[000:00:19;00] enemy attacks attract almost as much attention to ukrainian culture as art projects and exhibitions. direct hits to ukrainian museums and theaters from again and again they tell the world: russia is a terrorist state. it is about the ivankiv museum of history and local lore, where, in particular , the masterpieces of the ukrainian artist maria prymachenko were kept. this museum was destroyed by the invaders on the second day of the full-scale war. this museum is actually divided into

two parts. on this side there were, if i am not mistaken, four rooms, yes, and that one side, it was almost without partitions, and it was that side that started to burn, the paintings of maria primachenko were miraculously saved, although in fact it was not a miracle, but the courage and heroism of local people, the paintings of maria primachenko were hidden here in the museum in advance, we knew where they are hidden, and that is why they were all pulled out at once, and they were the first to be saved, of course, there were paintings by maria prymachenko, and then we took out what we could, from this side we managed to bring almost everything in principle, and with that side the projectile hit and the hole was already visible, where the ash and the fire itself began to fall, here we were probably breaking these grates at three o'clock, it was lucky that the poor craftsmen did not

install these grates according to the rules. otherwise we couldn’t just climb in there , well, you yourself understand, if they were installed here according to the rules, we would have broken them with our bare hands, well , we wouldn’t have broken them, the self-tapping screws were screwed into the insulation, don’t cry, don’t cry, everything is fine, everything will be fine , it will all be rebuilt, it will become even better, yes, life is the most important thing, and buildings are nothing, yes, but when russian missiles maria vivankova's paintings were almost destroyed, the world started talking about her again. and the family fund was flooded with proposals for exhibitions of the artist's paintings in different countries. in the spring of 2022 , at a charity auction in venice

, maria's work was sold for 110,000 yen. later, in ukraine, they organized an auction at which they sold a picture saved from a museum destroyed by the occupiers. the flowers grew around the fourth block. 5000 dollars. three, sold. with the proceeds, which is half a million dollars, 125 beads were purchased and transferred to the front. tim at times, maria prymachenko's paintings conquered the world again in the czech republic, france, italy, and for the first time in india and great britain. ukrainians are also rediscovering their culture. in september 2022 , an exhibition of maria

primochenko's paintings saved in ivankov was presented in kyiv. and in the summer of 2023 , the ukrainian house national center opened the exhibition maria paints, where 100 paintings by the artist from the private collection of art critic eduard dymshyts were shown. the slogan of this exhibition became the words of maria, so that people live as flowers bloom. similar cultural events help to realize that life goes on, even during war. and yet , many cultural institutions have suspended exhibitions and removed their exhibits in order to preserve them. for example, one of the largest museums in kyiv, the khanenko museum, which housed more than 2,500 exhibits before the invasion, is now literally empty. but instead

of simply hiding the works of art, the museum team temporarily transferred them for use by various museums around the world. it was our policy not to hide the collections, but to make the most of them it is possible for them to be presented to western audiences , the more we talk about ourselves through culture through art, for western audiences, the more hymers and patriots we have in our country, for some it is not an obvious connection, but this connection is very direct in fact, because the lectureship of western countries can support actions. politicians only when he understands who we are, we are talking about the common ground of growth from which we came, whether it is byzantine culture, whether it is the culture of the middle ages or

revival, we show that we look at the same things, and we grow from the same things, and our culture is ukrainian, it also grows in constant interaction with these cultures, with these things, the world museum community went to the meeting and many volunteered to support the ukrainian museum. the first to respond, even to invite themselves, was vilnius, and they are generally incredible. we will make five exhibition projects that will grow out of different types of our collections. with the royal castle in warsaw, we work a little differently, part of our works is beginning to appear as an intervention in their expositions, they are marked, of course, there are already two works there, but literally in a week the exhibition will open, where there will be one more of our works, and then there will be another separate project next year, where

just an exhibition actually with works from our collection, another project that we are very proud of, honestly, this is an exhibition at the louvre, we heard that louv is preparing a large study related to byzantium, and this study will last several years, and they are now researching everything related to this era in our museum, there are four oldest icons in ukraine, they were not created in ukraine, but they are here, they are sinai icons , so-called, they are 15 years old, and they have not been studied since the 70s, in addition , there is also a mosaic our icon is the end of the 13th, the beginning of the 14th century, it also comes from this tradition, and we agreed that these icons will be included in their research and we will also be participants in this process, this is

such an absolute history, when in science, such is being built on joint tasks cooperation while the ukrainian collection travels around the world, international institutions also support zaikhanenko in his homeland. one of the first such donors became for us, which has a lot of donors who invest money in this fund, these are european donors, and asian, and private, american, one of the first such donors who helped us purchase certain equipment, and we understood that we may have a difficult autumn, and we already bought it in the summer. generators on october 10, 2022, the museum team saw how correct the decision to withdraw was exhibits then an enemy rocket flew very close to the khanenko museum.

a beautiful rocket flew by, 40 meters from the museum, and all the windows and the glass roof were taken out of the museum, and we needed to very quickly consecrate the building, plus understand what's next. when an explosion occurs next to a building and there is a blast wave, you may not visually see what happened to the building, that is, the wave reaches the building, compresses it, then releases it and may blow up a little bit of the roof, or you may not see it, for example, and so if how critical is the damage possible understand only after detailed research , so the work has been added, but there are... those who are ready to help with this, it was the world monument fund, it was unesco, and it was the house of europe.

these three institutions gave us the opportunity both to conduct research and to secure the building and to enter already sealed , calm, insulated in the winter, and we cannot say who was more important, the support of the second helped only because the first helped before that, and then helped... museum employees continue to make the institution a center of cultural attraction, even without exhibits and even after the arrival of the rocket, right from the beginning. a full-scale invasion, they launched cultural projects that would never have happened in peacetime, because the walls of the museum are now empty and empty, it is very painful for us as museum staff, but it gives us other opportunities to use this space, to interact with this space, first of all. last summer, our director yuliya vaganova invited opera aperta to the museum and invited them to get to know the space. and

to think what could be done here, and then, ilyut roman was so impressed by the empty museum that they got very involved in this story and created a five-hour opera about the creation of the world, all the halls of the museum are fully involved, in each location some action takes place, it develops, all five hours you can move through the museum in any format, that is, it is a non-linear opera, it is a non-linear story, therefore... every time you build a new opera for yourself. together with the cafe bar skvot-17b, the museum staff launched a joint cocktail project with the curator. we have this a project with our neighbors from quota 17 appeared in 2016. it is so multi-layered, we have been friends with them for a long time as collectives, at the end of last year in ours.

we managed to find a format in which we could interact, so we started such a cocktail cycle with a curator, in general with a curator , but it seems that we did not have curators there yet, there were only female curators, this is such a super easy story, exciting, preferably, plus three museum cocktails were developed in skota, they are dedicated to the collection and history of the museum, part of the proceeds from their sale goes to a special account, i... i don't know which museum in the world still has a collaboration with the bar near this museum, the empty premises of the institution created circumstances for musical collaboration as well. representatives of djemal approached us and offered to raise funds for restoration. we talked, thought together, and decided that we should fight not with the effect, but with the cause, and decided to collect funds not for restoration, for the fight against... invaders and attackers, and we collected

a sniper rifle. jamala's concert at the museum would not have been possible, again, at any other time when it is here exposition, because the sounds that are needed for a good concert are incompatible with museum alarms and with the objects that we keep. after the full-scale invasion began. the employees of the khanenki museum realized another long-dreamed-of idea. we were finally able to open our museum courtyard, we have dreamed of opening this courtyard for many years. last summer, we realized that we really want people to have a space where they can come to us and stay for a while, that is, not an excursion, but a space where they can come and stay a little

recover the fact that we may help someone to reflect on what is happening, or at least to find some consolation, if now is not the time for reflection, is also quite valuable, all these projects are aimed at helping... ukrainians to survive difficult war times, however, one must not forget that the danger does not disappear anywhere. the feeling of kyiv as a fortress, it, it is always with us, there are tasks that we will not be able to do, or things that we will not be able to do until the end of the war and the moment when the missiles stop flying, but on the other hand, well, where is the guarantee that after... victory and the signing of all agreements,

some rocket will not fly to us again. well, we know that we will now live constantly in a situation where a rocket can always fly to us. this feeling is well known to those who had to experience the beginning of hostilities for the second time, and this is a lot of people who at one time escaped from russian aggression in the east of the country and occupation in crimea. even entire institutes... which had already managed to resume work in another territory, found themselves in a state again despair and anxiety, this is what happened to the lugansk theater, which after the occupation of luhansk... settled down and resumed its activities in severonetsk. i did not leave in the 14th year, i left in the 15th year, first of all, for some time we waited for everything to return, well, that is, well, we did not believe that it could be there to be for a long time, yes, and that, in principle, in the 21st century, it is possible for another country to seize

the territory of an independent country in the center of europe, that is, it was very difficult to believe, and in principle, a large part of people... on this belief, she is still there for some time lived there and was waiting for it. when serhiy nevertheless decided to evacuate to severodonetsk, he decided to revive his theater in spite of everything. he faced many difficulties. the actors moved to different cities, the theater building was damaged by fire and even in this condition it had to be shared with other groups, but in the end the building was renovated and it began to come alive, the theater in severo-donetsk lived well, in my opinion, because it functioned at 100% , there was a beautiful renovation, the territory of the theater, the fountain, lights, sound in the theater, everything

worked, the theater had its own theater festival, people came to severodk from all over the country, everyone, literally, life was so cultural, it was dark, uncreative and very active, alone... on june 22, 2022, the theater in severodsk was deliberately destroyed by the russian occupiers. and there is a costume shop. the story is almost the same as the story with the donetsk and maripol theaters. this theater, he was shot, it was 10 aimed shots, a tank driver, russian, he got, just an assignment from his military criminal. management to shoot the building theater the first goal was a drama theater in that there were armed forces there, there was no confidence, but there were civilians in the drama theater who barricaded themselves in it. i will never

be able to communicate with a person who will be from the russian federation. every person who currently lives in the russian federation. she is a criminal, she is this accomplice of putin, a normal, adequate person, she cannot simply observe and know that her people are doing what they are doing now, this and bucha, this is yrpen, and this, they have not bought these ones yet other cities, we still don't know what's going on in severodonetsk, rubizhny, lysychansk. in bakhmut, we do not know what is there, so when they tell me that there are good russians, they are not , no, they are criminals, there is a ballet class, because of these criminals, the team of the luhansk theater

became sheltered again, this has already happened for the second time in our life, when i gathered the team, i told them to gather things, you should have alarm suitcases and so on. something like that, but i didn’t do any of this myself, that is, i didn’t believe it, i didn’t have an alarming suitcase or collected things, i.e. i left severodonetsk with a minimal set of things, it was completely random , completely unsuitable and completely unnecessary for me in my further life, well, for example, a hair dryer, i never used it, the actors and the administration of the theater... again had to decide what to do further in life. at that moment, the chief director of the luhansk theater, maksym bulgakov , went to defend our country with weapons. there was no such thing, so i decided, i left, it went. when i was 14 years old, i was just in

kyiv, and i honestly tell you what the impression is it is somewhere far away, where it has not flown, they cannot understand, it is like that, there were such feelings when i came to work before the war of all sides, then i realized that people, they, they know something like that, and understand something like that, that you are currently you don't understand, but later , when it came to you, when you went yourself, when you didn't watch all this, you understood many things, then, when you watch, when the theater arrived in mariupol? then, the last straw. maksym was on the front line from september to october 2022, then he was demobilized for family reasons circumstances, immediately after demobilization, he returned to his native luhansk theater, which this time found refuge in sumy, in

the academic theater named after shchepkin. and i have an idea, stay here, we will live together, the places here are quiet, deaf, interpol will not reach here. you are not afraid to hide a murderer here, this is an article, well, an article from it, where are we, and where is the article, sometimes there, you understand that you have been there for 40 years, yes, and you have nothing, well, there are people nearby, what are 67 there, and you understand that she also has nothing, well, you have what for to live, people are to blame. there to help them survive what happened to them the first time,

it is easier for you the second time. currently, two creative collectives, the sumy and luhansk theaters, successfully coexist under one roof, sometimes they do joint projects, sacrifice this world just to put your child on an old swing, don't knock it down, think, oh my god, he can do it. and although the luhansk theater continues to work in spite of everything, the scars of the past remind of themselves, the actors learn to live with it and from the stage help to cope our losses to those who suffered them due to the war, we are constantly faced with the fact that they write that it was our beautiful theater, and oleksandr greshkov, the director of the theater today, he always says that this is the building of the theater, and the team of the theater, it exists , he is just now in another city, and this is the city of sumy, and come to the city of sumy, and you will see

the performances of this theater, what is it? sumy has become native to the luhansk theater, just as seyero-donetsk once was, and yet people do not lose hope of returning to their native, ukrainian, luhansk. we are no longer considering returning to savrodonetsk, we are considering returning to luhansk itself. and we know that what we will do there and what we will work with will be very difficult, well, we would really like it. pavlo makov said, everyone expects some benefit from art now, well, there is no benefit in art, it is only to help us survive this life, we are all actually fighting for culture, culture in everything, culture... culture in politics, culture in the economy, literacy, theater, well

, that's the key, there is culture everywhere, very much it is important that the culture does not stop, now it should sound even louder than it has ever sounded, if we do not speak very loudly, we will not be heard, all the exhibitions that we open in lithuania, in poland, in the louvre and more in a number of other countries. they are also important, because they show that ukraine is a country where a lot of valuable things are stored and valuable not only for ukraine, but for

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