jim: headed into the grandstand. trevor: see where he gets relief jim: or lando. we are going to have taylor. mark: 238 on the ground. and that makes it 248. this should be a great number for this club. and how that approaches and could get wrapped up. jim: straightens out. jim: that was miles away.

trevor: did hang up. could have fed 60 yards back down the hill. going to have a good look at the surface and a lot of green to work with. jim: orlando, let's take about the relief where this will lead the players' third. >> and will just swing on the arc on trying to estimate that yardage and reference point down at the bottom and one club length and wouldn't drop. mark: that rough is getting thicker and thicker. jim: it can disappear right to the bottom. mark: stuck underneath.

face hanging open. jim: there's your line. i have a golf ball in my hand.d. get a picture of it. when we showed up today, right in the middle of this historic playoff. mark: two miraculous. jim: going to take a lot to get down in 2. tommy is not amused at the moment. nor should he be.

will figure out the line. jim: you can have can you pick it up? you've already taken pictures with it. [laughter] >> it didn't behave on the previous shot. >> i love the way they try to replace it. and then asked if we pick it up. i understand their excitement, you know?

this is the area that tommy will take this drop. knee high drop. >> and trevor, i'm behind the 18th, we're all here. adam hadwin said i'm more nervous than i was playing today. [laughter] trevor: so cool to watch those guys come back. >> it shows you how much it means to those guys. >> does he take some of the ridge out and go of the way of the runner? >> he's got a big wide pa passthrough contact.

>> it's going to check off w woefully short. it's going to stay on that back plateau. there are all kinds of options. >> he could have putted it. trevor: he would have aim sod far left. so he just tries to take some of that out of it. don't mind the play. jim: fleetwood has to be happy that taylor is not in there snug. mark: expect this to be past the hole. it's -- jim: it's from that same side.

it's not exactly the same line he's had. the break is not going to be identical. i would think he would be a little confident. having had some information back now from that area. trevor: if nick taylor makes this putt as we look at the third here, if nick taylor makes this putt, the roar is going to be loud, it's going to be difficult for fleet to make a dump of it. jim: adam, he's got a

20-footer. 20 feet, three inches. >> with all the rain that has fallen in the last 15 minutes or so is how much break this one is actually going to take off the live-hand side. >> and how much slower the putt may be coming back up the hill. jim: he's got 20 feet, fleetwood. he faces an 11-footer. >> make sure you give it a chance.

jim: par put up by taylor. tommy battled back all day with those birdies late in the round. and now he's got 11 feet. colt: and the stewart cink of the canadian open. jim: first canadian since peter oosterhuis.

we're heading to the 159 par 3 over there at nine. trevor: running across the fairway trying to get back to nine. jim: look at this. everyone t taking off to get their chance to see it. i thought fleetwood was going to make that putt. trevor: i really did too. it was interesting because he started left of the hole that actually broke left.

it's -- jim: it's a different angle than he had seen the first two times. it's a short par 3 of 159 when we come back. the model train set is entrusted to todd. mr. marbles will receive recurring deliveries for all of his needs in perpetuity, thanks to autoship from chewy. - i always loved that old man. - what's it say about the summer house? - yeah, the beach house- - the summer residence goes to mr. marbles. (mr. marbles chuckles) - plot twist! - i'm sorry, what? - doesn't make logistical sense. - unbelievable. - pets aren't just pets. they're more. - you got a train set, todd. - [announcer] save more on what they love and never run out with autoship from chewy. itit's father'r's day. which meanans dads eveverywhee are gettining the sameme thin: tities. glovoves. trimmemers. and d even goodd old picture frframes. ♪♪

yeahah, i guess s our giftss are a a little dififferent atat the home e depot. save on ththe best gififts for dadad. feels likeke father's s day atat the home e depot. how doers get more done. jim: just a moment ago taylor from 20 feet from the opposite side where you hold two big important putts. trevor: always lower than one. jim: and then fleetwood from 11 away. never threatened it. trevor: total mystery. jim: here's what they've done in the ninth hole already today. taylor was there seven feet. tommy 20 feet.

trevor: and they're both one under. they both made a birdie here yesterday. today playing quite short at 159 and downhill. jim: the singing has resumed. nick has the tee first. what's it look like to you right now. mark: it looks electric. rain has began to fall again, jim. and it's coming almost straight down. there's no real wind influence and trevor in this match play situation right now, it's definitely an advantage to have

the honor if you sting something in there close. a lot of fans have made it over there pretty quick. jim: is that too far right? trevor: it's leaking. jim: oh, what a bounce. he can putt it from there. that went dangerously right. and it took one hop out of the heavy stuff. mark: he and the crowd took a big gasp when the ball hit the ground. jim: cole, tommy? colt: you sure hockey is this nation's sport? this place is going nuts out there. tommy is going to try to go 159

up the hill. jim: this is a good-looking strike. colt: it's got to go a little. jim: oh, wow. looked like it wanted to take a hop right at the hole. he too will have a good look at it. trevor: you've got to think that one of them is going to make it that's. time to do something special. jim: it's the first playoff since 2015, it's the first time that the playoff has gone three holes since that 2004 vi vijay-weir playoffs won by veej. receive: you seen all the canadian guys to support their fellow countrymen and you see

rosy hanging out with their guys. amanda: team europe has shown up. lowery said none of us could ignore that huge cheer. they're trying to balance it out for them but everyone is heavily invested behind the ninth green. it feels as big as a ryder cup. terrell hatton said man, this feels like the ryder cup. it's pretty special. jim: or the president's cup in the case of nick taylor and captain mike weir. tommy takes a peek at it. he'll learn off of taylor going first. trevor: you were right with the putter. he's going to go ahead with that. it looks like -- you think

they're having any fun? mark: wouldn't you like to captain an international president's cup team in this place? trevor: it's going to be a blast next year. colt: justin rose said the same thing. he says this feels like a ryder cup or a president's cup. trevor: it's going to be very interesting now that he's chose ton putter. how that ball rolls through that longer cut. jim: he's only 14 feet away. mark: it's about five inches of that longer cup to go through. but where he's standing now that is going to be the testment. going to need some speed through that area.

jim: he's 14 feet. fleetwood is inside 13 feet. got to go. trevor: it hopped on him. . that's where it lost all its momentum. jim: bounced a couple of times. he'll go ahead and finish. and for the second consecutive playoff hole, tommy fleetwood has a mid-range putt for the victory.

this is what you're talking about with the hops. trevor: right there. jim: taking all the speed off of it. trevor: yeah, that's exactly what i was wondering about. that's why a lot of times players will chip that. jim: this one right here, colt, he doesn't have to concern himself with that. he's just an inch off the putting surface. colt: no, it is very slow. the tricky thing the ball is going to be above his feet but i think it's going to want to move back to his right. jim: best putter from the week. pulled. they're going to go back to 18 again. trevor: tommy keeps leaving the door open. and both plays he's missed the putt to the left.

crowd are getting their steps. they want from 18 to 9. now, they're going to run back to 18. jim: hatwin, lowry eyeing it. and we'll put them back in the cars again. accepted them back to 18 tee for the fourth playoff hole. just memorable. won't forget this o one.

jim: matching birdies, matching pars and matching pars. and we retreat to the 18th one more time. 75 holes into this tournament. if you're just joining us, nick taylor was outside the top 120

after the first round on thursday when he shot 75. it would take a mighty effort to try to qualify for the weekend. he established the course record. 27 holes here at oakdale golf an country club. in 1963 and 1966. -- 63 and 66. 63 matched by cole. this will be the fourth time they played this hole today. they played it in regulation. and now the third time in the playoff. trevor: what time does the sun go down this time of year? jim: with a low ceiling to add to that.

trevor: don't change the strategy. the same club he hit off of the tee every other team. but what he would love trevor is to go a hair to the left-hand side. jim: that last time he played it, not only was in the right rough -- it was a little bit close to going long enough to reach the penalty area. a little rehearse takeaway, and away we'll go. going to like this one. mark: that's peeling a little more, jim. jim: it's going to be fine. look at that. is that a divot? coal: what just happened?

mark: it almosost rolled backwards. let's j just take a look here. jim: got to be. oh, boy, that's big trouble. wow, i don't know who has the advantage. both off the mark. here in the fourth playoff hole for the rbc canadian open. nice job. 27. and i'm just trying to do the throwing. feel like i lean on it. the more you rotate that. that's the flight i like. what kind of launch was on that one?

so give me more nails down. again, one more time. now go at the sunday pin. "outperform," to me, means beating my former self. being the best and having an approach that leaves no stone unturned. making those little incremental improvements, just try to get a little bit better each day. ♪♪ to outperform i think is to outwork people. and that's why i play titleist. it's the best there is, period. itit's father'r's day. which meanans dads eveverywhee are gettining the sameme thin: tities. glovoves. trimmemers. and d even goodd old picture frframes.

♪♪ yeahah, i guess s our giftss are a a little dififferent atat the home e depot. save on ththe best gififts for dadad. feels likeke father's s day atat the home e depot. hohow doers geget more dono. jim: fleetwood is in the bunker at the 18th. the fourth playoff hole. and for those just joining us in what's turned to be primetime golf, we've got tommy fleetwood, an english star who has been a ryder cupper. six wins over in the european's d.p. world tour. and you've got the nick taylor story which is rivetting. you've got canada trying to

produce its own homegrown national open champion for the first time in 69 years. and i'm going to be curious. mark immelman looks like that lie that would fall into a depression for taylor. mark: it's a divot. you can see about half of the top of the golf ball. jim: and colt, what will tommy be able to do? how much will he try to bite off? colt: he'll benefit from this rain we've had. it's really compacted this sand. it is sitting really good. 221 front. but he's got iron out. so it look likes a lay-up, trevor. trevor: looks like a five or 6-iron. colt: i thought he could get it somewhere out in front of the

green. trevor: last time he laid up, he missed the fairway. colt: it will be fine. jim: now, the question is how much can tavor get on this one? trevor: he's gone to the utility club. and i'm reminded i'm back on 12, the par 5 back on regulation f i used this ball to dig the ball out the heavy rough and to school one off to the putting surface. jim: it worked out well. and gave him a birdie. mark:er it's tumbling. it's to the left. jim: big hop. mark: this is going to keep feeding off the shoulder.

jim: stay below the ridge. that's going to be in the neighborhood of some 60, 70 feet maybe. mark: yeah, no. give me two putt. well played from that lie, though. jim: it's because of that lie too that you can see how that ball had such an odd flight to it. they're thrilled here in toronto. their man is on the green at two. trevor: this is so good. jim: well, 72 feet is what the shot link says for taylor.

tommy fleetwood is going to be 85 yards from the hole playing his third. like any canadian golfer with that kind of talent how they all dreamt of having a moment like this and how close he came in 2004. to get that win -- every time you come to this tournament, it's talked about. when will it happen? will it happen? is this that day? it's been generations. you see the young talent coming out of canada now. i can remember doing this tournament moons ago. you never really had other than mike grier and battled

injuries. but now where it is going to come from? now you have a young brigade in golf candidate and they have been grooming some talent. trevor: absolutely. we've had three canadian players. kenzie hughes, adam spenson and at the texas open. i wonder if mike weir is thinking just how many guys will i have on my team next year in montreal? who do you think they're rooting for? [laughter] jim: this guy is not giving up. 85 yards. he's very liable to knock it in there stiff.

and that would put pressure on taylor. again, he's 72 feet away. >> 67. that's the carry. come on, tom. colt: and jim, you're exactly right. great opportunity to put pressure on him. beautiful lob wedges at 16 and 17 at really close distance. can throw it a little passing left. jim: and to get up just a bit. this is -- this is pretty close to the putt he had the last time. trevor: yes. jim: the last time we were here. trevor: he knows it doesn't break as much. jim: that was an 11-footer. this will be just outside of it.

that's going to be 12 feet. same line. trevor: difficult for taylor to figure out the speed. massive ridge to deal with. rain has fallen. come back up the hill. it's going to be slow. mark: and where he's standing right no, trevor is the apex of this putt as he looks at it. jim: this is that putt. we mentioned he's a foot outside of this. he knows what it's going to do. meantime, taylor going to pick up that coin not that anybody is

superstitious or anything. but for the majority of his career, he's marked his ball with a canadian $2 coin. tooney. one putt to win. 72 feet. i get it i know what the odds are. two putts might win. now, your chance to put pressure on fleetwood. trevor: just make sure you catch the sweet spot otherwise you're going going to come up short. jim: left the stick in with the maple laugh flag. good pace. are you serious? oh, my goodness! glorious and free!

we're storming the 18th green now. they just tackled adam hadwin who was trying to approach his friend. security did. knowing that's exactly who it was. but canada has a conquering h hero. that is not to be believed. 72 feet as you see the fedexcup standings.

nick taylor into the top 10. 72 feet in 69 years of a drought. wh trevor: what a scene. jim: and how about this? it's the longest putt hold by taylor in his pga tour career. hugs with dave markle, his caddie, a player himself. competed in this one time as a monday qualifier. a canadian from right here in this province of ontario. tommy can only smile. he lost to a miracle putt.

amanda? amanda: jim, a scene like we have never seen before. your country has waited 69 years to watch one of its own bring home its national open. can you put in perspective what it means to be the one to deliver it to them? >> no. i'm speechless. this is for all the guys that are here. this is for my family at home. my wife andie and our son charlie and harper. i'm very speechless. this is the most incredible feeling ever. amanda: you just made the longest putt of your entire career to get it done. can you just explain what you saw and what was going through your body before the putt and when you watched it go in? >> i had a similar lie in the second playoff hole. i knew it was going to be slow with how much rain we've had. i wanted to get as close as we

could because tommy i thought he was going to do make it for that to go in. it's unbelievable. i don't know what to say. amanda: nick taylor, take this all in. this is for you. congratulations. jim: it is not hyperbole. it's one of the greatest mo moments in canadian sports history. it's a dream. but it's real. back in 2010, nick taylor carried the olympic torch for lead-up to the vancouver games. today he was the torch bearer for canadian golf. this was legendary stuff, folks. canada will celebrate long into the night for this one. for the first time since 1954, a

canadian has won its national open. for trevor and all the crew, jim nantz saying so long from the rbc canadian open forks i hope you enjoyed watching history.

you probably know david byrne as the lead singer and songwriter of talking heads, the hugely influential post-punk rock band of the late 1970s and

'80s. they broke up more than 30 years ago, but byrne has been on his own eclectic journey ever since. his artistic innovations have blurred the boundaries of music, theater and art. he's won an oscar, a grammy and a tony, toured with salsa singers, collaborated with neuroscientists, made movies, and this summer his musical opens on broadway. david byrne is as creative, energetic and unusual as he was when he was 23, an art school dropout, just starting to perform onstage with his friends as talking heads. >> the name of this band is talking heads and the name of this song is "psycho killer." >> so i wanted to be very matter of fact. it's not like, "are we havin' fun tonight?" >> there's none of that, "how are y'all doin'?" >> how are you all doin'? >> new york! ♪ i can't seem to face up to the facts ♪

♪ i'm tense and nervous and i can't relax ♪ >> this is one of david byrne's first performances. it was 1975 at cbgbs, the legendary music club where the ramones, patti smith, and blondie were also just getting started. ♪ psycho killer qu'est-ce que c'est? ♪ >> "psycho killer" was only the second song david byrne had ever written. and it was talking heads' first hit. ♪ ay-ya-ya-ya-ya-ya, ooh ♪ >> when you hear it now, what do you think? >> i'm glad i did it. but i'm also glad that i didn't stick with that as my -- oh, like, "this is working, let's do more like this." i'm glad that i decided, "no, now you have to do things that are a little more original musically." ♪ ah watch out, you might get what you're after ♪ >> and that's exactly what he did. along with tina weymouth, chris frantz and jerry harrison, talking heads put out eight albums over the next 13 years.

♪ there was a shopping mall, now it's all covered with flowers ♪ >> they were edgy, groundbreaking, critically acclaimed and a commercial hit. ♪ here we go! ♪ >> melding rock with funk, disco, afro-beat and the avant-garde. ♪ there's a city in my mind, come along and take that ride and it's all right ♪ >> they'd all studied art in college, and it showed in their music videos which were in heavy rotation on mtv. ♪ letting the days go by ♪ ♪ let the water hold me down ♪ ♪ letting the days go by ♪ ♪ water flowing underground ♪ >> byrne's quirky movements and manner got most of the attention... ♪ same as it ever was ♪ >> which was not always easy for the introverted singer. dick clark tried to ask him about it on "american bandstand" in 1979. >> are you a shy person? >> i'd say so... [ laughter ] >> it seems contradictory to a lot of people, the introvert who

winds up on a stage in front of thousands of people performing and reaching great heights. >> it does seem contradictory, but in retrospect, it makes perfect sense. your way of announcing your existence and communicating your thoughts to people is through performance, and then i could retreat into my shell after that. but i'd made myself known to these people, what i was thinking, what i was feeling. so when that's your only option, it's a life saver. >> david byrne's shyness goes way back. he was born in scotland, but his family moved to baltimore when he was 8. his accent was so thick, classmates could barely understand him. he was an outsider, happier making music at home in his basement with a reel-to-reel tape recorder than hanging out with other kids. >> my discomfort with kind of social situations meant as often happens i would focus intently on my drawings, or learning to play other people's songs, or

things like that. and that continued for ages. and you'd kind of ultra-focused. so that becomes -- well, kind of a superpower. ♪ what about the time you were falling over ♪ ♪ fall on your face you must be having fun ♪ >> ultra-focused may be a superpower, but it caused problems between byrne and the band that flared up on tour in 1983. ♪ you may ask yourself how do i work this? ♪ >> i became, i think, kind of obsessive about getting that show up and running. i might not have been the most pleasant person to deal with at that point. >> demanding. >> yes, yes. ♪ i got a girlfriend that's better than that ♪ ♪ and she goes wherever she likes ♪ >> byrne commanded center stage, famously wearing this outrageously oversized suit. ♪ as we get older and stop making sense ♪ >> the show was made into a film by director jonathan demme called "stop making sense." it's considered one of the

greatest concert movies ever. ♪ this ain't no party, this ain't no disco ♪ ♪ this ain't no fooling around ♪ >> talking heads made three more albums, but byrne was increasingly branching out on his own. >> as i became more relaxed as a person, started writing different kinds of songs, songs that maybe weren't quite as angst-ridden and peculiar, some fans were probably disappointed, you know? "we liked the -- the really quirky guy." or, "we liked the guy who was really struggling with himself and really having a hard time." and i thought, "why would you wish that on me? for your own amusement, right?" ♪ i can be you and you can be me ♪ >> in 1988 he founded a world music label. ♪ everyone's happy and everyone's free ♪ >> then released an album of latin songs and wrote music for films, dance companies, and experimental theater. >> i genuinely started having other kind of musical interests.

>> you'd started to collaborate with a lot of artists from different genres. >> yes. and i thought, i want to do more of that. and by then it was pretty much over. >> there was never an official announcement, but eventually byrne made an off-hand comment to a reporter that talking heads had broken up. he neglected, it seems to tell the band. >> members of the band said that you never actually talked to them and said that the band was over. that they read about it in a newspaper. >> i don't know if that's the case. but, well, it might be. and i think it is very possible that i did not handle it as best as i could. ♪ just say here lies love ♪ >> byrne never looked back, and he's followed his own beat ever since...no matter how off-beat it may be. ♪ please don't ♪ >> ten years ago, byrne staged a pop opera in collaboration with fatboy slim called "here lies love." it's about, of all people, imelda marcos, the wife of the former dictator of the philippines. it's now scheduled to open on broadway this summer.

>> give it up for contemporary color! >> when he became fascinated with high school color guard teams in 2015, he wound up staging arena shows combining the teams' flag spinning, weapon tossing, and dance to the pop music of nelly furtado and st. vincent. >> i thought, oh, this is just gonna be highlighting their talent and putting people together who would never normally be together. and it wasn't until i saw the show and i realized, this is -- this is not about that at all. what it's really delivering is this message about inclusion. that's what this is about. they kind of revealed it. >> but isn't that extraordinary that you can start doing something with one thing in mind, and yet it has a life of its own? >> i trust what i do and what other people do that way that it's going to deliver what it wants to say. but someone else looking at it could go, what are you talking about? you don't know what you're doing? you don't know why you're doing it?

you don't know where it's going to end up? i just kinda trust it, yeah. >> he has a small studio in his new york city apartment where he tinkers with lyrics and new ideas. much like he did all those years ago in his parents' basement. >> the first stanza sounds like it might be promising. >> do you stop and kinda ruminate on things and come back to it an -- >> yeah, i might see if i get, like, a chorus or something. i might try, like, a chorus. >> stood by me when darkness fell...my apartment is my friend. ♪ that's the key line, so that's gotta be pretty good. >> byrne is the quintessential new yorker. he's lived in the city for five decades, and it's not uncommon to see him pedaling around on his bicycle. he is, it seems, always on the move...always exploring. >> oh yeah. >> his downtown office is lined with books, records and odd mementoes he's picked up here and there. >> this wonderful wine from turkmenistan. >> hidden amid the clutter,

there's a grammy, and his 1988 oscar for composing the soundtrack for the film "the last emperor." >> it's not on the lowest shelf. >> i mean, david, really, does the academy know about this? [ laughter ] >> you know when you go into somebody's office and they have all their awards? >> yes, it's -- >> all framed all around them? >> yeah, or magazine covers or -- you don't have an ego wall. >> his office is where he runs reasons to be cheerful. >> oh, that could be nice. >> an online magazine highlighting creative solutions to complex problems...from reinventing food banks in chicago to turning french parking lots into solar farms. >> so, are there reasons to be cheerful? >> oh, yeah. yeah, yes. if you get up in the morning and start doom scrolling through your phone or your tablet or laptop or whatever, you're going to think, no, no, no, no, no, world's going to hell in a handbasket. but there are people and places, organizations doing things that are really making a difference finding solutions to things. >> who am i? what do i want? how do i work this?

[ laughter ] >> that optimism infused a hit broadway show byrne created and starred in called "american utopia." ♪ they call me mr. pitiful but...♪ >> it's actually like the performance branch of reasons to be cheerful. this is really about hope and possibility and what -- how we can work together as people. ♪ and you may go say to yourself "my god what have i done?" ♪ ♪ letting the days go by, let the water hold me down ♪ >> he mixed his old songs with new ones. ♪ well everybody's coming to my house and i'm never gonna be alone ♪ >> byrne wanted the musicians to be completely untethered, ♪ allowing them to move freely around the stage. it was less a broadway musical...more a raucous revival. ♪ close enough but not too far ♪ ♪ might be you know where you are ♪ ♪ fightin' fire with fire ♪ >> there's this amazing feeling when music like that is all

around you, when there's a whole group of people who are making the music. ♪ >> it's not just, like, one soloist or something like that. it's this collective thing that gives it this extra energy. ♪ burning down the house! ♪ [ cheers and applause ] ♪ ♪ >> byrne's latest theatrical experience may be his most unusual yet. it's an interactive journey into his past called theater of the mind...produced in collaboration with the denver centre for performing arts. audience members get random name tags and are led on a semi-autobiographical tour of byrne's memories...like this out of proportion kitchen, that makes anyone in it feel like a child. >> do this with me...hold your hand in front of your face. >> the show is full of surprises the audience takes part in...some of them based on neuroscience experiments. we agreed not to give them away, but they make you question your own perception and perhaps your memories.

>> it is dark in here...you know what. >> theatre of the mind ends in a replica of his parents' attic. like byrne's life, the show tells a story about how over time our identities are malleable and how we all have the capacity to change. >> we're never stuck...you can change the story anytime. isn't that nice? >> i like that idea that you can change your story. you can change the narrative. >> it would be a horrible world if people never changed for their entire life. or they were -- they were an angry person, or upset person, or depressed person and it's, like, that's your fate. but that's not true. >> do you think you've changed that much? >> i feel like, yeah, i'm a very different person than i was when i was young. >> were you conscious of those changes? >> sometimes my friends would say, "you're really different than what you used to be when i first met you. you're a really different person now." >> by the way, were they saying that in a nice way?

or was that being yelled out of the top of their lungs? >> it was a nice way. it was like, "wow, you've really changed." >> the stories behind hit songs from talking heads. >> it was inspired by analysis cooper and randy neumann. >> at 60minutesovertime.com. (vo) while you may not be a pediatric surgeon volunteering your topiary talents at a children's hospital — your life is just as unique. your raymond james financial advisor gets to know you, your passions, and the way you give back. so you can live your life. that's life well planned. from the v very first t touc. pampers,s, the #1 pepediatricn recommmmended branand. helps keep baby's skin drier and healthier. so everyry touch wilill protet like thehe first.

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