are in the territory of the kurdish province, but we also suspect that both beijing and brazil , and not only them, give certain signals with the agreement of the kremlin, that is, with the agreement of the kremlin, they give certain signals, broadcast them, and try to check what the reaction will be , and this may mean that the kremlin is ready for something, but here it is a question of the psychotype of this russian milosevic. first of all, i think that putin made a geopolitical choice and turned russia eastward, and now, according to his ideas about the beautiful, and his ideas soviet, and therefore supernatural, he is building a block of moscow, beijing, tehran, pyongyang, partly, perhaps, the capital of syria damascus, this is a block that opposes the west, the problem is that putin is not the leader in this block, he is there under the song of china, and the west, especially the western half...

america, western europe is not liked by many countries, such as brazil and others. it's not about the states in general, it's about what specific forces are currently there. brazil is ruled by leftist forces, there is no beast scarier than american imperialism. and russia brazil never occupied so why not support russia? all this is actually secondary, that is, putin broke away from the dominant trend of global development and turned around. to second-rate, sorry, for the directness of political regimes, and brought russia there too. to me, as a russian, it seems terrible and counterproductive. and what is called the exit from the war in europe, there have been no such serious warriors on the territory at least for almost 100 years. the last one was hitler's, who talked about living space. germany, it turns out, can perfectly exist without hegerstrand living space.

the largest economy in europe had no need to seize ukrainian black soil, baku oil or donetsk steel and coal, as hitler said. so, this is a normal trend of development, intensification of space instead of seizing someone else's territory. putin is rolling back to the strategy of 19th century politics, geopolitics of squares, etc. and in this geopolitics, he will also lose, because you are already in the kursk region. fatigue has accumulated on both sides in two years, both sides have problems with economy that's why european wars stopped, because in them it is not possible to finally defeat someone. victory takes place in a less developed socio-cultural space, here you will still have to negotiate at some point, and for... the presence of russian territories

under the control of ukraine is a very serious geopolitical mistake, because in this value system in which russia lives, territory is the most important thing . and it turned out that putin undertook to free the russian people, this fairy tale is happily swallowed by public opinion on the territory of ukraine. well, ukraine is not the subject, and the russian territory, as putin frees, as solov'ov says there. but all this pays for those territories, the kurdish region, which is internationally recognized as a territory of russia, is under the control of ukraine, it is not clear how to get out of this situation. therefore , i think that in the near future, the biggest topic for putin will be the return of the territory of the kurdish region under his control. this is a propaganda fact, because until this is done, putin cannot say that it is effective.

to kursk, that is, to the regional center, and maybe even they would take him in a vise, do you remember how at one time, putin's guderians, various arrows, depicted how they are capturing ukrainian regional centers there, but if with... again, if i understood you correctly, it seems to me that sooner or later the war will end and the turgs about getting out of this unnatural situation, now the armed forces of ukraine have brought zelensky a very big trump card in these negotiations, because putin needs to get out of this war, it is clear that he will no longer be able to conquer kherson. no zaporozhye, and all the talk about

the reconquest of these four regions, which he already announced as russian, have turned into a vacuum, but if you start negotiations with... therefore, i think that in the coming months, it will be the main task for putin to push the armed forces out of the kursk region. and then, as it will be, with regard to pokrovsk, the same kursk region does not allow russia to advance with a wide front. russia now has the opportunity to advance in only one military direction - to pokrovsk. it is clear that this will be an important point, but even if russia in 3-4 months, maybe sooner or later will take it under control and at the same time remain a piece of the kurdish region, it will not be in putin's hands, but he needs to paint a victory

on his flags, explain that he has ensured the security of the russian people, and after that move on to those burdensome agreements that are still waiting for him. all those conflicts end when both parties feel exhausted and unable to seriously move forward. it seems to me that the situation has already approached such a state. we can see that the front line has generally stabilized, if not specifically about pokrovsk. there are some advances, but they cannot be called rapid and successful. and so, from a strategic point of view, it is clear that putin's plans for 10. now collective putin is thinking about how to pay off from this story with a beautiful facial expression. the kurdish

region does not add a beautiful facial expression to putin, which means that the strategic idea of ​​abandoning european value systems and moving to the chinese kadyrivsk north... thank you very much, dear dmytro borisovych, for this extremely interesting and informative conversation to our tv viewers, i want to remind you that dmytro areshkin, political scientist, professor at the free university of rysa, worked for them now. thanks again for this analysis. thank you, goodbye. well, the time of our program has run out, stay with the "espressu" tv channel. colleagues will inform you about all the most important events of the day. watch out for yourself and your loved ones, do not ignore air warning signals. god help you. see you on air. in september, there are discounts on

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together we will write the history of victory. details on the official pages of the sbu. friends, my greetings. we will devote today's program entirely to film propaganda, which. produced by russia itself now, why are westerns, as we call them, the western world, directed at her, they are directed not only for some one reason, it is a whole complex of reasons that the russians know very well and use this skillfully, and we are trying to counteract everything somehow, but here the latest high-profile incident with the tape of russians at war has turned out to be, unfortunately, not in our favor, but we continue the fight, and actually we will also talk with kornii hrytsiuk, a director who shoots a lot

of different completely documentary films, in particular, he shot draft conversation with russian prisoners, there are simply high-quality interviews that really need to be shown somewhere at various film festivals, so that the audience there still understands what illusions they are living in, regarding the russian military, well, let's talk about the tape with kornii. right now it is being shown in luxembourg and they promise to show it in the world at other festival screenings, her name is zzinema and she talks about how russia used some propagandist elements in cinema, more precisely, how it used cinema to sow propaganda for its internal audience, there are also many surprises, i think, such an audience is waiting for a sufficiently human audience, as they... talk constantly to themselves, but we will ask in the corner how they reacted to this tape there,

for example, the audience is different, different, how they reacted, for example, to the description of the film "brothers brother-2" with all the moments that take place there, but now let's consider the situation in order, i will remind you about this tape in general, where it started, anastasia trofimova, now we can to see her, a director who positions herself like... co-canadian, and she filmed for world broadcasters, but she also filmed for russia there, she filmed quite a lot of films, filmed and visited combat operations, and now she filmed a documentary film called "russians at war". and here she tells us that now we can also see excerpts from this film, and she tells us that on the train she met a military man, a ukrainian who is fighting on the side of the dpr, and he says: come on, anastasia... you will come to us and delay our war, no problem, says anastasia, and 7 months, and she this war

films, she is just the same person there, and she sits there for 7 months completely unnoticed by various special services and simply communicates with the military and films them, and then edits a tape of all this and sends it to the venice film festival, where it goes in the out-of-competition program, by the way, together with our film, with our two, or rather tapes, and there she is receiving a lot of positive feedback, we are ukrainians, our ukrainian girls, producers, directors, who went to the venice film festival to present their films, by the way, shot without state funding, they watched this film, the producer daria basel wrote a review, and from this the gathering began in our country, this gathering grew. for a whole wave, because the diplomats got involved, and the diplomats in canada got involved, because

then this film was to be shown at the also prestigious festival in toronto, and our consul there, and khrystia frinlyand, the minister, they started making some statements, but the film was initially canceled due to protests by ukrainians, but then the screenings were resumed after, well, that these were some special shows. they were not planned, and what is special, it means that there is such an edition of gollov reporter, it is one of the most prestigious american publications, in principle. and one of the most prestigious, which is devoted to cinema, and there is a material on with the position of the general director of this film festival in toronto, whose name is cameron bailey, and he begins to tell the fears and horrors of how the poor, unfortunate people at this film festival

were scared ukrainian protests, because they were not just protests, they were aggressive protests, says bailey, on the one hand, he says: well, we can understand the feelings of ukrainians, so what, but we were sent threats of violence and even sexual violence, and this already crosses all boundaries, and here she is, but he did not present any evidence of this sexual violence, by the way, which was threatened, say, by ukrainian protesters, in canada, various ukrainian filmmakers, in principle, people in social networks, have already begun to assume that... which is quite possible, someone may have written in some comments, like, what if you felt it how are you being raped by these russian military men, maybe you wouldn't be so condescending to the heroes of this film, i mean, and maybe it's canadian, but the directors of this festival took it as a threat of sexual violence, well, let's

listen to mr. cameron, for the most part was freely and peacefully, but some of the threats were dire. tiv employees received hundreds of verbal abuses in e-mails and phone calls. our employees also received threats of violence, including sexual violence. this is a horror, and ours employees are understandably scared. terribly scared. mr. bailey also says that there were two additional screenings of this film that were terrible. in security measures, because they were also afraid that ukrainian protesters would attack the film crew and, i don't know, commit sexual violence against them, obviously, and it should also be noted, unfortunately, that now we can possibly look at how ukrainian protesters are protesting there, but if we did not

see all this, we can also state, on it's a pity that canadian america... and the north american and world press in general have such positive reviews about this russian tape, well, clearly propagandistic, but one of the most fair arguments against these protests of ours is that the protesters in most of them did not watch this film, well, you and i did not watch it either, we simply trust the point of view of our female filmmakers who saw it in venice at the venice film festival. and well, judging by the theses in this film, well, it's really propaganda, because theses are just very standard, what exactly are these theses they use for the western audience, what i mean is this whole situation, when the people are not to blame, let's feel sorry for these soldiers, well, look at them, how ignorant they are, they are some kind of bad people, but they were forced to fight, they

may not fully understand, they are also unfortunate people, all the politicians are to blame, and so on. this whole song, which we know very well, especially since anastasia trofimova says at the beginning of her film that, my god, i was so surprised when russia attacked ukraine in in the 22nd year, it was so unexpected, well, she absolutely does not say that russia attacked ukraine at all in 2014, and before that she attacked other countries, and this is not the first time, and if she spoke, there were eyewitnesses to the audience's reaction. a little different, but less so, we can also talk about the fact that, well, let's just listen to one of the quotes, for example, from the publication global and mail, well, that's what the author writes, russians at war are

brave and exceptional documentary unadorned shows the horrors of war, including some of the most gruesome footage you 'll ever see on the big screen. this documentary in no way glorifies russia, its military or its war effort. this film in no way demonizes ukraine or its people. that's it. well, we have to understand that this is such an idea. westerners about all these things, they need to explain all this, because the russians understand, i do not get tired of repeating it, how and on what audience to act, and judging by this, here is this one... russians are at war, it is really made sufficiently high-quality from an artistic point of view, and the director anastasia trofimova, she is quite an experienced person, she filmed

a lot for world broadcasters, which, as i have already said, and therefore, and therefore we must understand that this is really implicit propaganda, moreover, many people whom we call naive, whom we can call leftists, who we can call not very trained people there and... who live there somewhere in well-fed, civilized, prosperous countries, and have no idea what russia is, they say they don't understand what propaganda is and isn't they read these moments, and here, for example, i can quote, this is what italians thought about this film, here i quote, i also quote one journalist, here, for example, italian culture is humane and conflict-free, i avoid italians despite all external emotionality. confrontation, that is why the italian audience with its traditional russophilia is an ideal habitat for this kind of propaganda product. well,

actually, if we talk about the further fate of this film, then it will be shown at many different film festivals, for example, at festival in zurich, there are as many as four screenings of it, and this indicates that there is really a lot of interest in this film, and they will also show serhii luznytsia's film, vtorin. this is also, you know, a rather dubious story, serhii luznytsia, he is actually belarusian, has ukrainian citizenship, but he is like that, he lived in russia for a long time, and then, i think, at the age of 20, he already moved to live in germany, that is, it is absolutely outside the ukrainian context, but it is considered and positions itself as ukrainian director, i must say that, from my point of view, he is really a very talented person, and he is actually ukrainian. cinema is known in the world because of him, that is, he is one of the most famous, if not the most famous ukrainian director in general, and yet he is such a russophile, he does not

hide it, he has a favorable attitude to russian culture, to the russian language, and this is against all these radical solutions that we all offer, and here he made this film, well, more precisely, the people with whom he worked, whom he hired, so in ukraine, they they filmed a video for him, and here he was... editing it, he did this with his previous tapes, that is, a person without context, a person who does not even want to immerse himself in this context after coming to ukraine, and i must also say about other ukrainian films, which are also now at various film festivals, because you know, it turns out that we talk about this russian film quite a lot, and this is understandable, because we need to fight against russian propaganda, but we need to fight against it, in particular, our tapes... well, sort of i don't know, call it an answer, or call it counter-propaganda, or just call it our good, clear stories that will be our voice, for example, at the same

film festival in toronto, they showed the film ty kosmos, by pavla ostrikova, which we talked about, this film seems to me, well, it should be such a cool, smart comedy, massive, it will be released, as promised by producer volodymyr yatsenko, who is a military man, by the way, like almost all the people on the screen . he promised that it should be in the fall rental, and this movie tells about a truck driver, who is a truck driver, who is also an astronaut, here he is somewhere in space, while he was flying, the earth simply disappeared, it exploded, well, in short, there is no more earth, and he is the only person left in the entire cosmos , but later it turns out that no, there is another french woman, and they have to meet somewhere, he also has a robot that also helps him, this is his friend, well, we are really looking forward to this tape. we will talk about it at the box office, and there is also a movie under the volcano, what is interesting about it, it was also shown on film festival in toronto, it's about ukrainian refugees who left before

the full-scale invasion abroad to tenerife, and there they are, they got this news about the full-scale invasion, but it's a polish film, not ukrainian and it 's a polish film that will compete this year, well, more precisely, next year on... oscar, let's see a passage, where to go, you, you will show me the way, and what's next, let's see. this is such a movie. we certainly wish him success and we are waiting for him at the ukrainian box office, it is interesting because the director is damian kotser, he says that the film is about ukrainian refugees, but it must be said

that well... he positions this story as universal, which will be understandable to many people, that is, it is a family, parents, two children, and that's it they must be going through something there , we saw roman lutskyi on the screen and anastasia karpenko, and here are some of my favorite actors of ours, i hope that i will like this film, we are waiting in the box office, and there is also the film peaceful people by oksana karpovich, which was at the berlinale and which also... as people who were at this film festival say, had a great impact on the audience there, let me remind you that the film combines filming of the de-occupied kyiv region, the de-occupied territories in general in ukraine, and all this is superimposed with the sounds of intercepted conversations of russians, russian soldiers with their relatives, and there of course, forgive me, absolute trash happens, because i especially remember the conversation between the son and the mother, the son

tells how he tortures... we are waiting for different ones to rent, and now, if we already have korniy hrytsyuk on... direct call "link" they say that we still need to wait a little for the roots, i will say that we generally have the following problem, that the global problem is that russia understands very well how to generally influence with the help of art, they have developed this whole layer of culture, a cultural myth, a myth about one's culture, and which is very difficult to fight against, which is very difficult

to refute, to refute... there is something, and it is also necessary to understand that we are not doing enough for this, because, well, we must tell the truth, and ukrainians society and ukrainian, ukrainian officials, politicians, never made a special bet on culture as a tool of any influence, culture was always considered something very, very secondary in our country, you see, there were even fights with the ministry of culture, which until recently was called the ministry of culture ... and information policy, i would even say information policy and culture, and more bets were placed on the telethon and everything else, then the ministry was without a leader for a long time, and now we see that the ministry was renamed the ministry of culture and strategic communications, we have a new head, mykola tochytskyi, who was a diplomat, and it seems that the bet will be made on these communications, on diplomacy,

which is not bad, but to play: diplomacy, cultural diplomacy, or something well, to solve some cases, to convince with the help of the culture of foreigners, well, obviously , you need to have this culture and constantly produce something, unfortunately, if we are talking about cinema, then that’s it, it is not produced, films that were recently at the venice film festival, our ukrainian ones, they are made without state funding, already our authors of auteur films, they are looking for money elsewhere, because state cinema is everything, it... bets on series, bets on commercial cinema, on very good quality cinema, which perhaps should be, but obviously not at the expense of the author's, which goes to various film festivals, that's how it is, that's how our history is, i'm not talking about the fact that we have some kind of state policy there is still no word on how we should act in order not to be reactive, so as not to put out fires, that's how we are now running with that movie "russians at

war", but here's something... we constantly organize some kind of protests, it shouldn't be like this, it should be in 2.5 years, even more, to develop some kind of strategy, how we communicate these stories, because if there are some russians who constantly sneak into various film festivals, then obviously this is not the first time or the second time, we have been seeing this for 2.5 years, and it should be in... be able to react to it. kornii hrytsyuk is finally in direct contact with us. korni, hello. greetings. i i watched your movie, i have a preview. and i really liked him at first. and secondly, i, you know, now we can show his trailer, you have, it seems, two trailers at once, to our viewers. let me remind you that this is a film where you tell in general, how?