(humming) - [rochester] well, professor leblanc, come right in. (professor sighs) mr. benny, your violin teacher's here! (audience laughs) just follow me. (audience applauds) (tuning violin) here we are. - well, good morning, professor leblanc. - good morning, good morning. - [jack] rochester, set up the music stand and then fix some lunch, will ya? professor, would you like something to eat? - no, monsieur, i would rather not give you a lesson with anything in my stomach. (audience laughs) - neatness, huh? i know how you feel. after i eat, i get sleepy too.

here we go. - please, monsieur, let us commence with the lesson. - oh professor, there's something i wanted to ask you. do you really think that you can make a great violinist out of me? - well, i can do something, but it will take time. how old are you? - why? - how much time have we got left? (audience laughs) please, monsieur, let us commence with the lesson. - okay, okay. (doorbell rings) oh, there's the door. - i'll get it, i'll get it. - you stay here! rochester will get it. - yes. - and close the door. (door closes) - alright, monsieur, let us commence with the lesson. (stomps foot)

(audience laughs) - [mary] hello, rochester. - hello, miss livingstone. (audience applauds) - mr. benny in? - he's upstairs. professor leblanc is giving him a violin lesson. - oh for heaven's sake. after all these years, you'd think he'd give up taking violin lessons. it's like throwing good money after bad. - professor hasn't gotten the bad money yet. - well, rochester, please go up and tell mr. benny i'm here, will ya? - yes, ma'am. - [professor] wait! no, no, no, monsieur benny, you are doing it wrong again. your wrist must be limp! limp! limp! remember, this is the violin, that is a bow. you are not casting for trout!

- but professor -- - let us try it again. sacre bleu, how many times do i have to tell you, smooth, smooth, smooth! - yes, sir. (bad violin music) - did you tell mr. benny i was here? - miss livingstone, i wouldn't go in that room if i had a whip and a chair. - i don't know what you're talking about. (loud crashing) - for goodness' sake, what's happening up there? (continued crashing) hmm, it's quiet now.

(audience laughs) - oh hello, mary. - [mary] jack, what happened? - professor leblanc, what a temper. - [rochester] where is the professor? - he's gone. - [mary] well, we didn't see him come out. - he didn't use the door. - [mary] what? (audience laughs and applauds) - but jack, this is the second floor! the professor could have sprained his ankle. - mary, after a man cuts his wrists, what's an ankle? (audience laughs) - [rochester] let me help you up. i'll go downstairs and fix you some lunch. maybe you'll feel better. - i don't want any lunch.

- yes, ma'am. - mary, i told ya i don't want any lunch. i just want to be left alone. - oh calm yourself, jack, you're all upset. - of course i'm upset. why wouldn't i be? all my life i've dreamed of being a great violinist. i'm a nothing. no technique, no tone, no talent. and you -- - don't argue with me, i'm on your side. (audience laughs) - don't be funny. - [mary] well, jack, where are you going? - i don't know. i gotta think this thing out. - [mary] oh, but jack, wait a minute.

(doorbell rings) - hello, rochester. - [rochester] hello, miss livingstone, come on in. - mr. benny feeling any better today?

every morning he gets up, won't eat his breakfast, then leaves the house. he goes out to the park and sits on the bench all day brooding. that's where he is now. - well, that's good. it'll give us a chance to do that idea you thought about. and you know, rochester, we've got to convince mr. benny that he's a great violinist. - well, i got the recording machine. did you get someone to cooperate? - i got just the man, mr. isaac stern. you know, he's one of the world's greatest violinists and a very good friend of mr. benny's. i'm sure he'll help us out. i called him so he should be here any minute. - good, then i'll set up the recording machine. - i hope everything works. - [rochester] you know, mr. benny hasn't even tended to business. his producer sent this play over and he won't even look at it. (doorbell rings) uh oh! - oh, never mind, i'll get it. hope it isn't mr. benny, it'll ruin everything. oh, hello, mr. stern, come on in. - [isaac] hello, mary. how are you?

- you know rochester. - sure, how are ya, rochester? - hello, mr. stern. - well, mary when you called me and asked me to hurry over with a violin i gathered that it was most urgent. - it is, you see, three days ago, jack found out he wasn't a great violinist. - only three days ago? (audience laughs) - well, he's very upset over it, but i think with your help we might snap him out of it. - well, mary, you know how i love jack and if there is anything i can do to bring the twinkle back to those big blue eyes of his, you know i'd be very happy to do it. - well, thanks a lot, but we better hurry. he might be here any minute. - so jack's really in a bad mood, is he? - yes, sir, all because he found out he's a lousy violinist. - rochester, lousy is a very harsh word. appropriate but harsh. (audience laughs) so what's this plan you have in mind? - well, it's very simple. you see, this is a recording machine. - yes, i know, it starts here -- - oh no, no, mr. stern, that's the volume.

now if you get your violin out and play a solo, i'll make a record of it and when mr. benny comes, i'll coax him into playing the same number and tell him i'm making a recording. - oh, i see and when you play it back it'll actually be me playing. - that's right and jack'll think he's terrific. - that's a cute idea, that's very clever. - now if you're ready, mr. stern, we can start recording. - [mary] uh oh! - [rochester] what? - jack's coming up the walk now. - what are we gonna do? i haven't made a record yet. - say, i've got an idea, mr. stern. i think it'll work just as well. - [isaac] what is it? - you hide in the closet and i'll get mr. benny to play something and make believe that i'm making a record of it. and when you hear me say playback, you play the same thing that mr. benny played. - i'm willing to try it. - well, good luck, fellas. i'm going out the back way. - [isaac] goodbye, mary. - now, mr. stern, you get your violin and come on in here. - [isaac] okay. - [rochester] now if you get hungry, there's a candy machine right behind the vacuum cleaner.

- hello, rochester. - [rochester] hello, boss. how ya feel? - how do you expect me to feel? a man spends his whole life dreaming, and planning, and hoping that some day he'll become a great musician. then everything smashes in front of him. - boss, you can't go on like this. - look, i can go -- hey, what's this? - oh, this is a recording machine. i bought it from a friend of mine to prove to you what a great violinist you are. - me? ha! i know what i sound like. - but that's just it, boss, you don't know what you sound like. - what?

you're concentrating on your fingering and your bowing. you're too occupied to hear the beautiful music that comes out. (audience laughs) - really? - get your violin and play something. this machine will make a record of it and you'll be able to hear for yourself how beautiful it sounds. - oh, i don't know. - [rochester] let me get your violin for you. it's just lying here gathering dust. now come on, play something. come on. - well... oh, this is silly. - [rochester] no, no, come on, play something. here's the microphone and then you just... no, no, no, boss, it'll pick up better if you stand facing this way. - this way? - right about... right about here.

okay. (bad violin music) (audience laughs) (audience laughs) (audience laughs) - oh, this is awful. - no, no, no, listen, boss. i told you you were too close to it. now you just sit down and listen to it. - this is ridiculous. - just close your eyes, turn around this way. (audience laughs)

(audience laughs) (beautiful violin music) - rochester, that's wonderful. i can't believe it's me. (audience laughs) - beautiful, isn't it? (audience laughs) - the fingering is perfect, but i'll have to work on the bowing a little bit. it sounds a trifle cramped. (audience laughs) - could be, could be.

- rochester, that last passage, what tone, what resonance! did you really like it? - boss, i can honestly say that was the work of a great violinist. (audience laughs and applauds) would you like me to fix you something to eat? - [jack] no, i'm too excited to eat. this is the most wonderful thing that ever happened to me. why, it brought back my confidence! rochester, i never realized i was that great. - but you are, boss, you are. now let's put the violin away -- - no, i got more important things to do. i'm going over to the recording company and make some records. - [rochester] oh, but boss -- - do you realize, rochester, what a record by me would mean? why, it would sell over a million. i'd get three cents a copy. i'd make a fortune! - but, boss -- - i'll see ya later. (audience laughs)

- what's the matter? - on the way to the recording studio i have to pass my producer's office and as far as i'm concerned, he can have his play back. (beautiful violin music) (audience laughs) rochester, what's that? - uh, the recording machine. stop it, stop it, hold it, hold it! play off, play off, play! (violin music stops) - how could a machine stop by itself? - uh...(laughs) loose switch. (audience laughs) - well, i don't want to waste any more time.

- thank heavens, that's over. is he really gone? - yeah, mr. stern, but i think we overdid it. - why? - he's on his way to a recording studio to make records. - oh no! well, i don't want to be here when he gets back. i'm going now. - well, if you wait a minute, i'll walk along part of the way with you. - why, where are you going? - to an unemployment office. might as well get friendly with them now. (audience laughs)

- jack benny and his magic violin. (audience laughs) take one.

(audience laughs) - [man] hold it, hold it, hold it. - what's the matter? - what's the matter? i never heard anything so awful in my life. - well, i've got news for you, bub. you've been concentrating so much on my fingering and bowing that you couldn't hear what was coming out. what till you hear the playback. - what? - playback. - [jack's voice] jack benny and his magic violin. take one.

(audience laughs) (audience laughs) - wait a minute, hold it, stop, hold it! - it's bad, eh, benny? - you're darn right it's bad. i don't know where you got that engineer, but he's awful. he doesn't even know how to make a recording. - yes, i guess you're right, mr. benny, but he's the best we could get and we have to do the best we can with what we've got and well, you know how it is. - it's a shame, but i guess you're stuck. (audience laughs) - well, good day, mr. benny, and thanks for coming in.

(gentle music) i can't understand it. how a good company can have such an incompetent engineer i'll never know. it must have been the engineer. when i made the record on this machine, it sounded beautiful. just beautiful. i want to hear it again. let's see, how does this work? there it is. - [rochester's voice] now, mr. stern, if you'll get your violin out and play a violin solo i'll record it.

to mr. benny, it will really be me playing. (audience laughs) - [rochester] i've got an idea. you hide in the closet. i'll get mr. benny to play something, then when you hear me say playback, you play the same thing mr. benny played. (audience laughs) - so that's it. they tricked me. (sing song) oh, rochester? - [rochester] (sing song) yes, boss? - (sing song) come in here, i want to talk to you! - [rochester] (sing song) what about? - you know what about, come in here! (audience laughs)

take off that silly thing and fix me some dinner. - you mean you're not mad with me? - no, i guess not. after all, you did it for my own good. anyway, serves me right for being such a big ham. if i hadn't gone to that recording studio, i would have kept on thinking that i was a great violinist. - [rochester] but you are a great violinist! - oh shut up. (audience laughs)

(audience applauds) thank you very much, ladies and gentlemen. i also want to thank mr. isaac stern,

for being such a good sport. i'd like to have you meet him again. maybe he'll play an encore for us. mr. isaac stern. (audience applauds) isaac, i do want to thank you very, very much for being on my show. - it was my pleasure, jack. and you know, now i have the distinction of being the only violinist who's played in the hollywood bowl, the philharmonic auditorium, carnegie hall, and jack benny's closet. (audience laughs) - now isaac, i'm sure that all of us would like to -- oh, do you mind if i look at your violin just a moment? - not at all, jack. just be careful, will you? - yes, yes, i will. beautiful tone. - oh, it's a wonderful instrument. great help to me. - it's cheap though, isn't it? - cheap?

- that's the year. - oh, oh, i'm sorry! now isaac, i'm sure that all of us now would like to hear you play and without interruption. i'll stand over there and listen. (audience applauds) - ladies and gentlemen, with the assistance of my long-time colleague, mr. alexander zakin, we'd like to play for you the polonaise brilliante in d major by wieniawski. (piano introduction)

(audience applauds) - isaac, that was wonderful. - thank you, jack, pleasure. (audience applauds) - i must practice. (audience laughs) goodnight, folks. (upbeat music) - [voiceover] the jack benny program! (orchestra playing "aloutte, gentile alouette")

was one of the many fascinating cities jack visited last summer during his european vacation. paris, city of pleasure and international style. mecca of tourists from all over the globe. for the first few days, jack stayed close to his room in the hotel george the cinq. (applause) - le cap. - [voiceover] the chair. - le chaise. - the wall. - the wall. - le mur, le mur. - [voiceover] sidewalk restaurant. - le cafe terrace. - the dinner. - le diner. - the check. (laughter) monsieur benny, monsieur benny.

- huh? - i have told you a thousand times, the word for check is l'addition, l'addition. that is a very simple word in french. - i have trouble with it in italian, too. (laughter) - monsieur benny, now i must go. perhaps i will have more time to spend with you tomorrow. - le oreille, the ear. - will that be all, monsieur? - oh yes, thank you. (laughter) - oh, oh waiter! - oui, monsieur? - you know i will undoubtedly meet a lot of people here in paris, so there's something else i'd like to know. - what is that, monsieur? - how would i say,

- star of stage, screen, and television. - yes. - you expect to meet one? (laughter) - i was referring to myself. see, back home, you know in america, i'm known as probably one of the most suave and sophisticated comedians in the entire entertainment industry. as a matter of fact, just a few years ago, in front of the hollywood's most famous theater, they put my feet into cement. - only your feet? (laughter) - oui. now, if i meet someone, how would i say to him in french, "i am jack benny, "star of stage, screen, and television?"

just say, "je suis jack benny, je conduis a camion a ordures. - now, now, let's see, let's see if i got it now. je suis jack benny je conduis (together) de camion a ordures. - [waiter] that is right, monsieur. - [jack] i got it, i got it. - [jack] i got it, i got. - [waiter] that is right. - [jack] thank you, thank you. - [waiter] you are welcome. - i got it, thank you je suis jack benny... (speaking in french and laughing) - what's so funny? - oh, pardon monsieur. there's a man in the next room who asked me how he should say that he's a star of stage, screen, and television. - robert here, he tells him to say, "je conduis de camion a ordures," which means, which means "i drive a garbage truck." (laughter)

(phone ringing) - hello? - mademoiselle livingston? - je ne te suis pas, s'il vous pla t. pardon mademoiselle, you are wanted on the telephone. - [voiceover] oh thank you, flo. (applause) - hello? - hello mary, this is jack. - [mary] jack, where are you? i've been waiting for you. you promised to take me to the eiffel tower. - [jack] i'm just ready to leave. - well hurry over. i hear the view from there is just beautiful. - well mary, wait in front of the hotel. i'll be there in a minute. - okay, bye. - you know, everybody sometime or other has to get away from his regular routine and, and do something different. - i think so, too. - yeah, i remember telling the same thing to rochester.

and you know, washing the dishes, and cooking the meals, and scrubbing the floors. and now since we're gone he's out in the air, getting the sun. - oh, that's wonderful, what's he doing? - re-shingling the roof. (laughter) - that's a fine vacation. - yeah. hey mary, lookit, we're at the eiffel tower already. - here you are driver. - [mary] gosh, that sure is high. - [jack] yeah, let's get the elevator and go way up to the top. - [mary] okay. - hi, i'm leeza gibons with an amazing story about how philips lifeline gives betty white peace of mind and gave my father a second chance at life. daddy is invincible. that's how we want to think about our parents.

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condition that inhibits mobility. particularly if they live alone needs a philips lifeline. with philips lifeline if i kluts up and falls down. somebody will be there. philips lifeline has been recommended by more than 200,000 healthcare professionals and serve more than 7 million seniors. i'm proud to wear my philips lifeline. shows that i'm smart enough to take care of my self. innovation and you. with philips lifeline medical alert service you get fast, easy access to help 24 hours a day, 365 days a year. call today or visit www.philipslifeline.com don't wait! i mean why don't take the chance call philips lifeline now! from the waiter at my hotel. - really? - he taught me to say something very important, too. get a load of this.

(laughter) - i don't know what you said, but you certainly impressed them. look at all the room they gave you. (laughter) - yeah. - gosh this is beautiful. what a view! - [mary] i've never seen anything like it. - hey mary, mary look. there's my hotel, the george cinq, lookit. and there's the louvre museum,

gee, the view from here is sensational! mary, there's the palace at versailles. - jack, versaille's 15 miles from here. - i can't help it, i see it! (laughter) mary, there's normandy! the beach where the allied armies landed! - jack, normandy's over a hundred miles from here. - i can't help it, i see it. (laughter) i have never seen anything like this. - [frenchman] excuse me. (laughter) - oui, oui, (speaking french) normandy, campia, ah versailles. oh, merci monsieur, merci. (laughter)

well i'll be darned. oh oh! - whaddaya see mary, whaddaya see, whaddaya see? - promise you won't get mad, jack. - no, no, what is it? - well your roof is only half shingled and rochester fell asleep. (laughter) - asleep, why i, now cut that out! give me those glasses. come on, let's look over here. - okay. - [frenchman] monsieur, if you wish to leave we are about to descend. - (speaking french) de camion a ordures. - (speaking french) - [frenchman] pardon monsieur. (speaking french) camion a ordures. - oui, oui. - oh, it's an honor to meet you (laughs).

- what are you laughing at? can i help if i've got fans all over the world? - oh come on jack, the elevator's waiting. - okay, first i wanna drop off these films. - monsieur, mademoiselle, comment allez-vous. puis-je vous aider? - i'd like to know what this is. - pardon mademoiselle? - i would like to know what this is. - je regret anfilmon je ne comprends pas. - mary, never mind, i'll, i'll find somebody who speaks english. there's some fellas over there, i'll ask them. pardon me, do any of you gentlemen speak english? - well i speak a little bit of it. (applause) jack! - maurice, maurice chevalier!

- and mary! bonjour mary. oh, it's so nice to see you. i did not know that you were in paris. - we've been here three days. - oh, that's wonderful! i hope you're having a good time. - oh we are, we are. you know we just saw all of paris from the top of the eiffel tower. - oh that's fine, that's fine, but you must see how the real frenchman lives. i must take you to some little towns like, avrille, villefranche, caberlet, and that way i will be repaying you for that wonderful sightseeing trip you took me on when was in america. - where'd he take you? - to anaheim, azusa, and cucamonga. (laughter) - in azusa we had a ball. - a ball? i thought that was a grapefruit. (laughter) - no, no, no, you see, that's an expression meaning that we had a good time,

- jack-- - maurice, we shall see you later, huh? - before you go henri i'd like you to meet some very nice friends of mine. this is miss livingston, one of america's cleverest comedians in television. - mademoiselle. - and this is-- - no, no, let me tell 'em. je suis jack benny je conduis un camion a ordures. (laughter) - maurice, what you say about america is so democratic, it must be true. where else would a girl who is a big star go around with a man who drives a garbage truck? (laughter) - maybe i heard that, what did he say? - well, it's just what you said, jack. what you said in french. you said, "i am jack benny, i drive a garbage truck." - i said that?

"star of stage, screen, and television." - maybe with a (mumbles) accent it loses something. (laughter) - maybe. - jack, how much did you tip that waiter to teach you french? - nothing. - serves you right. (laughter) - well, we really must go now. monsieur, mademoiselle, it was a pleasure to meet you. - i'm going with you, you get the taxi, henri, and i'll join you. jack, mary, i have a wonderful idea. what hotel are you stopping at? - i'm at the george cinq. - alright then, tonight i'll pick you up, you and mary, and we'll go together to see the french nightclubs, good? - oh, that's wonderful! - fine, it's a date then, heh? tonight, 8 o'clock, au revoir. - [jack] see you later. ah, yessiree mary, now we're really gonna see gay paris. let's go.

(orchestra playing aloutte) to help preserve our environment. i got involved. i boosted tourism in my farm community by by painting 55 barn quilts. i got involved. i enjoy gardening and love delivering a fresh supply of produce and flowers to a local shelter. i got involved. young volunteers have a winning spirit that we think is worth celebrating. middle and high school students: ask your school principal about applying for

volunteer! i really want to show you something. karen o.: 1, 2, ready, go l-o-v-e it's a mystery all is love is love ow! ooh ooh... [howling]

(light ballroom music) - gee, we've been to four nightclubs already. and maurice, you picked up the check in every one of 'em. now this one's on me. - oh jack, that is not necessary. - now, but i insist. now let's have some wine. i'll call the waiter. oh gendarme! (laughter) maurice, are you near-sighted? - no, but sometimes i wish i were hard of hearing. (laughter) - oh yes, the band is a little bit loud, isn't it?

imagine calling the waiter gendarme. - yes, jack, waiter is le serveur, and gendarme means policeman. - oh. - jack's right after all. when the garcon brings the check he'll need a gendarme. (laughter) - monsiuer would like a bottle of champagne? - oui, oui, oui. - uh, wait a minute. is that champagne imported? - jack, you never ask a question like that in france. - well, gee, i wanna know what we're getting. - i'm positive monsieur, you will be very happy with the taste of this champagne. - well, how much is it? - 3,000 francs. (laughter) - 3,000 francs. - we will take it. - maurice! - [maurice] jack. (champagne cork pops) - never mind, it's too late. (laughter) (drum roll) (applause) - thank you, monsieur y madame.

guest in our club tonight we have the most popular singing star in all france. monsieur maurice chevalier. (applause) (laughter) - i hope i am not imposing but it would be a great pleasure if monsieur chevalier would come on to the stage and honor us with a song, huh? (applause) - go ahead, go ahead maurice. it's a great opportunity. - opportunity? for me? - no, for him. he thinks if you sing a song he won't have to pay for the wine. (laughter) - he's been doing very well without my singing. - i wasn't thinking of that. (applause) - ladies and gentlemen, i thank you very, very much for that very warm reception.

is sitting there with me, i'm sure that you won't mind if i sing in english, okay? (lively orchestra music) happy, i'm happy to say that i'm happy to be here makes me happy to see everyone with a grin from ear to ear what a delight is living when you're giving someone joy if if it's the glow of laughter that you're after then i'm your boy spreading sunshine, that's all that i ask and i'm happy as a king when there's love in your heart then you have to share a part to be happy

everyone has troubles and troubles are troubles i know 'cause i've had a few my friend we always remembering to worry and worry can hurry you to an early end it's a matter of perspective, a simple directive might prove to be effective and which i recommend happy, i'm happy to say that i'm happy to be here makes me happy to see everyone with a grin from ear to ear what a delight it is truly being when you're giving someone joy if it's the glow of laughter that you're after then i'm your boy spreading sunshine, that's all that i ask

when there's love in your heart then you have to share a part to be happy, barrop, bop, bop, bop, bop, bop happy barrop, bop, bop, bop, bop, bop happy as a king (applause) - maurice that was just wonderful. - oh, it was marvelous! - [jack] it really was. - [voiceover] maurice chevalier! maurice (speaking french) - [maurice] ah bonjour, lorraine, ca va bien? (conversation in french) - oh, i'm sorry, i'm sorry, mary. i want you to meet miss livingston. - [mary] how do you do? - and this is mister jack benny.

- woo woo (laughs) (speaking made up french words) (laughter) - (speaking french) - [maurice] no, no, no, no, you sit here. - [jack] sure, sit right down here. - [maurice] you're not intruding at all. - [jack] oh waiter, bring a chair over here, will you please, and an extra glass? - [waiter] oui, monsieur. - [jack] there we are. (conversation in french) - steady, steady boy, steady, easy. - monsieur, my arm. - oh, excuse me, you know the last time you poured you shook the bottle. - there's no harm in that. - oh there isn't, eh? this bottle costs 3,000 francs. and when you shake champagne, it makes bubbles. and bubbles are air. - and if he wants air, he can open the window! (laughter) - [mary] now i've heard everything. jack, while the waiter's here

- [jack] but mary, we're going to a lot of different places, we can eat at another club. - well can we at least have one dance? - well why not, mon cherie. (laughter) - [maurice] (speaking french) - please speak to me in english. like that i learn, no? - well, i mean it's pretty early, why don't we all go to another nightclub? - maurice, i would enjoy very much going to another nightclub with you. and i would enjoy very much taking with us the young lady, miss livingston. mais se temps benny. (laughter) (speaking in french) - oh, but i cannot do what you suggest. you see i've known him for a long time. i cannot kick him in the pants. (laughter) (speaking french) - oh, no, no, no, you he would kick back. (laughter) - [jack] hey, hey did you watch us?

why are you back so soon? - oh i thought maybe i oughta spread myself around and dance with somebody else. - that was my idea. - [maurice] great. you know mary, i've known jack for many years. and although he is what you call in america "cheap," i still like him very much. - well there's something i'd like to tell you maurice. you know everyone thinks jack is very stingy. but deep down inside he has a heart of gold. - gold? he's got it inside, too? (laughter) - see, i made you laugh, mary. i'm a comedian, too. mary, before jack comes back, i'd like to ask you something. i know, i know that he is telling everybody that, that he's 39, you know. but how old is he, really? - well, if you don' tell jack i told you, i think he's as old as you are.

- how old are you? - 41. (laughter)

(light orchestra music) (jack humming) happy - jack, i knew we should have gone home with maurice and lorraine, but not you. you hadda hang on til the very last minute. - i was having fun. - the street are so deserted, jack, we'll never get a cab. - oh, we'll get something. (banging noises) - hey mary, look, we're in luck.

- [jack] yoo hoo! (laughter) (laughter) (applause) (lively orchestra music) [theme music playing] [hammering table]