[000:00:00;00] registers the rodina club, so there are people in the premises of the rodina club near the golden gate, then they naumenko, it seems, was the first, well , the first proclaimed head of the central council, then hrushevskyi arrives and then everything spiraled, that is, this was the premises, well, this is ours place of memory, then they, what they did again, was the geographical society, well, it means that there is some department there, the western department of the russian imperial, geographical society, they besieged him here with a quiet sapa, and when, when, when the 17th year came, there were maps, there were, by the way, there were maps then, well, on the front everywhere, they were scattered in huge quantities, just , well, there were borders, well, this did not exist in the russian empire, therefore, the history of hrushevsky in different hrushevskyi, this is also, by the way, mykhailo hrushevskyi himself, it is

a pupil, so to speak, a product, an idea. of the old community, antonovych and the community raised him, history, it and, i understand that the people who belonged to this artistic environment, yes, some of these people changed their identity from russian to ukrainian, yes, that is, there were people there, some of them returned from russia, in the 17th year, like narbut, part, part, like zerov, for this was also such a change of identity, tell us about it, how identity changed, i really love this story about narbut, that's all that narbut did here, so it's the 17th year, now i'm going to surprise you and our viewers, obviously, in kyiv from, it seems like 11, 1911, from 1908 to 1914, the magazine was published

ukrainian house, it was very modern. magazine, modernist magazine, there and there the young generation was published, so we don’t really think about the fact that everything that happened before the 17th year was volunteering, patronage, well, on the contrary , it was still prohibited, nobody was financed, that’s all the classics that we teach , this is pure patronage, according to modern volunteerism, so, the magazine ukrainian house has been financed for a long time, the ukrainian community of the city of tomsk, it is in some... well, some distant russian siberia, but imagine now, i have a suspicion by the way, that magazine, they are there argued with vinnychenko, then, and then, by the way, the head of this community, such an engineer sydorenko, but when the revolution began, he dropped everything there, rushed here, was in the central council, but then he seems to have emigrated, you say that narbud changed its identity , i'm not sure, here again, here is the ukrainian nobility, by the way, by the way, he made a very good career

in st. petersburg, so he is a member of the same world of arts there, he is a recognized artist, he did what is called a good, imperial artist , he is there somewhere, well, somewhere long before the revolution, he drew his coat of arms, which he signed approximately as follows, which means that george narbut, a cossack, means from the narbutov, there glukhov hundred, yes-that, eh, that is, for him the deaf was the capital of coat of arms, but not st. petersburg, and as soon as the revolution... as soon as there was a revolution, in st. petersburg there was a large colony of ukrainians, here is narbut, not only narbut, they abandon, well, a brighter figure, they abandon everything and go here, here again anyway, i really like this one, well, i love this scene, nadiya surovtseva, a student of beztuzhev courses in st. petersburg, a future lawyer, surovtseva rushed to kyiv, came to hrushevsky and said: "mr. president, i am on behalf of

the st. petersburg" student community, we are ready to carry out all your orders and assignments. very little, very little time was given, but he did so much that it is admirable, so he finally settled in georgiivsky lane, in the house where taras shevchenko once lived for a while , excuse me, excuse me, and here i must show that in this book, if you will read, there is such, there is a map, maps, yes, you can just show the qr code and here are maps that you can go in and see, the zaborovsky gate, another one for that, just for those years, it is so so so so so very important , such a symbolic place, narbut painted the walls there, once there, it was such a very artistic environment there, he walked around kyiv in some very sophisticated cossack outfit, surprising

everyone, he paints the coat of arms, he paints the first postage stamps, he paints samples of money , he does, he does this this fantastic beautiful the alphabet, that is, the people work as an artist, well, he is the author of the coat of arms, but not only, not only that , so it was precisely in this circle that the narbot united, there was some such amazing thing, they were still looking for some, here it is necessary , but now it is very, very important for us, by the way, with these inter-church problems, russian , it was not for them, they knew well its value, as a denationalized structure, so to speak, and they were looking for some... new religiosity , and this is where narbut unites, well , it would be called completely incompatible people,

on the one hand, les kurbas, mykhailo semenko, pavlo tychyna, mykola zerov, yukhim mykhailiv, that is, both neoclassicists and futurists, this attribute of the masonic lodge, and here it is, well , it is a little parodic, they were enough, that is, this is a game in the masons . but such a half-game, because they were looking for some new spirituality, there is anthroposophy , well, on the one hand, the game, on the other hand, rudolf steiner is the master, well, the master, so to speak, of the spirit of the whole of europe, at that time, and steiner was very fond of kurbas, he met with him, that is, there is not only a game there, it is from the same person on the one hand, it's very nice, again, in this environment it appears, but this is already an artistic game. they are modernists, they are artists, so somewhere on narbot, who loved terribly, he had a collection there , that is, glass, there is a lot of glass from the 18th century, he fell in love with the baroque, they all fell in love with

the baroque, because that was our tradition , and in this way he decorated his house, i read, decorated my house, so there was a very sophisticated atmosphere of the lesson, and somehow he loved kyiv bazaars, and somehow he found in one of the kyiv bazaars, a ring, the ring was a carnelian and on it was written lupa grabuzdov, a non-serving nobleman, ugh, and this is where, apparently, one of the first in our literature appeared, because later, later there already in emigration, such poss would appear, but here they create the mythology of lupa grabuzdov as such a fictional character, that is, grabuzlov, it is obvious to him that he is so poltava. a nobleman, a nobleman, a nobleman, he has a mill, he has a farm, he is doing well, further, further more, they write

his genealogy, zerov writes two poems about it, and they also wrote on his behalf, they wrote his biography at the kyiv fashion studio, they were all supposed to be the descendants of lupa grabozdov, so and so... such and such means such and such a dobroco bridge, so texts and a biography were written on behalf of lupyg , and all this created such, such and such a stylization of baroque kyiv, that is, well, somehow, one more story that i want you to tell, it is about and about another environment in the art cafe, the artistic lohov, and i am sorry , which we all know about well, not all of them, at least those that i don't know, about artkafe junk, which has now been renamed and is called junk and it's even more terrible, i think, because yes, because junk is artists, artists, writers, but it was

there there was, but either in the neighborhood, there was, this, another ukrainian environment, horodetskoho street, the building - this, this is such a powerful place of memory, so much happened there that simply and at the same time there is a plaque, a memorial plaque to the russian poet mandelstam, and i'm sorry, there is nothing more, just like there is a monument to anna akhmatova, well, this is completely crazy, i understand who paid, but i don't understand who allowed it, because that monument was erected recently, yes, it was recently erected, i understand who paid, but i don't understand, i'm interested who allowed it, well, i hope, let’s take this down, i was there at the mering university and now the street is sankovetska street, it was also called berangovska, so i was there for the first time, well , they say that it is the largest in europe, even if they exaggerate a little, it is still one one of the largest circuses in europe is famous, in that

circus and literary events took place, well, the solovtsov theater, the current franko theater, it was already functioning even then, and here is the one , well, the current apricot building in the second world war is the continental hotel, but very modestly, it is a pale likeness, so the continental hotel is one of the best god the best kyiv hotel at that time, and there it was, the 18th year of skoropansky, eh, our northern neighbors are hungry, hungry, so all hungry russia rushed here, there were all the imperial maids of honor, everyone, well, there was still white bread for skoropadsky, in moscow already there were also cards a long time ago, that is, these, because i read, i why, i read utyosov's memoirs about it, he said that there were mostly immigrants, well, as if they were fugitives from yes, they see again, i saw only myself, there and of my own kind, here here here too, it means that i read a lot of memoirs , so i left very good memories... our people from zagetiv, so there were

several, there were several such centers, the hlam cafe really liked the russian tournaments between russian and ukrainian poets, they won in particular, ukrainian, is another focus i was there, where it is now opposite the opera house, where the leonardo business center is now in our country, it’s over there on the leonardo business center, in my opinion, it stood there, there was a so-called - again, there was a so-called... well, arty the cafe, such a crooked jimmy, but in the crooked jimmy, dontsov sat there, he sat there as dmytro dontsov sat there as, there were literary evenings, this one, this one, ukrainians and russians also gathered there, separate evenings, but there were , by the way, a generation earlier in the kyiv artistic society, it was already russian, this even before the revolution, but it was as if it had been neatly besieged, everyone entered the board, there was still a lysenko, a bee... and they, they spent ukrainian evenings there in the russian artistic

society, whether it was on shatarul or rognidanskyi, i don’t care , just a word here, see that there are very few people at the russian evenings, a lot of people go to the ukrainian ones, to the artistic russian society in kyiv, to readings, to reading letters to literary evenings, and so returning to mean to crooked jimmy, in cafe hulam, well, at some point the ukrainians wanted to have their own... it all happened very quickly, they found their house nearby, as i understand it, this is the current building of ginzburg, it must be number 11 somewhere, they painted it there, anatol petrytskyi, petrytskyi is an avant-garde artist, petrytskyi is a very cool artist, but it was there that pavlo techyna read his poems, sunny clarinetists, and it was there that the musagetites performed, it seems that it was there, that famous one... i love her very much, it is in my book, there is this story, this bottle of some

expensive pre-war madeira that les brought kurbas also offered tychyna a garden for the theater he created, well, tychyna obviously meant the garden of divine songs, he is from panna, but kurbas turned to ignatovich, who was sitting next to him an actor and said, you can imagine, gnat, what the critics will write about us, yesterday, yesterday, the actors from well, after which the garden was removed, well, in the end, they accepted the name berezil, which, which kurbas himself had already proposed, and madera, this is this when, when, about , when, about mykolayivska, by the way, when, now, now they are talking , which should not be renamed to the fact that there is a war in us, in the 19th year, as soon as the soviet government barely put a foot in the ground, they immediately took over everything.

mykolayivska became karl marx's and so until the end of the 20th century. i correctly understand that they knocked down this pedestal , which is now called simona petliura, and at that time it was called, i must remember, bedzekivska , in my opinion, therefore, only they own it. entered the city, they entered the city, they in an instant, they renamed everything in an instant, destroyed everything, and here and now, here and now and here in i have a... i've said this many times, i have such a thing, i walk when i'm in the middle of a place, especially near museums, i think to myself, if they entered here, well, these museums already it wouldn't have been, there were piles of stones, no, they would have purposefully destroyed everything , that's clear, and here's the myth that there was a russian, well, there was no russian kiev, well, the 20s already, therefore, literary, well, the 18th 19th, literary evenings, these are all street manifestations. if mykolaiv was

so, let's say, musaget, symbolic elitist, then naty, with on the one hand, there is the editorial office of the bolshevik newspaper, where semenko gathered all the futurists around him, on the other hand, nearby, near the opera, one way or another, there is the studio of nizhynska, vatsislava nizhynska, the movement studio, and i have the impression that in the studio nizhynska was studied by everyone then, beauties from kyiv, no matter who you look at, it turns out that she studied there, eh, and again, next to the rooms, the studio... oleksandr ekster, and that’s where kurbas collaborated with them, kurbas from ekster even though about they planned some joint project, it never came to fruition, and there was a beautiful painting by ekster, by fondukleiv, well, this one in the corner of fondukleivska street, a very beautiful cubic painting, that is, there was this, well, what

is the name of a futuristic party, like them, like this futurist party, how they hung out with the neoclassics, let's say, in fact, it was just a clash... futurists and neoclassicists, how did it happen, they were all together at narbut's, they were there and semenko was there, yes izerov was there yes, well, you shouldn't think that if they quarrel, if they quarreled in the manifestos, then they are they didn't drink madeira while chewing together, semenko and well, if we go topographically through kyiv like that, then let's go, so here are the avant-gardes, and the neoclasses. the punks gathered around the golden gate, by the way, from the beginning of the 20th, from 1925, that is, at the continental hotel, there , well, junk, junk existed for a very short time in the basement of the continental, well, when did this white guard wave break down, it emigrated very quickly , disappeared and the rubbish, he was literally there, well, not long at all, but there in the basement

of the hotel there was still a writer’s club, but there was a writer’s club there, there is even one the menu... here it is this evening, yes, it was preserved, we just didn’t forget about the grand piano with you, no, don’t forget, i remember the grand piano, what am i going to, i go topographically and come back, logically, let’s move on to the grand piano, therefore, topographically, the neoclassicists gathered around the golden gate, there was the editorial office of the booksellers magazine, by the way, maybe the best memoir for me, you say, where did i learn about kyiv in the 20s, the best memoirs about kyiv in the 20s, domentovych from it reminds me of the editorial office of the booksellers magazine near the golden gate, where zerov worshiped, and everyone gathered there, on mykolaivska, opposite, opposite the continental, on mykolaivska two, there was the editorial office of the journal life and revolution from the 25th year, and the editor there was valeriyan pidmohylnyi, and he also had what

is called the whole of kyiv, literary, and they, they did not fight on at the everyday level, not at all, not okla, let’s say, there it is, a very autobiographical novel, there are all the recognizable prototypes, where they were, where they gathered, and in the uh, neoclassicists gathered either near the zolotytskyi park for a walk, or, so, well they were not many, they were it's simpler, so to speak, mykola zerov had an apartment a little higher than the current rollit, the khmelnytskyi above the rollit, there somewhere somewhere. no, no, it’s higher than rolit, yes, but i, i’m explaining what rolit is, yes, rolit, it’s the house of writers, lined with memorial plaques, literary workers, everyone lived there, and higher, in my opinion, in the 80s, well, the 82nd, mykola zerov had an apartment there, and that’s where they used to gather, rimsky used to go there, many,

many people were there, and he was there, and, neoclassicists, it’s like, well, like, they, they held literary parties, so when is there, oh zerov held his parties. they could be friends in different ways, regardless of literary groups, well, let's say, dumantovych was, or viktor petrov dumantovych was close to valeryan pidmogelnyi, they are both from kateryna slava, they are compatriots, in this circle of narbut they got close again, they are different, maxim is a neoclassic , maksym arilskyi and the futurists of mykhailo semenko, semenko only called on his readers to lift art out of the dustbin of history and take it to the hearse, he published a newspaper in kyiv called the hearse of art, and semenko was a professional screpal, that is, a professional, educated, he earned a living as a violinist, and it is said that when les kurbas and mykhailo semenko

gathered near skoldova's grave, and when they led a duet to them with two violins, everyone was there, so there were seeds, then maksym rylsky bought from his wife an expensive a german grand piano, well, it was, among other things, also help to the family that was left, well, there was nothing to eat , the grand piano had to be sold, and this grand piano survived the war, and the reil grand piano, he also wrote music, he is very musical, this grand piano it lasts, it was somehow kept there by the neighbors during the second world war, well, rinsky was evacuated, this is a beautiful museum, bazhan's apartment. it's easy to go there for pleasure, not only as a poet's fun, but just to see how the soviet elite lived there, it's extremely interesting, there 's a whole home museum there. and this grand piano is therefore in the maksimelskyi museum

on its cover scratched by some, well, something, with a sharp needle , by something, semenko, of course, dumenko did it, well, of course , i dumenko, well, the tsevandy gesture on the expensive grand piano, you mean scratch yours like in school on the party, its name is correct, such, well, this is a reified memory, it is a reified memory, memory must have, it must be objectified, embodied, otherwise it is reported, but this royal is a piece, only, well, each the thing still needs its own verbal history, this grand piano is a piece of our literary and artistic life, and by the way, it’s a question to ask, it’s a good thing to remember, look, 30 years of ukraine’s independence and beyond, and i don’t know are there literature, memorial plaques on these houses, where, yes,

where did narbud live or there, nothing and nothing cheated, here is this one, i was thinking about this middle arch ring, i was thinking about this bottle of madey, i was thinking about this grand piano , yes, this is a penny project, well, we need at least, at least memorial plaques, there are memorial plaques in russian on horodetsy, and there is no of a ukrainian, somewhere quite recently, but somewhere quite recently already, well, literally before the war , there are fresh memorials. the board is now the former marringovsky, well, actually near the gorodets mandelstam, who erected this monument to akhmatova near the mariyiv ​​palace, well, it's just a crime, i say, i understand who paid, but who allowed it, that is, we don't have memorial plaques , we have us, we managed to publish books, and that's already good, let's end it with a good plot, which is terrible for me, but he is somehow sure that it is not everything is bad, very soon the second part of the novel by the best of our novelist

viktor dumantovych, dr. seraphicus, which has never been read by anyone, will be released, no one has ever read it, it was saved along with the entire archive on a piece of paper by sofia zerova and handed over to the state, it is another matter that we are 30 no years managed to publish it, but now it is being prepared for publication, that is, in fact , we have it here, we just need to get rid of it, shake off this imperial myth, we have a very interesting history, kyiv has always been a ukrainian city, and kyiv space is space of freedom, space of inspiration, space of art. thank you, vera geyeva, literary critic, professor of kyiv academy, was a guest of the premiere program of her own names. read ukrainian literature, ukrainian books. who wants to know more about kyiv, by the way, read domontovych, that's why that all novels, in fact, they are not only about not only valerian pidmohylyny city, but also doctor seraphicus, but also the girl with

the medic, yes, it's all about kyiv, at that time , it's actually, like that,