a play i haven't seen yet, and don't be stupid like me, subscribe to our channel, like and go to the play, because it's the worst thing to talk about a play you haven't seen, but i've already watched short clips from the rehearsals and the play on the facebook page , i read a little about it, and i understand that it is a play, a personal love story during the holocaust, that's right, if in one sentence, after, because it's the 49th year, after, after, but it's... really one can say because these people remained in that traumatic situation experience, and even in the 49th year of herman, who already lives in america, he still always expects the possibility that the nazis will get to new york, it all counts for him, yes, yes, yes, yes, these, these are people traumatized and the depth of the grass.

and i would say that this is what is waiting for us, today i even went on a train, and it is when you have such sleepless nights, then you have some kind of subconsciousness, some such things, and there a little child started to scream very, very much, boy eight years old, i don't know what provoked him, but we left kyiv, there was an air alarm and we were already approaching to lviv, there was also an air raid in kyiv, but there after us the trains closed the station even there. and will there be such a status in ukraine in 15 years for the children of war and those children who really have such injuries, who have suffered and who will carry these injuries for the rest of their lives, and for some reason today i thought about these children of war . that this is a terrible, well, terrible term

, wording, it is relevant in our country, well, i have a younger son, he is the same age as the war, that is, a classic child of the war, who was born in the 13th year, so far a peaceful year in his life it didn’t happen, so let’s see how it will be, but why show such a story, let’s say , show the story of the post-traumatic syndrome after one genocide... to people who live during another genocide, because muscovites have one task, the final solution to the ukrainian question and the destruction of ukrainians as such, why show another genocide, what does it give? and this is a novel by the nobel laureate yitzhak basheves singer, who moved from poland to america, and actually he wrote a lot himself.

about himself, but about his injuries, because he survived world war ii, and he had a difficult relationship with his child, with his grandchildren, who described that grandfather, he was all in creativity and was all there, and herman, our story, on the surface it looks like a love story, because that's the name of enemies dot love story, this is maksym golenko's first performance as a guest of the artistic director and director of the theater, so i went with him to odesa in january to the ukrainian music and drama theater named after vasyl vasylko, we worked for six months, maksym mygolenko is here pere reassign here y lviv, and he makes such an offer, we planned to stage this play in lviv, then move it to odesa, well, for now it is only now only in lviv this beautiful production, and i am so for... satisfied

as i realize the scale of this work, in i probably had such a large-scale job in the theater, maybe 10 years ago, you and i met for an interview the night before my premiere, the difference is in the young theater that i worked there then, and i also thought that i would be nervous i will spend this evening in my hysterics and nerves, then i will go to roman chaika and there we have a cup of tea. yes, yes, yes, and the cognac was so delicious then, yes, yes, and so i spilled my emotions, on the surface we see only a love story, three women, herman marries jadwiga, who was a servant of his parents, out of gratitude , because she hid his testicles for three years, and she saved his life, then we are a bit of a spoiler, or a spoiler, because unlike, well, what i expect from theater critics, we theater... critics are all who wrote

articles, they just retell, i have this is my friend, actress , yana tytarenko, from the lviv theater ulyalok, when she writes about the plays... she writes much more professionally, it's just in my messenger, she sees the movements of the plastic, the changes in the voice, the little fingers of the stage, the light, here all the critics retell the story , summary, summary, this, well, this is not theatrical criticism, that is, herman lives with jadwiga, he has another woman, another mistress, masha, and his wife, tamara, appears, and... 10 years ago there was a witness, who said that he saw with his own eyes that tamara and two children shot so my heroine appears, and it seems that we have experienced something that is impossible, not that it has not changed us, but we still return to these everyday disputes, who

cheated whom, who with whom, who how, who betrayed whom how, masha , which goes into such a crazy whirlwind of life for her in the evening. kicks, lovers , wine, cigarettes, this is how she saves herself, and this is also a way of salvation, and behind all this are completely lonely, unhappy people, because the enemies, like bashevis, singer, are inside us, we , the worst enemy, well, everyone is their own hitler, yes, and that hitler that sits inside you inside, he is more terrible than, we can eat ourselves, or we can afford... our pride to be reborn on some catastrophic scale, and therefore these enemies are also among themselves, but most of all , he is an enemy within himself, and story, why, why, why, why, why, why, why, why, someone sees a very beautiful play, because the artist yuliya

zaulichna made an incredible scenography, the circle is spinning, we have three assistant directors working in this play, this is my first work in the zankovetskaya theater, i'm... so professional i have not seen the approach of workshops anywhere , fitters disassemble all five-meter eyes in 10 minutes, bookshelves are full of books, artists, props fill it all, in an instant these cups or chairs appear somewhere, make-up artists, costumers, well, i really am just okay, a good team , but all the same, i’m going back to the point, oh, because, because it somehow stressed me out a little, that is... and domestic disputes, who to whom and how and when against the background of post-traumatic syndrome after the genocide and the enemy, that is, hitler in himself, i i'm already thinking, so stop, well, well, putin is not in me,

with this genocide that is taking place, when it is enough even, even in the distant rear lviv, to drive through a post-mars field to understand that no, it is not so simple to explain that the enemy is sitting inside me and... and little putin is the basis of all my post-traumatic syndrome, well, i hope that people in ukraine are wondering why this war arose? well, why now, if we were to conduct a survey, sociologists would not tell us that 90% realized that it was a genocide, and all russians simply go to bed with the dream that there would simply be no ukrainians, well, there is no such thing, well there is no i was also convinced, recently i had two such contrasts, there was a premiere in lviv with a hall that sold out all the tickets in two weeks, sold out, how warm it is, how theatrical it is, how much the hall freezes when you gasp for breath and hear the applause

in those moments of the scenes, after, for example , a successful scene, the resolution of the scene, and here i go to another city, where mobile phones do not go silent, where people pick up their phones, and speak at this time the white church, and i saw on facebook, i see you entered so joyfully joyfully, but we joyfully entered and joyfully left, and i say, i came so disappointed with the audience, and i say to my son, my god, it is an hour from kyiv, he tells me: mom, well, 10 minutes from the center of kyiv, leave and you you will see a different life, we still live in our bubbles, huh, but now the events of the maidan and the fourth and... the 11th are being remembered, and it just happened to be in these ones, are we doomed every 10 years, yes probably doomed, because we do not draw conclusions, because if in finland the teaching profession is the most important and the highest paid, then i,

then it has its consequences if there are nine children in the kindergarten and three teachers for them and a differentiated approach to individual payment. because you are a family of emigrants, you can't pay now, someone pays 200 € for the same kindergarten, and then, when my family already has money, i honestly write that i have my hundreds. grew up, and i will be grateful to this country for the way they treated me when i first came to this country, no, today i have a country, because in front of rima zyubina, one of my colleagues, a philosopher, a political scientist, a journalist, and now a school director, yes, he said so, he says that the wise learn from other people's mistakes, and we got to the point where we have some kind of strange fixation, we learn only us... we in our own way, we only on their mistakes, and since the memory of a sponge

, a guppy fish works, this means that each new generation, a green uninformed one, must go through its circle of mistakes, victims, maidans, shootings, scratching the back of the head, and only then draw some conclusions, and this is what other people told me, now rymazyubina is coming the same says, but but this is a sign of an unconscious society, this is what i also always... listen to and read about from our philosophers and political scientists, smart, wise, forecasters, who say that society needs to grow up, and growing up happens then , when you take responsibility, and when we come back to this, that everyone in each of us is this enemy, when i take responsibility for what i did, did i do everything so that this russian measure did not come, no, i didn't do it, since some time i stopped acting like that, i declared... about this, but before that i didn't have any other options, other invitations, on the other hand,

to take ukrainian tv series that were already filmed in ukrainian, and they are, for example , much worse in quality than what was filmed in russia, it's also a horror, who does it , the producer, who agrees to it, we, education, culture, they are an integral part, and... from about the seventh year i went to artek, there was an annual children's film festival, an international festival, representatives of ukraine, they were both actors and journalists, together, there were seven of us, instead the russian delegation was always maybe 30 people, i spoke about it in all interviews, i sounded the alarm, i said why in crimea, why in the camp that finances the state management of the affairs of the president of ukraine, why there are scenes, except... in addition to the fact that it is written there but parusa, there is something else, there the lanovy comes out as

the president of the festival, sings a ukrainian song, all this is beautiful, but there is the coat of arms of russia, the coat of arms of moscow, ugh, the coat of arms of moscow and a representative, standing on the stage with by us, i found a person in kyiv city hall, then i came, told what it can't be, well, i was very kindly answered that... what, well, these must be people from simferopol, and why are we here kyiv, where is kyiv, where is this bulostopo, well, from the oblast, not exactly from the oblast , if the center, i.e. what does kyiv and and and crimea, and everything, and well, there are a lot of questions, but, but about what about education, i am convinced that this should be the basis, and, well, but education - it's long, it's still a process. and the war is here and now, and even, well, it's sad enough, i think that there will be

some kind of joyful coverage after the premiere in the white church, and the white church here is not specifically about this one, it is simple, it highlights the phenomenon, i understood that he is just a viewer, he is not entirely to blame for this, but he was brought up on a different repertoire, and he does not want to watch and listen, it is like food . they either give you clean water and you drink it, get used to it, or they give you , well, but you can approach it philosophically, that is, there is a rejection syndrome here, despite the fact that there is a good play, good material, good drama, but if the mass audience was used to eating crap and was told that it was conkhvetka tuzik, then when they give him a conkhvetka tuzik, he will say, god, if you gave me up for shit, give me the previous one, this is where we broke down

... understanding what is bad and what is good, as they wrote then in soviet times, yes, it is impossible, but i understood why in european museums i always meet these tours of children who are 3-5 years old, and they are sitting on floor and tell them something, as an example, i always to on a fun topic to get out a little, example, you can then rent apartments on a daily basis, here in europe and here, and look at our interiors, at the interiors that are still there. with the yogoslav sostenka is so beautiful, or even for those people who already have money, they think that the road is a lot, it is a lot of gold, also pomp, these curtains are french, the empire is like that, and to see what it seems in poland, in in france, in holland, well, we are talking here about the continuity of philosophy,

taste, aesthetics and education, so in this case we have e... the post-genocide process all the time , i.e. one genocide ends, when the hnr kills, the first famine comes, after it the second famine of the 33rd year, the second world war, another famine, repressions, now the next one, we do not succeed in any way to root, let's say , let's call this word in the good sense of our aristocracy, which will show from above what is good and what... bad, for 70 years the intelligentsia was considered a stratum and well , this is such a dream, i am talking now about the elite in the literal sense, in frankly, we don't we manage to raise her, as she goes somewhere, and now we have an absolutely identical military mechanism, because everyone is hiding from the war, and those who are motivated

to defend, including many people who should be a creative class in the rear, they burn his... life protecting ukraine from that side, moskal burns bio-waste, mainly that pleps that he does not even want to keep in himself, that he wants to get rid of and found a way out of the situation, and we have the same karma that we again doomed to survive this performance that you are playing, and only in the ukrainian way, immediately after the day of victory comes, well, you yourself answered your own question, why are such performances necessary, and why should they be played, and why should they be staged? there, someone will really see a very beautiful scenography, someone will see beautiful actors, the return of yuri khvostenko, whom lviv loves madly, he worked for him in the zankovetska theater for three years, and i see how there are all these women in the front rows, he still walks there, well, yes, but, behind all this there really is another plan, well, like a good one

drama or in good literature, in a good film, you see... one time you see one topic, another time you look at another, and the third time you think, how come i didn't notice this, but this is also permeated with that, i don't for the fact that the theater is a correctional colony, is it some kind of training manual, no, the theater is a stimulant, i have repeatedly said about it there, a stimulant to your soul, if you come after the performance and you have a fever, and you cannot sleep, and do you think. and you try yourself on there, then this is an effect, and to correct yourself, something is there, somehow, all of a sudden began to be this or that, the theater does not have such a mission and does not do this, rome, i return to this example of yours, that no matter where you go, no matter what region it is, no matter how many different words are used for this, they will say one thing, this vulgarity, otherwise

they will say, is regularism, we can describe it as a certain millet style, as we used to call late donetsk. bikoko and that, but still it is somehow necessary, well, to fix it as soon as possible, otherwise we are going to start our european integration here in december, and byko it is from all holes climbs even despite the aggression of the russian world, well, i even hope that the people who went to europe forced by the war, after seeing... how people live there, maybe they will come back a little different, i have hope for that, because we have so many there, 38% did not leave the borders of their district, yes, but now 6 million there, at least, and when i say abroad, when i visit, i always tell our ukrainians, what is it like there, well , how can we help ukraine, well, for example , there is no wealth, there are no opportunities, and i tell them that

you, you, specifically you, the ambassador of ukraine, how you behave... how you yell at your children in the street or don't yell, how you steal toilet paper or not, how you talk, how you smile, how you generally behave in another country after , how can you judge ukraine, ukrainians, by one person, well, it's also about the level of consciousness, and it's no secret that our people unite and live in such tribes, and they, they are even afraid. it turns out, well, in warsaw, for example, i watched such a beautiful amateur group, there are grandmothers, grandfathers, they dance, sing, read poetry, because they are these older people, no one needs them there at all. children are at work, grandchildren are also at work, and they go out, they don't even know how to read polish, what is the name of the street, where to go, how, they are confused, but this is because of this exit, well

, it's incredible, i watched this performance, okay, but it's a good performance, it's a good unification within the ghetto, but we're talking about integration , not in terms of assimilating and becoming someone, and pretending that you're a bigger muscovite than a muscovite or pretending that you're an american is just like that... the cherokee indians will say, never mind, he was here before us, there is such a syndrome in the poem shevchenko's dream , it is described about a fellow countryman in st. petersburg, remember, that's how i am in this regard, that there is hope , that this is like european tribalism, as outlined by rima zyubina, that is, such flocks, you know, such in flocks, as in primitive times there were piles, or ghettos, or can we say that these people will not really have the one... which was before the war, because in our country before the war, people went all over europe for beautiful and good things, not museums and theaters, but for the beautiful and the necessary, and then

they returned and started anyway, continued the poor practices of the sovka posovki, instead of instilling german order there, viennese sophistication and slovenian expediency there or something else, there was no such thing, why suddenly now this is ours are blooming all over the world... forced by putin and the russians, suddenly they have to upgrade, they don't have to upgrade, if they only want it, they will become different. you can't change a person if he doesn't want it, you can even beat him head, dubiney and, well, if there are such cases in history, but, well, no, a person is all the same, that’s why there is this train, and in the first car there is a... the number of people that pulls this train, but if in that train , people jump

out and stop it with all their feet, hands and stopcocks, then the train moves, but very slowly, and here is what to do so that not only in that first car, where there is a critical mass of people, conscious, those who seek change, those who want my children to live not better, better from the point of view, philo'. recognition and understanding of what to do to get here it was transmitted, because history already tells that this infection came from those wagons, it reaches faster than this one, well, so there is an answer, well, i don’t know, i have a lot of it, but after communicating with such wise people, smart, beautiful people like you, i have such an elation, and then i go out and remember that people lost mozart's grave, that they are socrates. rotted, and i have no questions for humanity, the only thing i know is that all wars end anyway and all empires fall, but when to think

really, at what price all this is done, it is indescribable, it doesn't even hurt, i don't have a word to say, because every day you read and you read, when you are not told statistics, but when you are told about a person, what she is, what is she, where is she and instead you try on who stays, and here too, god forbid, don't fall into that, well, i don't like this phrase, they die better, then you stand like that at your burial and think, who are you, you such, yes, who am i, why do i live here, well , this is a very fast way to burnout, yes, in in this case, in the artistic environment, in the acting environment, especially, well, there are ways, they are in this play, oh, in this play. they are all shown, well, that is, these are classics, i have many friends, actors, and the classics of fighting burnout, this is alcohol, drunkenness and debauchery

and other joys, well, as in one performance of a play by genusz glowatsky, it was that petrovich, the vodka made you not want to drink it, so in this case , you want to ask how much i drink a day, i am not talking about alcoholism, not about sex. a constructive way not to burn out and also don't give to others, because it's not a matter of saving yourself, it's a matter of supporting others so that they don't speak out either, is there a recipe from iryma zyubinevi? and i don't have any recipes, because i understand that we are all different, and i am probably given a certain way by nature... i have some inner strength, i am stress-resistant, for all these almost two years, i hardly... .

sometimes i have more tears on stage than in life, i am very strong, i know how to accumulate myself and my emotions, and i know how, i don’t know where it comes from, i didn’t study in psychological schools and courses, probably just no- no, i read some very there are very, very good books by psychologists on raising a child, for example, but it turned out that they... can be used as instruction for everyone, and there is an example of a wonderful book, when we raise a child, we raise ourselves, then there is an example in conflict , imagine that you are watching a movie, if a conflict starts with someone, imagine two frames ahead, what will happen if you understand that today with this person will be the same as it was yesterday, the day before yesterday, why do you start this conflict, so what you will achieve nothing for anyone, well, such things, but i don't know. to me

it seems that very simple things can sustain us today, the understanding that we are living, that we are living, someone has already died, and for that person we should live this life in the same way, value and e and and value life and value a person, because what all the empires did was the devaluation of man, and that devaluation, which was then passed on in our families, ugh. and you know nothing about children, but on the contrary, this is the dehumanization of the individual, this is the imperial key, we have always had the opposite, and this and this is what can help us raise a person from critical thinking, a person's personality and give a sense of life today, here and now and

the importance of staying. for some reason, it’s flying, it’s flying, but it hasn’t landed on my head yet, so i have to appreciate it , that’s what arima zyubina told you, and besides, you’ll realize all this if you go in the coming days, starting from the second in december, watching the play enemies history of love, which is the story of post-genocide human relations, and we will talk about it on the theater stage. tell you everything she could told us in the naskokom program, subscribe, and i'm rimi syubini, as always i'm glad and thank you, thank you, and i, thank you, thank you, thank you.

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