepaid megogo. undead, spray deflu silver immediately. the flu silver - a silver circle of resistance against viruses and bacteria. there are 20% discounts on deflue silver spray in travel pharmacies. bam and savings every day, every hour, every minute we receive a large amount of information. the most anticipated event of the year, what is actually happening at the front, what are the losses of personnel and equipment on battlefield how the international community evaluates our successes and what moscow is lying about, from the flow of news coming from everywhere, we single out the most important ones. the tweet is closely monitoring whether there will be

weapons for ukraine and what kind, and what are the russian occupiers whispering about behind the commanders' backs? news, summaries of the week, this is an overview of only important events, significant, reliable events, this is analytics, fact-checking, professional comments. about this and much more in today's issue. about important things, in simple language, available to all viewers. greetings, in the studio. iryna koval and this results of the week on the espresso tv channel. news, summaries of the week, every saturday at 21:00 on espresso. invalidity. six years later, after several injections, i woke up and saw nothing. what trials do people with disabilities go through? i had fractional multiplications. during active physical exertion, i lost consciousness, i felt sick, how can i return to normal life? and

my son helped me, he was just joking with me, took my phone and said: mom, what are you doing, she is sick, let's do sports, will sports help? if indeed already a person is immersed in sports, love of physical activity is not obligatory, then he really changes, i am saying, he changes morally and spiritually. fill us here with stories of athletes with disabilities in the documentary played blindness on monday and tuesday at espresso. but should we immediately record everything that ukrainians are going through now? this is a very difficult question, even for those who have been working professionally with historical memory for many years. in fact, it is important that you pass. so that there is a historical

distance, it is important to document it, and how do we we are inside, then our grandchildren will really reflect, to whom we will hand over this, briefcase, flash drives, i don't know, there is this evidence and then they will already understand what happened, because we find wars, we are all victims of war, but there is one an important nuance, we are not ashamed to talk about what is happening, because from the experience , for example, which we... learned by reading about the holocaust, about the holodomor, people were afraid to speak, they were afraid to tell about it even there to their relatives and friends, and it was necessary for many years to pass so that later grandchildren began to ask. we tell the world everything that happens to us to each other, we are together in this grief, and it is important, i think, for our common stability, not to withdraw into ourselves and talk, talk, talk. the more speech we pass on to future generations for reflection, the better, this time we must do

everything we can to ensure that our descendants learn the lessons of these events well, and that the aggressor is convicted, words are never an empty slogan again. there is a large array of photographs that show life at the deportation, on settled or even in a camp, for example minlag, this is the 55th year in the russian federation, but these are political prisoners, there are only posts and boards with numbers pinned to the posts, unfortunately, history does not always teach, but in principle, you have to learn from to their mistakes, what is happening now, the nkvadists, that is, the current thesbeshniks, they are the spiritual, ideological descendants of their predecessors... kegbists and therefore here you can see these historical parallels and at least understand

the reasons why the events are unfolding now, they were not even allowed to sleep, they were forced at night устраивается да здравствуют 8th company of slavsya russia, those who did not show interest for 2-3 days, those who somehow, in my case, there were guys like the terushniks, the atushniks, they stayed for a long time, the wife was alone here, he hung out for a day in a mobile state, handcuffed, his hands were completely torn off purple, sepsis began to become infected, this must be remembered, this must be known, without this, we will not be able to understand, let's say, putin's regime, which is very similar to stalin's or we are observing some other totals right now precisely the picture that putin 's regime has changed from authoritarian to stalin's times, and you can see it almost one by one, if you went into the camera, you had to shout "glory to russia, glory to putin, glory to scheib". almost every day, workers with

electric shocks passed by and demanded to sing the national anthem. sing in unison, sing separately, in time. the communist soviet regime was not condemned, it was not said that it was a crime, and therefore it lives on, yes, that is, there was no final point, these older people, sometimes they even come to us to talk, but they are still afraid, they are afraid that someone will punish them for it, and here too the issue of freedom is never over when one of our unheard people said to me: you have so much freedom to live your life, as you want, drives, speaks the language you want, we didn't have that, that's why we all, each in his place, have to work for victory, even if it means doing something that

we've never done before or even planned . we went to uzhhorod to find out if she had arrived chain, and your car is being serviced, well, it’s already at work, well, then i’ll go to the old man first, and then to you, okay, come on, my name is andrii lyubka, i’m a ukrainian writer, translator and now a volunteer, my current the main activity is to revive the automotive market in... in britain buying cars, diesel jeeps, diesel pick-ups and minibuses, preparing them for use in the war zone and handing them over to an official army unit, this is what i do all the time, and which is now my main and for sure the most productive occupation. as a writer, andrii lyubka started making cars for the military. there is a separate

story about this, worth at least a story. it started before easter last year in the year 22 with my call to my friend , who until february 24 was a civilian, and on february 24 he became a military man, in april i called him, easter was approaching, easter is probably a key holiday in the transcarpathian cycle of holidays, in our have their own specific culinary traditions for this holiday, despite the fact that, for example, i am an atheist, i i at least follow these culinary traditions. and the culinary tradition is that we prepare such a whole pig's leg, which is called shouder, we decided to send to this transcarpathian unit , relatively speaking, 100 kg of home-made imported sausage and 100 kg of this pig's leg, so that they have everything for easter what will be here. then i will call him and say: listen, you are there, my