announcer: funding for the kcet "fine cut" series is generously provided by the bridges larson foundation. ♪

[slide projector clickg] doug: for half a hundred years or so, we watched the ice of sperry go from the stairway carved in the mountain wall to the place where bearhat watches all the waters of the ages fall, like teardrops down the face of time, where grizzlies roam and white goats climb to avalanche and the lakes below, where the trail begins and the waters flow to columbia and their destiny, home at last in the quiet sea.

"doug follett is the kind of guy people like to be around. he'sharming,itty, fuy, and kind. knowsis histo, lovenature, d writesoetry. a coersationit rangeroug eay this augus anged my life. i am forever grateful to ranger doug. jill shearer." thank you, jill.

[train hn blowin ug: "erything have wor. my eyes ter, my se runs, i drood and t my pan." everytng but e wet myants. i han't reacd thattage ye and i avery thaful. thk you, oreat spit, for the ttle gif you giv hi, girls. howre thing jen: dyou feelike doing on or do y want toust watch? audr: he's t story tler. 's the htorian, how i uld descbe him t otr people but me, he'my dad. ha! aughter] doug: i ve to member tkeep smilingif i d't smile i ok like e mill tes of you kw wh. deis: everody knowhim

who'lived he. and i ess justnong him i woh somethg. billi would fine douas e in aillion. he is icon he in town but in gcier par you can belie how pele are attracted him. jen: he rely wantso impart fantasc memori for peoe. je he wants to he people walkway and , "i want too somethg that'lmaintain thnatural rld for ." he start at glacr park wn i arted fit grade,n 1961. so we spent our summers in glacier park and our winters in whitefish audrey: and he would go off and be a naturalist. he was still our dad, but we ew when was in iform, h s the naralist. jen: iwhitefis and glacierark, we'vseen maj changes we did a lot of hiking in glacier park. we were hiking on glaciers.

10 years later, 20 years later, and they're gone. to watch the ice disappear has been really unnerving. ug: i'veeen walkg this ail for years. woman:eally? do: d i walk the sperry gcier ove20 years it melted back half mile. i saw thfirst siinches o rerock onepring, a i sai "that' be vered upext ye," like was teing mother nate. "co on, ore won'have glaciers re." d nextpring, tre was not x inch of rerock. therwas six et. next yr, thereas 16 fe, and body w mentiong climatchange. itlyn: ctainly, ere is

close li between acier chge and cmate. caitlyn: there's usually a ry tightelatnship between w warm iis in the smer and w much the glacr melts. here aglacienation park, we seehat overalfrom 1966 to 2015, ery sing glacier contracted in size. these aciers a numerou ough worwide thathey tually do ntribute to global sea level. another more regional impact, water resources locally are dependent upon and fed by glaciers. this is why we're all connected to glacier change. doug: ohi haveeen

e giantsall, to lieeneath t cedars ll and tch coldaters cay away thelaciers' lifeblood day by day. jen: there's a gcier in icend that ey have oicially claredead and at they'put plaque oit. th said,well, whwould you do plaque? evybody kns that is glaciethat's dd." the plue is fothose do the roadand thplaque ss, "if u read ts, you'lknow why were gone." doug: and when the glacier is totally gone, the waterfalls will be gone. the problem is that it's late. jen: but don't you think something can still happen? i mean, you have to believe that we can--if we took an opportunity, we made the opportunity, could me it--

we could make a change. doug: anhing you do is better than nothing. jen: yeah. thinking about a future where things will be changing, and maybe what we need to hear is some of the stories and the philosophy that doug has and has always professed about nature and protecting it. [ducks quacking] do: i felt whei was lile th i was at the boom of tall ladr. and li was gre because on the rgs abovee re all kds of pele who were oer than was. i ndered whait woulde

likeo get tohe top rg, whenhere wasobody el inront of , and that where im today. doug: we, th is mountainsh. not on is a mountn ash, it a foltt ashecause t asheof the fily are re, lot of u so thate can se the la, where have spt a fetime. xt time u come, o knows? u could coming re to se nger dou thiss one of mold frnds

here, is giantottonwoo for half century we led together the alanche ail, d it finly gave d decideto lay dn. i rela to thos i manot be lng alg the trl, t i haveaid farell to ma of thoseriends omine at are. want twalk oveto arden? this way. n: yeah. u've kno arden sincyou wereive? ug: he lived aoss the reet frous. arden waed to stt school withe, but hwas a ye olr, and hflunked ck in the fst grade in order to start school with me the next year, which is about as much you c hope for.

jen:eah, thas called a decated frnd. dougyeah, th was dedated [jenaughs] do: and himother dd ative, and he camever and asked mother she uld be h mother,oo. heh! how'thator a teajerker? yeah, weere thatlose tha ng. i knewe was in bad shape. and he died. and he asked for me. he said, "where's doug?" and i wasn't there. so i wld say tarden, "st wait. ve your ke, ani'll seyou, anwe'll do the ceks again d again d again.

jen: y were in living, not dyin dougand thatas the pblem. je no! the's nothi ong withhat. ug: i vited the her nigh wi a frienof mine, whenhe moon s bright a iend whoits on a ctus tal and frothere, can hearim call. i haven't seen my friend since then, but he tal to me ery now and en. whene do tt, it see so righ st you and me anthe moon d the nit. [slide proctor clicking]

jen: well, there's a classic. doug: it could be a painting, uldn't i jen: wre very are toeep taing abou thstories d repeatg the sties thaty father always tls to thyounger nerationo that ty have at feeli that the people e still ere. at oneictureack there,hat'you and den. i can denitely igine shang e storieof my da lebratina life tt someon s lived what weind importt. do: my dads carryi somedy anmy motheon the rht. woman: yea.. whoohoo! doug: followedn awful t ofther ranrs, and i pe that kept up that hitage th they showed m and i he that i haveassed it on to oer generaons.

caitlyn: i was on a boat tour with doug, and his accounts of sperry glaciereally ki of oadened undstanding hearinabout it from somebody o'd be visiti that si for man decade thers definily sometng poweul abouthat we'r witnesng with e changi ice acro this lascape anacross our plan that i ink is importt to conct to. dougthat even ough it a tragedwhat we ve done to t environnt, i have t highestope thathe younger nerations are aware of this, and i think they are woman: tnk you. won 2: wel thank y for sharg your sry with . woma3: thank you, ug. do: bye. b. man:ye, ug.

woman 4: tnks, ranr doug. jen:nd i thi that's probab what i' carry o that coitment tnature a hoimportanit was thim. bi: talk aut eroon and weatheri, anhow the mountainare breang down. well, wh doug lees, it'lbe just liklosing aountain, just like losing a legend. denn: he's uque. whehe sses awa there n't be ather doufollett arnd, i'll telyou thatight now i an, therll be a t of dennislsonaround bunot dougolletts. dougwell, thlast wor are in poems. th's what ey are. theyre... my memies of life. doug: co back ineptember myavorite me of thyear, whenhe sun iwarm and thsky is car and a

e soundshat yocan hear walkith me wn the noh wis blow a whisperf the cong snow,ossing golden leaves high summer ds a sadood-bye. thesand othethings yoll see if you will come and walk with me.

woman: hi, naomi. woman 2: hi, naomi. naomi: how are you guys? woman: good. wait. so much louder. naomi: so, i want to hear about the story of how coronavirus affected your relationship. sydney: i sneezed on zoom, and she said "bless you" on the zoom dms, and then we started joking around. vivian: we kept talking for, like, months and months and months.

and i made her a powerpoint, and i, like, sang to her and asked her to be girlfriend. sydney: and she was like, "reasons why you should be my girlfriend," and that was about, le, two weeks after weet on zoom. vivian: and that's kind of how it happened. [singing on video, indistit] ♪ there is no one there to dry your tears... ♪ it didn't feel like i was missing all that much, or, like, that much shifted when we, like, finally met in person because we had already established a really, like, caring relationship just over talking. i'm, like, mexican. i'm gay. i think, like, there's a lot of time where i get the sense that i need to, like, perform really well academically or socially for people to, like, accept me. and with sydney, like, i feel like i can just be myself whenever. i think she just, like, accepts me wholeheartedl and i've never, like, met anyone who makes me feel that way. sydney: i love you so much, vivian. i'm so excited to be with you,

and i can't wait until you're here. and i don't know. she spends a lot of time with me, so i'm very thankful that, like, you choose to spend your time in that way because it means a lot to me. yeah. [laughs] julian: so literally, it's one thing to visit your significant other's parents' house. it's another to, like, half move in. izzyi did not know them very well before at all. i, like, visited, like, once right, before. and so then i, like, walk in. i'm like, "hi." so, it's his mom, his dad, his sister, his brother, julian, anthen me and then the dog. and so it was just, like, i felt b for, like, adding another pson to this, le, house that during just the most stresul time. if you are in a relationship and everything takes place within a home and you're, like, need to stay in the same bubble and do everything together, it's just like you are, like, living a different kind of life together. because everything's

more together, i feel like it does make it more mature for sure. like, you age, like, 20 years. julian: i have never felt butterflies like i've felt for you. izzy: aw! that's so sweet. julian: really. izzy: i love you very much. [izzy chuckles] jack: my parents' reaction? oh, kind of brought it up slowly. i was like, "what i left the couny?" and they we like, "jack, you have to be kidding. there's no way you could be leaving the country in the middle of a pandemic." and i show them the plane ticket, and i'm like-- and they're like, "jack, you are not getting on that plane." and then i'm just like, "and what if i booked an apartment, and what if christy got a plane ticket as well?" and then they're like, "no, not happening, not happening." and so they didn't really accept it until the day they were driving me to the airport. not ny places will take a chinese citizen and a u.s. citizen at the same time. so dubai was, like, just kind of the best option for us. at the beginning of our trip, we

hawedding ngs because it's illegal-- it was illegal in dubai for unmarried uples to live together, but then they changed the w. just f us, i think, actually. here's o of our wedding rings from when we were maied, t we have since become boyfrnd andirlfrien without the process of a divorce. [chrty laughing] christy: he requires a lot of "me" time. he doesn't want me to st with hi like, 2hours. he will go to a different room and watch, like, "star trek." jack: ok... christy: i w like, "cayou comeere?" he's lik "no. chriy, it's mtime. sorry. me time." jack: ok, literally, like, one hour in, like, a 72-houreriod. chriy: it's literally long. i just feel li we care aut each other more, like, in a deeper level because, like, of course, like, living together, like, who's gonna, like, cook? what if, like, you feel sick? who's going to take care of each other? and jus like, all the small stuff and detail i feel like--it feels like

we'r like, married in some ways. ck: oh, does it? christy: yes. jess: we've been dating since high school? amine: maybe, like, six years now? jess: yeah. it's 6 years. heh. everyone is always asking, "what's your next move," right? like, "what are you doing after graduation?" like, "what are you doing with your life? what's the plan?" what are you doing? da da da. i think the pandemic has allowed us to say, "i don't know," and that be an acceptable answer. amine: that is very true. jess: and i think in the sense of our relationship too, like, before, it's like, what's going to happen? like, you know, what's your future? what are you doing? where are you moving? and now, it's like, "i just don't know," a that's ok. and i'm just with someone that makes me happy and that i love, and that's all i need right now. i don't think that means there's less or more seriousness. it's just shifts the perspective of how we're looking at our relationship. amine: i think the pandemic maybe just gives more-- it steers the changes in

different ways. i think, in relationships, you always need to change together. jess: yeah. amine: and, like, whether you change together or apart, you know, life is about change. jess: i've always kind of loved my support system and, like, love my friends and familynd amine. and i feel like the pandemic heightened those relationships, and you, like, really saw explicitly how powerful having those people just there for you, not physically, but just there for you. they're thinking about you. they're calling on you. to me, it just strengthened my idea of what relationships mean, i guess. i don't know if that makes sense. amine: no, for sure. ellie: i think when all of that went down, i was thinking like, "ok, we have a silver lining. like, i'll get to spend all this time with ella. like, that'll be great." like, if everything else is falling apart, at least i'll get that. but then parentals were like, "psych. no.

yoare noallowed to see each other." ella: we had been hanging out in person, just, like, wearing masks and stuff. ellie: yeah, like, staying 6 feet apart, which was, like, so hard. ella: yeah. ellie: like, that's just a completely different way of interacting with this kind of relationship, if you have to, like, not touch and, like, stay really far apart. ella: ellie's really, like, cute. she's, like, a really good writer. and like, so, you know, she's, like, emailing me poems. at the end of the summer when we were, like, both emo that you were leaving, she like, mailed me--even though we are, like, in the same place, she mailed me these little--they were, like, comic strips of, like, the summer, like, different things that we did that were really, really cute. and i feel like you're good at things like that, just, like, taking time out of your day to, like, i don't know, pick flowers off the street and, like, press them and sendhem to me. when yourelationship transfers to, like, facetime or something, you spend l your time talking. it's a very intimate way to get to know someone, which was surprising to me, because i feel like i associate intimacy with, like, being togeth and bei

in the same place. but one year together and in the same place, you can kind odo your own thing and, like, still spend time together. but one year not in the same place and you're spending time together, like, you're just talking. ellie: it's like, reallyoncentrated. ella: yeah we are gonna kind of break up when we go back to school. you know, when you're with somee when you graduate, like, often people are, like, moving in together, like, moving to the same city, and, like, applying for jobs in the same place. and, like, i know that, like, speaking for me--and i think it's the same for you--like, no person would be great enough and, like, no love would be greaenough at this point in my life for me to really be willing to do that. i just don't think that-- my personal growth is there. if it hadn't been for the pandemic and, like, the pandemic would not have-- i wouldn't have experienced the pandemic the way i did, if i didn't spend every second with you, which i did. and i think that every time i look back on this relationship, it's going to be both a lot of joy and a lot of, like, sadness

just because of, like, how the world is. it's all bittersweet. but i also feel like, honestly, almost all memories in life are like that. and, like, good things are most alwaybittersweet in retrospect because like, they're not happening anymore, you know? jess: we have been through a pandemic, you know. that's not something any of us is going to forget. izzy: this is how love feels like to me. whee! ha ha! ellie: if we find our way back to each other again, then we will. go, team. ella: ok.

woman: so your uncle's going to tell you what to say, and we want you to say it right back. uncle: ok. livi: um, i'm good... [indistinct] wait. e screen messed won: don'touch it. child: wt. the seen's messedp. woma it's fine. livi: hi. my name is livi, and this is my dad's film. [typing] narrator: interior kitchen, morning. myrtle30, larg curly hr, white, bton-up clared sht, lf tuckein, olivwide-leg pants. myrtleats toasand chs tea, tuckin her srt, kiss her husbd and so-mwah, mh-- rush out theoor. "got to , guys. m late. love y." duke, 31myrtle'susband, stubbl hair, unkempt beard, wears robe, gray sweatpants with coffee stains on them,

and an old blue sweatshirt. "what? ok. bye. have a great day." duke sits at the kitchen table, hunched over, bags under eyes, sips coffee. [slurp] "she's always late. at least she remembered her--oh, shi...llelagh! heh." duke looks around, notices myrtle left her lunch on the kitch island. aiah, eit monthscurly afrowears bi yellow jamas, ana robe. rows chrios in s high cir. "i mea oh, no. du takes aerious deep bath... [iales, exles] walks to t light stch, dimsight. [gong] the rooms dark. he lights a candle, walks towards isaiah. duke lifts him out of his highchair, places m on the floor. [gong] duke sit

isaiah looks confused. "son, mom left her lunch, which means she'll cave and eat at steve's cafe. we can't lethat happen. last time, they gave her food poisoning. she hogged the toilet all night, like a koala hugging a tree." he motions to myrtle's lunch. "i must take her these leftover oxtails, rice and peas. we can go together and deliver her lunch, or i can call your cousin mariah to baby-sit you." "oh, no." isaiah crawls back. his eyes widen with fear. interiormariah's roo flashbac mariah, 13, large curly hair in pigtails. wears a grn sweatshirt with a rainbow on it, holds isaiah in one arm, a wl of food in the her. e feeds aiah a be of foo in fro of her bcam, a ptop scen in frt of the mari's youtu chann: "so heo, chefsi've bleed

together carrots, fish oil, wheat germ, chia seeds, and prunes." [isaiah groans] interior, kitchen, esent, morning. isaiah makes aucky face. duke places a ball in myrtle's lunch in front of isaiah. "choose the ball, i call cousin mariah. choose the bag, and together, we will take mom her lunch." isaiah looks at the ball with excitement and crawls towards it. [baby talk] narrator: duke looks shocked. isaiah changes directions, crawls towards lunch bag. duke half-smiles. [baby talk] naator: inrior, for, rning. ey changclothes, ad towar the doo duke grabmyrtle'sunch, ples it in large te bag, ss isai in a bapack papse. [bolt iturns in ck]

"let's roll. don't worry, son. we can use our imagination. this will be a fun adventure." isaiah: mom, mom, mom. narrator: exterior, outside of house, morning. theyxit the use. nd picksp. snow ts the ground. ke pullsut a woo poho from e tote b, wraps around em. exrior, sny hills, moing. snow is everywhere snowountains pile up ey climbp a hill so snow hi duke's ce. he cches a swflaken his fier, showisai. nothing but snow. duke squats down, draws a face sticking ittongue t in the snow. isaiahaughs. isaiah: ba ba ba. narrator: duke sees a forest path. the snowfall stops ke enters the forest.

teriorforestmornin duke andsaiah wa thugh the ss-cover forest. birds chp, fly ay. ra hits thground. isaiahtickout his nd to feelhe rain. duke picks up a ick, uses it to walk, points outn eagle's nest to isaiah witht. a large earthworm on a log covered in mushrooms. the boys walk and walk. wi blows sand everhere. [gon teriordesert, mornin brightun. ke swes. li: it's hot dayut. narror: nd for mes. dukend isaiawalk up a lae sand hl. theyass a cal. the wi picks u [gong] ke covers hiface from t sand. they rch the t of the ll.

they s a large, hazy building at the bottom of the sandy hill. they wk to thearge blding. narrat: they enter. inrior, loy, morni. ke shakehimseland isai, takes f the poncho. snow, water, and sand fall on the entrance mat. duke turns to isaiah. they smile and give each other a fist bump. myrtle sits at her desk in front of them, office phone to her ear. "hold on. i'll transfer your call." myrt looks up, runs over. "what are you guys doing here?" "you forgot your lunch. we thought we could have lunch together." "loo le you ysad aeal adventure. "ha! we sure did." duke and isaiah sme. "youuys are a trip.

let's eat in the break room." inrior, brk room, afteoon. dukeakes lch out of thbag, setsood on t table. rtle hol isaiah the a in excitent. myrtle feeds isaiah cucumber slice they enjoy their lun and laugh. narrator and livi: the end. marvin[indistit] eula: the answer is no. 's on yo phone, ney. marvin: ♪ i really miss my homies even though they went away and they're gonna see a brighter day ohh ♪

eula: excuse me. marvin: ♪ there's never been a girl... ♪ eula: this one? marvin: no. [rocking chair rocking wood flr] woman:e"... ". "e-r-y." "every d-e-a... dream. h-a-v-e,ave...

i-s, i.. i-n c...o... is in lor. e-a-..each, c-o-o... ch color-e-p-r-e-e-n... reprents s-o-m-e-h... each cor reprents someing i-f-f-e-.. somethg different."

"w-h-e..hen i l-a... leave a-p-a.. when i lve my aptment, i b-e-l.believe th my s-e.senses will ba-t-t-a-k... tacked." remy: wh. n: ...itarmed . man 2:eady to .

hudding arby] [indtinct coersation [deve whirng] [indtinct coersati] [sg pling on rio] [silen] [thuing near, muffd] [cutlerylatterin [d barkingtraffic ise] [vehle horn nking] [toyqueaks] won: "i dot h...ha a...

i-s...dibility wn i h-a...have a... p-a-n..." wh you hava paintbsh inour hand. man:hat colo would y like to use? l-a-e-n-d-e- lavende yes. a right. i can stt gettinthat rea. ishis the ght laveer? lap] ye no? justook at i ? ok. i' pick ou a fferent e.

ft hand,lease. man: "i o do my t to h-e..elp p-e...pele underand e beau a-r..round th."

woman: "truly, the transition is the hardest part of my life." ma get your hands all t? there we a. in the mdle of aainting session,eremy. wh's goingn? 3, 21. t me knohow i cahelp you toither std up or lax. [sech contues, mfled] ok, let try to lp you stand again. ur body gets stu sometimesn the morning. 3... .. and 1.ou did i

2. inow yourands aretuck. 1. the y are. get me paint there u are. awese, jerem awesome [thu moreaint. [thu doou want more pai? yes? n remy: [iistinct] n: no. dyou wanto pat another wa "no. i tnk i i-..." tt there.

"n-i." "i ink i finied." we, awese job, de. you did great. 3, 2, 1. we jushave to ean up, and yore all de. l good? ce. woman:i c-o-m. i commicate througmy, frany, nice." man: butiful. won: "...tough my ce paintis."

[indistinct chatter] [yawns, speaks indistitly] [belrings] [jumbo squeals] [yells]

[indistinct chatter] [jumbo yells] [splash] [jumbo speaking, muffled] [chattering excitedly] [jumbo yls] [indistinct chatter]

[chatters] [chatters] [chatterin indistinct] [whistle blows] [speaking in native language]

[indistinct conversations] [teapot whistling]

[jumbo sighing]

[grunting] [boy chuckles weakly] [inhales and exhales] boy: wow.

[man coughs, clears throat]

[boy chuckles]

[whistling on soundtrack]

announcer: funding for the kcet "fine cut" series is generously prov■x■xñ■ñ■acomomomomom#o7ñ;ñ;k

- hey, i'm valerie june. coming up onreel south... [soft vocal harmony] america's complicated history is brought to life in photographs. one southern photographer captured seminal moments. - [burk] the are e contacsheets. th is mart lutheking'srabody n captured seminal moments. anbeing fln to lanta toe buri. the are thfolks ouide the lorine mol, where was killed. - aler] momes at forcehim to reckon with deep-sted prejudices. - [burk] you start out, perhaps with the mind, and an idea. and th all thafiltersout th. tranates to e heart.