tv [untitled] August 14, 2024 10:30am-11:00am IRST
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they are not four people, they are closed. to the column by firing directly at the rogue. this series is about a person who notices a strange thing on the eve of marriage. gharibeh was directed by soroush mohammadzadeh and pejman vazghi and hamid gudarzi are among its actors. how many times did you go back and forth? don't you think that our teacher, allameh majlesi, is going to attend the assembly? are they late? the show of traveling with a pen every night at 20:30 on the radio, the show is broadcast at 5:30 the next day, and it is repeated the next day. it deals with the life of allameh majlisi, a jurist and researcher of the 11th century ah
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. take advantage of the fact that when you put your foot down on the ground , you don't leave any tiles for yourself. the documentary about my story is broadcast every thursday at 17:00 on the documentary channel at 8:00 a.m. the next day. i get that there is a wisdom behind it and it is taking me in a direction that is a kind of test and wants to teach me something. the introduction of successful women in the new season of the family television program is broadcast from saturday to thursday every week at 11:00 for 50 minutes on channel one. . sometimes they have a delusion that, for example, i can be a successful mother in
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raising children. nutrition, sports, marriage, raising children, geriatric medicine and family economy are among the topics of this chapter. marjan sadeghzadeh, radio and television news agency. the equal opportunity is broadcasted on education network from saturday to thursday at 16:00 every week. the experts of the assessment organization, the advisers of the lecturers this program teaches all secondary school subjects and tips. they tell candidates about the national exam, you are with equal opportunity with students and their families, they want to know what they can do, equal opportunity aims to help students in the field of education. open majors need more information, academic counseling, introduction
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. when i was a child, i used to go to hekmatane mosque with my mother . it was in an alley near the ruins of hekmatane. he didn't have strange eyes, he looked at me, and i was saddened to look at him, he looked at me as well, he stopped, came forward , hugged me, held my hand in front of my face. don't, how many thousand years old is this, a 10-minute documentary. this is a visual representation of the historical and cultural past of hekmatane hamedan , the first capital of iran today, the origin of these knots
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there is god, i think these knots came from heaven, especially the knots of the ten knots, these are heavenly, these are a gift. it will reach the eternal stage, that is, the hardships that fire gives water will see it. ali ghasemi , sed and sima news agency , i am talking about the documentary "hands of the wise", with mr. dawood samavati
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, the producer of this documentary, mr. samavati, you are very welcome, i want to come back. years ago, because the documentary is related to the early 90s, in fact, it is coming back now. how did hekmati's hands form at that time ? the documentary film on the hekmatane machine goes back to the time when i was supposed to produce a 40-minute documentary in hamedan on the international day of handicrafts for a conference that was supposed to be held there, with guests from inside and outside the country visiting the city of hamedan. i used this opportunity because of the work i had done with professor mohammad reza aslani before, i invited him to work on this film with a minimum budget, which i remember was 50 million and we
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produced it with 40 million. this work took 2 years, one year of research in the form of this work a field and library research was done, we went to valuable people, dr. afshar , the late dr. askaei. seyyed mohammad beheshti, dr. mohit taba tabai, and in the research of the library, what was in the hamedan area, mr. aslani and i collected, even the lithographs, even the work that was subprinted , i remember that dr. afshar had prepared his own book and wrote this book in pencil. it had been given to taib and we studied it with mr. osmani and mr. hestani, a very detailed scenario for this work was prepared for 30 days, this work was filmed in hamedan. from approximately 6:30 p.m we used to start in the morning until 8:9 in the evening, and under the pretext of the craft industry, the filmmaker
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presented his author's perspective on the work, which of course increased my working time to 40 minutes. we talked together for 110 minutes and for the first time actually. hamedan was unveiled at shahid avini hall with the presence of hamedania aziz and then at the golestan palace and at the artists' house with the presence of mr. beheshti and the directors of heritage and work. later, i gave it to the documentary network in two collections of 52 and 56 minutes, and my documentary network every year on the occasion of hamadan day and bo's birthday ali sina, which is the first of september. it broadcasts this work and it became a very valuable work, and i am really grateful to dear hamedania for all the efforts to produce this
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documentary film. mr. aslani is actually a director and i want to see an outstanding documentary with a lot of good works in the field of documentary cinema. that the structure of the work was the same from the beginning, that is to say that a woman is the narrator, and she is actually a philosophical view and as much as the poets, this term that is about the works mr. aslani himself is also present in the work. you see , mr. aslani in his field of work, especially in the field of his documentary cinema, component cinema, that is, in his structure, he follows his own gaze in his work . if you have seen the film, then the film emphasizes the hands a lot. in the same video that was aired, the hands are very emphasized, these hands are talking to each other, and the eyes follow the looks a lot. it follows a lot because
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the eyes are the narrator from yesterday to today and even in terms of the structure of mr. astani, the movement of the camera in your work , if you see the camera completely from the beginning to the end the film is on rails and traveling, the camera is not stationary anywhere, it is not on the body, the camera itself is the narration of the knot in mr. aslani's film . she is narrating herself, mrs. mahdaj nojomi is narrating herself, mrs. shabnam mirzin al-abidin, who was our researcher and stage designer, and our actor is narrating herself, farhad brahram is narrating herself, and she has come with that voice of avenang. which is a kind of identity and birth certificate of mr. aslani, that voice of avenang that creates the state of a spiritual voice in the work, this
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separated the sounds from each other, that is, if he narrates the conversation of different people of different sexes from hamedan yesterday to hamedan today. hamedan is portraying mr. aslani today, but he is narrating his yesterday under the pretext of today. if you have seen mr. aslani's jamia hasanlui , you will see jamia hasanlu jam, but the narration of hallaj and the narration of world war ii. professor manouchehr anwar is narrating. this is also an excuse for mr. aslani to have his own narrative. it is a historical documentary, a narrative, fictional and poetic documentary, and it strongly reflects mr. aslani's own philosophical view he has tried to present the field of culture and art and his view of culture and art in this film under the pretext of hamadan and the pretext of hand industry. well, the movie after.
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has there been any changes in these years, for example, color or digital effects, because i remember at that launch ceremony, mr. aslani himself said that he would like to have a digital version. originally, yusuf worked on the prophet, well, that camera ate tapes , and we had to get the tapes from abroad, and... a lot, both me and them. we wanted the color correction to be done, but unfortunately, the color correction was not done and it remained like this, only the time was changed, that is, the initial editing time was about 15:60 minutes, when i told mr. aslani, we will reduce this, one of the features of another thing that i need to say in this work , which goes back to the author's point of view, is that this work is very story-oriented and slimy. unlike other works , mr. aslani is very interested in following this
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story, it has a narrative, and because he is narrating this story from yesterday to today , it is attractive for today's audience, and there is a large amount of aslani's pictures. in this work, he presents both the pictures that we took and the pictures that are sometimes of the qajar era , there are old pictures, especially when we went to the hekmatane base, well, it's a strange thing, mr. aslani, there. for the first time, we took out the pottery from the showcases and gave it to the actor and the actor started talking to them, that is, a part of this monologue is inside that actor, the narrator , who finds parts of his own side, that is, narration. it is in that person that other narrations are synchronized with him and hamadan as a cultural capital. i introduce mr
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listen, because i know that you did a lot of work in the field of cultural heritage, we remember your hand-made collection, which has been broadcast many times, and i know another work as my hidden heritage , where are these two collections now, the hand-made collection ? i produced the third series for channel two, which is about modernization in iran's handicraft industry. and the contents, and i worked with 16 directors, this series is finished , i gave it to channel 2, god willing, i think it will start airing from the first of muharma, another series for the first. this is the time to start with the name of the hidden heritage the series is 30 films of 25 minutes . i worked with 22 directors in 22 provinces, from the north of the country to
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the south of the country in the area of the heritage of honor. it is ours, and a part of it is related to our historical buildings and structures. in this collection, seven of my films are about music, for example, the stages of making and playing the oud instrument. i worked on it in qeshm and bandar kan. it is a fact that iran made a world record with syria last year, or in fact i did i came to work on how to prepare baghlava in ghazvin, or ghazvin as a calligraphy city, i came in the field of calligraphy for a documentary. i worked with mr. bitane , who unfortunately passed away 3 months ago . i
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worked on the series with 38 directors, 29 people edited 40 and it has approximately 64 posters . iran, for the first time, mr. saman vafaei and arash kazemzadeh, mr. saman vafaei and arash kazemzadeh, recoloring this collection means that i have created this collection, both by hand, and the hidden heritage, and i have prepared it , god willing. show it and, god willing, it can be broadcast on tv channels, of course, it is the work of channel two. there is hidden heritage, it is related to the family group , the creations are related to the social group, and god willing , it will be broadcast in this period, god willing, in the fall, god willing, well, we have less than a minute now, mr. samavati. we went to the wise hands, which
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was the excuse of our conversation. what do you remember most of all? briefly , i will tell you a small memory. mr. aslani, a reporter in hamedan province, asked him that mr. aslani was in hamedan for 30 days. you were our guest for 30 days. how do you and your group feel? he got angry for a moment, tears flowed in his eyes, he came back and said that hamedan is not my city , i was born in gilan, i am from rasht, and i live in tehran, but now it is hard for me to leave this city , and he left hamedan with tears, and he strongly disliked hamedan and its culture. and the people there were closed. now you have shown the picture of master askar askari when master askari askari is working, i tell him, master, what is the code of your work, that you are one of the carriers, he says, i mention it, and by mentioning these questions , i solve them, and by mentioning these questions, they are formed . thank you very much for the conversation we had and the
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answers we gave it, but the news continues, the program will be broadcast at 24:10 today at 16:00 on radio talk. the media and its functions are the subject of this program . the media should know that the beginning of life and natural life is new from the year 1990 onwards. today's world is based on the accurate knowledge and experience of bethit, which originates from developments alongside each other, which can achieve a consistency of content production, a consistency of content stabilization, and an accurate and intelligent connecting position between the audience itself, the message
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creation of cognitive sciences and creating a balance. in the content , among the axes of this program, if these defects are fixed. may that rule and the principle of tolerance happen better in the eyes of the audience. at one time, we believed that we should get information from the media , but today it is not like this, and the kind of interaction that is created by technology in the form of social networks in the form of different media. come this the power has been given to social capital and the audience and people and human beings who can have an impact , they cannot take the place of professional media in any way, if these programs are a bit frank. may he be able to bring the elites to a conclusion that we
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fundamentally reform the media system, because the general audience may not have these programs, that is, we do not directly talk to the main audience, we mostly communicate with the elites in these programs. we will establish that if they understand the problem and from these discussions and conversations that we have if they reach a result, then maybe it will be. it affected the media situation of the country , putting different people in one group in the form of this understanding. this program is broadcasted on mondays and wednesdays from 16:00 for 60 minutes on the 13.5 mhz fm wave.
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really believe in what you were doing, and the result was this language reaction. a series of floor sensors have been installed on this road, so to speak, the sensor of this twenty-thirty has gone so far on this latin , we are afraid, sardar, now you are scared. otherwise, what would have happened? anyway,
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that is, first of all, it means that yazina and kahn are separate. also, even ho qebal means rasi and ras means akhi homa , and it looks like they were in a special mode of gathering together . he was a witness to all their meetings until the last meeting, and he was part of my love for the unity of the nation for the sake of the liberation of palestine, and he thought it was separate from this nation. settahudah, despite the fact that the american works at night
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lunch with all the tools to divide this nation. i can't believe traveling in the world class with flightway . yes, it was a while ago. if you wanted to buy something, you had to spend a lot of time to look around and then reach the market. each market is one-way. i said that here all the specialized markets near me have been good. we came to serai afsariye. it was good. we came to sarai irani, the only tehran branch in the three roads of afsarieh, with unbelievable prices and
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long -term installments without advance payment. tehran branch in serah afsarieh. we know some ways with energy if our blood is better, energy consumption will be lower . they are aware of energy consumption and keep the air conditioner at a comfortable temperature. we know very well with my energy that it is wrong to use several energy-consuming devices at the same time during peak hours. 300 automatic cars and 400 d and 50 billion tomans in cash prizes, for more information , dial the square star 15/21 with energy, be the winner of this joy of reaching the treasure in
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the winner's festival, 50 prizes of 250 million tomans in addition to thousands of cash prizes. and dozens of coins and gold bars , opening a loan account through bank branches babank ganj application tourism is behind this account. have a nice day, dear and respected compatriots. 78 thousand iranian pilgrims entered iraq through land and air borders in the first 8 days of the month. the head of arbaeen central headquarters said that 239,000 iranian pilgrims and foreign nationals left the borders of the country to participate in the arbaeen procession. mr.
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