take care of the country of fellow citizens. in her eyes, in her fist, the phone is an eternal mess, and there are words about the room on the walls of the battle, his number is heard in the receiver. there is

still here at least someone besides me is there is still here at least someone. her handbags her sister's fluffy squat goes to the movies.

let's split this up today.

there is i am here now at least there is someone besides me, there is someone else i am still here at least someone. sergey voronov thank you dear friends, we are very glad that

today we can play for you to give you a part of our soul, we hope that during this evening our souls will snuggle up and create one huge cloud in the form of a heart, because love is very necessary for this world. seryoga has been a great master for many years. i met him for probably 40 years, no matter who, no matter seryozhka loves plus, but today, of course, is a unique event, because seryoga recorded only the second disc for a huge blues path. a solo solo record, yes, he replayed with a mass of people bragging to me about what he says and harry moore i had there and what kind of richard but this is the first such solo project in russian, because, again, in my memory, seryoga, the result is in english, which is so, what prompted me to tell you,

so i have much worse things to do with writing russian texts than with english historically, and uh, garik and i, uh, sukachev went on tour, the latter and repeatedly returned to this issue. he says, well, i need something in russian, there i say, something doesn’t suit me in russian songs. he says, and that your bunch of songs in russian do not go there are already known to people already loved. here are these. you are all your friendship. i don't sing these songs. let's just take it and make it an interpretation. here's an idea, well then, let's speak russian. let's follow the songs of friends sergey gates. and

what was stuffed will open, then my rock and roll is not the goal, and not even new means. and for love, this is not the place for all the words that you do not expect me. more precisely, on our faces

without an answer. what are you, where are you? and then

this is the main thing, it looks like you. i'll braid my hair with ribbons and not capable of rest. i know bye farewell to you where

you are waiting for me, where you are not waiting for me.

hallelujah

and tell me, by what criterion did you select songs, as for the song of our next guest, well, firstly, sergey and i share love for people. well, unlike me, sergey has been able to write e, in russian for many years, very successfully and very accurately, and therefore this thing. it seemed to me present such a mouth, plus, as a person returns home. she is an absolute plus in every way. it's a pleasure. sergei is a good person. good guitarist. good musician. can you imagine, ilya, i think you while you were talking, he came up with the phrase fly past a squeak, maybe a heart. our friend he doesn't like to be

photographed. but i didn't wait.

laughed

performer you 38 way at home with you black tea, if possible, forgive me if you want to become.

thanks for the song. thank you seryoga quite an ordinary question about the first teacher who showed you these forbidden two chords. it was my neighbor seryoga who showed me in a minor in e major and in d minor. all this was enough for me to already learn how to play the backing lew of the ussr in a minor and major. and who taught you about a minor? it was a separate person. it was misha polonsky , a superfast soldier in the house of officers. uh, in berlin , but in berlin, there was a polish rock musician roma runovich, who in the sixty-fourth year created one of the first polish groups, and he was

such a blues musician walked in a hat, long hair, a beard, but you understand, or in english oni drank in english cool and the following songs. uh, i wrote bones kinchev alisa's group is called a wagon. frosts

the sky is blown so, placing with you.

forgotten branch brought up by semolina sun coins calm faces from time immemorial silver zagastrem hot yes, only you.

the sun whispered the sky flying with

you. thank you damn brother for the set list, i have a question for the next work, the work is called samsara, i wrote you vakulenko, who is moderately

basta, that all of a sudden you are a blues hero mazi waters and basta, i tell you, it all depends on the label. yes, but the fact is that there are beautiful ballads, and there is a very sane text, which is very close to me i liked this thing. i have what is it you called vasya? yes, i agree, of course, this is because vaska showed promise as an accordionist, and all harmonists give consent

do contrary to genes by hand the world turn the sky overturn . in every draft in every draft, the teacher continues in his student. all my life i've been sinking all my life. i was looking for love,

to love watermelon, they didn’t say, they saved us late, late to treat, don’t care. after all, our children will be better than give places the cycle of people, we erase near we live on evil, let it be unlucky, but we will take our sky without a scene. everything is right here in the darkness

you burned. after me it will be seen. better than when i'm gone, i'll sing with the voices of my children.

when i am gone, i will sing with the voices of my

children. people of people

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60+ new season tomorrow at 22:20 on ntv sergei voronov at the apartment today is again one of your projects, because i'm used to seeing seryozhka, and in the cross-roads, but today i see, yurka novgorodsky, yes, this is already some kind of that's another company. this is the moon braners, yes, absolutely correct, but this is a company with the name it's all silence you guitar dashkin drums. as you have already noticed yuryev novgorod guitar? anton keyboards today with us still wonderful anastasia koltseva sergey ivanovna from the songs

that we recorded from the group we have a small the single was released a song called dance-feeling

alleluia

tanchiki

alleluia sergey voronov many years ago i happened to be the music producer of a film called stilyagi it's amazing it's

hard and even impossible to communicate with artists, therefore, on this stage. i want to invite a person, the producer of this record, garry sukachev, my rybka, i made a song for this film, which they will now play, but valerka dorossky lost this record, we actually made 10 absolutely amazing tracks and a fast train, which will now be was supposed to be on this plate, but like you in the film it is not. she will have sergei voronov gary to me bitch and why did you come out in such a hat? i just found it today well. she just fell into my hands, you know? i thought it was a nice hat. then i have to take a picture of the brothers. sorry because. well, i'm such a beauty you want

heroes, i don't even know, plus they are handsome managers. let's let's.

this is a family.

seryog and tell me the next song that it will sound, in my opinion, the nineties. how are you once i remembered the ninety-first year, and gorynych wrote the words garik e, i decided to make the festival a big lesson, it was a huge festival, i had damon reina and it was simpler there, kenway, and somehow the conversation started again. there is nothing like that in russian. here, to show eggs rough, i had music and a phrase. how much you can endure, and he comes out. that's basically all i had in the beginning. he walks. i tell garik it was in general. and how did we sit in your kitchen and drink a little. here we talked about that it would be necessary to write one song in russian. you understand english, and he

says, i have a chorus spinning. how much can you endure? how much can you endure? well, maybe you can write something like that there, i came home, by the way. housing in the komsomol, we were beggars , came home and wrote this song, then he brought earrings, then there were no mobile phones, and he liked it. that's how it was. or so, right? i definitely remember sometimes about some festivals, i didn’t know anything. we are just with you knew it was before the festival. rock swarm. that 's right, of course, old man it was. damn how old were you, there was talk of the two of you. and you, in my opinion, played the untouchables in the nineties and ninety -four. we created this group, and before that we played somewhere intersected or not. well , of course, we were friends and seryoga periodically played with the brigade, c and in the ninety- second year we made a project between water and fire in the kaliningrad cathedral. here, and then they decided to create a group of untouchables

created. that's all. well, yes , every day movement

how much can you endure how much can you go every day exactly ahead behind you?

as much as possible

every day you are equal to an injection and for a while. do

n't you want to know? weakly possible.

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in my opinion, the year ninety-nine. you and the crossroads team went on tour at the invitation, in my opinion, of the ministry of culture of china. china yes, there were 20-30 from the cities. yes, there were, in my opinion, 23 cities, so we played our program. come on, they played there in large basketball halls mostly. and how they reacted, we had a leading chinese model. she spoke the words, and then we learned after a certain number of concerts, what, for example, is chicly translated in suid, as my dear motherland, that is, chicago is impossible. here. there, things like that happened. uh, so the song is being played, the hall is silent, silence, the fly arrives, you can hear the song of applause ends, stormy a minute and a half, in some more progressive cities there were some youth splashes in the gallery. yes, he comes running, the girls gave. uh, artificial flowers on a metal

-metal stick like that into the dressing room and ran straight away. so run away. that's because it's a shame to give ordinary flowers. they grow up enough like that, say, there are chinese bands, there are some kind of blues rock and roll, they played jams, there is a wonderful team. at that time it was. eh, xun was such a person, this is such a person. here is the main rocker of the country in his group. basically. this is a gorythm blues. we met with him in beijing. he has his own club and we jammed there for two hours drinking a good dude, that is, really blues, yes. yes, the whole team gives such a next song, my guys from the record of sergey yuryevich hmm will tell himself so somehow it will probably be more correct if i tell about it. this is the song she wrote the group time machine. uh, yevgeny margulis sang it, we all know it well, i, as it were, and i am one of the authors of this work. this song is called my friend plays the best blues. we are a little over

they worked hard in terms of arranging it, it became a little different, but it seems to me that it turned out very well sergey voronov i will be with him today for the singers. the gate is up. let the pocket he is not young. you're always drunk, she's on edge, don't come near, he

always leaves. the law is visible, my friend plays best of all, plus the coolest of all around. he plays alone, plus i don’t know smart words, he considers you a goat, even in the morgue.

best of all plays circling all around. wow

way pocket best

plays. circling everyone around booba evgeny morgunov yes, straight apartment blues festival

buzz and artist are all good sober so far, damn it, because i'm modest. come on, look, you have a lot of decent friends to keep you busy. i'm all for it. i think that the people will have enough to eat, something to say, we'll show you a drink, because, of course , it's alcohol, girls and sergey. will you talk about the next song? it's a big big figure in our rock scene. this is such an absolutely uncompromising person and a lover and performer of blues in russian and, of course, we could not ignore him, his name was mike naumenko and he was there malchislat, it imagine and on this song on the album and today with us sergey koval thank you,

thank you, seryoga and garik for this disc. vera sleeps in her attic for a long time it will be raining, the second day you need to sleep. i'm afraid to sleep, i'm probably not afraid of money but there is some kind of suburban bow that calls. i'm under it for the third time, i'm

sick and sick for more than an hour. i hate, i don't like, and i don't want to. i answer me no. i left beautiful.

without one answer, i want to smoke and there is no papyra left that is not smelly. i guess i'm not a chest of money but there is

nice hook. i'm afraid to think, i'm afraid to sleep. i 'm afraid to live and i'm afraid. you, probably, i'll be back on my pants. a tell me, brother seryoga, do you remember your very first performance in the crose group, the very first one

was very small. uh, we had a rehearsal base at the semashko dental institute, so it adjoined. uh, the room adjoined directly to the hall for such a round little check. i don’t know, at 60, probably, here was the first unofficial entry, there, and the first official performance took place at the opening act for the sv group and where, uh, serpukhov because, well, now i want to invite to the stage the person who gave his song the name of this album, alexei dmitrievich romanov, played as the opening act, i say, psv where lyokha drank and then for the first time we heard this song just performed by the supergroup group. sergeevich players nikolaev seryoga zakhachev is with us, well, that's all the end of the holidays

zhenyok come to us. blimey. blimey. come on. in winter , do not hammer me home for a long time, i

know. let's say i collected initially can not sleep. i make words while we did business during the day with a good fellow pray

jesus christ hallelujah