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>> stephen: welcome back, everybody. my guest next started his career in the b-bop era, took center stage in the 1960s and has remained at the center of pop culture an civil rights ever since. please welcome quincy jones.

>> stephen: now mr. jones, lovely to see you again. >> what's up? (laughter). >> stephen: not much, what's up with you? >> what's not down. >> stephen: now because i met you once before, i feel entitled to call you q. may i call you q. >> absolutely. >> stephen: how did you get started in mus snik. >> well, i was raised in chicago, i was born in chicago. (applause) >> second city. but in the 30see, boy, it was no joke. no joke at all. my mother was taken away in i straight jacket when i was 7, so chicago. and my father was a carpenter building homes for the jones boys, probably the most notorious-- in the history of america. i'm doing a movie on it every day i saw dead bobbies, tommy guns, piles of money, liquor, the 30see.

get to the music again? fascinating story but how does that get to the movie. >> gradually. >> stephen: okay. anything better than this? >> right, because what happened is in 1941, they made about 120 million dollars, equivalent to a billion dollars back then. >> stephen: this gang did. >> it was a black gain, most notorious gangsters in the history of america. i'm doing a movie on it i am,. >> stephen: i believe you. i would never challenge you on that. never challenge you on that. >> jones boys. they are unbelievable. and i remember i cut his daughter's hair when i was seven years old, she was five, she asked me to give her a haircut, i cut all her hair off. he said you know who her father s they looked like sister, unbelievable. >> stephen: back to the music again. cuz i have heard a lot of color, a lot of local color. >> it was gradual. and so-- . >> stephen: like what was your first instrument. >> so they made-- all that money

out of chicago and sent them through mexico. >> stephen: really? are there like the descendant of that gang still there? >> yeah, i talked to the granddaughters last week. >> stephen: wow. >> they're beautiful, man, beautiful, elegant people. >> stephen: uh-huh. >> you but he ran them to mexico and my father's best friend was one of the most notorious, took five sawed off shot guns to kill hmmmm. they were tough. is. >> stephen: and. >> you think it is bad now. >> stephen: yeah, okay. so was it a piano? or-- . >> these guys were getting to-- . >> stephen: a trum pet. >> what happened was we went out there and we wanted to be baby gangsters. >> stephen: so you wanted to like be made men of your own. >> gang sters. we went in an armory and we heard there was some lemon mer eng pie, we knew everything. >> stephen: that sounds like gangster work, my frind. >> that's right, 11 years old. >> stephen: going for the

>> 11:35, right on the dot, ate up all the pie and ice cream, had pie fights. and then we went around individually and broke in all the offices, right. >> stephen: yeah. >> we from gangsters, man. >> stephen: it sounds like it. it does not sound like you are musicians yet. >> i haven't gotten there yet. >> stephen: i want to warn our affiliates, we might be going long. >> after we ate up all the pie and had fights with it and everything, we went individually to different offices and broke into offices. i went into the supervisor's office and there was a piano in the corner. >> stephen: piano. >> and i almost-- well, it was amazing. i when over, i closed the door and something said idiot, go back in that room and check that piano out. and i didn't know human beings played instruments, i really didn't. so i went over to that piano slowly an i touched it. and every cell in my body said this is what you are going to do the rest of your life.

>> so the next day i started to play seussa phone, tuba, baritone, french horn, trom boan, in much marching band so you can be next the the majorettes. >> stephen: so you made all kinds of music. and now you've actually got away, i want to get this out here. this is actually a way for all of us to hear mus nuk a new way. you have this thing, called the akgn-90. this is the q, this is the quincy jones headphone. and. >> my daughter designed these. >> stephen: okay. now these headphones go for 1500 dollars a piece. now-- i understand that they are personalized. i only can hear out of one ear, can i get these for 750? (laughter) >> we have another line coming out. >> stephen: another line coming out. >> we will accommodate. >> stephen: all right. are these available now? >> very shortly. i this think they are available now, yeah.

here in my hands, one assumes if can i get them, anybody can. uh-huh, and are you listening to these yourself. >> yes t makes my soul melt. >> stephen: really. >> no, it's nice. we put a lot of work into this, you know. what you want to hear. after all this time, you know, you really are fussy about how you listen stuff. but you have edm and disco and hip-hop in one strata, jazz and classical another one. all you have to do is just decide, do like that. click it on. >> stephen: to change the settings. >> and the thing is not what your ear likes. >> stephen: it has an eq in it. >> it is-- nothing like it on the street. we just won first place in ces, you know. >> stephen: congratulations. >> thank you. >> stephen: you know what, there's also nothing like quincy jones on the street. ladies and gentlemen, the great quincy jones. we'll be right back.

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,,,,,, (cheers and applause) >> stephen: welcome back. welcome back.

the black lives matter movement. please welcome dea-- deray mckesson. plawtion plaws-- (applause) 7. >> goods to be here. >> stephen: as i said before, you are one of the leaders of the black lives matter movement. though you have moved on to focus on something called campaign zero right now. >> yes, a conference platform to end police violence. the movement is bigger than any one organization. there are so many people pushing to end police violence and this is one of the central platforms. >> stephen: you helped organize the protest in ferguson and baltimore. were you named for tune magazine's 2015 greatest world leaders list and one of ten people beyonce follows on twitter. that's a lot of pressure. that's a lot of pressure. >> beyonce is great and more woke than people give her credit for. >> stephen: more what? >> woke. >> stephen: what does woke mean, honest to god, evidently i'm not woke. >> you wore the bracelet one day, you were woke that day.

office asked me if i would wear a black lives matter bracelet. so i put it on. and would you have think i slapped a baby. people got very mad about it. why do you think people get so mad about the idea of black lives matter? >> cuz it's an idea as much as a movement. >> yeah, i think that people are uncomfortable talking about the racist history of this country and what we need to do to undo the impact of racism. and people are just like to act like we don't have a legacy of racism here. so i think people get really uncomfortable with it. but we know that we can't change it unless we address it, right. >> stephen: well, some people both republicans and democrats-- (applause) some republican candidates and martin o'malley at first also said all lives matter, in response. >> yeah. >> stephen: what is your reaction to that reaction. >> you know, it's such a distraction. we know if all lives matter were true we wouldn't have to be be out in the street. the police have killed 26 people just in 2016. so we have so much work to do. and that is just the way to

police brutality by getting people to talk about this notion of all lives matter. it's just not true. >> stephen: when you say police brutality, some people's reaction would be this isn't all policeman. you were talking about bad apples, or are you saying that there is a systemic history of violence against the african-american community or poor communities in general, that doesn't on vee eight the fact that it is only a view people doing this. >> it's not just bad apples trk is like a bad batch, right. what we have seen is that across the country these issues around police violence in communities of color are popping up. >> stephen: sometimes it's african-american officers involved with these. does that change your feeling at all. >> no, because there is the blue coat of silence. when they become police officer there is something about the culture itself that is dangerous in communities across the country. we see it tamara rice-- tamir rice, mike brown, across the country it is so similar, it is not these isolated events t is a

>> stephen: will you admit that being a police man is a dangerous occupation, that if there is a tragedy perpetrated by police, it is in anyway obviated by the fact they put their livers on the line for the rest of are with us thrns are many dangerous jobs in the country. police have the power to kill people. that means they have a different responsibility and account ability that is not present. they kill people and they aren't accountable for that. we haven't seen many indictments or convictions across the country and that is not okay. >> stephen: this is a day that we celebrate martin luther king, the greatest hero-of-the civil rights movement, my lifetime. how do you think the civil rights movement as it exists today is different than it was in his time? because it's often looked at as a golden age it was taken from its world still as a young man and is now sort of a person in amber, like it's unchangeable figure.

what king did is unquestionable for that reason. does the civil rights movement have to change now? >> i think today's interesting because people misremember king today. they remember the safe king, not the radical revolutionary king. >> stephen: what is the radical revolutionary king. >> he talked about redistribution of wealth and economic justice. he was much more aggressive than the dream that people remember. when you think about, you know, what is different about the civil rights movement now is really about technology, right. the issues that are the same. and we didn't invent resistance. we didn't discover injustice. the technology has allowed us to amplify these messages in ways we couldn't before and acceleratedded pace of really powerful. zero. >> so campaign zero is a platform toand police violence. we cover things like police union contracts, use of force, bobby cameras. and it is we used with hillary, bernie, loretta lynch. >> stephen: were you at the debate. >> i was in charleston. >> stephen: how did you feel st went?

up there addressed any of the issues that you were hoping for? probably the best question about race that we have had at the debate so far, we have an acknowledgment of the issues at systemic issues. now we have to figure out what they plan to do. we heard hillary acknowledge white prif lige which she has never done before. bernie continued to talk about systemic injustice. and o'malley, you know, still got some work to do. >> stephen: now i might be, you can tell me, i might be the whitest person you've ever met. henry louis gaits the head of african-american studies at harvard after he took my dna. he had my dna sequenced and he said are you white, baby, you are the whitest man i've ever met. so i might have the most privilege of any white person you have ever met. how do i identify that in my own life? because if i have a white privilege i want to be able to identify it. give me some hints as to my white privilege. >> you have a show, you have a lot of money. >> stephen: that's true.

>> stephen: yeah. >> that is true. have i a show, i have a lot of money. >> you do. >> stephen: the fact that i'm sitting here and are you sitting there is part of that white privilege. >> it's about role and about access. and what you can do is extend that privilege so you can dismantle it, right. you can create opportunity for peevment you can amplify issues in ways other people can't. and you can use your resources to create space for people. (applause) (cheers and applause). >> stephen: so deray, anything you would like to ask me about being white. >> yeah, i would love to know what you plan to do now that you understand your whiteness a little better to dismant tell. >> stephen: what am i going to do to dismantle white privilege. >> now what that you understand it, what are you going to do-- . >> stephen: i don't know if i do understand it i can dismantle drk dsh acknowledge it. >> let's dialogue. let's think about it. >> you have a lot of money, you

>> stephen: you can't have my money. (laughter) >> what you can do. >> stephen: and you can't have my show. >> why do you think people are uncomfortable talking about race, why are white people uncomfortable talking about race. >> stephen: i can't speak for other white people. okay, i feel-- i feel guilty for anyone who does not have the things i have. and that includes, you know, black people or anyone because i am so blessed that i think there is always the fear it will be taken from you. >> and what can you do to manage that guilt? like what have you fowrchedz-- . >> stephen: i drink a fair amount. >> i drink-- (laughter) >> you're great. >> stephen: i mean-- i don't know, i'm shooting from the hip here, shooting from the hip here. hi you on the show, does that help at all. >> baby steps, you got to start somewhere. got to create space for the conversation. we can't address what we don't talk about. >> stephen: i was at the march on washington, does that help? >> you were at the march on washington. >> stephen: i was, my mom was there and she was pregnant with me. >> nice. i love it.

>> stephen: baby steps. >> literal, literal baby steps. >> that was good. that was good. >> stephen: deray mckesson, everybody. we'll be right back. (cheers and applause) 7 campbell's soups go great with a cold and a nice red. made for real, real life. the more you move the more you sweat degree's motionsense technology keeps you fresh with every move. it has unique microcapsules that contain fragrances. friction breaks the capsules... ...releasing bursts of freshness all day. whether you're meeting a deadline... ...grabbing a bite... ...or heading out for the night. motionsense, protection to keep you moving.

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,,,,,, >> stephen: q? >> number one in awtd, number one in england, next number one in america, ladies and gentlemen, please welcome my baby lady from australia grace singing you don't own me. (cheers and applause) you don't own me

toys you don't own me don't say i can't go with other boys don't tell me what to do and don't tell me what to say and, please, when i go out with you don't put me on display 'cause, you don't own me way you don't own me don't tie me down 'cause i'll never stay don't tell me what to do just let me be myself that's

i'm young and i love to be young i'm free and i love to be free to live my life the way that i want to say and do whatever i please you don't own me you don't own me you don't own me you don't own me you don't own me

>> stephen: grace's debut ep is called "memo." we'll be right back after the break, everybody. (cheers and applause),, with 40 megs of internet speed from centurylink, a family of four can all be online at the same time, streaming, gaming, or downloading movies. yeah, the internet's great, but i think hair and makeup went a little too far. yeah, that's not working. i much prefer the two-day beard, horn-rimmed glasses, just-slept-in-his-car kinda thing. yeah, i miss the rumpled crazy uncle look. okay. be "paul giamatti." that's the essence of this role. feel like a hollywood insider with high-speed internet

>> stephen: welcome back, everybody, thanks so much. before we go, i have a special announcement about babies. so if you don't know how babies are made, leave the room now.

i am proud to announce that we have three brand new additions to the colbert nation. first when we were in produce production on the late show we were also in reproduction. cuz samuel buckly born to michael buckly and my multitalented producer nicole sevini. i have to say samuel is the greatest thing nicole has ever produced. daniel craig was able to do the whole scene while holding his head upright, get to work. >> and a few weeks ago we were joined by decker charles mathison, son of rebecca and andrew mathison, seen here planning a jewelry heist, evidently. (laughter) andrew is one of our crack editors here at the late show, so decker, with andrew as your dad, your home movies will be good enough to air on cbs's procedurals there are plenty of crimes that babies can solve. after all, what is peek a boo but an ongoing missing person's

and we also welcomed mirastar clark cohen whose parents are katherine clark and my writer aron cohen, aron is an incredible writer, in fact, he is the one in charge of writing all my adjectives, without him here on staff, i feel-- i done know what word to use. that was his job. luckily, we've hired an add jekive temp and i think it will work out just lumpy. of course you will notice that all these children were conceived before we started work on the show. that's not a koins dense. that was the last time anyone here was able to make physical contact with the loved one. so to all the new col-babies, i would like to offer a piece of advice when you begin your lives, when the ball goes behind the couch, don't worry, it still exists. that's it for the late show, everyone. tune in tomorrow when my guests will be from "it's always sunny in philadelphia" charlie day, from life in pieces colin hanks and a musical performance by margo price.

james corden. good night, evebody. (cheers and applause) captioning sponsored by cbs captioned by media access group at wgbh access.wgbh.org >> reggie: are you ready to

late show" ladies and gentlemen, all the way from lonoria, please give it up for your host, the one, the only james corden! ( applause ) captioning sponsored by cbs >> james: thank you. thank you. hello, good evening and welcome to "the late late show." thank you for being here. i hope you had a great weekend. thanks, guys. christmas is only 11 days away, which is not a lot of time to check things off on your christmas to-do list. you have to decorate your tree. you have to go shopping, and you have to go see santa at the mall. ( laughter ) however, if you live in portland, oregon, you might be a little disappointed if you go to the pioneer place shopping

"hipster" santa claus, complete with a vintage sweater and a man bun. ( laughter ) that's completely real. that is real. now i have got to say -- honestly, i do have a problem with this. i don't want to sound too traditional, but you have to dress as santa if you're santa. ( laughter ) otherwise, my kid is just waiting in line to see some old dude. ( laughter ) do you know what i mean? "happy winter, kids! wanna sit on a guy?" ( laughter ) have a look at that picture again. look. it looks like portland got this santa at a flea market. this santa looks like he would deliver presents on december 27 and just say, "sorry, i totally spaced." sorry. but portland isn't the only

traditional santa this year. check out this mall in toronto that's been promoting a hot "fashion santa." applause ) i know! now we know who mariah carey wrote "all i want for christmas is you" about. isn't this going too far? i mean sitting on santa's lap ( laughter ) isn't santa supposed to be for kids and not parents? "mom, can i go sit on santa's lap?" applause ) what really bothers me about this is he's taking a role away from a big guy, do you know what i mean? and there are only so many roles a big guy can play. you have santa claus, mall cops, and anne hathaway's effeminate "he said whaaat? ( ) i'm perfect casting for it.

let's go. but i worry about how this hot santa is going to get work after december 25. a new study has found that being good looking can hurt a man's career because the people in charge of hiring see attractive men as a threat. yeah! so if you're a man who was recently hired for a new job, congratulations. you're hideous. ( applause ) i really think there is some truth to this study. i thought about it. i looked around the office and i realized that i only hire guys that are much uglier than i am. isn't that true, gavin on camera one? isn't it true camera two, marco? right, trevor? ( applause ) don't worry, guys. you have great personalities. they have.

our guests are on the show? you know him from "ed." "he's just not that into you." the brilliant, delightful mr. justin long is here tonight. >> hey, james. >> james: who have you got back there in your room with you? who is that? >> you know how these greenrooms. agents. my people. >> james: really? >> my asians. >> james: you said asians. what's going on. what's happening? >> i'll be honest with you. i got here early and saw the room was a beautiful room and i just tossed it up an airbnb. they just came over.

going to stay in the room? >> i don't speak japanese. i don't know what the arrangements are. just tonight. they have your show playing here but they keep trying to change it. quick little -- i said i could get free tickets to the "star wars" premiere. if you could hook it up. >> james: if i had tickets i would be going to "star wars." >> so you got two tickets to the "star wars" premiere. thank you, james. >> james: no, i don't. justin long, everybody! in the blue room, he's a grammy- nominated singer and performer with the voice of an angel. we love him down here at "the

mr. josh groban is here tonight! hey, josh, how are you? >> i'm good. >> james: nice to see you. how are you doing? >> i'm great. i get so thirsty when i'm on a tv show. you have very, very large bottles of water when i'm here. i love them. >> james: i'm just getting lost in your eyes watching you doing that. i have got to be honest. just take another sip. >> like this? >> james: wow! wow! wow! look at that man! mr. josh groban, everybody! josh and i have a little something planned a little later in the show. i hope you're going to like it. and in the red room, she's making her late night television debut here tonight. the 17-year-old indie pop sensation. daya is here tonight! ( applause ) hey, daya.

) what's happening? what's happening? >> it is a birthday! happy birthday! happy birthday! >> james: wow, that is a real surprise given my birthday is in august. >> no, no, no it isn't. that's why we're here. it is your birthday. we're celebrating. i promise you, you do not look a day over 60. >> james: actually quite -- great. brilliant. >> we couldn't get enough candles but hopefully it works for you. >> james: you think i need 59 candles? ladies and gentlemen, celebrating my birthday, very early or late, daya, everybody. all right, reggie, are you ready to do this? he's reggie watts. i'm james corden and this, this is "the late late show!" roll the titles. >> reggie:

show, oh, oh the late, late show, ooh the late, late show, oh, oh the late, late show oh, oh the late, late show ( applause ) >> james: have you seen this tree, reg? >> reggie: so adorable. >> james: all the bobbles. some have got my face. some have got your face and others say "the late late show". does yours? >> reggie: yeah -- no. ( laughter ) >> james: well, there you go. i'm sure they are available at cbs.com. what? they are not. then don't. ladies and gentlemen, welcome to the show. we had some lovely news this morning. did you hear this reggie? we were so blown away. the show has been nominated for the critics choice awards for best talk show. ( applause ) which is incredible for us.

news this morning. i love doing this show every day and to be acknowledged like this is truly lovely. for us, the whole team, it means a huge amount. now i should stay truth is i probably wouldn't be doing this show if it wasn't for one incredible woman. a couple of years ago i was doing a play on broadway and the president of entertainment at cbs, nina tassler, came with les moonves to see that play. after that night, they wanted me to do a show for the network, and at first i wasn't sure if i wanted to move to america. i have a young family. it was such a big move for all of us. but then i sat with nina and i was immediately struck by her passion, her vision, her creative energy. and honestly, i couldn't remember meeting a television

inspiring. this is nina's last week as president as she hands over the reins to a brilliant man called glenn geller, but i wanted to take a moment to thank her and tell her we will miss her. she has done so much for us and this show. she allowed us to have the voice we wanted to have and has supported us every step of the way. the truth is, if you like this show and enjoy joining us every night, then so much of the credit for that lies with nina. we cannot wait to see what you do next, nina. you are a truly brilliant woman and we thank you from the bottom of our hearts for everything you have done for us. we really do. speaking of taking a break, one direction started their much publicized hiatus today. they are now officially on a break which means -- no, it is good news for us. it means they

help me get to work. yes, that's right. tomorrow night we have "carpool karaoke" with one direction!! right here. we have a fun show tonight. we'll be right back with a very special music performance. we'll see you then. >> reggie: eating an apple and feeling real good eating an apple and feeling real good trying it with the almond spread it is real good

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,,,, >> reggie: >> james: welcome back. ( applause ) if there's one thing i love, it's singing well-known songs. and if there's one thing cbs money on the rights to those songs. put those two facts together and you get "the james corden and friends public domain song concert-palooza", a musical salute to songs that don't cost a thing. joining me tonight the incomparable josh groban. ( applause )

thank you. >> james: josh, thank you so much for agreeing to do this. you got the set list, right? >> yeah, it's a little less contemporary than i was hoping we -- >> james: ok. let's start. we begin with a little number dedicated to anyone who's ever felt a little outcast by their family. like they're the cause of embarrassment. the kid your parents don't mention to their friends. josh? >> baa baa black sheep, have you any wool? >> james: yes sir, yes sir, three bags full. >> one for the master >> james: one for the dame, one for the little boy who lives down the lane. both: baa baa black sheep, have you any wool? yes sir! yes sir! >> james: it is a great tune. it is a wonderful song.

one of my all time favorites about wool. >> james: well, said, brother josh, or as they would say in france -- ma fre re jacques. >> my name in french is still josh. i'd be fre re josh. >> james: like i said, fre re jacques. >> james: fre re jacques >> fre re jacques. >> james: dormez-vous? >> dormez-vous? >> james: sonnez les matines! >> sonnez les matines! >> james: ding, dang, dong. >> ding, dang, dong. >> fre re jacques, fre re jacques, dormez-vous? dormez-vous? sonnez les matines! sonnez les matines!

ding, dang, dong. ( applause ) >> james: that was c'est magnifique, jacques. >> it's still "josh." >> james: public domain songs are timeless, aren't they? if you read them properly. >> yes they are, james. and they convey timeless truths. >> james: that life is a mystery. >> that childhood is magical. >> james: and that people who live on certain streets in london specialize in particular kinds of pastry. >> that's your segue? that's your friggin' segue?!? >> james: do you know the muffin man, the muffin man, the muffin man? do you know the muffin man who lives on drury lane? >> yes, i know the muffin man,

yes, i know the muffin man who lives on drury lane! >> james: so you do know him?! >> sure do. yeah. lucky me. >> james: you know josh, one day, you will be an old man. and i will be an old man. which reminds me of a song -- >> i was actually kind of looking forward to this one. "old man." excellent. old man, take a look at my li -- >> james: no! no! no! no! no! i don't mean that "old man!" >> why not? >> james: because neil young owns the rights to that "old man!" that is a very expensive "old man." ( laughter ) however, you know who's not expensive? "this old man." >> cbs really has no music budget? >> james: no. all their money goes to jim parsons. come on. both: this old man, he plays one. he plays knick knack on my thumb.

give a dog a bone. this old man comes rolling home. >> james: he really does. it's a great tune. it is a wonderful song. there are so many great songs. >> no. no, we're not moving on, >> james: what do you mean? >> now i understand. you're right. public domain songs are timeless! "this old man" does play knick- knack on my shoe! licensing fees are wasteful! let's grobanize this thing! ( applause ) this old man, he plays two! he plays knick knack on my shoe! with a knick knack paddy whack, give a dog a bone.

hoooooome! ( applause ) >> james: wow! that was incredible! >> thank you, james. but you have not heard anything yet. fellas, raise me up. this old man, he plays three! he plays knick knack on my knee! with a knick knack paddy whack, give a dog a bone. this old man comes roll -- ing