[000:00:00;00] runs the rodyna club, so in the premises of the club the family near the golden gate lyudmila storytka gathered the representatives of the kyiv parties that created the central council, then they naumenko seems to have been the first, well, the first proclaimed head of the central council, then hrushevskyi arrives, then everything spiraled, that is, it was this room, well, this is simply our place of memory, then they, what they did again, were geographers. chne society, well, it means that there is some department, the western department of the russian imperial of the imperial geographical society, they quietly besieged it, occupied it, they conducted some statistical research, they published historical songs , when, when, when the 17th year came, there were maps, there were, by the way, those were the maps then, well along the front, they were scattered everywhere in huge numbers, just because there were borders, but

this was not the case in the russian empire, therefore. the history of hrushevskyi in different hrushevskyi, this is also, by the way, mykhailo hrushevskyi himself is a pupil, so to speak, a product, the idea of ​​the old community, his antonovych and the community brought up, the history of hrushevsky in various formats there in butterfly, not butterfly, they are the same again , it was distributed in huge circulations at that time, and this is how national identity was formed, but it and, i understand that people who belonged to this environment, we with so some of these people changed their identity from russian to ukrainian, so, that is, there were people there, some of them returned from russia, so in the 17th year, like narbut, some, some, like zerov, for him it was also yes, identity change, tell me how changed identities, i have a section in this book called turning points from

foreign capitals, turning points from foreign capitals. i really love this story about narbut, that's all that narbut did here, so it's the 17th year, now i'm going to surprise you and our viewers, apparently, in kyiv from, from there it seems 11, 1911 from 1908 to 1914 it was published ukrainian house magazine, it was a very modern magazine, a modernist magazine, where the young generation was published, so this magazine has been around for a long time. we ask ourselves that everything that happened until the 17th year was volunteering, patronage, well, on the contrary , it was still forbidden, nobody financed anything, but all the classics that we teach are pure patronage, according to modern volunteering

, so, for a long time, the magazine was financed by the ukrainian house, the ukrainian community of the city of tomsk, it is in some distant russian siberia, but imagine now, by the way, i have a suspicion that if i were to work with that tomsk now, well, no still disappears in families, no, well, well seriously, the ukrainian community of tomsk financed this magazine, they quarreled with vennychenko there, then, and then, by the way , the leader of this community, such an engineer sydorenko, but when the revolution began, he dropped everything there, rushed here, was in the central council, then it seems that during the emigration, you say that the nar...' changed his identity, i 'm not sure, here again, the ukrainian nobility, besides, the people made a very good career in st. petersburg, so he is a member of this very world there of arts, he is a recognized artist, he made what is called a good career, and in 17, yes, but when he made this good career as a russian imperial artist, he was there somewhere, well, somewhere long before the revolution, so he painted his coat of arms, which

he signed approx . yes, what does that mean, georgy narbut, a cossack, means from the narbutivska, there glukhov hundred, yes, yes, that is, for him, the capital of the deaf was such, the heraldic one, that, not petersburg, and as soon as, again, as soon as the revolution here, there was a large colony of ukrainians in st. petersburg, not only narbut narbut, they leave, well, narbut is a brighter figure, they leave everything and go here, but again, i really love this one, well , i love this one, nadiya surovtseva, a student of non-tuzhev courses in st. petersburg, a future lawyer, surovtseva rushed to kyiv , came to hrushevskyi and said: "mr. president, i am on behalf of the st. petersburg ukrainian student community, we are ready to carry out all your orders and commissions." narbot took him to kyiv, he contracted typhus for him, he was given very little, very little time,

but he did so much that it is too long. so, narbet settles in georgiivsky lane, in the house where taras shevchenko once, for a while, lived, excuse me, excuse me, and here i must show you what is in this book, if you will read it. here there are those, there is a map, maps, yes, you can just point the qr code, and here there are maps that, where you can go and see cells, places, markers, and st. george, st. george's was a very important place, such here, because the windows overlooked the zaborovsky gate, one more for moreover, precisely for those years, this is such and such a very symbolic place. narbud painted the walls there, once there, it was such a very artistic environment there , he walked around kiev in some very sophisticated cossack outfit, surprising

everyone, he draws, the coat of arms, he draws the first postage stamps, he draws samples of money, he makes, he makes this fantastic beautiful alphabet, that is, narbot as an artist works , well, he is the author of the coat of arms, but not only, not only that, so just in this circle, narbut united, there was some such amazing thing, they they were still looking for some, it is necessary, but now it is very important, very relevant for us, by the way, with these inter-church problems, the russian orthodox church was not authoritative for them, it was not for them, they knew well its value as old-fashioned structure, so to speak, and they were looking for some kind of new religiosity, and this is where narbut unites, well, absolutely, seemingly incompatible people, on the one hand, les

kurbas, mykhailo semenko, pavlo techyna, mykola zerov, yohim mykhailiv, that is, and neoclassicists, and avant-gardes, they seem to be complete, and here they are nine, so-so. an anthroposophical or theosophical nine modeled after a masonic lodge, they have these rings there, that's all, well, all this paraphernalia of a masonic lodge, and here it is, well, it's a little parodic, they were enough - it's a game, but it's a half-game, because they they were looking for some kind of new spirituality, there was also anthroposophy, well, on the one hand, the game, on the other hand, wait. rudolf steiner is the master, i think, the master, so to speak, of the spirit of europe at that time, and steiner was very fond of kurbas, he met with him, that is there is not only there game, on the one hand, it is a game, but on the other hand, they are looking for some new spirituality, and it is very nice, again, in this environment

it appears, this is already an artistic game, they are modernists, they are artists, so somewhere on narbot, who loved terribly, he had a collection there, that means there was a lot of glass there from the 18th century, he loved baroque, they all loved baroque, because it was our tradition, and this is how he decorated his house, i decorated their house, there was a very refined atmosphere there, they on the side, and somehow he loved tsiiv bazaars, and somehow he found in one of the kyiv bazaars, a ring, the ring was a gilt and on it was written lupa grabuzdov , a non-serving nobleman, uh, and that’s where he came from, uh, well, obviously, one of the first in our literature, because later, later there already during the emigration, such posts will appear, but here they create the mythology of lupa grabuzdov, as such an invented one, he is such a poltava nobleman, a nobleman,

a nobleman, he owns a mill, he has economy, he, he is doing well, further, further more, they write his genealogy. zerov writes two poems about this, and they also wrote on his behalf, they wrote on his behalf, yes , they wrote his biography, and it should have been there in the finale, they didn’t have time to do it, in the finale there was not enough of butivsky, a photo studio, they had everyone turned out to be the descendants of lupa grabozdov, so-and-so, so-and-so, so this is the bridge of doborovka, so that texts and biography were written on behalf of lupigrazdag, and all this created such and such a stylization of baroque kyiv, that is, well, somehow, another the story i want you to tell is about and about another environment that gathered

in gorodetskyi, in such an artistic artkafe, artistic lohov, and i am sorry that we all know about, well, not all, at least the people of kyiv know about artkafe junk, which has now been renamed and it is because junk is artists, artists, writers, but it was there itself, it was, or in the neighborhood. we need it, i don't know, we need to make it pedestrianized, every house there is a, it is such a powerful place of memory, so much happened there that it is simple and at the same time there a plaque, a memorial plaque to the russian poet mandelstam and i apologize more, there is nothing, just as there is a monument to anna akhmatova in the mariinsky park exactly, well , this is completely crazy, i understand who paid, but i do not understand who allowed it, so that monument was erected recently, yes, it was quite recently

, so horodetsogo street, then mykolaivska, stood there , it was the mering estate, the estate of professor mering university was there, the street was sankovetskaya street, it was also called berangovska, so, i was there first, well they say that it is the largest in europe, even if they exaggerate a little, it is still one of the largest circuses in europe, a famous circus, literary events were also held in that circus, and here is the current apricot building of the conservatory, it is a very modestly rebuilt hotel after being destroyed in the second world war continental, but very modestly, it’s a pale sub-standard, so the continental hotel, one of the best, oh my god, the best kyiv hotel at that time, and there it is, the 18th year of skoropansky, hungry, hungry our northern neighbors, there

are mostly emigrants, well as if fugitives from, they see again only saw themselves, there and their own kind, here here here too , it’s necessary, so i read a lot of memories, so very good memories were left by the people of musaget, ours, so there were several, there were several such centers, the junk cafe indeed, it was favored by russian emigrants, and russian poets mostly spoke and read poems there. another cell was there, where it is now opposite the opera house, where leonardo's business center is now in our country, it's right there in leonardo's business center , in my opinion, that's where it stood, there was a so-called - again, there was such an artistic cafe , such a crooked jimi, but in the crooked jimi , we used to gather, dontsov was sitting there, he was sitting there as, dmytro dontsov, he was sitting there as a press officer, that means, of the ukrainian government, but.

ukrainians and russians, separate evenings, but they were, by the way, a generation earlier in the kyiv artistic society, but it was already russian , this was before the revolution, but it was as if it had been neatly besieged, everyone joined the board, there was again a lysenko, a bee, and they, they spent ukrainian evenings there in the russian art room society, it is on or on the rustaveli robe, or on rognitanskyi, there by the rustaveli cop, from here, here somewhere in one word, it is in memories, it is in letters, lesya ukrainka, her sister writes, here she and her sister correspond. here is the current building of ginsburg, it is the 11th room, it must be somewhere, they arranged an art gallery there, there was a beautiful announcement in the magazine muzaget that an art gallery was opening, the interior was painted there, anatol petrytskyi, petrytskyi avant-garde, petrytskyi very a great

artist, he read his poems right there, of solar clarinets pavlo tychyna, right there, to the military one, which les kurbas brought and put it on display, that means a table, it was to be given to the one who came up with the best name for the theater created by him, tychyna offered a garden, well, tychyna obviously meant the garden of the divine songs, he is from pando, but kurbas turned to ignatovych, who was sitting next to him, an actor, and said, can you imagine, hnat, what the critics will write about us, yesterday, yesterday, the actors were sitting. with that, well, after which the garden was removed, well, in the end, they adopted the name berezil , which kurbas himself proposed, and madeira was drunk in a group, there are many such stories, they are very interesting, this is when it is about mykolaivska, by the way, when now and then they say that it is not necessary to change the name because the war was in us in the 19th year, as soon as the soviet government barely...' now it's called simona petlyura, but what

was it called then? i have to remember, i won't remember bedzekivska in my way now, so they only entered the city, they entered the city , they in an instant, they renamed everything in an instant, destroyed everything, and now, here i am now here i have something like this, i've said it many times, i have this when i walk in the middle of nowhere, i have it especially near museums, i think to myself, if they entered here, well, these museums would no longer exist, there would be piles of stones, no, they would purposefully destroy everything, that's clear. and here is the myth that there was a russian, well, there was no russian kyiv, well, the 20s already, so it is. literary, well, 18-19 literary evenings, these are all street manifestations, if mykolayivska was like that, let’s say, musaget,

symbolist, elitist, then on in fundukleiv, the current bohdan khmelnytskyi, there it was captured by futurists and avant-gardes, on the one hand, there is the editorial office of the bolshevik newspaper, where semenko gathered all the futurists around him, on the other hand , nearby, near the opera, one way or another, there is the studio of nizhynska, vaslava nizhynska , the movement studio, and i have the impression that all the beauties of kyiv studied in the nizhynska studio at that time, so who, you don’t start to consider, well, this is a sketch of fondukleivska street, a very beautiful such cubic painting, that is, there was this one, well, what called futuristic party, how they, like this futurist party, how they... related to the neoclassicals, let's say you have a great story about the grand piano, and the same, actually, the same, just the collision of the futurists and the neoclassicals, as it happened, they were all together at narbut's, they were there and semenko was there, as they quarreled in the manifestos, they did not

drink coffee or madeira together, semenko with, well, if you go topographically in kyiv. let's go, then, so fundukleivska was captured, conventionally speaking, mastered, futurists, avant-gardists, and neoclassicists gathered around the golden gate, by the way, from the beginning of 20, 1925, by the way, pavlo tychyna celebrated his 50th birthday at the continental hotel in january 1941, there is even a menu for this evening, but it has been preserved, we just don’t forgot about royal with you. no, i won't forget, i remember about roy, what am i going to, i go topographically and come back, logically, let's move on to royal. so, topographically, the neoclassicists gathered around the golden gate, there was the editorial office of the knygar magazine, by the way, maybe, well, in my opinion, the best memoirs, you say, where did i learn about kyiv of the 20s, the best memoirs about kyiv

of the 20s, this is probably lukroz domantovych's book, i read them at the end of the 80s, i will remember dumantovych. right there was the editorial office of the booksellers magazine near the golden gate, there worshiped zero, that’s where everyone gathered, on mykolaivska, opposite, opposite the continentals, on mykolaivska two, there was the editorial office of the magazine life and revolution from the 25th year, and the editor was later, if you read , read memoirs, if you read a novel, a city, for example, then it is a very autobiographical novel, there are all recognizable prototypes, where were they, where were gathering, and the non-classical students were either going to go for a walk near the zolotovorytskyi square, or, well, there weren’t many of them, it was

easier for them, so to speak, sofya fedorivna lived a very long time. i explain and rolit is a house of writers lined with memorial plaques, literary workers all lived there, and above i think it was the 80th or 82nd, mykola zzerov had an apartment there, and they used to gather there, rymsky used to go there, many was, was and was, and, neoclassical in the novel the city, there at the very beginning stepan radchenko and his boyfriends take girls to parties, then they take them to boivovar shevchenko 14, there they were just there, and zzero held his parties. they could be friends in different ways, regardless of literary groups, well, let's say, dumantovych was, or viktor petrov dumantovych was close to valerian pidmohylnyi, they are both with katarina slava, they are countrymen, he earned money as a violinist and they say that when

les kurbas and mykhailo semenko, near skoldova graves, they gathered there, and when they went to them they led by two. a duet with two violins, everyone there, that means, well, these were just street concerts that everyone listened to when semenka was arrested, then maksym rylsky bought an expensive german grand piano from his wife, grand piano, grand piano to sell, and this grand piano survived the war, but reilsky, he also wrote music, he is very musical, this grand piano has survived, it was somehow kept there by neighbors during the second world war, but rylsky was on vacation, and it is still standing in the rylsky museum in holosiiv, here there are several places worth visiting in kyiv, the first of which is the rylsky museum in holosiiv. this is a beautiful museum, bazanan's apartment on tereshchenkivskyi, it's easy to go there for pleasure, not only soviet, it's extremely interesting there, there, there, the whole house

, in fact, this grand piano is in the maksymarilskyi museum, on its cover it was scratched with something, well, something, a sharp needle , something, semenko, semenko did it well, of course , i thought who, well, a neoclassical would not be a scratchy nerylian, she must be objectified, embodied, otherwise she is reported, here is this one the grand piano is a piece, but each thing needs its own verbal history, this grand piano is a piece of our literary and artistic life, and by the way, this will be the last question, because we literally have about three minutes left to talk , and i wanted to ask you this, here i have dedicated to memory, look, 10 years of ukraine's independence and beyond, and i'm not like that, where i lived

in narbud or so, nothing anywhere and nothing was beaten, this one, i was thinking about this middle lobe ring, i thought about this bottle of madey, i thought about this grand piano like that is, it turns out that we did not succeed, yes, we did not succeed in anything, and it is very unfortunate, it is very unfortunate, this is the first, well, this is a penny project, well, we need at least, at least memorial plaques, there are memorial plaques on horodetsy plaques for russians, and none for ukrainians, somewhere very recently, somewhere very recently , already, well, literally before the war, here is a fresh memorial plaque at present, the former merengovsky, well, actually near the gorodets mandelstam, who erected this monument to akhmatova near the marinitsy palace , well, it's just a crime, i say, i understand who paid, but who allowed it, that is, we don't have memorial plaques , we managed to publish books and that's already good, so let's end with a good plot, which is

terrible for me, but he somehow convinced me that not everything is bad , very soon the second part of the novel by the best of our novelist viktor dumantovych, dr. serafikus, will be published very soon. no one has ever read it . sofya zerova kept it together with the entire archive on a piece of paper and handed it over to the state. it’s another matter that we didn’t manage to get it . give out, but now he is is preparing for publication, that is, in fact, to get rid of this, to shake off this imperial myth, we have a very interesting history, kyiv has always been a ukrainian city, and the kyiv space is a space of freedom, a space of inspiration, a space of art, thank you, and vira geyeva is a literary scholar, professor of the kyiv academy, was a guest of the premiere... there are programs with their own names, read ukrainian literature, ukrainian books, novels, in fact, they are not only about not only

valeryyan pidmogilnyi the city, but also doctor serafikus, but also the girl with the medic, yes, it's all about kyiv, of that time, it's actually , such and such a textbook, a map of kyiv, those times, protect ukrainian culture, read literature and we'll see each other literally in a week in this studio, in this program, thank you. why am i here, i have sensitive teeth, i eat ice cream, pain, cold air, pain, sweets, pain, the dentist prescribed lakal sensitive, which effectively reduces the sensitivity of teeth, if i had known about lakal sensitive earlier, i would not have had to come here at all, lacalot sensitive - reliable protection against pain. pain can become... p moves, not with my knees, the only yellow cream for joint pain, muscle spasms