[000:00:00;00] we will officially enter the old and elderly countries based on the official basis. it is being said in iran, but for some reasons: that black people should not appear on the tv stage again. adapt this to ferangia's words in a different way. it was that in 1968, mr. awadi, i remember, in nowruz, 1968, they gave this plan to say that the voice should be the same voice, because people with that sound was familiarity and nostalgia for the people ok, but instead of being black, the face

should be white, now i changed my name, you know , another transformation like this, but the essence was the same , the same black jokes with the opposite party and revealing all the realities of life, including this work, yes,

sir. or they will present it to the radio, but they also open our hands . i don't remember anything . i think it was the year 6, 70, when they were writing on the radio. friday morning with you and they say, go to the same hayat radio d studio 8 on the street, you know, sing the ark. come with clothes. because they were my people, they said it was better this way, and they left us free to say some things that we knew and those funny bits were about ourselves, and it is a beautiful thing that the actors playing avesta and abdulli have something of their own and they always perform. ok, but avesta is always a character, in

fact, you are the negative role of the story. you weren't upset or you wouldn't have told mr. wazir, for example , to find a bit of a color in my positive character, no , by the way, this role is positive, but he plays a negative role in front of black people, we are always in all we have this in the world, that is, two opposite roles when they are placed together, it makes the work beautiful , there is always bad versus the so-called ugly and versus good, or there is always a downtrodden person versus a pure and simple person, it is always these contrasts. which makes the work beautiful, it is true that he plays this negative role in front of him, but in essence he is good and good, that's why abdullah loves him , even though abdullah is a very good person , he is a good person, but he loves this from the bottom of his heart . he doesn't bother her when he is there, he finally comes to the conclusion that you are good like this

up to the end. well, did you ever think that your position, mr. insafi, would be changed, for example, no, i honestly have not thought about it until now, for example, mr. mahdi masri played against mr. zabihullah maheri in the olden days, before the revolution, maybe back to 100 years ago . when mehdi masri could no longer act, he died later. mr. zabihullah maheri played the role of siah, but i never thought about it because i don't know why, but really, maybe i can't get out of my head, i can't get over that voice and these things. i have never done this before , i don't know how much mr. parsi has practiced before you did very little with mr. essafi , mr. essafi, because most of the writing was done by mr. essafi before mr. vezi started working, and the shows we used to write were more theater work, believe me, as many as

the size of the palm of your hand. he did this, he went there, he came, the show was so long, then they said, sir, now let's start practicing . it's okay, those who were not good said to delete these and it turned into a play that we went on the stage of mr. also, when they came, even though they were a little more careful, they designed the shows in such a way that we would go based on it, because it was a radio that we had to read from the text, or it was a television that finally had some limitations, which was that very little practice, very little

practice on the radio. from the looks of it, this is not a problem anymore, but when i entered, i saw that it is not much more difficult because you can convey many things to people on the stage of the theater with your body, your eyes, your tongue, and your way of walking. man uses all his body to convey the things he wants to inspire people, but on the radio it is only your voice. you have to adjust your voice in such a way that you show anger, show happiness , show advice, and this is a very difficult task, and after i entered the radio, i realized that it is very difficult. well, you

were actually the education secretary here for many years. now, one or two of your students were behind the stage and they happened to see you, mr. parsi. is it more difficult to teach now, or does performance really require love, mr. modghaq. it means that not everyone can become a good teacher by teaching love i don't want to complain because i really don't want to complain, but financially, maybe they get less education than many of those who work in other organizations, but there's nothing wrong with it. everyone likes to be interested. if you like it, it's really easy. i liked it. first of all, i wasn't going to go to education, maybe from now on a good or bad accident, i don't know what to say . in 1958, i entered education and became interested. slowly, i didn't know

it at all, but i became interested. very recently, i was still in high school and i was teaching , but i was with a bunch of clean kids who didn't have anything in the background of their minds. you should like it, and you have to load it, load it correctly, it takes a special interest to work with it, and it was very easy for me to teach mr. parsi, among the various shows that you and mr. insafi performed together, which part was the most for you? was it interesting or do you remember from the many shows that are now on radio or tv, we have a show on this same tv. television. i remember that saddam had just attacked iran, it was so fresh that we, for example, three months later, 4 months later, mr. insafi came and said

, let's do something like this. we performed in the city and immediately i told him to come and perform . it stuck to us a lot because it was very new, that is, two months, what do i know, it had been 3 months, iran had been attacked, we took it, we made it more interesting, and it was very fresh and interesting, and i like it very much. and abdoli will remain or not , i mean those two characters themselves, now it is possible that these two characters themselves are all mortal after all, sir, but no, because it came from the heart of black and white theater and the heart of iranian people, not because of me and mr. insafi. the reality is because of these dual characters that

you will see in front of the same people for many years and thousands of years to come. god willing, everyone will be healthy now and see them alive. see, god willing, everyone will be healthy now and see them alive. see, god willing, that now everyone is healthy and alive, the rest of us will see this god willing, may everyone be healthy and see them alive, we are left. look , god willing, everyone will be healthy now and see them alive . look, god willing, everyone will be healthy and see them alive. see, god willing, everyone will be healthy and see them alive. see these , god willing, everyone will be healthy and see them alive. these are the rest of us. god willing, everyone will be healthy and see them alive. these are the rest of us. look , god willing, everyone will be healthy and see them alive

, this is all that is left for us to see. god willing, everyone will be healthy and see this alive, this is all that is left for us to see. god willing, now everyone will be healthy and see them alive . see these left. god willing , everyone will be healthy and see them alive