ensemble of armenian songs and dance hayordik, it was very incendiary and very atmospheric men. why didn't they give the girls a single word? they are not silent, really. this is a way of transmitting information, through it we contact and understand that the movement is changing, as well as dancing, dancing. through the scream they express the energy that is released during the dances alexander tikhonov please for these 3 minutes. it was as if i was transported to armenia to a completely beautiful girl. these smooth movements of yours moved so beautifully, but at the same time.

i really liked the male solo pieces. here is the gas line. how do you perform? that's all, great. it was also with your here these male exclamations. it was very much from the circus. that's it in the beginning you saw each other's church. ask you there those who are standing below there do not get tired, it's just to keep your partners upstairs. are there any limiting factors? that is, those who stand at the top, they must weigh a certain number of kilograms. well, seriously. yes, that is, point first, and only then up there on the shoulders. well, we prefer thinner guys. uh, we put it up, because, well, it's logical, look at 84 kg. i'm upstairs or downstairs in the tower where you are behind the scenes with me federico, we simply wouldn't even be accepted into the team, in fact. that's about the human tower. she was very impressed, because we have never seen such a number in all the issues that we watched. i also really

liked it. as you said, yes, this dance reflects femininity, but also yes, what strength and you know alexei when you often see, and even here the caucasian dances are dances from the south, well, about femininity, very often this is all restrained. yes, smooth beautiful graceful movement and nothing else. and here they could not restrain their cheerfulness. they began to jump up and dance along with all of them, that is, there was none. here is the division yes men. and the woman at one point, you kind of rallied. this is how one people loves each other. and that was a very powerful moment. boris sergeevich, please, precious absolutely charming girls you have. simply amazing plasticity of hands literally like feathers. fly. you know how feather descends in calm weather. here such uh, completely

uninterrupted penetrating plasticity is magnificent. thank you, beauty is hope, in general, these people know how to really respect their traditions, and i am happy for such young people who are now standing in front of us and working in this direction. good luck to you my dears. ensemble of armenian song and dance major dik tun there are a lot of tricks with cards and coins, but tricks with an accordion you will not find anywhere else, except for folk show russia is a country of talents, because our people create the impossible on stage, maxim is such an exclusive from the world of folk music. earth i'll tell you a secret. he is from the city of shchyokino, this is the tula

region, we actually studied together, but at the dargomyzhsky college, tell me exactly how are you? a beautiful instrument, everything is fine an instrument, by the way, from italy to make especially for you, of course, i know almost everything about you, but let's tell the audience. at what age did your hands touch this for the first time great instrument. i was 5 years old. i couldn't pronounce some of the letters yet and already wanted to play like my older brother. such is their mikhail and i was immediately sent to a music school and after 2 years. yes, i entered the international billboard competition and took second place. this is the most difficult thanks contest, only diplomats. so max is there, well done i was, unlike you, for example, i did not compete at the olympic games. tell me how it was i was invited uh to

singapore for the opening of the olympics and it was honest i will say exciting, because i represented our country. it was a big responsibility. for me, you, i stood on this stage with great honor and an incredible feeling, as if it were yesterday. maxim is a phenomenal musician, he composes his own music, he knows how to play on a huge number of instruments and already with big stars went on stage and even with mireille mathieu went on stage - this is love. but, do you like to find babkin 's dahlia, of course, we can argue that. i know you're still doing charity work, tell me i give charity concerts in social institutions. i just went once. eh, speaking at such a concert there, i saw how people's eyes burn and it is clear that a great

desire to live to enjoy is waking up. and now. i want to keep doing this. i believe that every artist should do something, because we have just a real talent with a big heart. let's move on to the presentation. let's please with something for today, and today i'll play, uh, russian dance. figure

second separable sound good

i

don't know maxim like that. thank you very much you are so cool here, i honestly did not have enough. because the fingers run. yes, tell me, yes, only the fingers ran, cool. you said that you compose a lot of your own, maybe with pleasure, but a piece of your own composition.

e. thank you very much, when a charming musician still has such an instrument in his hands, beautiful fingers

run around there. you know it exacerbates the impression. well done congratulations. thank you federico arnoldi. i think the italian craftsmen who produced this instrument built it very strongly. proud of you. and your italian bratello. now he's proud of you too. well done turns with such big eyes. he says how he does it. i say how fingers we agreed on this. i want to say. thank you very much, maxim, for the fact that everything was very beautiful, mentally talented. thank you. thank you very much. it was incredible. it's just a performance, because at the beginning i was, to be honest, listening to a beautiful tune and enjoying, uh, a beautiful sound. tool, and then i started to follow the speed. how are you here you're sorting it all out. these fingers still

had time to switch registers, and tremolo with fur. what a tremolo was, in general, a real professional in his field. thank you very much. thank you for your performance. i absolutely agree with nadezhda georgievna who says that you are incredibly charming. i would also say that you are amazingly artistic. it's hard to imagine without an accordion. and this accordion is already impossible to imagine without you. you have matured to such an extent. it's just one, brilliant. thank you thank you very much. thank you, dear experts. it was maxim such thank you all. feel like a real connoisseur of folk art, scan the qr-code and write in the comments the translation of the phrase on the screen as soon as possible, leaving the correct answer and win. in our show, you don’t know who is hiding with clues, and with avito

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turned 31 this year, and the diva group is part of our large team. um, in fact, all of it is presented here today. here we have united in such a girl group, very beautiful and what is the mission of the group, let's say. we will try to tell people about the folklore of our region, the tomsk region. and in particular. today we brought ditties that were recorded in the bright village of the tomsk region ditties. we love very much difficult ditties. these ditties are written down in this language, as i have already said in the tomsk region. and we liked them beautiful, my good ones. it is very important what you do, and i support you and rejoice in what you do. the system that brings you joy, too, and what is the theater of folklore in your understanding, and we are called the theater, because the russian song. we don't just sing, we tell it. we play it and in the

repertoire of our theater there are folklore performances, for example, we forgot - it was recorded in the village big jackdaw performance siberian wedding. e , once, when there was an opportunity, the team traveled on a large ship on the ob river and, along with concerts, they collected expedition records, which they then deciphered and actually carried through themselves, and, e, they already gave people at concerts in tomsk and outside the city and the performance siberian wedding . e, he was worthy of a special prize at e, a competition in moscow and in kemerovo, we showed him. this is very serious work. you are great. wonderful. you have a great future thank you stage bizarre talent group marvelous city of tomsk come on, come on, come on, come on, come on, you live on the roads, you can give bets do not forget

the big dislike me. la-la-la, wait for hydrogen flying back you don't love well. my girlfriend you are my

girlfriend loves you nikolai and she left me. only you need to know i have no place with you, and it's time for you not to be brave oho does not indulge. i

was very intrigued by all this information under the tongue, what are you doing with the language, what are you saying there? we have different ones here, but which ones, for example, i want to try with us, come on, come on. come on, come on, come on, come on, come on, come on, come on, i'm from the derg. come on, come on, hold on. well, something, come on, jerk. a

big bow from me. well done brawl, the sofa is much better, well done. i’m not from your collective farm, i don’t know why i personally insisted on cleaning everything was clear. we can't do without them here, and the men know that you talk about them like that, but you don't know how they talk about us, so we're all right. it's great. you have some filthy things in your repertoire. and you can perform such a small short one for us, of course.

the toy will lead the blood. it's been bravo bravo, you're great, girls. that's

how you cut it down. eh, this song is transmitted to us is dramaturgy. here the dramaturgy is sleeping - it's difficult. and you are doing great. this is real theatre. thank you thank you very much for saying this beautiful. fly, firstly, that i was very surprised that you really create your own accompaniment for yourself. it was insanely unusual beautifully soulful and even. the last thing you sang to us was so deep that now i have a question. how you name? katya katya you sang, it turns out already? a la, just folklore, that is, not in your own voice, but in a different voice. why is this being done? it's you, it turns out, imitating the voice, uh, of an older woman. and why is that, well, before we

start learning the score, we definitely look for recordings, er, we definitely listen to the carriers of this song and try to adopt the tradition of those performers from whom we recorded it. he is asking. here, listen to my folk record. yes, here are those same grandmothers. now imagine tim grandmothers more than 90 years old. at they no longer have teeth. they are old energy not so. and why are you young girls in the manner of a folk singing school? do not sing with your young viviparous voices, so he asks about it, and i can ask the last thing to start again in my own voice to understand the difference, by chance the way you say ok, yes for food. gives

great even. alley, you can stop. girls , i'll tell you, it's gorgeous. sounded a thousand times better now. sorry. no, i don't agree. now you sang beautifully amazingly. there are no questions. this is an organic voice for a standing young girl. performers. and what you are doing is already a conversation at some other level, at a deep level, and it makes a greater impression on me. nadenka, that the first thing that i will have in the second, but the same opinion, because i really like polystarvation. i like ringing voices, i like that our girls are young and will give their culture for many years to come, to carry everything from the stage to us, including our children, to our

new generation, so here i even have a badge. the first appeared in li.