and therefore, and therefore we have to understand that this is really an implicit propaganda, moreover, many people whom we call naive, whom we can call leftists, who we can call not very trained people there, who live there somewhere in well-fed countries, civilized , prosperous, and have no idea what russia is like, they say they don’t understand what propaganda is and don’t read these moments, and here, for example, i can quote what the italians thought so about this film, here i quote quote also one of the journalists, for example, an italian one the culture is humane and conflict-free, italians avoid confrontation despite all external emotionality, therefore the italian audience with its traditional russophilia is the ideal living environment for this kind of propaganda product, well, actually, if we talk about the further fate of the film, it

will be shown to many at various film festivals, for example, at the festival in zurich, there are as many as four screenings of it, and this indicates that there is really quite a lot of interest in this film, and they will also show sergei's film luznytsia, the invasion, this is also such a, you know, rather dubious story, serhiy luznytsia, he is generally belarusian, he has ukrainian citizenship, but he is like that, he lived in russia for a long time, and then, i think, he was already in his 20s. .. came to live in germany, that is, he is completely outside the ukrainian context, but he is considered and positions himself as a ukrainian director, i must say that, from my point of view, he is really a very talented person, and it is ukrainian cinema that is known in the world because of him , that is, he is one of the most famous or not the most famous ukrainian director in general, and yet he is quite a russophile, he does not hide it, he has a favorable attitude to russian culture, to russians... language, and

against all these radical solutions that we all propose, and here he made this film, well , more precisely, the people with whom he worked, whom he hired, yes, in ukraine, they filmed him a video and here he edited it in himself there, he did this with his previous tapes, that is , a person without context, a person who even does not want to dive into this context after coming to ukraine, and i must also say about other ukrainian ones. films that are also currently in various film festivals, because you know, it turns out that we talk about this russian film quite a lot, and this is understandable, because we need to fight against russian propaganda, but we need to fight against it, in particular, our tapes, so some kind of, well, i don't know, call it a response, or call it counter-propaganda, or just call it our good, clear stories that will be our voice, for example, on the same the film festival in toronto showed the film you are cosmos, ostrikova, which we talked about, this

film seems to me, well, it should be a very cool, intelligent comedy, mass, it will be released, as promised by the producer volodymyr yatsenko, who is a military man, by the way, like almost all the people who are on the screen, and he promised that there should be a rental in the fall, and this film is about a trucker who, a trucker who is also an astronaut, here he is somewhere in space, while he was flying, the earth is just yet. it exploded, well, in short, no more earth, and he remains the only person in the entire cosmos, but later it turns out that no, there is another french woman, and they must meet somewhere, he also has a robot that also helps him, this is his friend, well, we are waiting on this film at the box office, let's talk about it, and there is also a film under the volcano, what is interesting about it, it was also shown at the toronto film festival, it is about ukrainian refugees who left before the full-scale invasion. abroad to

tenerife and that's where they got this news about a full-scale invasion, but this a polish film, not a ukrainian one, and this is a polish film that will compete this year, or rather next year, for the oscar, let's watch an excerpt, where to go , you will show me the way. and what next? let's watch, this is such a film, of course we wish it success and we are waiting for it in the ukrainian box office, it is interesting because the director damian kotser, he says that the film is so much about ukrainian refugees, but it must be said that he positions this story as such.. .

universally, which will be understandable to many people, that is, it is a family, parents, two children, and they must be experiencing something, like this whole event, roman lutsky, we saw on the screen and anastasia karpenko. and here are some of my favorite actors of ours, i hope that i will like this film, we are waiting for it at the box office, and there is also the film peaceful people by oksana karpovich, which was at the berlinale and which , according to people who were at this film festival, is also very influenced the audience there, let me remind you that the film combines filming of the de-occupied kyiv region, de-occupied territories in general. across ukraine, and the sounds of intercepted conversations are superimposed on it all russians, russian soldiers with their relatives, and there of course, pardon the absolute trash, it happens, because i especially remember the conversation between the son and the mother, the son tells how he tortures the men he always has there, and the mother says , that yes,

son, you are well done, but if i were in your place, i would do the same, well, this is exactly what vester tells us about this deep russian people, about whom... we also say a lot, that, well, it seems that he is against the war , here it turns out that no, it was this film that was shown in ukraine at film festivals different, we are waiting for the rental, but now, if korniy hrytsyuk is already on our direct line , they say that we still need to wait a little for korniy, i will say that we generally have the following problem, which is a global problem , that russia understands very well how to generally influence with the help of art, they have developed this whole layer of culture, a cultural myth, a myth about their culture, and which is very difficult to fight, which is very difficult to refute, there is something to refute, and it is also

necessary to understand, which we do not do enough for this, because, well, the truth must be told, that ukrainian society and ukrainian, ukrainian officials, politicians, have never made a special bet on culture, as a tool of any influence, culture has always been considered something very, very secondary in our country, here you are you see, there were even fights with the ministry of culture, which until recently was called the ministry of culture and information policy, i would even say information policy and culture, and there a bigger bet was placed on the telethon and everything else, then the ministry was without a leader for a long time, and now we see that the ministry. which was renamed to the ministry of culture and strategic communications, we have a new head, mykola tochytskyi, who was a diplomat, and it seems that a bet will be made on these communications, on diplomacy, which is not bad, but to play diplomacy, cultural diplomacy, or something , well, to solve some

cases, to convince in something with the help of the culture of foreigners, well, obviously, you need to have this culture and produce something constantly, on it's a pity, if we talk about... about cinema, that 's it, it's not produced, the films that were recently at the venice film festival, our ukrainian ones, they were made without state funding, already our auteur cinema authors, they are looking for money elsewhere, because the state cinema is everything, it bets on serials, it bets on commercial cinema, on not very good quality cinema, which maybe should be, but obviously not at the expense of the author's, which goes to various film festivals, that's it.. this is our story, i'm not talking about just any kind we still don't have a state policy, about how we should act, so as not to be reactive, so as not to put out fires, that's how we're running around with that movie russians at war, but there 's always something there, and

we organize some kind of protests, yes it shouldn’t be, it should be already in 2.5 years, even more, to develop some kind of strategy for how we communicate these stories, because if there is a... there are these russians who constantly sneak into various film festivals, then obviously this is not happening for the first time and not for the second time, we have been seeing this for 2 and a half years, and that's it should be able to react to it. kornii hrytsyuk, we are finally in direct contact. kornia, hello, hello. i watched your movie, i have a preview. and i really liked it, first of all, and secondly, i know, now we can show its trailer, you have, it seems, two trailers at once. i will remind our viewers that this is a film where you tell how russia uses cinema as propaganda, and there you

give the example of all these films that western audiences don't see, there's like brother two and all that stuff, and you know, i i looked around and i caught myself thinking that this is some kind of absolutely... well, your verified history was diplomatic, but you are simply based on theses of some of the biggest myths that exist in the minds of people over there in western europe? in america, in canada, about russians, about russian culture, you seem to be breaking with this film, for example, you show there, well, the heroes of the film, yes, and you talk about the fact that russians, ordinary russians, they, for example, have not forgiven the leadership loss in the first chechen war, as they call it, please tell me if you really checked here are these theses, can you call the film your ziina. a certain kind of counter-propaganda, but

as for what was verified, it just probably happened by itself in the sense that we watched which russian films were released during the last 30 years, and how these films were actually related to those and domestic political ones russian events, and russian foreign policy events, and at some point i really understood that sometimes it is very difficult to understand where is reality and where is cinema, because... politicians, they very often quote the heroes of russian films, and the heroes of russian films, in turn, very often quote putin, yeltsin, medvedev, or other russian leaders, so everything is so mixed up in them that it seems to me that they themselves believe very strongly in their propaganda, in their power, which they in these films are shown, and that's why, well, why did it happen, well, i think, because they really invest a lot of money in it. huge resources and very strongly use cinema as another, as another

tool for promoting their own interests. and the question is, how does the foreign public react to yours the tape, and tell me, firstly, where you have already shown it, and secondly, what were the reactions, and i am interested in the question, because after every screening at festivals there is a q&a, there is communication with the film crew, was your story for the public . some kind of revealing and did they talk about the fact that they didn't know this there before, but actually the film is just starting its, you could say, festival journey, we showed it only in ukraine, so far during the odessa film festival, and so actually next month we are showing it in october in luxembourg, then in november we will have screenings in germany and poland, we have already scheduled screenings there for next year. in latvia, in the usa, and in some other countries, so i

haven't really talked to the european audience after the screenings, but i talked to europeans during the stage of working on this film during the so -called development of this project, when we went to different european platforms and presented the project of this film, i had the opportunity to talk with people from the film industry, from the european film industry and for many professionals, well , it was really a shock that russian cinema is not only zvyagintsev, there is torkovsky and something else that they are used to seeing at major film festivals, russian cinema can be different, and russian cinema for this internal use is really terrifying, that's why i heard such feedback. and how were issues with copyrights resolved in general, because your film mostly consists of all these... russian children, how is it all resolved, is it how you bought them or

in some other way, because copyrights - it's such a serious thing if we show a film, especially at film festivals, but this film is a purely pirated film, you can say that, that is, we did not pay a single penny to the russian rights holders for these films, we talked with lawyers in ukraine, with lawyers in germany, in principle, if it is a non-… educational film, that is, you can say an educational film, or a film, well, a cultural product that is shown at film festivals, then in principle it is not necessary to have the rights , therefore that if it is a film, if the author's statement, and you support the author's statements with specific scenes from these films, if these screenings are not commercial, then it can actually be used, of course, we had huge problems with finding financing for this film, because there is no european film fund... or european television, of course, they are not ready to finance such a film in which

the rights have not been cleared, and now with film festivals, well, it is up to each film festival to decide for itself whether it is ready to show such a film or not ready, that is, we have been approached by quite a few film festivals, there are such prestigious european film festivals, one can say of the average level, above the average level, and they are ready to show such a film, if they are not very concerned about this issue of rights, but... we talk a lot with people who are specifically engaged in cultural diplomacy, there from the ukrainian institute and so on, they constantly emphasize that we need to choose the right rhetoric when we communicate with... with foreigners, in addition, to choose the right rhetoric for countries, because there you have to communicate with the germans in one way, they understand some intonations well, with the french they don't, you have to do it in a different way and so on, with the canadians, with the states and everything else, maybe you have already understood some points, what kind of rhetoric, perhaps it is common for us

and which seems fair to us, foreigners in general, i mean western europe, should the states categorically not accept it? well , this is very similar, it seems to me a difficult question, it is both interesting and difficult at the same time. i think they basically can't anyway perceive many ukrainian films, especially documentaries or dramas about the war, and as something so precisely objective, they still believe that it is subjective, that they are traumatized ukrainians, now they do not try to search and watch carefully. of russians, that this is , as it were, such a strong generalization on our part, that's why, actually, when we made this zinema film, we wanted to show that, okay, yes, you know, there is russian cinema, festival cinema to go to serebryanikov, to go to zvyagentsev, but besides of this russia invests huge resources in the cinema as if it were something else direction, and you don't, you don't see these films, you

don't know them, but here they are, they directly overlap with the aggressive rhetoric of russian politicians and with... russian propagandists, and it seems to me that our task is possible, well no it is possible to prove something to them, and it is possible to force them to dig and be a little more immersed in the processes that, after all, behind many russian, supposedly cultural and artistic projects , fesbshna’s ears still stick out, or if you move a little to the side, then you can understand that many russian producers, directors, whom we know, by default art house cinema, if they don't hesitate to shoot something for... and we have literally two minutes left, i want to talk, i also watched yours, well, i don't know if it's a film , this project can be called this, i want to live within the project, it is already for the russians, yes for us we convince them that let's surrender, nothing will be done with you here, and you did

such an interview with russians for 51 minutes prisoners of war, but i see that you all... posted it on youtube on july 11 and already almost a million views, you also watched what these soldiers were saying to you, and i just advise everyone to watch it all, because , honestly, at some stages it was just funny to me how there is this man who is shown talking about some conspiracy theories, he comes to the conclusion that after all, this whole war is this whole thing, it was started by a handful of these people who decide everything by world power, these 10 people who do not like it. that's all, it's not zelensky, it's not even biden, it was really cool, tell me who you did this project for and whether it will actually be you do something else similar? well, if only, we did this project together with the gur of ukraine, yes, with our military, who actually wanted us to

record for history how russian prisoners of war are currently being kept. how does it happen, and well, it seems to me that this project, it also works for the russians to see how many of their soldiers in ukrainian captivity actually found their own there and did not block these exchanges, and lately, as we see, exchanges plus -minus left due to the fact that there are many conscripts from the kursk region were captured, that's why in such projects they still have a very practical function, but of course, what this film shows, it seems to me... that in the minds of the russian military, how bad things are, and translated it really into english, foreigners can watch it and make their own conclusions, it seems to me that even though these people are in captivity, and of course we can make a discount on this, that they do not say everything as they think, but it seems to me that even the way they communicated with us and what they told us is still horrifying

and makes us understand that this is not putin's war, that it is still a war of russians against ukrainians. yes, absolutely, and it reads quite clearly, on the one hand, and on the other hand, it’s not, well, it really doesn’t look, it seems to me like propaganda, although hell knows, maybe somewhere in western europe it will be accepted, yes, but in any case for our viewers, i advise you to watch this, this project on the youtube channel i want to live, this is our ukrainian project, roots, thank you very much, we will wait for your success in your zinema's film, and we will ask you how ... people, foreigners react to it, i will remind you, our dear viewers, what we talked about with kornii hrytsiuk, who directed zinema's film , and how the russian authorities use it. in propaganda, we have, i forgot, we have an excerpt from this film, let's watch it so that you understand what it is, fish, my name is kornii

hrytsyuk, i am a ukrainian film director, this film is my visual study of russian cinema, which is an important tool of the kremlin... in its wars not only against of ukraine. chechens, you see, are bandits, and they are professionally trained. but these are bandits, and chechens are bandits. all? yes, everyone. well, well, i think that we have seen all these films, we already understand what was happening there, and finally we, many of us, by the way, only after the full-scale invasion , understood all the intricacies of russian. .propaganda, what is russia, that is, let 's be fair to ourselves, before we resent all these westerners, we were also with many of us with such

closed eyes, they finally opened, and now our task is to help open the eyes of everyone else, too, for sure. with that, i bid you farewell, friends, i wish you a restful weekend and see you next week. in september, there are discounts on amiksyn ic, 10% in psyllium pam and oskad pharmacies. the book of women at war, a joint project of the espresso tv channel and the spirit and letter publishing house. the book is based on the reports of the presenter of the espresso tv channel khrystyna parubiy. 20 stories, 20 fates, 20 women who defended the country. book. dedicated to women who chose the path of fighting the enemy in the ranks of the military. women at war, look for it in bookstores of ukraine. with the support of the kostyantyn

zhivago charitable foundation. dynamo, lazio only at meko. kyivans are ready to write a new history of the club in the europa league, and it should start with a victory over the eagles. tune in on september 25th at 10pm exclusively on megogo. there are discounts for september. on motorx - 10% in pharmacies plantain, buff and savings. in september, there are discounts on thermidol - 10% in psarynsky, bam and oskad pharmacies. fm halychyna. good music - important news. in september, there are discounts on gliciset. 20% yes plantain, bam, and savings. watch this of the week in the collaborators program. whom the occupiers

put in charge of the captured cities in zaporozhye. i am taking on the temporary duties of the head of berdyansk. but how did the propagandist promote russian culture in ukraine. kyiv is once again occupied by fascists and neo-nazis. watch on tuesday the 24th. september at 17:45 the collaborators program with olena kononenko on the espresso tv channel. get closer to victory together with tssoa asbu. join one of the best special forces in the country. we are expanding and hiring. we invite you civil specialists of various fields. experienced commanders will ensure your high-quality training and education. fill out the questionnaire and choose the direction where you can be most effective. we are waiting for you in the team of tssoa asbu.

together we will write the history of victory. details on the official pages of the sbu. we are looking for... one-year-old alina polyakova from the kharkiv region. the girl lived in the city of kupyansk and disappeared on the first day of the full-scale war. alina was only 13 years old then. accordingly, in this picture she is much younger than now. but i'm not i think it will hinder the search for the child. blonde hair, long blond hair, oval face and dark eyes. if suddenly someone has seen the girl or has at least some information about her, it is possible. place of residence, immediately call us on the hotline of the magnolia child tracing service at the short number 11630. calls from any ukrainian

mobile operator are free. if suddenly there is no connection or an opportunity to call, write to the chatbot of the children's search service in telegram. i also want to remind you that the search for ten-year-old artem kholodny, who also disappeared in kharkiv oblast in the city of kupyansk in september 2022. his mother asks for help in finding the boy. imagine, a woman has not seen or heard from her son for more than two years. i appeal to all who can see. does anyone know any information about my child, my son , artem kholodny, if anyone has seen or heard any information, can you provide it, i am asking you to do so, because the mother's heart is breaking and the fact is that artem kholodny's parents are divorced and live separately, it so happened that when the war began,

the boy was with his father in the city of kup. in kharkiv region. on the third day of the full-scale invasion, the city was completely occupied, and later communication was cut off there. for almost six months, mrs. elena did not have any news about her son and only in september 2022 she received a short message from him in viber. it was september, around september 10-13, 22nd. let me remind you that on september 22, the soldiers of the armed forces of ukraine were almost completely. kharkiv region was liberated from the occupiers , and it was during this period that mrs. elena's son got in touch. of course the woman tried to call artyom, wrote him more than one message in response, but all attempts turned out to be useless. the connection with the child mysteriously broke off again, and it is not known where artem kholodny is now. therefore, your help is very important. look at the photo again and remember the boy's face. he is

a very active boy. fair-haired, with such a lithe physique, light-eyed, gray-blue eyes, active, kind, a good boy. if suddenly someone has seen artem kholodny or knows where he might be now, do not delay and call immediately to the hotline of the magnolia child tracing service at the short number 11630. calls from any ukrainian mobile operator are free. if it is not possible to call, write to chat bo. child tracing services in telegram, any information is important. i have told you only two stories of missing children. since the beginning of the war, we have already received more than 300 requests for help in the search. the vast majority of children were found, but the fate of many remains unknown. this is especially true temporarily occupied territories, where the work of the police is paralyzed, where it is impossible to leave and there are

problems with communication. sometimes people who cannot find their own children do not even know what to do and where to turn, if suddenly you find yourself in a similar situation and have no idea how to act, call the short number 11630, or write to the chatbot of the child tracing service in telegram. here you will be given all the necessary advice, in addition to this, everyone who sees me now can already help in the search for missing children, go to the website of the service looking for magnolia children. here you can view all the photos of the missing, maybe you will recognize someone and eventually help to find them. we have created a resource where you can report any crime against a child. anywhere, anytime, just go to the site and report, and we will launch all possible mechanisms to punish the criminal. stopcrime ua.

greetings to all viewers of the tv channel. esso we start the information day with news , khrystyna parubiy works in the studio. nine people were injured by russian shelling from zaporozhye among them is a child. the enemy attacked the city late the night before. partially destroyed buildings, the type of explosions damaged neighboring buildings. rescuers evacuated residents. they also extinguished the fire in one of the apartments and extinguished the car. five

wounded. in kramatorsk in donetsk region, among them...