but in the ensemble for a long time all my life on the stage, what do you like to dance most of all in the dances? the master of unexpected answers, but this one of your girlfriend you will introduce her what is her name yesenia and you yourself decided to dance came to your mother and said, mother wants to dance. and so it was. yes, you want to talk, what 's her name? an ideal line is lined up here, natalya, tell me, is it difficult to work with the children of professionals who can easily cope with any

age, you and children, as far as i understand, quite right. this group does not exist yet small. i'll show you the movement of the contempo. and you repeat it, are you ready natalya viktorovna, do you mind? i will be the first to open the world of contemporary for them. uh. come on, let's stand in a line, look, so now look at uncle lyosha, you need to sit on , let's veil the back of the lower back. as you can see, i feel such a responsibility. you move back, lie on your back, then throw your legs over your head and pull the trigger back. it's all contemporaneous. come on, one, two, three. let's op. oh, did you understand

he will now say what is relevant to your victories. yes, i will speak. here, listen to the team, by the way, 505 grand prix. ha, you know who taught them to include all the same talents and that's it. you'll see you're ready to perform for today's newbies on the road. on the stage of the country of talents , i got the pop ballet exciton ulyanovsk early, we take our hair , white, girl, russian.

clockwork around the edge it

was very nice and very professional talented right. have you seen how the audience reacts in general, it always happens in general all halls. yes, that is, slavik, who is already so accustomed to such abberations, to the fact that the audience does not let you leave the stage. little applause was easy to see. that this was a great trick, when someone was sitting on the mat, and someone was carrying him so wait, wait, someone must sit on it. now come on. well, let's go, let's drive the class. everything's great. heard, i specially came from

italy it's kids. so let's now teach our italian friend some kind of movement. we can handle it, come on, wait and who raises a leg, of course you. lyosha lyosh wait there one more movement was now i will show. you will show the children, and lesha and i will repeat. here in my opinion, you are an expensive girl on yourself. so, well, there was some kind of girl. well, show me how it was. lyosha perhaps i'm back too, perhaps i'm back too.

now we meet a new presenter now. talented person i don't know how to express it in russian ended with us in my native language. very beautiful. thank you please. well guys, well you danced, just great legs everyone has smooth lifts, follow each other how you keep the drawing clearly. for me you are small, but already such great artists. you are

amazing. thank you so much. boris sergeevich galkin, how do you like the mats great? it's just an absolute joy unconditionally. you are infinitely talented. kids, great. everything invented it turned out like a single performance. thank you for a wonderful experience. children, you are adorable. you are charming. children are children for them it was a kind of game. everyone enjoyed smiling but this is impossible. if there is no mentor, then all applause to the mentor for patiently offering them such uncomplicated games, which today lack simplicity, charm and this charming nature. good luck with everything. i was in school as a child too. well, in the garden. we also

staged some performances, but for parents. just a completely different level. i think i need to tell my mother that she should have sent me to a school in ulyanovsk, they gave me there. we were doing something completely different there. yes, to the level of the guys, yes, absolutely, when i looked at you, when you danced, and you did it so well that you love pizza, everyone loves pizza. yes, look, as if they didn’t give you a piece of pizza, but the pizza is huge, like a whole studio and parents allowed it. there are completely bracketed want, as you would feel, straight super. cool joyfully, yes, the feeling when i look at you, nadya, i wanted to say a huge thank you, but zala viktorovna is the name of your leader. yes, because i myself have a son of 6 years old, and i once came. on the holiday in the kindergarten was not done on march 8 either, and my

child in the background is somewhere just all doing one movement. and he has his own disco creative person. he is an artist, he sees it this way, and i understand how hard it is with children to assemble. at least something natalya viktorovna misses you all of us mothers who have such children, not obedient fidgets but you managed to collect. that's all and in such a powerful team. thank you. huge to you again. thank you for such a high rating. i repeat. this is the work of a large team of teachers. regional state budgetary institution of culture pop ballet exciton he

plays the balalaika on spoons on the flute on the rubel on birch bark and even on the saw i’m sure if you give him a planer or a slow cooker, he will still figure out how to surprise us on stage the man himself ensemble alexei baranyuk. well, tell me, where did you come to us from? i came from the city of skhodnya near moscow how did you start playing this unique instrument? balalaika, the score, of course, started at the music school, where did i go? i heard first, before that, how they play this russian folk instrument, and i so wanted to play, but they sent me to the music school to play the violin. what kind of injustice? how did it happen? the teacher was not there, and then the teacher came. i rebelled and decided that after all i would play the balalaika, it turns out because of you they brought the teacher to the satellite. well

, maybe, and so i can't be, and so, as far as i know, you mastered a lot of tools then how it happened it happened when i already came to music school for sure. i discovered other musical instruments. jelly pipe birch bark. e. i. of course, then i had a blue dream to play the saw. let me guess, probably, there was no faculty of playing the saw absolutely right, and you even still have a school of playing on sawing a school of playing on or not, how do you transfer the skill of knowledge, and so and so far from hand to hand, then yes, you are self-taught on a saw. well, definitely. you can be the first. i have already been offered, it turns out that nothing can be opened online lessons, what shall we do today? we thought for a long time what to call the multi-instrumental number and decided to call it russian mosaic russian mosaic on the stage of the country of talents performed by alexei baranyunyuk.

wow

he gave me how many instruments yes only wooden spoons mile and now we are going to play.

alexey but collect a standing ovation. you not only deserved, you were surprised to be able to do everything here, to follow how you changed instruments in general. it was not easy and you brought a scythe and a saw. a real multi-instrumentalist, you know, in my childhood i had a dream to learn how to play the saw. how about all our viewers? i'm sure show me, please, sit on the edge of the chair, and the most important thing here is to give tension. you know, in women it's innate to saw a super serious face. how disgusting

, please don't stop. can i get something from here too? for ruble money, the main thing is that he likes it, that's good.

lesha than you children were impatient, if only they didn’t cry, i don’t know how much you trained. my legs are tired. i'm like that. before, only in certain situations i moved, as it were, when they were hopeless, i would call them lyosha. i think that we should now apologize to nadezhda georgievna boris sergeyevich because it was impossible to listen to this, but they are listening to you here. now the whole country you want, we believe in you is going crazy, how did you even get on the jury, the country of talents, and you do n’t have this other transfer of countries in the country, they are without a freak. as they say, it's you about yourself. i hope you played it. let's hope this is cut out of the program here, so let's move on to the opinion of our experts. i'll say it was wonderful, it's very talented person. and what he can do. it's really capable of it doesn't seem. not only did he demonstrate the tools. he also danced. he also sang along and did something there, that

is, he has a complete set of pleasure, and therefore i can imagine how surprised people are who are shown all this. thank you alexey for doing a good deed and, let's say, you even educate it somewhere, because for the youth that you are watching. i don't know if they will go to study it, because it's crazy work. but that they will be surprised and say wow is this really possible, this is wonderful little by little, you look and form. i want to say that they say, it is really a country of talents, and i periodically discover something new on this project. today, for the first time, for example, i saw e how they play the saw. indeed, this is the first time i absolutely agree with alexander. you don't play on pele, but on hard yes, firmly and they play on two-handed pele. and who saw? that they played like this on such a hacksaw

. i do, but no. after all, these seams were invented play the hacksaw. this is your idea, and the masters were the most ordinary hacksaw bought in the store. here she was chosen, of course, but one of the first who played alyabyev's nightingale with a symphony orchestra. this is really not, the violin bow is the most ordinary, just the most violin, yes, which you threw. i have a bow in the form of a bow, but for the performance of more virtuoso virtuoso pieces. still, a more violin bow fits perfectly. thank you. just here is a new discovery again. you are a discovery for us today. thanks a lot. i also discovered the difference between a saw and a knife, otherwise i confused everything with federico's jigsaw. will show you soon. are you stunned by what? i don’t know how to be stunned, they are still like that.

well, that's all i wanted to say. what are you doing? it's not only amazing, but it's much more complicated than we all think, so it causes even more respect bravo applause incredible musical nugget and hundreds of alexey bronyuk. they take russian folklore and put it on modern electronics. so their performance this is a unique chance to feel yourself at the technopathy of ivan the terrible or at a rave party of princess olga folklore, an electronic group is patterned, ufa you have already won in the nomination for the biggest kokoshnik, let's get to know who created the team.

tell us the origins of our team since childhood, when we went to the exemplary folklore ensemble of the same name from childhood. so it happened. but, just volodya met and everything went somehow wrong. we have become a folklore -electronic group. it's very cool, but i at first there was a complete feeling that vladimir simply decided that there would be no male competitors in the team, he would immediately, so girls, come here. we will have only one man in the team ; we take more boys. and you are so big for you. but kokoshniks. there, each each has a large kokoshnik, but the kokoshniks simply delighted me. and that's the joy of advancing all that. others, they don't understand. why did you put a snake in there? by charisma it came together. well, at least they would draw a breeze there or some kind of unsmiling symbol wisdom. this is clear. well, wait, they are so

young in wisdom, mostly come. you know, when a woman can already be called a snake, no, wisdom comes when a person becomes completely adult, and sometimes she doesn’t come at all from adulthood, she comes alone, so girls are boys, so i wish you success, hats. i'm already simple. introduced into delight thank you and what do we need today, do it? we are folklorists, and we went on expeditions. we are so lucky to have recorded some songs from our grandmothers and actually today there will be a song that we ourselves recorded aga from our grandmother and arranged russian folklore bashkir songs. great we'll just say this, when we started working together, we immediately thought how to take the folklore that we love so much and have been doing it for a long time and make it interesting for young people to attract more teenagers who want to dance and swing in tinted nines

to sound like this how to. well, here it is, it all worked out. i'm all waiting now. i just have the exact same car. i am so now i really want to hear from you. yes, i’ll give you a cassette, then i’ll give you a specialty, they write an electronic group patterned, the city of ufa my fate began, health, creepy paths, tatya, white leg, tatya leg is white white daddy

thank you thank you

my father’s palms, like a horse, he ate me you grow big. absolutely surprised me sincerely. girls, i really wanted to imagine now a tinted nine. i have, i'll ride you. you've already screwed me over. once i carried you in my arms. it was cool.

thanks girls. on in fact, this is not the first time we see a combination of yes folklore with modern music, but i will say that it was probably if not the most successful example for me, no matter how the images do not match. probably i would like something else , uh, more interesting, to come up with some images that will not, uh, kill the scale of the kakovoshnik. maybe you, but how would complement the simplicity. it ’s not a sin that their images are amazing and the absolute correspondence is absolute, because the whole emphasis on the headdress these kokoshniks is on the one hand restrained their youth emotionally this, an anguished

impulse, where they could place everything with their hands and body they have it