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tv   Occupied Minds  LINKTV  April 22, 2022 3:00am-4:01am PDT

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announcer: funding for the kcet "fine cut" series is generously provided by the bridges larson foundation.
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woma what's xual assault i mean, w do y know if mething s sexualssault? won two: wl, there sex you regret, d then tre's rap won: how c you telthe fferce? womatwo: dide ask foyour coent? d you feepressure
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or uncfortable woman:hat if y can't remember woman tw you don remembe you cat consenif you'rnot consciou ma what ifou seeme cocious. woman o: how wld you sm conscis but nobe conscus? woman:lcohol. won two: dyou wanto talk about wh happene ach: whahappened woman: lost myoncentraon. coach: wk it off
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[iistinct atter] [iistinct atter] n: hey, mpy. woman: t. ma come he. woman:h! ha ha n: wa! woman: wt, jasonmy legs, jason. son: my nts are lling. man: de. jason jason: lies! par at my pce tonigh you comg? profsor: thebserver fect. sily obserng a phemenon
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chans that pnomenon.nce we desire tknow somhing we impact t object our obrvation. most pround irony.t raiseshe questn how we accot for ouown imct? is wt we s trulyhe ll storyand most portantl can we ust what see? [music plang loudl [suting] man: wo! man two:hoo-hoo-o-hoo! [bee [indtinct chter] [music ctinues] won: hera.h. we thght you wereera.
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cassandr no. casndra. won: well,f you sehera, uld you leher know that it her tu? son: ha! come ayith us! cassana: jason having n. woma boys ju want wh they can't ha. jaso ooh! woman: do you nt to jo? ssandra: got praice in t moing.ey, and do you, jason. jan: thank mom. ohh! ssandra:h! [mic conties] [laughteand chatr] hera ra? hera!
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hera! hera: . cassana: you psed out. ra: ... did. diyou do ts? cassandr no. i w at the brary. hera: lily story [vomit oughing] man: i g those. woma heh heheh. n: theseren't mi. woman:ll rightwe're do. [music pying] [indisnct chatr]
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[door ndle rtles] nock on or] cassana: i'm lked out. [wan sig] woman: a right, be. i' be right ck. member oentationalways ve a par plan. cassandr yep. i'sober. woman: yh, yeah,eah. mmm ra: mmm. jaso oh! cassana: oh. sry. sorr sorry. [eales]
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[kcks on dr] hera? hera hera? hera: wh? [cheing]
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[door uts] [whistle blows ells rinng] are yocoming tclass?
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aryou ok hera: st hungor. cassdra: i'morry abo last ght. hera: y? what out? cassdra: i dn't meano just wa in. hera: when didason lve? cassandra: u this moing fo practice. herayou guysead over gether? ssandra:o. i left after. can wait hera: u're gon be late cassdra: thas ok. he: it'stupid.o. [writingn chalkbrd] n: as pressor diant
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touched on in leure, the is aertain ftasy thawas ry impornt to prquantum chanicalhysics, e possility of kind of observion th was perctly passe. somhing thahappened a rest of quantumechanics is t understding tha obseation is sort of reduciblviolent ocess. s, jason son: so we no lger lieve in sort ofure observion? man: dcollege udents sll belie in pury? tudents ughing] all rit. let'sake ouour textbos, turn page 89 jason: lch? cassana: i can.
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jason: wt are yolistenin ? cassdra: sto son: heh cassandr um, howhow'd yo t in lasnight? jaso i don'to anywhe i'm nowanted. you sureo lunch? [bells rinng] heh. all righ [bds cawing] ra? ra?
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[footeps] son: whaare you ing tonight? [door ops] hera: nothin work. [door shuts] jason: like th shirt. hera: ohthanks. son: it stracts om whater's goi on withour hair ra: shutp. son: wanto hang t later? herahang o? jason,umbling:eah. havsex. hera: n't. i he a pape jason: o yeah. m too. uh tomorr then? herasure. [dr opens] [indtinct chter] oor shut
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jan: like that shi. ra: whenid jasoneave? ju tell hi- it stupid. son: i d't go anhere i'm t wanted he: did yodo this?id you do this?id y do this? [typin caandra:an we ta? hera: what's up?
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cassandra:m...did u invite jan over lt night? hera: at do yomean? ssandra: just stped out for a mite, anwhen i ce ck, he w here. ra: i'm ally not sure at you're askinme. cassandra: i think he let himself in. hera: um, how? cassandra: i put your shoe in the door. hera: wait. what? cassandra: after y threwp, i--i left to go take out the trash, and i put your sh in thdoor because.. anyhow, when i came back up, he was here. do you remember? hera: did you talk to him? cassandra: no. i wanted to talk to you first. hera: good. good. please don't. cassandra: ok. hera: i st reay don't nt
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peop talkingehind myack. caandra: n of cose noti woulnever-- hera: ol. cassandr so what the dea withou guys w? hera: m? caandra: a you andason nging ouor... he: hanginout? caandra: dyou likeim? he: i kn you guyare fries. cassana: yeah,ut not le that. he: well, at's h deal? cassdra: um,ell, isome ways, 's your pical jo, but 's alsgot thisther sideo him. tnk he's surprisily sensive. i me, nosensitiv not lika girl. mo like... he reallcares wh people ink abouhim. ra: yeahi get th.
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cassandr but, yoknow, th doesn't cuse anying. hera: know. caandra: so if he snk in here-- herasnuck ? don' serious, don't.ike, whatev you're nna--jus plea let's jt drop i this is jt, like, stupid ing. caandra: fe. hera: just wt to dmy work, ok? i ha this par and a prlem set d about 0 pages ofeading, ... caandra: inow how u feel. you're n alone. he: pleaseon't proct your exriences to me.
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ssandra:'m jusgonna goo work. man: somimes whewe face challeng, we don act theay think wwill, anthat's o cassandra: i don't drink anymore. woman: i'm always here to talk if youant about athing. [bellsinging be gene with yrself. [while blows
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coac how's ts? is? st bruis, but ift starts to hurt,top. he listen your bo. you know t differee, right betweepushing urselfnd hurtg yourse?
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[sighs]
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[horn honking] [tires squeal] [whimpers] himperg] [whimpers] [engine revving] rf] [pants] [rumbling]
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[horn honking] amera bes] woma say hi.
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bye. [celphone ching ad brating]
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[wat flowing [childrechattering]
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[cldren chattering]
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[cell phe chimesn vibrat]
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[sighs
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[celphone riing] [rging sto] [cl phone ngin [ringingontinues]
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[door shuts]
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[bp] [v playing
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[doorattling [pounding]
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ambe eeh! h! ha ha
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woman: i wonder where you went because it's been quite a while. i travel down the road trying to find a way tsmile, looking at the corful rowomes and cloudy sky, wishing my heart wasn't as gray and diled, wishing i knew who you were so i could say go-bye, ani nder the pern walkindown the street did the crime, or maybe the women in the row home smoking into the starry sky. could she be the one to have done this heinous crime? did you
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breain wita bat maybe ur fists? did you even take timeo consider the risk? did the glass shatter all over you or just car floor? it makes me wonder have you done th before? who was it that stole all i had? was it a man who had fallen on rough times? was it a woman who just needed anher dime? was it a security guard working an inside crime or a businessman who worked a 9 to 5 but didn't have enough money to pay his bills on time so he just had too the cre? becau our was wadays a outrages from inflation and the nation's lack of compensation to give 7 billion people on this earth living wages, but when you attered window,ou shatteremy heartyou stolmy stf, a pie of me, d you'll never ce court. sentimental objects and precious family memories i'll never get back all because you chose to stage a attack. i wish the murals could speak to me to tell me who you are, show me want u look le. i ho you're t too fa i look uat the skywishing for a shooting star, for the trees
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to whisper and the lights to guide the way, to give me a sign so i'm nots lost and make everything ok, but i wonder where did it all go? did you sell my clothes a seconand shop? did you sell my jewelry to a pawnsh, or may my stuff went on an adventure across the world a planeo a smal viage in sin, or maybe my sucases got up and ran away. a watch that was given to me by grandpa who has died. where did that go?id you sl it onle? it on truck drivi arod thcity or a trainraveling ross thetate linesthese objects stolen are sentimental to me like jewelry that was gifted from now-dead family. special memories are bound to these objects i've had, and i know objects are just objects, and my memors are forever. that's why i hope with all of my heart the objects stolen i hope are withood famies, mang new memories, and they get a fresh start, but i c't help but wonder where did they go? how did they g there? i guess
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i'll never know. lion: huh? [romantic music playing] [indistincchatter] [heart monor beepi] anteaterhmm?
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oh! ohh! dog: ohh anater: ohoh! [sighs] [hard rock music playing] [car engine revving] fox: and so toy, i'm gonna show you 3 stylish ways to imprs the [bleep] out of her. number one, do 100 pushups a day. [antear groaning mber two, make sure you sml good, and number 3, get a mustache. anteater: hmm. [birchirping birdhmm?
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anteater: hmm? dog: huh? ohh! oh! heh heh. [camera shutter clicking] [video game beeping] anterson: ohh! dog: ha ha ha! [gasps] [slurp] anterson: hmm? hmm. hmm? hmm? [gags]
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ech. hmm, hmmhmm? oh, oh, ohh! ugh! [sffle] hmm? [crunching] [gulp] [blows nose] squid: ah... choo! anterson: huh? oof! ugh. hmm? [d chewing loudly] [antersosighs] err. err. hmm. [chewing loudly] [snoring]
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[anterson groans] crocodile: hmm. [heart monitor beeping] [anterson sighs] anterson: huh? [sighs] hmm? err! huh! dog: huh? [gasps] [barking [anterson grunting] anterson: arr!
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[birds chirping] [fluorescent light buzzing] [heart beang] [man singing in korean] huh? [ln pantin [ring] [song continues] huh? anting] [sonslows do] [groang] anting]
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ong stop roaning d pantin [buzz] ance music playing] [shivering] [vehicle approaching] [romantic music playing]
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announcer: funding for the kcet "fine cut" series is generously providedo7ñ;ñ;?k÷÷ñ■ñ■ñ■ñ■ñ■ñ■ñ■
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>> how many people are interested in a backpacking trip? we're talking about real adventure. this stuff changes who y are. >> just taking it all in, also mind, power trick i think. >> getting to the top, i felt like ias on top of the world. >> when i get back home, i'm gonna be totally changed. >> real talk, we go! [ambient music] - [announcer]: major funding for reel south was provided by: etv endowment, the national endowment for the arts, center for asian-american media,

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