in different countries in belgium, in luxembourg, and he has two educations, one is legal, actually, the institute of international relations, where he studied together with andrii yarmak, and even earlier he graduated from the french-english philology department, he is engaged in, should he deal with translations, he graduated from the shevchenko institute, so you see, the new minister predstavyi partially has his vision, in particular , he says that he will... pay special attention to countering disinformation, and i will tell you that there is a lot of work there, i don't know, even will one ministry cope with this, but it is really connected with culture, because the previous version of the ministry of culture, this is the ministry of culture and information policy, was enough, in my opinion, divided, and these two topics were not shared very much, cooperated, more precisely, because... it's one thing,

information policy is quite another, we can now mention some of the other ministers there, and here, for example, the previous minister of culture oleksandr tkachenko, and he was criticized a lot, after gogora, there were just critics on him, he was fired, in the end, but he was more involved in information policy, that is, i would prefer to call the department of his time the ministry of information policy and then culture, but in general, this ministry causes quite a lot of different... conversation, skepticism, people even say that we do not need such a ministry , but people forget that there should be a state policy in the field of culture and the same countering of disinformation, this very often intersects, in fact, with art, and because, as i already said, higher russia is very good, very skillful uses culture to spread its influences, and we must somehow counter it. i will tell you that at the moment i

do not see such opposition, or i see it as weak enough, nor did the ministry of culture deal with it effectively, and we had many bright actions of some kind, but almost all of them were private, and we also have a state cinema, which does not have a vision for the development of our cinema at all, there is no, there is no policy, there is still no strategy, and also... it is even worse, if we are talking about international film festivals, namely on them, russia exerts an influence, constantly pushing their propaganda films here and there, which are veiled under such liberality, under the fact that everyone should be sympathized with, and the state cinema now does not bet at all on these films that can go to international film festivals, and the state cinema is betting on commercial cinema, ukrainian on series, but listen, soon... we,

our filmmakers, will have nothing to go to these film festivals with and something, at least something to contrast with russian propaganda films, because we have talked with you more than once about the fact that festivals are not just presented films, these films are shown there, they are discussed by the public, they travel there, film crews come, they communicate with this public, they give interviews, this is a huge, very important media platform that we need to use, well... apparently , at least the state cinema, i think that this site is unimportant and you can score on it, well, we will observe what actions the new minister of culture and strategic communications will take, well, now we are moving on to the venice film festival directly, which is currently underway, here is this festival, we can now see the red carpet as the opening ceremony. and

the festival, of course, the information about it spreads through the world media like hotcakes, because it is a festival to which attention is focused, as usual attention is focused on the cannes film festival, on the berlinale, we usually like very much, well, many of us like to watch dresses in which people came to the red carpet, who even came there, and we choose some funny moments and... all these ceremonies, or on the contrary, sensitive, sensual moments, for example, angelina geli talked to her fan, who is very sick, who can't get out of bed, but here he is, he appeared there and she knelt there so that it would be more convenient to talk to him, and it also spread in the world media, and of course, it's discussed, it's a whole week of discussions, even a little bit more, people on social networks share... their

different impressions about the films they 've seen, well, of course, it's important, it's important to consider that the visual component also takes place, and... that any shares that are there, e.g. our filmmakers want to do there, they must be very carefully identified and preferably bright, interesting, in order to get into the media again, what did our filmmakers do this time? i want to tell you about the films that our ukrainians showed at the venice film festival, first of all, this is a honeymoon, i am waiting for this film, because, to be honest, i gave... such small consultations to the actress of the main role, the fact is, that it talks about newlyweds spending their honeymoon in the occupation, it talks about this couple stuck in occupation, they refused to leave and now

they are sitting locked in their apartment, they are knocking on them, that's how i understand the russians, and we, you know, at the beginning are full. invasion, they were very worried about how our filmmakers would touch on the subject of occupation, a full-scale invasion, specifically in game films, and very often said that it was too early to make films that would directly touch on such difficult topics. it seems to me that so far, and judging by the trailer, at least, the authors approached the topic delicately enough, there is no there is no showing of russian atrocities, it's just a chamber story about... a young man who encountered a full-scale war in such circumstances, and it's more like, you know, a chamber psychological drama, i think, of two characters, and how they discuss their relationship , let's see an excerpt, the queue is just terrible, there is a queue everywhere,

i waited for three hours and after me the gas ran out, guess what, we'll give up here. there are taras tanks, well, another film that was shown at the venice film festival, a ukrainian one, it has the following title, the song of the earth that slowly it's on, the tape is a documentary, it was made by olga zhurba, and she, well, i've read the reviews, it's clear that i haven't seen them either. of this film, we can now watch its trailer, and it, it is what people who watched it already call a diary of the first two years of the full-scale invasion, where we are shown a sufficiently large section of different people, different emotions, different events,

and - i would really like to watch this movie already from the trailer, it is clear that visually it is very interesting. well, we will talk to olga in just a few minutes

minutes, and now i'll tell you that, too, our filmmakers are reporting on betrayal, tariya posellya. the producer and the producer of this tape in particular, she wrote that she went to see a film about which there were warnings, it was called russians at war, it is called a documentary by a certain anastasia trofimova, who, as i said at the beginning of our program, filmed tapes for rasha today, now she has made, apparently , a completely propaganda film, like many russian cinematographers... she is now coded as a russian woman, i.e. she positions herself everywhere as a russian-canadian director, and the producers also call her film french-canadian, not russian, we see these russian soldiers, with whom

the director spent seven months of her life, who let her there, again, we ourselves understand , and judging by what... dasha described, the film evokes sympathy for the russian military, she also writes that the director does not at all emphasize that russia started. this war in 2014, the war she starts from the 22nd, and in general she is very surprised, how could my country do such a thing, after all , this has never happened, that is, again , there is no reflection that russia has been constantly attacking various countries for many, many years, and this is no wonder, that is, aggression in ukraine , unfortunately, it is not surprising, and i want to quote it. daryu basel, here she is writing, i quote, she is addressing, by the way, she

wrote her post in english, she is addressing foreigners, this is very important, because we need to communicate, and while our new minister is getting used to the new, new position, we have private people doing communications, quote: you will feel pity for the people who die in the film and for those who mourn their loved ones, and you should, if you are a normal person, you should feel pity, sadness and emotion, but ... it is also worth remembering that these people joined the army that invaded an independent country. many of them did it voluntarily, as we learn from the film. it is also worth mentioning bucha, irpin, mariupol, and those civilians who were killed there. think of the thousands of children who are illegal exported from ukraine to russia. while i am writing this, and you are reading, rockets are flying at ukrainian cities. buttons are pressed by ordinary russians. are their crimes less significant just because of that? that they claim not to know why they are fighting this war. the end of the quote, i will say that

the so-called liberal russian media are also engaged in these narratives, which constantly push the idea that ordinary russians are not to blame, it is only putin, it is only his entourage, russians do not want to fight, most of all to me at this moment like the dosh channel, which was wiped out of the baltic countries because they allowed themselves a lot there, but they show, for example, when covering our kurdish operation, they first show these russians who say that putin pamagi, putin where are you, they tell absolutely frankly , that their relatives are now defending the donbass, that we are supporting the so -called svo, then the presenters are talking about the fact that ordinary russians do not want war, it's only putin, well, that means that there is absolutely nothing going on with them. in the head, even of people who do not directly work in russian propaganda, but it turns out that they still

work for her, anastasia trofimova herself, now we can watch a short video, see what she looks like, she was at a press conference, she was asked, what don't you think that you whitewash criminals and humanize them, and she says this, quote, i think it's a bit of a weird question, we can, why... can we humanize or not humanize someone, are there lists of people we can humanize and those we can't , of course, we must humanize everyone, it a huge tragedy for our region, first of all, and for the whole world, if we do not perceive each other as people, these black and white stereotypes about each other will lead to a continuation of the war, it will only increase hatred, unfortunately, this is a kind of way , which politicians go down, but i don't think that's the way that ordinary people should go, kine. quotes, that is, well, we see this again , it’s not people, it’s all politicians, it’s absolutely

understandable for all of us that there are some omissions, messages, but unfortunately, i understand it that way, but not for everyone foreigners and not in all countries it is read, because it is simply perceived as the protection of people's rights, unfortunately we see a lot of cases when in european and western european countries they directly protect the military, russian and... they also claim that they can be victims of this regime, i want to finally talk to olga zorba, she is currently at the venice film festival with, let me remind you with the director, the tapes, songs of the slowly burning earth. thank you for taking 10 minutes for us, i understand that you have a very busy schedule there, you are doing very important, important things, communication, in particular, but let's talk first. most have heard

positive reviews, but tell me how you position this film yourself, how you see it, and how do you think it differs from other documentaries of our ukrainian directors about a full-scale invasion, what did you put into it? and well, first of all, she ate through herself, as a person, all the experiences that she also lived and tried to grasp. the changes that are taking place, that i observe, in our society, and with caused by the war, and the film itself examines, let's say, the first stage of these changes, because it seems to me that in the future, if

a new page begins, you know, in our society, we get used to war and tossing to sorry, excuse me , i just have a source from where, but regarding this, you also asked about reviews, yes, yes, reviews, i think you have read them, well, i have only received positive ones so far, no one has scolded you yet, but listen, no should i somehow rate my film for this? there are special people, my job is to make a movie, release it to the world and to promote important narratives for us, which should destroy established myths about ukraine, about our culture, and about the war in general, that is why i laid in this way, in my opinion,

meaningful messages are also important, which... i hope will reach an international audience, not only to ours, because i tried to make this film both for ukrainians and for an international audience, and i also think about what it will be, whether the film will be in the context of today, and how it will be read after several generations, it was important for me to make a film that will be clear context it will be clear for people who will no longer remember the tulle, that is, i also thought about such categories when i was making, and when we were shooting, when we were editing and when we are now presenting the film. olya, you said that you put some of these moments, about our country, about some possible

destruction of stereotypes, you can say what exactly these are, what exactly you wanted to convey to foreigners. and in what way? well, here not only for foreigners, but also for us, i will tell you, because there is a huge complex of ukrainians inferiority, and it seems to me that the international audience is lulled by russian one-hundred-year-old or 200-year-old propaganda about 40 people, for example, there is a scene that, in my opinion... was filmed and how it looks shows our society how very well, i'm proud , actually i even when i myself saw that we are ukrainians, i am proud of them, because we have very high spiritual values, and there are several scenes

where we emphasize this without even realizing it, that is. and i also wanted to ask olya about this film by a russian director who says that she is not russian, but russian-canadian, because daria pysel wrote a very resonant post, so she told me that you also had to watch it all, i sympathize with you once again, although i myself sometimes watch some russian propaganda for reviews, but it is all terribly difficult to watch, please tell me your impression of it. a russian film, it is still russian, although it is positioned as a french-canadian one, and what is most important, you observed the impression of the audience at the venice film festival, because we are all constantly scared that russia is pushing its propaganda and that everyone in a row it is conducted, is it really so, does it really go down very well with

the film festival audience, huh? so this film is made as much as possible, and this film is made for the fact that it is precisely aimed at the international audience, which, let's say, plays pacifism and is under the spell of this dark, it seems to me that this is already the dark side of europeanism, when you try to all justify, but it seems to me that this is the justification of war criminals at the time. "when they still commit crimes, it is also a crime, and i spoke a little about it at the press conference ours, because at that time i didn't have the opportunity to watch the russian" film, because it was after ours, but like, well, i read the director's synopsis, i also read her biography, and the fact that the director

worked until 2017 the propagandist russian broadcaster of today, who is now calling for the genocide of the ukrainian people, is making excuses, tells me much more than any of them, even labor, that is, i no longer trust, let's say, a person -a, who worked after, for example, the occupation, she can no longer be disengaged, and of course, ah, i wondered at the press conference, uh, and then i went to see this film, and purely from a socio-anthropological point of view that i think ... maybe also don't even know about the film as much as how the audience reacts to such films, because in principle this film was obvious to me what it was about, but i

was interested in how the international audience reacts, and at the premiere i think that was in fact, there are more foreigners, and that's why it's hard to say, but the very fact that... this company was given to this site and the very fact that the director and the team of the company, which, by the way, there is france and canada, and these producers, also watched the press conference of this team, ah, it seems to me that it does not seem , i'm just sure that it's just, it should become part of the crime in general, that they now, instead of, ah,... put these people in jail, roughly, play, yes, so that they are responsible for all, war crimes, this team

justifies them, and this kind of talk in general positions, it is even more prolongation of the war, and it seems to me that this is a catastrophic, well , a catastrophic, really painful situation. we need, as ukrainians, to work out a strategy, how to make sure that this film simply does not go anywhere. oli, thank you very much, ol, thank you, unfortunately, the communication is very bad, but we heard you, thank you for telling us about it, well , we will work out some kind of strategy with the new minister, we will gather at the ministry of culture and somehow ask for a new one the minister to try to do something. especially as they say that he understands all the problems. i will finally tell you, friends, that, after all, big film festivals

remain in many ways, on the one hand , russophile, because if you were told for many years about the great russian culture, about promoting russian cinema, because russia really did it, very, very much she always invested money there in the development of her culture, especially for export, so that everyone could see it. admired this culture in the world, people are used to it and by inertia respect russian culture, its representatives, artists, this is on the one hand such an attitude, and on the other on the other hand, there is russian money, with which it is quite possible to bribe someone, we cannot assert anything, but more than once our moviegoers have had direct conversations that they are, well, or directly bought, for example selections. who are there at various film festivals, i.e. the people who select films, here is this film, they took russian, selected it, and because of that it was shown at the venice film festival, or

at the cannes film festival, there are also a lot of russians, there are a lot of russians at the berlinale, they come, buy films from different producers, because at the beginning of the full-scale invasion, the big majors, that is, the american film studios, the big producers, all came out friendly. from the russian market, and european producers, on the contrary , went there even more, because there was space, and for example, the french are now making great money on the russian market, because the russians have nothing to watch anymore, although they watch it well, because they are just these american films stolen and shown in cinemas, but the french, germans, italians feel great in those markets, and alas, this story is happening next, when money, sentiments continued. russia's informational and cultural policy is doing its job, and ukrainian state policy, on the contrary, is taking a backseat, and this, considering the fact that we have

resources, considering... the fact that we have a lot of artists who make very good works, who shoot good movies, and well, let's, i repeat once again, monitor and communicate with the new minister of culture and strategic communications. friends, i say goodbye to you, i wish you a good and peaceful weekend and i say goodbye to next week fm galicia listen to your own. in the hands of a specialist

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greetings to all. who is from espresso, yana yavomelnyk, and this is news: the enemy attacked kharkiv and its surroundings again, an hour ago, explosions occurred in the industrial and saltivsk districts, the mayor of the city, ihor terokhov, said on the place of one of the meadows was hit by a fire, as well as an aerial bomb hit one of the settlements of the malodanyliva community, the local authorities reported, the impact was on the territory of a residential building, there is currently no information about the victims. kurakhov in donetsk region under enemy fire... the occupiers shelled the city with artillery in the afternoon, the state emergency service reported. one of the shells hit near the building of the fire department. the rescuers were not injured. the number of injured has increased due to yesterday's rocket attack on pavlograd in dnipropetrovsk oblast. already 82 people on...