tv Eyewitness News at 11 CBS October 27, 2014 2:05am-2:36am EDT
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>> it's so action packed and i want to ask you about the training that you had to go through. i lot of commitment to doing this love. >> yeah, commit and love. the directors had high ambition for the action, a lot of gun play, a lot of tactical training and techniques trying to mix different kind of tactics and training. >> chad and dave have a history with us and they were helpful if that respect and everybody else on the team was. it's like a dance, you try to make the other one look good. judo, jiu jitsu, gun for. >> what is gun foo. >> just mixing the tactics of a gun with maybe some of the martial arts. >> we took sort of tactical gun work and mix it had up with judo and jiu jitsu. and made it what we call gun foo. >> people keep asking if i am back. yeah, i am thinking i am back! ♪ ♪ >> the film is very gritty and very action packed, but also
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funny at the same time. was that something that you guys kind of implemented? >> i am glad people laughed at the right times that we want they would to laugh, which is good. >> yeah, i think we wanted to create a tone where we knew the audience could have fun and go along on this cathar i can ride with john. >> they really want today talk about a lot of the motifs of fate and crossing over, and past and who you are, you have become, who do you want to be and, the worlds that they create. the languages of the world and the individual style. >> i i am not afraid of john wick. >> uh-huh. >> do you believe in fate. >> josh, fate. it's like one of those tricky ones. >> sometimes i believe that everything happens for a reason, though. >> or you can get a reason out of anything that happens. >> because i make up my own reason. >> as opposed to having a reason that's given to you, maybe there
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is a reason out of something that you can unwind it and see, as opposed to it being handed to you. ♪ ♪ ♪ ♪ stay tuned, jake gyllenhaal and rene russo explore the seedy under belly of television journalist in "nightcrawler." >> mike the keyed un, emma stone star? the black come by "birdman." for more of what's hot on screen check out madeinhollywood do the tv. >> i am jake gyllenhaal, welcome to "made in hollywood." ♪ ♪ ♪ which is growing the crispiest, most delicious apples. and we just can't wait for you to try them. that's why we work with walmart... they help us deliver only the freshest apples. picked by farmers. guaranteed by us.
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♪ ♪ ♪ a driven young man struggle to go find a job stumbles upon a lucrative career prowling the streets as a la crime journalist in "nightcrawler." >> hey, everything, i am jake gyllenhaal, welcome to "made in hollywood." and here is a scene from my new movie "nightcrawler." >> go around, gets a shot signed the car! >> hey, baca away. >> i got it, i am back. >> will this be on television. >> morning news, if it bleeds it leads. >> are you currently hiring? >> i feel like a bit of a nerd when it comes to this character because i am really interested in the development of how he came to be. so when you read the script is
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br* it just click, did you immediately knew who lewis bloom was? >> i mean, it was very clear on the page. therthere is something sort of y head as a read it. the script was written like a play. in the case of this, it was my bible, you know. one of the very first lines he says is i was under the opinion that this is a detour. you know, it's like what? what? you read it in a, you know, somewhat sane, normal mind set. you are like under the opinion that this is a detour? but he sort of waxes over it in this way that people don't really register that he's
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telling them what he thinks, not what is. the. >> excuse me. i have something you will be very excited about. >> you have a good eye. i want you to contact me when you have something. >> something like this? >> think of our newscast as a screaming woman running down the street with her throat cut. >> you will be seeing me again. >> works, it's news station, i've got to go inside of it and see it, but she lives in a pretty dark, scary place. so her world is one of day-to-day am i going to survive, am i going to pay my rent, a am i going to lose my health insurance, that's where she lives, that's who she is, and i think everything that happens comes from that fearful, scary, fear of loss place. so it can't be a good place for live. >> i want something people can't turn away from. >> 911, what's your emergency? >> there is this idea of society and you know, the green lawns of l.a. and trying to bring convention onto this desert, you know. and then at night, when everyone has gone to sleep these animals come out and some of those animals are, you know, the coyote which is a staple of l.a. in general. and the coyotes is starving and ruthless and there is a strange kind of fearlessness for a coyotes, no matter who their opponent, is even if they look at a human being they can stair that's down, we louisiana bloom
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is the coyote. >> we are going to find the person that drove that car. start filming. >> it was there from a beginning in a way signed it and we just had to unlock it, that's how i had this -- i could see it. i guess abstract i could see it in the distance i just had to make may way towards it. >> we want all of it. >> oh, my god. ♪ ♪ ♪ in "birdman", a washed up actor famous for portraying an iconic superhero attempts a comeback by writing, directing and starring in a broadway. >> a hey, this is edward norton here with emma stone. >> hello. >> muyco tar? "birdman." you are watching "made in hollywood" and here say scene from the film. >> we had it all. you were a movie starching remember. >> who was it guy? >> he used to be birdman. >> i like that poster. >> you wrote this adaptation.
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>> i did, yes. >> and you are directing and starring in it. >> yes. >> you are a playsing in in movie. >> thanks. >> there is no denying the similarities between your character in this movie and -- >> oh, yes. >> you in real life. were you he's taint at first to take on this really in addition any. >> no. because he's a really good dribble tour and made great moves so you know that you will be in good hands. >> people will say that you are doing this play to battle the impression that you are a washed up comic strip character. >> absolutely not. that's why 20 years ago i said no to birdman before. >> my character, laura is in a deeply dysfunctional relationship with michael keaton's character regan, she followed him to new york to being in this raymond carver adaptation with very little interest in the work or the process and, of course, it doesn't work out the patients. >> now you are about to destroy what's left of your career. >> lesley, the character i play, is just an actress whose childhood dream is, you know, always been the same, and this is as close as she's ever gotten. >> you know i am right. ♪ ♪
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>> hey, what's up? why don't you try to rest a little bit. >> the films generally allow for multiple interpretations, what are your interpret tapingses of "birdman" and your characters? >> that's a good question right off the bat. >> thank you. >> i am still thinking of about the movie. i love when a movie is open for interpretation, i think it's a really kind of a -- it's hard probably do because you don't want to leave it too open. and he leaves it just open enough where, what what happ what was that? what does that mean? >> is that in his minds? >> it's ultimately about a character that michael keaton plays who is having a midlife crisis and really at odds with the desires of his ego versus his sort of nobler ambitions. >> so many of his films are interpreted many different ways. and i think all of them are
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true. there is a lot -- there is a lot of themes running through this movie. but i guess the core theme would be struggling with your "birdman," your inner "birdman." >> face it, dad, you are doing this because you are scared to death like the rest of us, that you don't matter and you know what, you are right. you don't! >> the film seems to be one continuous shot and that's why you say that it is obvious that it was really hard to make when you watch this film. >> it's hard on a lot of levels. the character has to go through all the emotions, sometimes within 18 seconds. but, yeah, that was also tough. how to choreograph all that. tough ore him than anyone else. on the director. >> let's make a comeback. >> that's what i am talking about. >> you are "birdman." >> but what does that mean to you as an actor. describe doing even just one scene for me, what's it's like. >> challenging and fun to see if you can do it. and you are all in it together as a team.
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because all the other action, to certain in the same boat. it's not me. it only works in naomi is right on and zach is right on and edward comes in at the right time and fortunately, you know, i had all these great actors around. >> 15 pages of dialogue, seven characters, five stunts, three light changes, you know, so many things could go wrong. it's very scary, but at the same feels like impossible, it becomes very liberating. >> it's about being respected and validated, remember, that's what you told me. >> i have a chance do something right. >> i think alejandro just really likes to dig in to the deepest like fundamentals of the human heart and -- >> when & once you hit the deepest level he likes to go here. >> yeah. it's intense, intense, intense. >> and then it goes on again. and that's the same we have that effect on him, his character, and then he is dragged back in to the madness.
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>> it's that kind of moveism people see all kind of things and they just don't read them in to it and make it up. they see things, when you see it the next time, you are going to see a whole another thing. >> let's go back one more time and show them what we are capable of. ♪ ♪ coming up, the dramatic thriller "white bird in a blizzard" features shailene woodley. >> hey, i am shea mean woodley welcome to "made in hollywood."n hollywood." ♪ theme music ♪ theme music >> promotional considerationonon this is what we're giving out? yup. i love kit kat & reese's candy. have fun trick-or-treating! trick-or-treat! have a monstrously big halloween with your favorite hershey's candies. walmart. ay... sometimes too close, which means we're always getting into each other's hair. that's why we use head & shoulders.
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about her mother's mysterious disappearance four years earlier in the "white bird in a blizzard." >> i am christopher malone and i you are watching "made in hollywood." this is a clip from knew new movie "white bird in a blizzard." >> that boy next do love him? >> none of your business. but then one night that summer, everything changed. i was 17 when my mother disappeared. >> the character cat connors seems almost unfazed and disconnected. why was she like that? >> i think that often a coping mechanism that we put on ourselves is numbness, pretends like you know, nothing -- it doesn't affect you at all. and i think part of one thing that i really love about this movie is i think often when we return from things in life, or when we actively run from things we think about it so much, that we actually are running towards it. >> one day she was there cleaning making dinner and the next, she was gone.
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>> the betrayal of the the suburban housewife, what type of wife or mother was she? >> i think she was a woman who had a templet for what she was supposed to be and a certain day and age, but i think that day and age had passed. so i think she was ill equipped to make the changes necessary. and i think she slowly from this perfect place it slowly game her cage, that's how i viewed? >> what kind of mother would do something like that? >> i hate to tell you this, hundreds of wives gomezing in a week. >> this book i just found it so poetic and just such a beautifully written book. and the story of it just really haunts my. it reminded me a little bit of "american beauty." "ice storm." the story of american families and suburbia and the american dream and the idea that maybe everybody's not as happy as they think they are or they project
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to the outside ward. so it was kind of that dissection of suburbia that really sort of attracted me. of the. >> there are times when i thought she was really mad, she was going to burn the house down. >> pass the butter. ♪ ♪ >> not like she wanted to have an affair or something. >> could if be that that's what she was doing? >> anything is possible, right. >> so what else helped you tap in to your character? >> because i would just think as an actor he would be someone fun to kind of get in to his mental psyche? did you enjoy -- >> it was not fun. [ laughter ] >> but, you know, in retrospect it was a lot of fun. but, you know, it wasn't -- in the middle of it it wasn't really particularly fun. it was just, you know, really good to go back to that day and age. it was fun to grow the mustache. it was fun to play that emotional state that i thought
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was very different than how i interact in the world. the clothes were cool to put on. and i love sitting on all that furniture that was outside of my, i don't know, it was crazy. >> greg, i mean, he really helped me a lot in getting to know who she was and also just at times, i wasn't alive in 19888, and so that was something that i knew the music a bit before we did the film and was familiar with it. but really getting to know the atmosphere, you know, they didn't have cell phones or walk man and things like are probably normally for you -- >> the walk man, what's that? [ laughter ] >> i actually group with a walk man, c.d.s did not exist until i was like 10 or 11. but we just couldn't afford them, make that's what it was.
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