[ bleep ] submerged in pudding. see you around. >> jimmy: we have a good show for you tonight. rod stewart is here. and we'll be right back with clint eastwood, so stick around. this lighting is awfu

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got the mirrors all adjusted? you can see everything ok? just stay off the freeways, all right? i don't want you going out on those yet. and leave your phone in your purse, i don't want you texting. >> daddy... ok! ok, here you go. be careful. >> thanks dad. >> and call me--but not while you're driving.

we knew this day was coming. that's why we bought a subaru. >> jimmy: thank you, cleto. thank you. you've stopped by on a good night. many times i'll say we have great guests for you tonight and about 40% of the time, i'm lying. tonight, i speak only the truth. the best of the best are here with us tonight. one of the finest performers in pop music history -- his new record is out this week -- called "fly me to the moon -- the great american songbook, volume five," rod stewart is here to chat and delight us from the bud light stage. but first, dirty harry is here. our first guest is a five-time oscar winner, the former mayor of carmel and, though i have not investigated

all the countries, probably the coolest guy in the world. his latest directorial effort, "hereafter" opens nationwide in theaters tomorrow. please say hello to clint eastwood. [ cheers and applause ] >> jimmy: it's great to see you. it's really great to have you here. >> what a nice crowd. >> jimmy: yeah, they're nice. they do seem nice. can i tell you a story just to start things off? >> all right. >> jimmy: all right. in, i think, probably 1978, cleto, my band leader and i, who was not my band leader at the time, we were children, went to go see "every which way but loose." we came out of the theater, we decided, i personally decided, i wanted to, for my life, travel around the country fighting guys

with an orangutan in my trunk, because of you. unfortunately, that didn't happen. i joined the high school band instead. >> you haven't done too bad. >> jimmy: things worked out all right. i heard you were in the high school band. >> well, that -- the high school band, i was -- i -- in junior high school i played flugle horn. >> jimmy: really? >> in those days, it was a classical instrument. i didn't want to do that. i was looking for a trumpet or something. and this was long before clark terry and all these guys who made it popular in later years. but and i fooled around with the piano and various instruments. sort of a jack of all trades, master of nothing. >> jimmy: do you play the horn now? >> no, no. these lips have never touched flugle horn. >> jimmy: did you realize that flugle horn wasn't the path to picking up chicks, maybe?

because i didn't understand that with my clarinet. >> i thought actually -- i went to a party and some guy played the piano and he didn't play too much, but all the chicks would come around the piano and i thought, this is okay. so i went home and started practicing. i figured i could play that much. but if i would have kept practicing and really studies, i could probably be sitting in a nice saloon somewhere with a little glass, put a couple -- put another dollar in there. >> jimmy: it could have all worked out very differently. >> play rod stewart's song book. >> jimmy: you could be. doing album number six. i love the idea also that you learned the piano to help you pick up girls as if -- did you need any help in that area ever? i imagine you losing your virginity at like 6 years old. not often, i don't imagine it, but that's what i have in my head. >> not quite, but you know, it

does give you a little conversation piece. >> jimmy: doesn't hurt. what year did you come to los angeles? >> i came down -- i lived down here for a short time when i was young. and i came back down here after i got out of the army in 1952, and i was going to l.a. city college and kind of hanging out. >> jimmy: what did you do for work when you first came here? >> well, i was going to college, on the g.i. bill, and i worked at a gas station across from the unemployment office down there on santa monica boulevard, which i later became very familiar with. that's theme lament of being an actor. and i managed an apartment house that i was working at. and there were things like that. and then later, after i became an actor, i got a job digging swimming pooms. >> jimmy: swimming pools? wow. i imagine that people probably some of those swimming pools are still -- >> still empty.

>> jimmy: somebody's got a pool that clint eastwood dug for them. >> absolutely. >> jimmy: that's probably, it really helped you in a way, because you became muscular and started beating people up with the monkey. >> yeah. that was a few years back, though. >> jimmy: do you keep in touch with clyde, by the way? >> yes, we write. we talk. >> jimmy: you do? will you tell him i said hello? >> yeah,ly, lwill i. tell him about your dreams. >> jimmy: i loved when he flipped everyone off. i thought, if i could have that in my car, i would be so happy. >> fingers that long. >> jimmy: you came and obviously you wanted to be -- did you want to be a movie star? >> not particularly. but a friend of mine said, look, i go to this acting class in the evening, i said, what do you want to do that for? he said, women, there's a lot of great chicks there.

and seriously, he said, it's really fun. and, so, i went down and watched one night and i said, hey, this isn't bad. it was about 30 women in the class and about four guys. i said, well, this class needs me. i should be here. [ applause ] >> jimmy: that's great. it seems to be the reason behind everything, really. 57 movies, we found out today, you have only been killed in three of those films. do you have a no death clause or something? >> no, no. but sometimes the story calls for you to expire and other times the story calls for you to make it to the end. >> jimmy: expiration seems to be the overall theme of "hereafter," which is about the hereafter, and your exploration of it. i love seeing what people think, and i don't know if this is what you think the afterlife is like, but i like to see, especially

when directors kind of say, here is what i think it's like. it is comforting that somebody has an idea, even if you don't really. do you believe that there is a heaven? >> well, to some degree, but i've only died in three movies, so -- >> jimmy: right. >> that gives you an indication that i'm not just nuts about going to the bank with it all. >> jimmy: do you think if there is one, will you get into it? >> the heaven part of it i don't know. maybe. >> jimmy: the hereafter, for sure. >> you know, it's a funny thing, because everybody thinks about it, anyway, most religions believe in it, and a lot of people think, well, what happens, and younger people, especially, older people kind of resigned to it. well, if it's bonus time, great, but you know, a lot of times when you are younger, your parents talk about it and everything, and, but i'm not sure. >> jimmy: do you think about it less now than you did when you were younger. >> i think so, yeah.

>> jimmy: have you had a genuine near death experience? >> yeah, i've had a couple close calls. but i didn't see any visions or anything. the people who give you the idea of seeing the silver light and all this, and see relatives coming at them and what have you, which is a common kind of vision that they have, are usually people that have actually died, they have actually died for two or three minutes and were revived. i know people that have done that, and they claim that that's true. >> jimmy: you know, and you wonder if that's what comes out because that's what you have always heard or if that's something that really happened, or -- >> maybe. i wonder the same thing. is it psychologically induced or is it something that -- >> jimmy: and you wonder why your relatives are there. these are the people you spend your whole life trying to avoid, and then suddenly -- >> exactly. >> jimmy: maybe they didn't go to heaven. >> that's a terrific point. why would you want to go see a lot of people you've been trying to get away from.

you take the hereafter would be something, like, a lot of really nice new people. >> jimmy: yeah, sure. like a cheerleading team or something. >> the dallas cowgirls come out there. >> jimmy: you worked with matt damon. why matt damon? did you want to work with somebody less masculine -- >> matt is a terrific guy. and he's -- >> jimmy: i disagree. >> well, okay, that's your opinion. and you may be right. but -- we worked together in n "invictus" and he wanted to be in this -- >> jimmy: we've had some bad blood over the years. >> oh, yes, i do remember that. something about -- >> jimmy: yeah, some things happened. i may be a little bit biased. >> i remember. >> jimmy: but the movie really

came out great. and there's a sequence -- we're going to show a clip that is -- and i'll tell you, and this might not be interesting at all. i used to this -- this is almost identical to a dream inused to have over and over again. so, for me, it hit especially -- well, show the clip, this is from "hereafter," opens nationwide tomorrow. >> i like this one. you have more like this? yes?

>> jimmy: whoa, yeah. inused to have that dream over and over again of a tidal wave. you brought it to life. >> were you the girl running down the street? >> jimmy: i was the girl, yeah. i was a pretty little girl. >> i tell you, yeah, it is -- it a scary experience. but you know, four years ago, they had that big tsunami out in asia, and peter morgan, who is the screen writer, wrote all that into the picture, as, incorporated it into a fictional story, so it really worked out. >> jimmy: it works great. and the movie is terrific. great to have you here. "hereafter" opens tomorrow. clint eastwood, everybody. we'll be right back with rod stewart. [ man ] ladies and gentlemen,

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>> jimmy: hi there, we're back. our next guest is in your heart, he's in your soul.

he's a legend in music with a new cd, it called "fly me to the moon, the great american song book, volume v." please welcome rod stewart. [ cheers and applause ] >> jimmy: it's great to see you. thanks for coming. >> how are you? >> jimmy: how is everything? >> fabulous, fabulous. >> jimmy: very good to see you. congratulations. i hear you're expecting another child. >> yeah. that's number eight. >> jimmy: number eight. is that -- will you keep going? >> no, the shop is now closed. no more. >> jimmy: has the shop been surgically closed -- >> no, no, never do that. never touch the old winkle. no, no, we're -- >> jimmy: very good advice. >> they're expensive. have you got kids?

>> jimmy: i thought the meant the winkle. yeah, i have a couple of kids. >> kids are expensive. >> jimmy: yes, they are. >> even for me. it's ridiculous. >> jimmy: you have a 5-year-old son? >> 4. he's going to be 5 in november. >> jimmy: does he go on the road with you? >> yeah, he does. when we can get him out of school and, you know, sometimes i bring him up on the stage and say, you know, we're in denver tonight, go out and say hello denver. and he said, hello tokyo! because he had been in tokyo and he got confused. >> jimmy: that's cute. it's not so cute when he's 20 and doing that. >> he's a ray of sunshine. >> jimmy: well, you have another ray of sunshine beaming into the house soon. this is your fifth great american song book cd. will you have as many of these as children or -- >> no, this is -- like the children, this is the last one. >> jimmy: who picks the songs for these albums? do you? >> yeah, most of them i pick and

then the record company picks a couple. i listen to anybody. but it's -- you know, it's a bit of a fight sometimes. >> jimmy: with the record company? >> yeah. they're a great record company but there's one track on it that is my wich's favorite and she cried when she heard it, she was in the path. and it's called "moon river." the record company wanted it off the -- >> jimmy: they did? >> so i said, listen, if you want to take it out with a two-month pregnant woman, because they're feisty, i said, go ahead. they're like, no, rod, it's okay. fine. >> jimmy: i like that. it is an old favorite. in fact, our band leader cleto learned how to play piano with that song. and that's the only song he learned on the piano. that's it for the great american song books. you're not moving to great mexican song book, or -- >> no, no. no, no, no. it's -- you know, really sells well, my arm could be twisted. but i want to do a blues album

and country album. so much stuff to do. >> jimmy: yeah, sure. now, that is -- this surprised me. you've been on the cover of many magazines and, now you're on the cover of another one. model railroader magazine. >> what are you laughing at? >> jimmy: see what's new on the rock and roller's new h.o. layout. what is new on the new h.o. layout? we got -- that's your train, huh? >> yeah, it's a very, very -- tonight take a -- >> jimmy: no, i happen to know that frank sinatra used to make model trains, right? >> and phil collins, roger daughtry -- >> jimmy: really? >> we e-mail sometimes about our trains. >> jimmy: you do? >> yeah. >> jimmy: really? you used to be models and now it's model trains. i think we have some photographs. that's -- now that's a miniature city? >> yeah. >> jimmy: you built that? >> yeah. >> jimmy: that's incredible.

that's like "inception" or something. >> it's a wonderful hobby. it's kept me off the streets, that's for sure. >> jimmy: and this is -- wow, it looks like -- >> the downtown start of the city. >> jimmy: that is unbelievable. and this, too -- >> yeah, that's the waldorfs toria hotel. >> jimmy: there aren't many trains -- >> the trains are underneath. there's a big layout. >> jimmy: and there's one more -- and that is just -- that is absolutely -- and you must spend -- do you take these on the road with you? >> yeah, i do. i take them on the road. i book up in a hotel and i say, all i need is a big table in a spare room what are you laughing at? and arrange for a big table and i take the big flight cases and i build something and take it back to the -- they're still laughing. >> jimmy: you have to understand, for us, it's hard to imagine you sitting still, number one, just to start with, and -- >> it's not very rock and roll, i know. >> jimmy: and in a way, it's

extra rock and roll because it isn't rock and roll at all. >> jimmy: though the smell of glue probably gets you -- >> oh, does it get me going. in the old dames we used to trash hotels. now they welcome me with a big table. >> jimmy: you are going to be performing in las vegas, i know. doing a two-week gig there, at caesars? >> to start with. and see how it goes. >> jimmy: are you doing one of the long-term -- >> well, if i'm asked, i would love to. >> jimmy: that would be something. and i understand that you have a little surprise here for -- >> yeah, we have two tickets -- >> jimmy: some big fans in the audience. it's going to be hard to decide. yeah, this is -- are we going to have guillermo deliver them to somebody? >> okay. >> jimmy: well, there you go. that's -- eight shows at cesaess

palace. aw, look at that. there you go. rod stewart, everybody. "fly me to the moon, the great american song book volume v" is available in stores now. and we'll be right back with music from rod stewart, so stick around. it's work through the grime and the muck, month. tow and pull without getting stuck month. sweat every day to make an honest buck month. it's truck month. great deals on the complete family of chevy trucks. during truck month, use your all-star edition discount for a total value of six thousand dollars. or hurry in before november 1st to get 0% apr financing on all 2011 trucks and full-size suvs. see your local chevrolet dealer.

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>> jimmy: here with his take on the classic "beyond the sea" -- from his new album "fly me to the moon -- the great american sjeng song book, volume v," rod stewart. ♪ ♪ somewhere -- beyond the sea somewhere waiting for me my lover stands on golden sands ♪ ♪ and watches the ships that go sailin' somewhere beyond the sea

she's there ♪ ♪ watching for me if i could fly like birds on high then straight to her arms ♪ ♪ i'd go sailin' it's far beyond the stars it's near beyond the moon i know beyond a doubt ♪ ♪ my heart will lead me there soon, yeah we'll meet beyond the shore we'll kiss just as before ♪ ♪ happy we'll be beyond the sea

and never again i'll go sailin' ♪ ♪ ♪ ♪ i know beyond a doubt my heart will lead me there soon

oh, we'll meet ♪ ♪ i know we'll meet beyond the shore we'll kiss just as before happy we'll be ♪ ♪ beyond the sea and never again i'll go sailin' and never again ♪ ♪ i'll go sailin' my heart will lead me there beyond the sea ♪ e

>> jimmy: i want to