[000:00:00;00] pp yes, in which deputies or famous people got into and it somehow went away with impunity for them, it usually gives rise to even greater impunity when public people get into such situations, so we wait, and while ostap's introduction, it seems that he is still playing in franko's theater, that's why that at the very beginning the management of the theater said that ostap will continue to work for us until the court forbids it, well, it will pass, friends, if there are... her fans among you, then you know that an animated film is being prepared about her, and his curiosity will be that edit piav herself will sing there, but not quite herself, artificial intelligence generated her voice, not only will she sing, but she will also speak there, quite an interesting thing, in general , we often start talking about artificial intelligence now, but let's listen while we we can't watch this

movie while it's being prepared, but... we 'll listen to how p sang, so let's listen. well, let's remember. that artificial intelligence in our country was so critical of the screenwriters of golovsk, who said that it was a threat to their work, they went on strike for a very long time, but here now i will show you a few such works that have been created with the help of artificial intelligence, i think you may have seen such a trailer for a movie about vladimir putin, where, where there is vladimir putin, this one appears with the help of artificial intelligence, in rather

simple poses and angles, now we might watch a few excerpts, yes, there is not only putin, but also yeltsin, there is young kadyrov, and well, i am interested in watching this film, but according to the trailers, i somehow doubt that it will be good quality, but maybe it seems so to me, for now we are waiting, also a ukrainian writer, martyn yakub, he is now, if you go to his facebook page, you will see that he is making a calendar with the image of writers and two female writers of the shot revival, he is this calendar, now he is collecting money for them on this calendar and then he will sell it and the money for the needs of the defense force will go, look how he did, various writers who lived in particular in the slovo house, i think he turned out very cool, well, and finally, let's see how artificial intelligence figured it out with a voice

anni lorak, to be honest, i don't know who the author of this is, so i couldn't sign this video in any way, it's just spreading on social networks , it's such a clip, video clip, famous anni lorak, music video, midday heat, where anni lorak sings, well, artificial intelligence he sings for her in completely different words than necessary, let's listen to it, where your syllables, the sun, go. you will find me, stepapan dilokiv always will be, a captive prisoner of a blue shalwa that will not return him angrily, because unfortunately there is no column anywhere, i led to kyivmit, i stop the kamaz and ships, there where the ashes are waiting for you, muscovites,

hit one. heaven, lonely muscovites, well, once again, we have the opportunity to thank anna lorak for the support of the defense forces, well, if anyone does not know, this is such, this is such a joke now exists, everyone thanks anna lorak, for the financial support of the armed forces, well, what well, now let's move on to the film, forever, forever, or forever, forever, you know, to be honest, i'm already confused, but this tape, first of all, participated in the program of the venice film festival, ah, won the main prize, quite recently at the cottbus festival, and this one the film is about teenagers, the main character is transferred from one school, more prestigious to another less prestigious school, and there she meets the corresponding classmates, and further i am afraid to give you various spoilers, i will only say that i

watched the film, it is for me.. . really liked it, the film was positioned from the very beginning in various ways as a film about the 90s and about teenagers in the 90s, and therefore , of course, that is why many people, as i already said at the beginning, because some people love the 90s and some people don't like to look at them, but i want to to say that this film is fundamentally different, for example, from those films about bandits or serials about bandits, or even from oleg sentsov's film rhinoceros, and we will certainly now understand what exactly the differences are, but now let's watch an excerpt. i sometimes think that beauty is a curse, why,

you're beautiful, i made you happy? so, in us. anna buryachkova, the director of this film, is on the phone now, mrs. anya, can you hear us, i can , good day, great, good day, well, you know, i have the first two questions, right away i will say, you may not like them, but, but the answers are waiting, because i have already heard a lot of comments, first of all, let 's deal with these 90s, you know, when oleg sentsov's film was released, there were a lot of comments, by the way people, as i observe... about 50-55 plus, who said that we do not want to watch this film, even for the sake of oleg sentsov, because it is the 90s there, we already did not look at them so grudgingly, we do not want to is to watch a movie, and the generation

, relatively speaking, ours there, 35-45, wanted the opposite to watch this film because, well, maybe because we grew up in the 90s, and we have some kind of open gestalts, we want to see this topic, but please tell us what exactly the meaning of the 90s is... specifically in your film , because i know a lot of people just expect it to be something ugly, you're going to show some ugly markets there, on the contrary , it seems to me that purely visually your film, well it's just a pleasure to watch it, thank you, watch it, actually i there is also a person who, when you talk about the 90s, i'm like oh my god, it's dark, difficult, scary, etc., but this is also one reason to go there, because you have to look into your own, on the other hand, when we were teenagers, these are the same 35-45-year-olds, no one showed a movie about us, and this is important, that is, we looked at teenagers exclusively in foreign

films, that is, we never saw ourselves, that is, in a certain way, this film, it is about how we grew up and how we felt, but we can have the opportunity to look at ourselves at that point, and yes, i'm very well, and me and my team, we tried very, very hard to make it so that it wasn't, not so dark, plus we have 98, it's already a moment of some exit from these 90s, it's already a moment of some kind of hope, it's the beginning of such a musical revolution, it's the moment when all our modern and there are still many musical groups, etc., and that's why i wanted it, if it's more like a film about how we come out of the darkness and the movement. in a light sort of way, and also , you know, there can be this expectation that it's a girl's movie, the reason i'm saying that is because i've been in one myself recently

trap, i spoke with my colleague, nina kuryata, she is also a journalist and writer, she has already published a book called the bell, and there the main character is a girl, and here she falls into such and such a story, and from the very beginning her childhood falls on the soviet union , then independent ukraine, then ours. no, and i fell under this stereotype that if the main character is a girl, then for some reason it has to be a woman's novel, or a girl's novel, or about girls, nina and i understood that there is no need to think like that, but many people do, indeed, and have you met any of these before? the expectation that people thought that not always, it will always be a movie about girls , i watched it and i don't think it is so, but have you met with such and such thoughts, once i was on one of the podcasts, jaana altukhova asked me about it, but she really almost, it was before, we had just released the trailer, it was not yet clear what and how, yes, probably, when we say, the heroine transfers from

one school to another, it seems that it 's definitely about her, we have an ensemble movie, and yes, it's not really about girls, it's an example the girls are done, but all the characters are revealed and we have two very ... strong male characters, here are two very strong female characters, on the contrary, another comment even comes to me even sooner, i am often told, and especially by foreigners, that there are many so toxic. and i always want to answer that actually one of the most toxic characters in this movie is the sister of one of the heroes, lera, and it's absolutely not masculinity, it's just a very cruel girlish toxicity. yes, i completely agree with you, this is not a girls' movie, well, yes, absolutely, it is well, it's just such a stereotype , we probably need to eradicate it, i think we can deal with it, i wanted to ask you about the sexual scene, you have them there, and thank god they started to appear in ukrainian cinema,

because earlier i heard some incredible stories about how the directors wanted to shoot, not a sexual, not a theoretical scene, but the actors were so shy and did not want their lives to do this, and the karpenko karug institute did not prepare them for this, they did not know how to approach all this, tell me, that's why that you have quite coolly filmed scenes, we even have a list already cool erotic scenes in the cinema, there is such a vivid scene in pamphyr, tell me: how did you shoot them, are the actors really now, all your young actors were shy to do it and in general, like us, we push through with these erotic scenes in the cinema , uh, well, yes, we really have very young actors , we specially selected them so that they were over 18 years old, that is, so that we could discuss this with them and they could even at the actual casting stage, we talked about the fact that in this movie will have

a lot of... violence, there will be a lot of intimacy, there will be a lot of frankness in a certain sense, different, not only we are talking about eroticism here, and they agreed, they read the scripts, they agreed to it, and in order to shoot such scenes, but i really wanted to make them so that, everyone remembered this, somewhere clumsiness, somewhere awkwardness, somewhere on the contrary the first feelings of this, well, hormonal such... teenage , of course we did not do any rehearsals of all this, but we did all our rehearsals, even throughout the film, they took place in the format of a game, and this game, when we were just coming, gathering all together, all our heroes, we played some games, we talked a lot, somewhere we read scenes, we almost did not lose them, but during this time, during these three weeks, which we lived like this in these rehearsals, in these meetings and games, between all our heroes and between... between them and me and between me and cameraman lina

chikhovskaya, who was supposed to be with them just with the camera everywhere all the time, a certain very trusting contact was formed, and therefore when we have already moved on to shooting these scenes, we also received in such a protected field, the opportunity to pass them, shoot and receive them in the format in which they are, and yes, i believe that in ukrainian cinema there is really very little of such... there is good eroticism, yes, which is not repulsive, which eh, it doesn’t make the viewer want to close their eyes and never open them again until the movie ends, but it’s also a part of life, and in the 90s, there was a lot about this moment, very strong physical contact, he was present, we we can't delete it, that's why we really wanted to have it with us erotic in some way, as well as how all our heroes touch, poke, bite each other all the time, etc., because, well

, if we remember, we lived on this all the time a little bit by touch, and now it's very i lost a lot of activity, maybe partially , i will tell anya right away that i wanted to ask at the beginning, because among people who support and follow ukrainian cinema, there is a discussion about always forever, or forever forever, because the emphasis is double in this we cannot understand the words. oh, i say forever forever but i hear forever forever and i'm not scared because yeah i know it's, well i think there's going to be a lot more jokes about luxembourg-luxembourg comparisons, there already are, so you see how cool that we can somehow make up or invent memes , jokes about ukrainian cinema, but let's move on with you, we literally have 5 minutes left, let's cry now with you, with you, about how we are perceived abroad, because i don't know, i haven't met a person from

ukrainian culture who went there to in the capacity of a cultural diplomat abroad and did not come either crying or irritated, because one opinion has been there for almost two years, they do not understand us, what we say, they do not want to perceive it from many angles, so you say how you perceived it, in the behavior of the heroes as toxic masculinity, so what else was there among... your screenings, among communication with the public, maybe with the press, i mean all your trips abroad with the film, what was the most, well, so... what outraged you, perhaps, or upset you, which the reaction, well, most of all gave you some negative emotions, precisely in this sense that they don't understand us, they don't understand our country, i actually have a very polar experience, because at the venice premiere

we were bathed in a warm bath , let's be honest, that is, italy understood us, felt us, the audience came up and said, well, it 's a little different here, but the 90s are alive. were also difficult, etc., and all my communication with the press was very comfortable, they wanted to hear us, asked a lot of questions, tried to understand it, somehow the venice festival, he maintains this pro-ukrainian attitude quite actively. i have a funny experience that we have co-producers from the netherlands, who took us and helped us to finish this shoot, not to shoot, we were already there, we shot everything before the start of full-scale. invasion, they took us in order to, as it were, give us the opportunity to finish it, and at some point the dutch co-producer, when he watched the final editing there, he writes to me in private about what and why everyone is so toxic, what is happening at all, why girls allow themselves to do this, and at that moment, i realized that for her, northern europe is what they

look at us a little like, well, insects in a jar, because they don't have such experience, it's so terrible. difficult experience, they had everything in the netherlands in the 90s already very well, that is, respect, approaching gender equality, etc., but then, and this is a funny fact, i explained to him about the 90s, about what, well, if this was our reality, he went and read several treatises by oksana zabushko and wrote to me, i understood everything, the impact of totalitarianism on the female body, and it was a great reaction from him, from negative experiences, the last two festivals. we had one in belgrade and it was generally not a very pleasant experience, because a lot of russians have a very difficult feeling just in the city itself, and a lot of people tried to talk to me about the fact that, well, maybe we should let russian culture in again , because without it it is difficult, well

, that is, such, even completely polar stories reached me, when the people of belgrade said that we are now living in a quiet occupation and we feel very bad about it and we would like to. stayed, and the most unpleasant thing is when at all interviews, at many interviews and in cottbus now it's the same, the first thing i hear before the start of the interview, the interviewer tells me: i just watched, instead of good evening, it says to me, i just watched the movie, russia vs. lawyers, such an interesting documentary, do you think they are really oppressed there, and i just have a first question, why are you talking to me about this, well that is, if we're talking about a movie here, let's talk about a movie if... we're talking though after all, about some topics that are connected now with our existence in this war, then let's talk about us, and not about them. since the 14th year, i have tried not to know anything about what is happening beyond our northern border , that is, well, i am not interested, and i do not want to justify them, i do not want

to say to anyone's face, yes, they are, there really are there are good people, we have to wait, we don't have time to wait, we don't have to do it now, and that's just the way things are. when during our cultural journey they start talking to us about how to establish this contact cultural with russia, this is probably the thing that bothers me the most, because we don’t see it, and yes, our time is running out here, but i absolutely agree with you, first of all, and secondly, a lot of people say the same thing, what do you say and we have to fight it somehow, but our struggle continues , thank you very much for this conversation and i confirm once again for myself that if you want to tell about our ukrainian history to foreigners who do not want to understand it, just let them read it oksana zabushko's book, field studies ukrainian sex, and then they will understand everything, it has already been tested in practice

, but anna once again confirmed it to us, well, with anna boryachkova, we talked about the director of the film forever forever, be sure to wait for it: at the box office, we will let you know about when it comes out, i personally highly recommend watching this film, even if you don't want to watch about the 90s, believe me, it's not the 90s that scares you, it's really a very therapeutic film. well, that's all for me, have a nice evening friends, see you for espresso. ukraine-italy on megoko, only victory gives a ticket to the european championship, on november 20 at 21:45 watch the match of the year, we cheer for the national team all over the country, turn on sports on mego,

try flebodia 600, pink french pills for acute hemorrhoids, flebodia 600, treat hemorrhoids without any oops, there are discounts on kvayt, 10% in pharmacies plantain, bam and oskad. vasyl winter's big broadcast. two hours of air time, two hours of your time, two hours to learn about the war and what the world is about. two hours to keep up with economic news and sports news. two hours in the company of favorite presenters, presenters that many have become like relatives, as well as distinguished guests of the studio. events of the day in two hours. vasyl zima's big broadcast, a project for smart and caring people. espresso in the evening. kanal espresso and ukrainian pen present a project of their own name with myroslava barchuk. a series of conversations with

ukrainian and western intellectuals who analyze and comment on the most relevant social debates. we will find out exactly what news will be analyzed by the guests of the project this week and actually who will be the guest of the studio already this sunday. undoubtedly, the topics will be relevant, the guests - special. proper names with myroslava barchuk. sunday 17:10 at espresso. the cold weather is approaching, what did the armed forces of ukraine achieve during the spring and summer offensive campaign, and what should we expect next? the situation at the borders. on the northern borders of ukraine, the russians are strengthening their positions, on the western ones - polish carriers are blocking passage for our trucks. about this and much more later in the issue. on whose side

is the advantage, what was the success of the armed forces during the spring-summer offensive and what was lacking for our effective promotion and liberation of territories. they do not retreat and block the border. the poles continue not to let ukrainian trucks through. negotiations did not yield results. the eu warns that if they do not find a solution, the european commission will start criminal proceedings against poland, and the protesters threaten to block another, the fourth checkpoint, at the foot of the doctor. instead, the ukrainians do not respond to us, the poles, with mutual compliance, it seems that you are simply drinking our blood. greetings, i'm iryna koval, and this is the news, summaries of the week on the espresso tv channel. this week, both in our country and in the west, the spring-summer counteroffensive of the armed forces of ukraine was mentioned. we discussed what

was achieved, and even more came an understanding of what was not enough for our effective advancement and liberation of the territories. the guardian, citing its anonymous sources, published an article in which some western government officials said that ukraine's counteroffensive on the zaporizhia front was essentially over, although probably three... brigades had crossed the dnipro near kherson. one of the western officials noted that neither side in this the war is not capable of carrying out a decisive operation on land, therefore, what follows is likely to come, i quote: prolonged conflict, and therefore the long-term military support of the usa and europe will be of decisive importance. and here information appears not from government officials overseas, but from the first source, namely from the marines. of the armed forces of ukraine that on november 17 they conducted a series of successful actions on the left bank of the dnieper in

the kherson region, they managed to gain a foothold on several bridgeheads, so now this is one of the few directions on the battlefield where the ukrainian the troops continue the offensive, instead of standing on the defensive. so what is the situation at the front, according to the results of the spring-summer counteroffensive, let's see further. the map was published by the american publication the new york times at the end of september. it shows how the front line has changed since the beginning of the year. territories captured by the aggressor are marked in red. blue - territories liberated by the armed forces of ukraine. despite nine months of heavy fighting, control changed over less than 800 km. active front lines of more than 1,500 km. and already on november 1 in the british magazine za economist an article and an interview of the heads were published. coma of the armed forces of ukraine valery zaluzhnyi. in them , the general stated: the war has become positional and

reached a dead end. just as in the first world war, we have reached a level of technology that puts us at a standstill. there will most likely not be a deep and beautiful breakthrough. in fact, it was the first public recognition that the ukrainian counteroffensive did not achieve its goal of cutting off, or at least endangering, the land corridor to crimea. preparing for a breakthrough in the south ukrainian army and western allies started from the end of 2022. after lightning. in the kharkiv region and successfully pushing out the enemy from kherson. the usa and europe decided to supply kyiv with modern armored vehicles. ukraine was actively preparing new brigades. expectations were high, maybe even overstated. all this happened against the background of heavy fighting for bahmud. many western military experts are still convinced. at that time, it was better for the armed forces of ukraine to withdraw from the city to more advantageous positions. he said

that it was the battle for bahmud that at least exhausted the artillerymen. reserves of the ukrainian army, and this ultimately influenced the future counteroffensive, but in the spring of 2023, the ukrainian leadership had its own arguments. if bahmud ends up under the control of russian forces, putin will sell this victory to the west, his own society, china and iran. if he senses blood, senses that we are weak, he will push, push, push. thanks to the battle for bahmud, the enemy, despite the huge losses. got time to get a serious foothold in the south. the armed forces felt this in early june, when they launched a counteroffensive on several fronts. from the very beginning, the ukrainian army failed to suppress the resistance of enemy artillery, as was the case during the kharkiv operation. russian troops had complete superiority in the air, because the west did not dare to provide ukraine with modern fighter jets. and in the way of western armored vehicles, there were huge

minefields, which they were not ready to overcome. armed forces, not their nato instructors. here is an excerpt from a german television report in which a ukrainian tank driver talks about his training in germany. we ask them. we ask them how you are doing minneapolis? they explain to us that they just need to be bypassed. their maps show minefields measuring 100 by 200 m. but we don't have such. we have hectares of these minefields, you know? after an unsuccessful attempt to break through , the so-called war of attrition began. the sides tried to inflict as many losses as possible on each other, primarily in artillery and armored vehicles, but no one managed to gain an obvious advantage in this battle. in the direction of berdyansk, the ukrainian army managed to cut off the so-called vremiivsky ledge and free it

old martian in tokmak, as a result of heavy fighting, the armed forces liberated the village of robotyne, but it was not possible to reach tokmak itself, from where it would be possible to control the main routes to the crimea, but in october the enemy became more active and went on the attack in several directions at once, this was particularly facilitated by putin's agreements with north korean dictator kim jong-un about the supply of artillery ammunition. according to the media, south korean intelligence estimates their number at over a million. the hottest spot today is avdiyivka. despite high losses, the enemy did not from. spoke from the intention of her entourage and admiration and has partial success. near bakhmut, where the ukrainian army had the undisputed initiative all summer and at the beginning of autumn, the russians are also attacking. attacks do not stop in kupyansk district as well. the enemy does not stop trying to recapture the city, which is an important railway junction. in many areas of the front, it has a significant advantage in reconnaissance and attack

drones. it is known that the invaders are once again preparing massive attacks on ukrainska. energosim, all this means that it is winter the campaign will be difficult, possibly with painful territorial losses. what's next, in the spring and summer of the 24th? commander-in-chief valery zaluzhny talks about the risks of a positional war in conditions where human resources in russia significantly exceed ukraine's, and the life of a russian soldier is worthless. the biggest risk of a trench war is that it can drag on for years and exhaust the ukrainian... state, we need to find this solution, how to make the war maneuverable, we need to find this gunpowder, quickly master it and use it for a quick victory, therefore that sooner or later we will find that we simply do not have enough men to fight. in order to break through the front, the leader is asking the west for more drones, means of radio-electronic and counter-battery warfare, as well as