tv [untitled] November 26, 2023 9:00pm-9:31pm EET
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[000:00:00;00] over time will show their positive effect for the economy, the resistance will still be unequivocal, and there are still moments when he , with his radical position, still turned a large part against himself, a large part of society, because he during election raised the topic of dictatorships, the military dictator in argentina, and he raised the idea that he and his... vice president, but now i don't understand if she will become vice president, but she at least declared herself, victoria viliruel, she as the daughter of the military, proclaimed that if these the crimes of the military dictatorships, about which there is a widespread opinion in argentina, this is all if it were not so, that is, she denied the obvious facts
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, despite the fact that there is still a huge number of families of victims of these dictatorships, and this disturbed society quite seriously, that is, this is the moment after which a serious split can follow, and how can mrs. viliray not become the vice president of argentina, the vice president, that is, for now, at least, this is how i understood that so far in those candidates of the government, which have been announced yet... but not yet we'll probably see if she will, but isn't the vice president elected together with the president? eh, yes, yes, but because of this controversy that is going on right now , it is not certain that it will remain, there is very, very serious resistance in society, we will see, it will probably still be, but if this could not just be a moment, i saw some other even some procedure, she met with the current vice-president
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christina. kirchner, yes, no, she is already, already the vice president of argentina, well, there are already, there were several demonstrations against this position regarding the crimes, the military dictator, regarding the denial of the crime, and this is without a doubt, the demonstrations are organized by the opposition ... the previous government, other opposition parties, that is, the resistance will be unambiguous, and if, how long they will stay, what will be the composition of the government, that's all, yes, it is definitely chosen together, but we will see how it will continue, thank you, thank you for this clarification, ms. oleksandra, oleksandra kovaleva, candidate of political sciences, associate expert of the center for global studies
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strategy 21 of foreign policy of countries of latin america, we will discuss... with ms. alexandra the election of the new argentine president javier millay, many consider it a real political earthquake, not only in argentina, but in all of latin america, and in general such a demonstration of the world trend, when thanks to the new information technologies, people who offer their society absolutely unrealistic, unrealizable programs can come to power. and political and economic, but these programs are so attractive and pleasant to people that they are in favor they vote for them with joy, without even thinking about the fact that nothing of what they were promised simply cannot be in nature, well , the ukrainians can tell the argentinians a lot of interesting things about this, thank you, please stay on our channel, in just a few
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armored vehicles. what is her who produces it? at we will open several new models in this regard at once. who prevents this? the state bureau of investigation falsifies. the case against us, in a big interview with vladyslav belbas, a great question, the general director of the ukrainian armored vehicle company, on monday, november 27 at 12:10, a big broadcast of vasyl zima, my name is vasyl zima, two hours of air time, two hours of your time, we will talk about the most important thing, two hours to learn about the war, serhii izgurets joins our broadcast. military results of the day, and what he lives by the world, what in the world yuriy fizel will tell for two hours to keep up with economic news, i will hand over the floor to oleksandr morchivka, he will talk about the economy during the war and sports news, yevhen pasukhov is ready to talk about sports. two hours in
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the company of favorite presenters. lina cheshenina is ready to talk about culture during the war, presenters who have become like family to many, maybe the weather will at least give us some optimism , mrs. natalka didenko is ready to tell us, as well as distinguished guests from the studio, we will have volodymyr ogryzko today, if everything goes well well, the events of the day in two hours, vasyl zima's big broadcast, a project for smart and caring people, espresso in the evening. hello, this is svoboda ranok, an informational project of radio svoboda. visiting every day, this is the shipping district , kherson, live coverage, we are somewhere in the vicinity of bakhmut, we tell the main thing, on weekdays at 9:00, the verdict
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by izygiy rudenko, from now on in a new two-hour format, even more analytics, even more important topics, even more top guests, foreign experts, inclusion from abroad, about ukraine, the world, the front, society, and also reverse... communication, you can express your opinion on the bad day with the help of a telephone survey, turn on and turn on, the verdict with serhii rudenko, every weekday from 20 to 22 at espresso. at the place of shelter, a restaurant or a shop. is this normal? so. in the fund of protective structures there are rooms with a dual purpose. they can simultaneously be a shelter and be used for another purpose. but if this place is on the shelter map, you can hide there during an alarm. stay safe - everyone's right attention, friends, urgent collection. the espresso tv channel is asking you to join
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the urgent collection for a truck for the first separate special purpose brigade named after ivan bohun. artillery reconnaissance. artillery eyes. they are the ones who need a new car. our defenders are in the zone of active combat. action and recently conducted a very successful operation, but the enemy has destroyed their suv, so it is important to send them a new one as soon as possible. a car at the front, especially in the winter period, is everything for our soldiers, without it, it is very, very hard to fight more difficult, let's help, collect funds and buy a car for our defenders. the car has already been found, it remains to buy it. cars at the front are consumables, they are constantly being destroyed, so donate and help ours.
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uah 45,000 is the cost of the car, uah 4,500 is the amount that needs to be collected, hey, let's continue our broadcast, and guests of our studio , yuriy venechuk, writer, publicist, rostyslav dzhezhepilskyi, director, artistic director of the ivano-frankivsk academic regional museum of the drama theater, congratulations, what! came, visited us, let's try to talk about ukrainian society, for these 20, it's already been a month, what changes do you see from the point of view of civilization, if you can say so, you look at your readers, at the viewers, are there any such changes , which can be called tectonic, or it is still too early to talk about it, mr. yuliyu, well, the changes are significant, because the war made its corrections. and we see that a lot of people have changed their lifestyles, they've changed their customs, and, well, in addition,
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there's been quite a total, uh, total transition to the ukrainian language, er, many people, er, give up, well, i already think that it is shameful to communicate in russian. but many people who used to write posts in russian on facebook now write that they are being targeted in russian and so on, that is, you can talk a lot about what is happening here. it's, well, it's hard to describe it briefly, i think you can describe it more like a pastiche , uh, well, probably yes, very, very substantial and probably, if we say it like that, maybe even tectonic changes, uh, we probably had the opportunity to observe, myself included, especially in the first weeks, in the first months after
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full-scale. invasion, because we had both a headquarters in the theater and, in fact, a bomb shelter, eh, where a lot of people passed through, actually temporarily displaced persons, and i saw, we talked, what uh, that is, what changes were simply taking place with them and the shock of what happened and what they didn't expect, and we also had the opportunity to see it, how they perceive our performances, or how they affect them, some things they learned such that they would never have known before and would not have known later, but they would have lived there in kharkiv oblast, luhansk oblast, donetsk oblast, and so on, and so on, in those regions, and in life they would not even have been able to think that such a thing was happening here in us, in ivano-frankivsk, in lviv, in these cities, regions that they were forced to move about what happened.
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speaking of the language, of course, although it is sometimes difficult for them, but it is also a matter of customs, what is happening here, well, in general, it seems to me that a very big break in consciousness has actually occurred, unfortunately, that it is so expensive at a price, but, well, it certainly does not happen in life, surely such a life that without only because of some torments, because of some very strong exits from comfort, tragedy, even mo, one can realize that there is something else, which is, well, a nation mainly has become, has certainly become the same, the only one that she was, well, she was not for a long time, there is no such thing, mr. yuriy, you may have the impression that we are to a certain extent in some kind of bubble, because when we talk there about the ukrainization of society, especially linguistic , we rely on what we see there in galicia, whether in volyn or there, i don't know,
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even there in khmelnytskyi region, wherever you want in these regions of ukraine, but when you visit or live in kyiv, you see many more russian-speaking people than i saw them before the war, i’m not saying that when you go to the east, people from a political point of view my vision has changed a lot , but in everyday language, in terms of culture, i don't feel such tectonic changes, to be honest, if, if you close facebook and just go outside, i'll be honest with you. there are also more russian speakers in lviv now than there were before the war, but because of those who came to kyiv also a lot of people come, so of course they agree, yes, because the young people there are university students and used to speak ukrainian all the time, that is, the foundations were already laid there, but it is clear that it will not happen so quickly, i have been abroad for several countries and have seen our so... settlers there, the vast majority
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of them are russian-speaking, they are quite aggressive, yes, maybe i am looking at it all with rose-tinted glasses, but i still believe that everything is going for the better, mr. rostislav, here the question is very important the so-called cultural competition, the truth is, to what extent ukrainian art can be modern and a competitor to... in order to replace what young people see today on youtube, on tik-tok, where the russian-speaking influence is now, shall we say , foreign language content, much more than before, and it affects young people, i still believe, by the way, i have always believed, i have never personally had any inferiority complex in relation to, well, with russian culture, that is self-evident
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understood a long time ago, but even from another point of view on the other hand, there is something in europe that we do not have, and you know , this is such a danger, well, i will talk about the theater again, it is closer to me, so that we are not, you know, from the same they didn't stop at the fact that they once again created an idol for themselves, that only in europe everything is the best, i believe that art, in general, of course, and literature, and music and theater are competitive, it's just that for years, decades, centuries they have been hammering us that we, that we are second-rate, that we are uncompetitive, deliberately slandering narratives that russian is better. i won't say anything new right now, i think that we are just super competitive, moreover, we have a lot to show the world, europe, the world, what they don't already have, so, well, you can with many examples to show
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, including the theater, i believe, we also have a competitive one, and you are young people, young people have something to be proud of now, and you? as mr. yuryu, do you think, we can, please, other arts, yes, but with literature, book publishing, we have very bad things, in we don't have any literary magazines at all, which means that literature is not developing, er, literature, the process is not developing, there are no reviews, reviews, books and so on, i have seen more than 10 magazines in poland where...' only book reviews and excerpts from some new editions are published, that is, these are purely such magazines, for specialists, besides, this ukrainian writer, in fact, barely
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survives on the money of ukrainian readers, and well, what i see, what are the possibilities have writers, in any country, even such as croatia, where i was recently at a festival where the state buys a huge number of books, pays for various scholarships, and presentations, and in our country all presentations are free, so , well, there are big failures here, but now, during the war , it makes no sense to talk about it clearly, well, on the other hand, maybe we should think about what this whole process looks like, mr. rostislav, an interesting remark, but in those countries these professions of literary critic or film critic or theater critic have always been not just prestigious, these people were known by face, i will tell you a secret that i in my student years, i thought i would be that
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i was going to be a theater critic, and why did they change their minds, the reconstruction began and i was fascinated by completely different things, and the theaters began to look completely unmodern at that moment, then i studied in moscow and i will tell you that i did not go to moscow theaters for 10 or 15 years , because when i came several times, they were like this, this is our, oh , moscow theater, but when they were in the 90s, in such a state that you came, you saw this deaf scoop and just good actors who played bad things, theaters there began to revive for a short period, when there lithuanian directors came and when people were given the opportunity to see an experimental theater, a new drama, they started to create, and now ihbah... and everyone was destroyed again and now there is nothing there, everything that looked alive is dead, in ukraine it was different, it's true, this experimentation started here, you can say, right after independence was declared, there was a very interesting theater, but i 'm not talking about that, i'm talking about the fact that even if i were a theater critic in ukraine,
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no one would know of my existence as many people who are engaged in this profession, being a theater critic or a literary critic here is a thankless task, and this is for you and me, we need to think about how to explain to society that such professions are possible? well, yes, although i believe that there were also exceptions in ukraine and in ukrainian theatrical life , when there were, well, again, maybe i am judging this from my point of view, because i know the theatrical life of ukraine, and therefore there were indeed theater critics, theater scholars who were also famous, but i absolutely agree that today will give us. what failures were decades, during independence, we just need to correct them very, very quickly, and i constantly think about it, that after the victory, we, we all believe that it will come, we need to very quickly, get ahead of the events,
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so that that vacuum, finally the world saw us, others, they paid attention to us, we are in the focus, in the focus of everything, everything, everything. and we must be ready already and we are already working on how to immediately fill the niches, which hypothetically we can do now by rejecting, or well, and not yet again the same russian propaganda rashist, muscovite propaganda has not started looking for ways, i believe that it should be done already, we are doing it in the ivano-frankivsk theater this season, we invited foreign directors... you talked about the lithuanian theater, yes, he told me this is one of my favorite lithuanian theaters, in fact, i used to regularly go there for their so-called lithuanian showcases, but literally a week ago we had one. the premiere of the lithuanian director jokus brazels, he is a student of such iconic lithuanian directors
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nekroshus, korshunov, and this one too, on the one hand, it is a way that in this way we get to know the best foreign directors, or in general artists, but here is my task, that in this way we go out there into that arena, and then we can in... already promote our playwrights, writers, composers etc. we have mickiewicz's uncles, that's in fact there was, well, a historical moment, because for the first time in the history of ukrainian theatrical... professional art, one of her most iconic and iconic works of polish literature, grandfather mickiewicz, was staged, and she
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simply presented it in a completely different way, this is this, this is about ukraine we immediately know that when mickiewicz wrote grandfathers in the 19th century, poland was under the occupation of russia at the time, and she put it this way, that it is just like that, anti-russian just like that...' the narrative goes, but also about ukrainian, which i don't know, sometimes, or we we can talk about ourselves, yes, because we, i say, we are still in a painful phase, now we are also some processes, well, we don’t perceive it that way anyway, and normal people from the side can put it differently, and here we go now for the festival, and this is how the ukrainian theater is being promoted, they come here, honestly, these foreign directors, they are impressed by our theater there, our troupe. by our actors, and they go there, they say, damn it, that's it, they reveal themselves in a completely different way, i
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consider this one of the ways, that's the way, we understand now that what was instilled in us, this, muscovite russian, well, culture, these narratives have fallen asleep, and we now have an opportunity for ourselves, including, i'm talking about myself, because it wasn't like that for me, to discover my own. in a different way, to get acquainted with the cultural, literary, dramaturgy, and music of our other neighbors, and this is true, the more i understand it now, it was artificially glorified for us, then simply very artificially , they glorified everything in russian, and belittled us and our neighbors, by the way, mr. yuri, this is an interesting topic, because i think that from literature also depends, by the way, what you do, you can say your whole life, is the fight against the falsification of civilization. it is not even a question about the influence of russian culture or not, but about the fact that ukrainian civilization itself, it is
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falsified in in the eyes of its carriers, and how to fight that falsification is a long and hard work, not just oh, we will not look at russian, we will look at ukrainian, but the meanings are distorted everywhere, well, besides, we have everything, there are various obstacles in order to to demonstrate ukrainian literature. even to our ukrainian readers, because the state does not support book publishing, forgotten writers, that is, only living writers that i submit, who are published by the institute, literature, book instruction, finance, these publications, but how many times have i submitted, let's say, some forgotten writer , if not the one taught by a university somewhere. they study at school, because they are given out anyway, but such forgotten ones, there is natalena koroleva, there is yuri kosa, or something else,
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no one wants to support them, and it is strange, because it precisely those writers who could interest europe, and could translate them, and with the support, again , of the book institute, i will also say that in the 80s, when, when i was a literary critic, er, my articles, i constantly bashed various graphomaniacs, and my articles caused scandals, court, sued, complained about me and so on, at that time life was raging under the soviet union, the fees were such that you received 150 rubles for an article in the magazine, this is a salary in a month for some worker, here, and then it all came to an end, kuchma did not support ukrainian ... book publishing, while yeltsin supported it, made great preferences for publishing houses, for books and
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so on, and we had an absolute feast of literature and book publishing throughout the 90s. and russian books were stuffed into ukrainian books, russian books were simply stuffed into everything, and only at the beginning of the 2000s these relaxations were finally made for ukrainian book publishing, but the russian book was also in the swamp , it took root that it was impossible to push it out for a long time, even when it appeared when " harry potter and other such publications appeared, then i heard a lot of people who have never read in ukrainian started to read, this translated ukrainian literature, er, and saw what kind of language it is, how rich it can be, and not the one that was presented to them there, in various films, primitive or or at all, as the propaganda talked about them, and what , mr. rostyslav, should
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the ukrainian repertory theater put on, when in fact we are now facing a situation of such a break in the repertoire? look, if , again, brothers and i are included, uh, first of all, we need a different way, well how in a different way, to really look at one's ukrainian classics and modern literature , drama, uh, well, i'll even say about myself, realistically, i'm just saying that. what do you want from someone else, as i am a guy from kosovo, and they told me that dostoevsky is the best cheholstoy, i was burdened by my teachers, i burdened my students, as a teacher, how dare you not read it, and ukrainian classics so-and-so, here we are beautiful words, it’s a harem and so on, and so on,
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lesya ukrainka, not a dramatist, well, honestly, and when it all happened to me, for me, that’s for sure, march 12 of last year was supposed to be the dream of my life, i’m dostoevsky’s idiot, whom i’ve been going to for a very long time, and when it’s all completely different all of a sudden, i say this honestly, i understood when i discovered lesya ukrainka for myself, well, i knew her, but how deep she is, here is one of the last premieres, including a forest song on a field of blood, and what are the meanings and how simple is it all depreciated that's why i say once again that we need to open our own, even to ourselves again, in order to open ourselves to the world of europe, in the same way, to discover european and world literature, drama, and to understand, and then all the myths will be debunked, but we also had at the beginning of this season, ivan oryvskyi, one of the best
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ukrainian directors, staged, today, to things, we have a performance of schiller's treachery and love. and i suddenly realized, with surprise or not with surprise, that lady milford is absolutely nastasya filippovna copied from dostoevsky, so i say, it’s one and the same, he’s everything, that is, even with such schedules with, well, i’ll explain, but on the other hand, it is obvious that dostaevsky read books, he was a person with evidence, it seemed to us, here, here, the same, the same, the same with such, only such and so on, that is, again, how to open, to put your own, even somewhere you know, to put it bluntly, i don't want it to look so dictatorial, but you know, we just have to know that today we have to put ukrainian, modern literature, drama, it should be a priority, and with and here in this
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mix, again, his own and the world's. another and european literature of drama, this is such a cool recipe for me, which is already working in the ukrainian theater, very quickly good theaters, good, good directors, directors are responding to it, and a lot of good theater product is already being created based on again, of our ukrainian, ukrainian material and further, we understand that we have to familiarize ourselves and our viewers with world literature, well, you know, mr. yuriy, that i think that mr. rosyslav, he has already touched on a very important point, which we have in our heads, y many people, it has always been, and this is russian-centricity, you see, in european theaters they put chekhov beyond
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