the culture is humane and conflict-free, italians, despite all their external emotionality, avoid confrontation, so it is the italian audience with its traditional russophilia that is the ideal habitat for this kind of propaganda product. well, actually, well, if we talk about the further fate of this film, then it will be shown at many different film festivals, for example, at the zurich festival, there are as many as four screenings of it, and this indicates that it is really big enough. . interest in this film, and they will also show the tape of serhiy loznytsia, invasion, this is also, you know, a rather dubious story, serhii luznytsia, he is generally belarusian, has ukrainian citizenship, but he is like that, he lived in russia for a long time, and then, i think, at the age of 20, he moved to live to germany, that is, he is completely outside the ukrainian context, but he is considered and positions himself as a ukrainian director, it must be said that from my point of view...

he is really a very talented person and he and ukrainian cinema itself are known in the world for him, that is, he is one of the most unknown, isn't he? the most famous ukrainian director in general, and yet he is quite a russophile, he does not hide it, he has a favorable attitude to russian culture, to the russian language, and against all these radical solutions that we all propose, he made this film , well, more precisely, the people with whom he worked, whom he... hired like this, in ukraine, they filmed him a video, and here he edited it in himself there, he did this with his previous tapes, that is, a person without context , a person who doesn't even want to to immerse myself in this context, having come to ukraine, and i must also say about other ukrainian films that are also currently in various film festivals, because you know, it turns out that we talk about this russian film quite a lot, and this is understandable, so that russian...propaganda must

be fought, but it must be fought in particular with our tapes, so some, well, i don't know, call it an answer, or call it counter-propaganda, or just call it our good, clear stories, which will be our voice, for example, on the same the film festival in toronto showed the film "you are the cosmos" by pavel ostrikov, which we talked about, this film seems to me, well, it should be a very cool, intelligent comedy, massive, it will be released, as promised by producer volodymyr yatsenko. who is a military man, by the way, like almost all the people on the screen , he promised that there should be a rental in the fall, and this movie is about a trucker, what a trucker, who is also an astronaut, here he is somewhere in space, while i was flying, the earth simply disappeared, it exploded, well, in short, it is gone more land, and he remains the only person in the entire cosmos, but later it turns out that no, there is another french woman and they must meet somewhere. he also has a robot that also

helps him, this is his friend, well, we are really looking forward to this film at the box office, we will talk about it, and there is also a film called volkan, which is interesting about him, it was also shown at the film festival in toronto, it is about ukrainian refugees who left before the full-scale invasion abroad on teneri, and here they are, they received this news about the full-scale invasion, but this a polish film, not a ukrainian one, and this... a polish film that will compete this year, or rather next year, for the oscar, let's watch an excerpt, where to go , you'll show me the way, and what's next, let's see. here is such a film,

of course we wish it success and we are waiting for it at the ukrainian box office, it is interesting because the director damian kotser, he says that the film is so much about ukrainian refugees, but it must be said that he positions this story as such a universal one that will understandable to many people, that is, it is a family, parents, two children, and they must be experiencing something there, this entire event of roman lutskyi, we saw on the screen ... and anastasia karpenko, one of my favorite actors of ours, i hope that i will like this film, we are waiting for you, and there is also a tape of peace the people of oksana karpovich, who was at the berlinale, and who also, according to people who were at this film festival, had a great influence on the audience there, let me remind you that the film combines filming of the de-occupied kyiv

region , where... the sounds of intercepted conversations are superimposed on it all russians, russian military personnel and their relatives, and of course there is absolute trash. because i especially remembered the conversation between the son and the mother, the son tells how he tortures the men who have tools there, and the mother says that yes, son, you are a good man, but if i were in your place, then i would have done the same, well, this is exactly what vester tells us about this deep russian people, about whom we also talk a lot, that, well, it seems that he is against the war, here it turns out that he is not, it is this film that was shown in ukraine at film festivals different, we are waiting for a rental, well... and now, if kornii hrytsyuk is already on our direct line, they say that for now we still need to wait a little for kornii, i will say that we generally have the following problem, what the global problem is that russia

understands very well how to generally influence with the help of art, they have developed this whole layer of culture, a cultural myth, a myth about their... culture, and which is very difficult to fight, which is very difficult to refute, to refute is that, and it is also necessary to understand that we are not doing enough for this, because well, the truth must be said that both ukrainian society and ukrainian, ukrainian officials, politicians have never made a special bet on culture, as a tool of any influence, culture has always been considered something very, very secondary, you see, even. .. there were conflicts with the ministry of culture, which until recently was called the ministry of culture and information policy, i would even say, information policy and culture, and there was a bigger bet on the telethon and everything else, then the ministry was long enough without a head, and now we

see that the ministry has been renamed to the ministry of culture and strategic communications, we have a new head, mykola tochytsky, who was a diplomat, and it seems that he will do... the bet is on these communications, on diplomacy, this not bad, but in order to play diplomacy, cultural diplomacy, if something, well, to solve some cases, to convince foreigners of something with the help of culture, well, obviously, you need to have this culture and produce something constantly, unfortunately, if we are talking about cinema, that's all , it these films, which were recently shown at the venice film festival, our ukrainians, are not produced, they were made without state funding, already our authors of copyright... cinema, they are looking for money elsewhere, because state cinema is everything, it bets on serials, it bets on commercial cinema, not very good quality cinema, which maybe should be, but well, obviously, not at the expense of the author's, which goes to various film festivals, that's how it is, that's how we have

a story, i'm not talking about the fact that some we still don't have a state policy about how should we act, so as not to be reactive, so as not to extinguish the... well, as we are now running with that film russians at war, something is constantly happening and we are organizing some kind of protests, it shouldn't be like that, it should be in 2.5 years even more to develop some kind of strategy, how we communicate these stories, because if there are these russians who are constantly sneaking into various film festivals, then obviously this is not the first time and not the second time, we see it. we are already 2 and a half years old and we should already be able to react to it. kornii hrytsyuk u we are finally in direct contact. korni, hello. greetings. i watched your movie. i have a browser. and i

really liked it, first of all, and secondly, i, you know, now we can show with, well, its trailer, you have, i think, two trailers at once to our audience. let me remind you that this is a film where you talk about how russia uses cinema as propaganda, and there you give an example of all these films that western audiences don't see, there's like brother two and all that kind of stuff, and you know, i i pretended, and i i caught myself thinking that this is some kind of story that you have completely verified, it was diplomatic, but you are just talking about the biggest myths that exist in people's heads? over there in western europe, in america, in canada, about russians, about russian culture, you sort of break it with this film, for example, you show there, well, the heroes of the film, yes, and you talk about the fact that russians, simple russians, they , for example, did not forgive

the leadership of the defeat in the first chechen war, as they call it, please tell me whether you really checked these theses, or can... call the film vash zinema a certain kind of counter-propaganda? and as for what was checked, it just probably went that way by itself in the way that we see. which russian films were released during the last 30 years and how these films were actually related to those domestic political russian events and foreign political russian events, and at some point i really understood that sometimes it is very difficult to understand where is reality and where is cinema, because russian politicians, they very often quote the heroes of russian films, and the heroes of russian films, in turn, very often quote putin, yeltsin, medvedev. or other russian leaders there, that's why everything is so mixed up in them that it seems to me

that they themselves believed very strongly in their propaganda, in their power, which they show in these films, and therefore, well, why did it happen, well, it seems to me, because they really invest a lot of money in it, a lot of resources, and they use cinema very much as another, as another tool for promoting their own interests, and the root, how the public reacts to... dona to your the tape, and tell me, firstly, where you have already shown it, and secondly, what are the reactions, and i am interested in the question, because after every screening at festivals there is a q&a, there is communication with the film crew, and was yours for the audience the story is kind of revealing, and did they talk about the fact that they didn't know this before, but in fact, only the movie. begins its own, one might say , festival journey, we showed it only in ukraine, so far during the odessa

film festival, and next month we are showing it in october in luxembourg, and then in november we will have screenings in germany, in poland, next year we also have screenings planned there in latvia, er, in the usa, and in some other countries, so i in fact , i did not communicate with the european audience after the screenings, but... i communicated with europeans at the stage of working on this film, during the so-called development of this project, when we went to various european platforms and presented the project of this film. i had the opportunity to communicate with people from the film industry, with european film industry, and for many of these film professionals, well, it was really a shock that russian cinema is not only zvyagentsev, there is torkovsky and something else that they are used to seeing at major film...festivals, russian cinema can be different, and cinema is russian for this internal use, it

is really terrifying, that's why i heard such feedback. and how were copyright issues resolved in general, because your film, well, to a greater extent consists of all these russian propaganda, how is it all resolved, is it how you co-purchased them, or maybe in some other way, because, well, copyright is such a serious thing if we show... a film, especially at film festivals? well, this film is a purely pirated film, you can say so, that is, we did not pay a single penny, of course, to the russian rights holders for these films, we communicated with lawyers in ukraine, with lawyers in germany, in principle, if this film is non-commercial, if it is like an educational film, that is, you can say educational, or a film, well, a cultural product that is shown at film festivals, then in principle it is not obligatory... to have the rights, because if this film, if the author's statement, and you

support the author's statements with specific scenes from these films, if these screenings are not commercial, then actually it can be used, of course, we had huge problems with finding financing for this film, because there is no european film fund or european television, of course, they are not ready to finance such a film in which the rights have not been cleared, and now with film festivals, well, it is up to each film festival to decide for itself. is he ready to show such a movie? is not ready, that is, we have been approached by quite a few film festivals, there are such prestigious european film festivals, we can say, of the average level, above the average level, and they are ready to show such a film, if they are not very concerned about this issue of rights, but we talk a lot with people who are specifically engaged in cultural diplomacy, there from the ukrainian institute and so on, they constantly emphasize that it is necessary to choose the right one. rhetoric when we communicate with foreigners, in addition to choosing the right rhetoric for countries,

because there you have to communicate with the germans one at a time, they understand some intonations well, with the french already like that, no, you have to do it differently and so on, with canadians, with the states and all that, maybe you already understood some points, what kind of rhetoric , perhaps familiar to us and which seems fair to us, foreigners in general, i mean. western europe, canada, the states will categorically not accept it, but it is very like that, it seems to me a difficult question, it is both interesting and difficult at the same time. i think that in principle they still cannot understand many ukrainians movies, especially documentaries or dramas about the war, ah, like something so precisely objective, they still believe that it is subjective, that these are traumatized ukrainians, now they do not try to look for and watch good russian ones, what if such a strong generalization on our part, that's why when

we made this zinema film, we wanted to show that okay, yes, you know russian cinema there. it is festival-like to go out on serebryanikov, go out on zvyagentsev, but besides that, russia invests huge resources in cinema, as if of a different direction, and you don't see these films, you don't know them, but they are like that, they directly echo the aggressive rhetoric of russian politicians and russian propagandists, and it seems to me that our task, perhaps, is not to prove something to them , but it is possible to force them to dig and be a little more involved in the process, which after all, for many russian, allegedly cultural and artistic projects, will still meet the ears of the fsb, or if we move a little to the side, then we can understand that many russian producers, directors we know for conditionally an arthouse movie, if they don't shy away, they shoot something for propaganda, and we still have literally two

minutes left, i want to talk, i watched yours too, well, i don't know if this is a film, this project can be called i want to live within the boundaries of the project, this is for the russians, so we convince them that let's surrender, they won't do anything with you here, and you did such an interview with russian prisoners of war for 51 minutes, with me i see that you uploaded it all to youtube on july 11 and it already has almost a million views, you also watched it what these military people were telling you, and i just advise everyone to watch it all. because , honestly , at some stages it was just funny to me how this man, who is shown talking about some conspiracy theories, comes to the conclusion that after all this whole war is this whole thing, it was started by a bunch of these people , who decide everything, the world power of these 10 people, who is not putin, all of this is not zelenskyi, it is not even biden, it was very cool, tell me for whom

you did this project, and will you actually do something else? well, if we did this project together with gur of ukraine and with our military, who actually wanted us to record for history how russian prisoners of war are currently being held, how it is happening, and it seems to me that he is working on this project also so that the russians can see , how many of their soldiers were actually found in ukrainian captivity. there they did not block their own exchanges, and lately, as we can see, the plus-minus exchanges have gone away, due to the fact that many conscripts from the kursk region were captured there, so in such projects they still have, if so yes and very well if i say well, a practical function, but of course, as this film shows, it seems to me that in the head of the russian military, how

bad things are there, and they really translated it into english, foreigners can watch it and draw their own conclusions, i think, that although these people are in captivity, and of course we can make a discount on this, that they do not say everything as they think, but it seems to me that even the way they communicated with us and what they told us is still terrifying and gives insight that this is not putin's war, that it is a war after all russians against ukrainians, yes, absolutely, and it is read quite clearly on the one hand, and on the other hand, it doesn’t really look like it, it seems to me like propaganda, although the devil knows, maybe there is somewhere... western europe will perceive it that way, but in any case, for our viewers, i advise you to watch this project on the youtube channel i want to live, this is our ukrainian project. korniy, thank you very much, we will wait for your success with your film zinema, and we will ask you how people, foreigners react to it. let me remind you, dear ones

viewers, what we talked about with korniy hrytsiuk, who directed zzinim's film, and how. the russian authorities use cinema in propaganda, we have, i forgot, we have an excerpt from this film, let's watch it so that you understand what it is, a breakdown, my name is korniy hrytsyuk, i am a ukrainian film director, this film is my visual exploration of the russian cinematography that is important. tool of the kremlin in its wars not only against ukraine. chechens, you see, are bandits, and professionally trained. but these are bandits. and chechens are bandits, all of them? yes, everyone. well, what? well, i think that we have seen all these films, we already understand what happened there, and

finally we, many of us, by the way, only after the full-scale invasion, understood all the intricacies of russian propaganda, what it is russia, that is, let's be fair to ourselves before relying on all these westerners, we were also among many of us. was with such closed eyes, they finally opened, and now our task is to help open the eyes of everyone else, too, for sure. with this i say goodbye to you, friends, i wish you a relaxing weekend and see you next week. in september, there are discounts on glycyset, 20%. in podorozhnyk pharmacies you and save. fm halychyna.

good music - important news. in march, there are discounts on combi grip. 20% in psarynyk, bam and oskad pharmacies. there are discounts at the terme in beresneva. 10% in pharmacies plantain pam and savings. in september, there are 15% discounts on magnesium b6 anti-stress at podorozhnyk bam and oskad pharmacies. exclusively on the air of our channel. congratulations, friends, the politclub program is on the air on the espresso tv channel. the most relevant topics week nato member countries have huge arsenals, and russia is already on the verge of exhaustion. resources of topics that resonate in our society, this is the question of trump's victory, what it is, an analysis of the processes that change the country and each of us. what else

can the russians do, are they able to use, say, the resources of the lukashenka army allied with them. vitaliy portnikov and the guests of the project, read all the words, accept my singing, thank you, it was difficult, but i was just interested, but this is absolutely not true, they help to understand today? and predicting the future suggested that the united states enter into a bilateral security agreement with us. a project for those who care and think. politclub every sunday at 20:00 at espresso. we are military personnel of a separate unit of grig named after volodymyr. rigs of the unmanned aviation complexes of the 76th separate battalion of the 102nd separate brigade. in the zaporozhye direction , combat clashes take place daily due to the constant assaults

of the enemy. this does not bypass the gulyaipil direction, which our battalion is already defending almost two years. right now we need three times as many modifiers and fire damage from the sky. therefore, we are appealing to everyone who cares to collect funds for 20 digii mavic classic drones and 10 mavic 3t. yes, there is no amount. but the lives of brothers and your relatives are much more expensive, we really hope for your support, donations and distribution, let's not let the occupier take a step further and accelerate the victory together, glory to ukraine, glory to the heroes, hello to all, andriy is here with you, listen, i introduced myself the impression is that it's about time against gutter, andriy is here. the bezbroni project on fm halychyna meets our next guest today, we discuss everything honestly, directly and

openly. yehor oliynyk is with me today. yehor, tell me, my friend, please, where you served, what you did, that is, what position you had and how much time you actually devoted to protecting the state, i am now 21 years old. i left for 18 years, before the war i signed a contract on december 23, and the war began on february 24, that is, i did not even pass the kmb, we passed the kmb month, we were quickly removed, ah, the war i met where i met the war, near the breweries, i met the war, we were initially in the artillery, but on february 23, the commander wrote: guys, behave well, because they can crawl, it really happened, and we didn’t believe it, but what , well, what two well... 24 could be a war, which , well, absolutely no one believed, well, but we were preparing, we stayed up all night, just at 50 in the morning, the war started, we just left for the breweries and already met rusna there . and what,

then what we repelled, repelled them from the kyiv region, i was in the 72nd belytserkiv artillery, then we arrived in the donetsk region, i got bored of carrying shells in the artillery, i didn't want it, i wanted a service number or yes, i was a service number, then i became a loader, well, those shells were so heavy, i so i was kicking my ass, i wanted some action, i thought i wanted infantry, i wanted some kind of close combat and so on, well, it was fun for me, i was still young, i... i was 16 years old and i wanted some action, and we decided with the boys to transfer together to the infantry and transferred to the infantry, in the infantry i transferred to the mechanized battalion, because the guys who were transferred to the rifles, there were two hundred, three hundred, i thought , i'll live a little longer, and we transferred to the mechanized battalion, and there already began such a straight, well, the test began for me straight, well, it was already very tough in the east. yes,

yes, yes, it’s already, it really started very hard, i was what was in kyiv region, and then what was in donetsk region, it’s like two different countries, when you arrive, it was very hard there, he says, no, no, you didn't regret it then, no, no, but for the thrill, on the contrary, i liked it, and so briefly, we had an assault, we were repelling our position, and i was put in charge of a detachment or a platoon commander, i never understood, because i had my entire crew, and there were seven of us, the people were boys, young people, greens like me, we took two prisoners, captured two vehicles, brand new ones, threes, i don’t remember where they still have three or three machine guns, these are very new, very cool, and i was just going to evacuate , i put a bunch of different tricks in my backpack, i put a gun there, radio stations, etc. i took it, i took away the passports, and i was just going to evacuate, i just blew up on that droshka, on the mine, yes, on the mine, it blew up, and my

heel immediately fell off, my fingers flew up to my knee, it was my left leg, suddenly, why? broke the entire left arm completely, it was like that, they didn’t move, it was a petal or that, well, they wrote a petal, but there was something more serious, because the fragments were metal, in the petal there, well, it was plastic, and they broke my right leg, i applied three tourniquets to myself, and then i waited, while the boys come running, during this period he wanted to shoot himself, and he already put the machine gun to his beard, that's all. let's stop for a second at the moment, and then at the expense of shooting yourself, it was more emotional, have you ever encountered that someone did that, that is, how did you get to that point, how did it come to you that you are no longer will you be able to agree or that you will be taken prisoner, this is the moment of worry, i was more afraid of being captured and dying, more precisely, this is just a slipper, what are you doing, yes, yes, yes, what is it i'll just lie somewhere and that's all, and it was just at this moment that i just

blew up, i look, three limbs are cut off, well, the left leg is not there at all, i think, well, that's it, well, where, where to live next, that is, i am i thought to myself, right now, they will cut me off, my leg will be cut off, my leg will be cut off, i think so, no , i don't want to live like this, my parents want to do it, i think, no, i decided anyway and that's it, i'm going to borida i attached the machine gun, i understood that after 100 m there were katsaps, i thought that that was all, it was a slipper, and if i was still captured, what would happen mocking me, a fraction of a second, the guys under... ran straight, well, so many just run up and immediately take the machine gun and that's it, i tell them, guys, thank you, thank you, this is what, by the way, i remember on our kmb, as military doctors, we were also taught that help is help, first of all, take away the soldier's weapon, this is the first task, so that he does not harm you or himself, evacuation, do you remember how it happened, evacuation is very fast, directly well, i was just going to evacuate that

right there, well, i was transferring everything, right there for me the car left, it just so happened that i just ordered a car for myself, because i have just one, nothing happens by chance, i always say, yes, yes, the boys quickly ran up to me on stretchers and carried me away, i still remember, i i didn't smoke and still haven't smoked at all, i'm absolutely against it, i remember telling the boys, guys, let me smoke, give me, give me, i want to smoke, well, i want a slipper, no one gave me one, and i thank the boys to this day , that i didn't start smoking, because i think that i would have started smoking later, and that's it. i am like a person who is 20 quit smoking for years, i will say that it is very good that everything turned out the other way, i myself barely quit and did not start again in the army, well, it is already such a long story, my name is andrii zholub, it is a project without armor on fm halychyna, and today i am with yehor we are talking about how the oilman saw nothing but the army and eyelashes in his young life.