and everything would look completely different. this is right here in silence, this is just such a highlight and, of course, they read my dream. uh, about the island. of course, i am shocked at how it was possible to really fit everything in such a small area, but at the same time, to leave a lot of space and make yourself a brightly stylish right. yes, well, right, the execution has remained at the same level, we will cut down on a bunch of unnecessary, because when we took everything apart, it seemed that a lot was not needed. that's why everything seems perfect to me, i'll cook a lot of things delicious on camera. yes, i'm here for you now. and here i am, yes. and here is the design, it is so light. here you can grow nekra greens and you really sit at the table so chponk, lettuce crumbled lettuce. i love and for me i don’t see

any dangers for children, the warm floor is thought out and painted on stone. let's draw with crayons. yes, why not, moreover, the walls are washing, and the wall is gorgeous, here, uh, gray, white green, but not very black, very excellent. well , i don't see black. yes, now i'm looking at saw his colors. that's calm, but bright as i love the bright. you love calmly, yes, agreed in this kitchen, it is so positive and sets up, but at the same time it is graphically clear. i do not know how to say. she is so beautiful. thank you housing issue. women and become the father of five children are brought up by a dog from a shelter and help restore temples withstand false accusations and contract interrogations make amazing films and light new stars give up life in the capitals and move to work in the province bring the regional theater to

the federal level to give the road to young people to fight for life and believe, and this is all about him dmitry meskhiev and his friends and comrades mikhail evlanov. maria aronova julia peresilld sergey garmash today in the project once exclusively on ntv i was generally such a difficult guy. once upon a time. once upon a time , any story in the life of every person begins with the word once upon a time, a television magazine of stories about famous people and significant events in the world of art, culture and sho. i'm sergey mayorov hello theater season in our the country is ending and the artists too people want to go on vacation early this spring. i went to pskov, i love this city, but on the way we were equipped with

dozens of curses. very stupid is the name of the play by playwright dmitry danilov, staged in the most famous theaters of the country, one of them is the pskov academic drama theater named after alexander sergeevich pushkin, the appearance of this performance on the poster of the city outraged the public and especially active citizens turned to higher authorities with a request to find out if the title of the play offends all living, seryozha in pskov, i'm not seryozha from moscow . oh, and definitely not offended, i credit the director. your frosya has become our favorite. why are you calling a prostitute a wonderful frusya? well, because she is very kind to everyone, she treats everyone well in the theater. yes, we took her from the pskov shelter 2 years ago. i don't really know how old she is. well

, i guess she was still a very young dog. i raised her a myself, and she walks with me without a leash at all. well, in the theater, she knows everything everyone knows all the entrances and exits. and knows when we're going to rehearsal. every morning at home, she waits. and with the hope that we will go to the theater again, dogs are better than people, i can say that dogs are smarter and kinder than some people. i just love dogs. oba-na, i have four of them three of them. hmm dogs, outbred taken and rescued in general, and that's one of her lucky ones. well, look how you repelled the attack on the performance. seryozha is very stupid about this situation to complain, which means that the antimonopoly committee can probably only be treated with

humor, on the one hand, to be honest, because, well, that's just ridiculous. we have provided a discount for all earrings. so, let serezhas come, watch the play from the other side, sadly, because either the amount of delirium and insanity, or the number of meaningless papers and denunciations to various authorities in our country is already starting to go off scale, to be honest, not so long ago, for example, we had to answer to a complaint. from some resident it means that we have a pink advertisement and this contradicts the historical image of the city of pskov well, it just infuriates , irritates and prevents, uh, calmly identify yourself as a citizen. the patriotism of this country does not lie in slogans and is not written in these houses. and just the other way around

, we started here and now in identifying ourselves. it is important to remove this fact. that 's another conversation dmitry dmitrievich meskhiv or just dim dimych made her debut in big cinema with the film gambrinus he is the creator of domestic movie hits cynics, american, women's property, mechanical suite battalion two tickets home, dozens, stars became recognizable and beloved by the public, thanks to his eye of taste, and i smell mikhail evlanov, a military drama with the participation of konstantin khabensky, sergey garmash, made his paintings among the 100 main russian films in the history of the country. and bogdana stupke received 35 prizes and awards at prestigious international film festivals francis ford kopol and allen parker called their masterpiece of all times and peoples, and dmitry local and bogdan the mortar were a genius. how did you work with a

mortar with a great artist? now, who is modest, who did not have an iota, here is star disease - this is bogdan silvestwich. soup. he's kind of he was absolutely a heavenly person. he found out who's birthdays came with the colors of the make-up girls all the time there he brought them something some kind of chocolate. he was a very attentive person to people, when we had already agreed to work, and he came to shoot here, in pskov, he came to you in advance. we have n't started filming yet. yes, i was in the room, so a chair at the door. i say, yes, yes, stupka comes in, but i, in general, mm was a fairly well-known director, but all the same, stupka is a man much older than me. well, i remember as a child films with him yes, mortar c comes in a 2.5-2.5 liter bottle of pepper with a handle is so peppery

you are ukrainian vodka dmitry dmitrievich, i actually came to pay my respects to say that i have arrived. what were you talking about. uh, between sets, he was full of all sorts of stories, jokes of some anecdotes and so on and so forth, and we, in general, had fun. we are at work. we had fun all the time, to be honest, mortar, of course, asked all this. he's on our set. we just didn't know, his heart hurt a lot. he suffered a micro heart attack. he never said a word to anyone did not say, he was silent, like a fish about it, and ran around the policy, which means he climbed through the swamps, and so on and so forth. if i knew, i would certainly never in my life. well, i wouldn’t have driven, but there were artists, we would have come up with something, how they filmed differently, but he didn’t say a word, no one knew anything. okay, you don't get it. i am incredibly grateful

for all of our film history associated with dima. i remember on my own with the bones of khabensky. introduced to play a very important scene. we talked for a long time and it seemed that we figured out how to play it, in what key and come and tell him, he listens to us so carefully, then he says, no, you fools don’t understand anything, everything will be that’s how it’s completely, on the contrary, but this is completely his, on the contrary, we admire two roles you will play or no? he loves humor very much and you know how to do it on the court. it's always a little more like a meskhiev theater. for this, it’s as if a completely separate program is needed, what to tell all this sergey leonidovich i will try next in the program why dmitry meskhev did not know maria aronov and gave mikhail evlanov a chance, how to be a

father of five children, why should an outstanding director go to interrogations, and what connects meskhiev with yulia resettlement, we will return to the air from pskov immediately after this advertisement, huh? the mask show in this studio just made its way to the subway at all

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from the pskov krom to the moscow kremlin in a straight line is more than 600 km, but to the baltic coast there are less than 200 clearings, because the climate here is unpredictable, then snow storms in march, then the thaw in january is cozy, located on the banks, rivers, velikaya and pskov, the ancient city attracts tourists from all over the world with its sights ancient chrome beautiful embankment houses of wealthy merchants snow-white temples, by the way, 10 of them are included in the world heritage list. unesco this city since childhood. i love me all my life is connected with the pskov province. here she was an illiterate woman from the village. i loved her very much, i

called her grandmother, and to this day i remember her and visit her graves regularly. when i was 12 years old, and my father was filming a film star, plying happiness, he was a director of photography there. they filmed here in izborsk in the summer. he took me to film expedition with you. it was my first film expedition in my life unforgettable to this day, and therefore all my iconic films. you have taken off. here, somehow, native lands help. well, in my work anyway, for sure. dmitry meskhiev was born in leningrad in 1963 when khrushchev 's thaw turned into brezhnev's gloom, his father dmitry miasskikh sr. was a cameraman who worked with the directors of the overbach bloodworm shpalikov mother natalya troshchenko director of films about those whom i remember and love a long road to myself descended from heaven. i am from a very ancient georgian family, which is called alexinezkhishvili and

was once fashionable in georgia when it was still part of the russian empire. uh, remade and russified surnames. this is how andronikov appeared from andronik shevelitov, and so my hmm uh, ancestors and relatives became aleksey his meskiva my great-grandmother from varvara aleksey his meskhi you were simply known as a very artist of the moscow art theater and buried on the water, than the cemetery and palms to semitskevich was such an artist, which you also like actually worked. he created the kuta theater and, in general, for such a theatrical georgia, he was such a significant person. i have been from a film family since childhood. i've only seen the movie. although i can say that my mother used to take me to the theater a lot as a child in my youth. in general, i loved you so much. always. and what was your childhood like. i spent quite a lot of time. here with my grandmother's nanny in the pskov region, my grandmother brought me, in my opinion,

to the village, when i was all months old. it was one part of my life and another part of my life of this here is the graphic family. i remember the evenings of guests with my parents, of course, everything was very interesting to me, but at the same time i was a guy on the street and the street formed a lot in me. i was a difficult teenager. well, i don’t really want to talk about it once upon a time, the heir of the ancient georgian family and the famous petersburg cinema dynasty decided. to build a revolution being the chairman of the union of cinematographers of st. petersburg, meskhi said that this public organization should remain independent and independent, and not be just only a cell of the union of cinematographers of russia petersburg is the cradle of russian revolutions. and you are now a member of the union of photographers of russia to them, but i was expelled from the soviet integration in russia several years ago, which i learned from a phone

call will be a world-famous director and not be a member. union of cinematographers. no. strange well, i'll tell you honestly from my point of view. this is a problem, not my advice. yes, because i was expelled from the union well, actually. no, not listening to me. yes, just in absentia to me once kira muratova wrote a characterization in the soviet integrafists, i keep this characterization. she is more important to me, for example, it was a certain miss nikita mikhalkova for trying to become independent. well, i don't know whether it was revenge or not revenge is easy about it, but to judge. unfortunately for the great, i had to, uh, even sue for the protection of honor and dignity regarding the statements made by some of my colleagues, and i won all these courts in various instances. i

was accused, as in a large number of e different bad deeds were accused of being there, and they even wrote to me about stealing something, and a statement to the criminal investigation committee. and they even called me and asked the investigator several times at some point. even laughed. well , it sold out again, and you know, they wrote a lot of all sorts of denunciations against me. here, i somehow got angry at first, and it was all strange to me. but then somehow i calmed down. well, i'm zasmehalkovym healthy, go. yes, of course, i don’t think at all that you need to somehow not say hello. this is first, second, uh, this is not uh, not not the initiative of nikita sergeevich mikhalkov, this is the initiative of my colleagues from st. petersburg whom i really interfere with, probably to this

day further in the project once sharp turns in the life of a director, how to live, survive and become a father for the fifth time at the age of 58, mikhail evlanov and maria arunova will continue to air immediately after the transition of support. on ntv, a big gala concert on the stage of the young participants of the forum and their idols gala concert agutinvest july 15, 22:30 on ntv and bacon from monday at 19:50 on ntv, if there are problems with my skin in the pictures

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polytechnic institute of polish bandits. helped the investigation. who gives for what one of the detectives received a nickname, a beast, the captain went to get some fresh air , i understand perfectly well, this walk can be the last and than the police. brothers-robbers helped, by the way, two brothers of criminals were released ahead of schedule due to led with leonid kanevsky today at 15:00 on ntv pskov handsome, the city of fighter the city of estet the city of all kinds of cultures our everything alexander sergeevich pushkin composers rimsky-korsakov and mussorgsky mathematician sofya kovalevskoy writer kaverin artist, gerd, and mercury loved to sing and glorify pskov and ended here history of

tsarist russia in 1917, on the night of march 2, according to the old style, in the tsar’s carriage, standing on the platform of the pskov railway station, emperor nicholas ii abdicated the throne near the pskov region, bordering three the states of estonia, latvia and belarus may be, therefore, on the banks of the velikaya river in the center of the city, an art object with the slogan russia begins here was installed. the idea of ​​this installation belongs to dmitry meskhiv. you have an incredibly cozy and well-groomed theater where they look and order in their business manager. i am a good businessman. i really love order. i like it to be clean, but the theater should be clean, as my mother used to say , poor, but clean. we hide it, or in any case we pretend that we have everything and everything is very good not so long ago your theater passed from the regional status of the federal you

are glad about this. this is, of course, a colossal breakthrough for our theater and not only financial, of course, because from a creative point of view, of course, we have much more opportunities. we, well, enter, let's say, such a vanguard of the best regional theaters in the country. yes, it is very important. we began to collect halls in moscow and st. petersburg, they began to go to us, if we carry a performance, we quite often now we play, and in the capital, but first of all, the pskov audience is important to me, but it was easier to suggest a question. with the appearance of your light hand, the directorial debut of yulia peresilts took place at the pskov theater named after pushkin. she staged the play kashtanka. how did you get her? well, it wasn’t difficult for me to get her by the stop, since yulia would overpower her in pskov. she does not forget her city. do not forget the local friends. she has an apartment here. and he brings

children here, takes them to the pechora monastery, to the museum and so on and so on. we phoned. she arrived, we met in pskov, and i offered her to stage it. at first, of course, she was frightened, but then she agreed and staged the performance. we have 100, because. i have known yulia from the very beginning , or rather, from the very beginning of her career. and i had her first big role and she considers me to be such a kind of brother in the cinema, which from my point of view is not entirely correct, but this is her right. and recently took the initiative on the air of the radio station. echo of pskov assign yulia overpower the title of hero of well russia i believe that this is truly an absolutely heroic deed. it actually made from my point of view an absolute breakthrough. moreover, this is the first artist in the world, yes, who flew into space. it seems to me that this is a significant event for the country. and if i were the

initiator to award you the title of hero of russia, how would you take it sharply negatively, because i am not a hero of russia why such modesty, this is not modesty. much has been done for the pskov land. because i am a believer. i think that you just can't resist where the lord leads you. honestly, i'll tell you the first time. i thought about leaving here and returning to a full-fledged life there in st. petersburg, but then everything somehow turned out like this regardless of me, all the puzzles were put together so that i would work here. what did you do, why? i will oppose it, so it must be so. this means that every spectator who comes to the theater needs to be greeted in the foyer with golden masks, the highest theater award of the country meskhi does not hide them in them, says this the merit of the audience is the joint creative process and carries us into their possessions. this is our big

stage. there is a rehearsal of the play kashtanka and the gold is small. well, the middle hall is the same building built in 906 as the people's house of pushkin for the people's money. well, how to say the hall is small here 460 seats are beautiful. what a very beautiful hall chaliapin worked on this stage, isadora duncan performed here, komissarzhevskaya and all sorts of other famous people worked here in our buffet, and in the buffet of our theater there is a place where duncan, isidora dined while in pskov and working. here we call it the new hall. we made it literally a year ago for one-man performances for children's performances. we are here. hey, we play too. lectures and film screenings take place here. uh, all sorts of creative evenings meetings and so on and so forth. actually, i'm

shocked. here is such a farm guys are good, with a girlfriend is excellent, no. on the contrary, a good old man to live after the federal center, the truth is earned wages rose work a lot appeared good. no, you heard dmitrievich they they don’t whine, they don’t whine, in fact, they are generally excellent. of course, i drive them periodically, but it is useful sometimes. right now we will open. i hope a little, bunny, where we have bay without performances. such an immersive theater is an absolutely contact theater, but the baby theater, in principle, does not involve seating. there are some and so on. well, that is, it's just part of the scenery, which is psychologically very accurate, we all built ourselves as children, built ours. yes, yes, we did it all, as it should, so as it should be for the little ones, and in a few years

i want to make it have its own separate repertoire. fights without performances are just for performances for children. from one to 4-5 years which is called the workshop gallery has already existed for 7 years, we have done exhibitions of various artists here. but i think it's over 60 already. we do here, uh, sometimes exhibitions of theater artists. sometimes just artists. sometimes some installations and entrance is free entry here is absolutely free. we don't sell tickets here. it's so completely in pure cultural project. i like that we have our own gallery in the theater. when we do a festival we do it. in this gallery, necessarily dedicated to the festivals there is a

theater festival. or we make a festival for people with disabilities. we always make some new exhibitions of the discovery of a real business executive, not a single empty square meter. everything is full of meaning. some kind of impression is already being created at the theater, but show your office with pleasure. be the only wife in the office, it's my office. well, somehow it’s not at all an art space office, but i spend a lot of time here, and in general, i want there to be a space here, this is not an ordinary office office. we're talking about creativity here.

i will help everyone, don't be bored. i have to confuse god's gift with scrambled eggs. you understand what an actor needs to please the director meskhi. oh, these are very different things. well , for example, when we tried the artist misha elanov for the film my own, i did not immediately want it to work, and in general, thanks. uh to my casting director. she convinced me to try it. once

again, thank you very much for the fact that he was not afraid of 2003 in the cinema of the third course text. oh, he smiled too, but i think, all khan, well, he collapsed. but no, he approved me and shooting in the film was such a school that not everyone could go through, just because they did what they did. he is not rare, then met on the set. it was such a hardening. but , or maybe it was such an experiment on me. i don't know but i got this picture for

this role. this is inside too. clearly, it is very important for me as an artist in cinema. although at the theater, probably, this is also a charm. charm, probably, the main factor for me once was ekaterina sergeevna vasilyeva, i studied about charm in vgik. how did you work with mari aronova in the film battalion? well, for the first, probably, three days, we looked at each other with some distrust. i have my own system of working with artists. she was not very used to it, and then i don’t even remember the scene, what kind of scene we did there. i told her she got it, got it right away. and this is very important when an artist picks up. i love so much, dad,

i really love that the director is a father , no matter how old he is, and i myself do everything in order to observe this chain of command. i am 100% convinced of this. if you gave consent to film or rehearse the most important thing is that there should be subordination, otherwise the director did nothing. he should be the captain of the meskhi ship - this is the captain of the plate, when dmitry dmitrievich came to the site, everything froze on the site they stood like in the pose of dogs, you know, on the hunt, when the dog raises its paw and the actors and services were all in this state, regardless of age, regardless of position, regardless of who was doing what. the commander came there, everyone froze, he was absolutely clear. what he needs if you think his point of view is wrong or

you have another suggestion about, for example, this scene or this episode. chill me my teacher at the institute of theatrical no. it doesn't matter, do what's right first the director wants from you, then offer yours and let him choose. this scheme of working with dmitry dmitrievich helped me and him a lot, because i knew who dim dimychsky was, and who masha aronova was he did not know, he, in my opinion, did not know about my existence at all. i have this impression, so our lapping summer, when we arrived. we performed as soldiers each demand it. he said she should shave in the summer two to three months before filming. she must have a tanned, so potty bald head, and it seems to me, which is first. here is our absolute

obedience, our absolute hmm, without stardom. here is the idiocy of tightness in front of the director. as you say, as you need, now we will do everything and see. he didn't bother me at first. he did not break me, because i remember this first take, uh, ours, when i would be cold with horror, because she was not born. i still don’t understand what she is like, how she walks, how she moves, how she reacts. i don't know these girls yet, but i already need to love them. or maybe you don't need to you see, these are the answers that occur in your head and suddenly i see that he does not make a remark to me. he very gently, quietly approached me. i said that it's quieter, maybe a little less masculine? or maybe

throw such a motherly look at them? i realized that even if it was at that time and not so, he showed me in every possible way. i love you. i believe in you. you and i will do a good job, you're in the right place. i don't find it difficult to work with women. i love a woman. and i'm good with women about not public and very personal director. dmitry meskhiv further in the project one day advertising will not be long. i am very pleased with this 200-year-old. one and a half million dollars more precisely, the guys

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wolves today at 19:35 on ntv then, through the forest of pushkin's mountain, the mikhailovsky family estate of pushkin's hannibals next door to them is a family estate nest landowners scheme, and here the barin came with his retinue deceived me. she said that it was 100 km from pskov. in fact, we passed 1080. i thought yours was such a small opinion. these are the fields of the marquis of carabas, there will be people

running around with sundresses in caftans. i don't know any cows, but here everything is rather modest. the fact is that here are my native places in the neighboring village. i grew up and used to come here with my nanny every summer. i know everything here. i went to this village to the night fires, children's fires and so on. actually this base for many years. we i just spent quite a few years in trap shooting. once upon a time, i was quite closely involved in this sport, and, uh, we once, many, many years ago, back in the late nineties, several stand-builders built this base for this, and here. you can come to rest and at the same time you yourself live here, you can come to rest. only your club of friends. yes, this is a club of friends, that is, it turns out that you do not betray your, uh, those close to you, your heart, your native places. well, i don't want to

to leave their native places and a dozen small houses. the chalet of miss hill itself is 50 m, with a kitchen, a toilet, showers and a fireplace, and honored artists of russia live, directors of european producers, film academies and the oscar committee of russia academician of the academy of cinematographic sciences and arts dmitry meskhiv more recently about you were talked about as a young filmmaker, and soon 60. how do you accept your age? i honestly do not feel the age. i am very pleased with this. i have a 4 month old baby and i don't feel at all some grown-up guy, trying to live. uh, i work very hard a lot of my life, uh, and i enjoy relaxing. i walk with sticks for many

kilometers. i don’t strive to be physically strong there and some kind of pumped-up crazy guy, but i try to be strong in some kind and be in some kind of training. although i do not sit, there are no diets i eat everything. i drink a lot of things, probably, these sports still give me some opportunity to keep my figure, which is also important for me, and tattoos and these all kinds jewelry, is it a tribute to fashion on you, or is it something deeper for me tattoos, this is a very important meaning, and i made my first tattoo. for 40-something years, everything that i put on my hands and on my body is important to me. i absolutely do not try to advertise there that i have an image there on my body and on my hands, because this, this is my inner part of them. there are even

my faiths, and therefore it is very important for me, as far as the decorations of the rings are concerned. eh, it's not just that either. well, it's beautiful. well listen to it there these are generally orthodox bracelets, and one bracelet is extremely important for me, because here is a copy of the cross that we put up in chechnya in memory of the death of the sixth company a few years ago. we put a three-meter orthodox cross there, and it was such an important event in my life for me, but i noticed a tattoo on your wife’s arm as well. yes, she followed her husband. well, in a way, she followed her husband, because we have two identical tattoos there, uh, with the same inscriptions. you know, it's like in a family, husband and wife should drink there from the same mugs. here, and everything

else - it's her some things for her, probably also important things. dmitry meskhiv speaks with restraint about his marriages and novels and thanks all women for love and experience and not a word. ask maria averbakh irina rozanova anastasia kolmanovich, laura, pizzkhelauri, kristina kuzmina more about him, we did not now in the life of dim dimych there is only ilona meskhiva. now she is raising a child. basically. although, in general, to be honest, she worked until the last months of pregnancy. she works in the theater doing makeup. she is a very good craftsman. simply gorgeous she is an absolutely self-sufficient woman. i love it. your wife. it's not quite an adult anymore, a filmmaker and a young father, when such a small child is born all of a sudden. at this age,

it's very cool. all the time i think about what i need to have to have that amount of strength in order to put my daughter on her feet in order to educate her so that i can lift her up at 4-5 years old and put her on my neck. uh, uh, and so on, like at least still wait for graduation and, if possible , also marry. well, that would be great. yes, i would actually also see my grandchildren with joy. and so, it turns out to gather the whole family at one table. no, it doesn't work. adult children live in different places. they call and ask for help. well, sometimes they call, sometimes we communicate. i ca n't say very often. i have a daughter, who is now 12 years old, we communicate with her very close often, and adults are adults. they certainly live their lives. and they have in their families, but they don’t ask for money, they don’t ask for money for

a long time, that is, everyone has already taken place, well, it seems, yes, everyone is working. i cannot say that i suffer greatly because i am not gathering everyone at the same table. well, i have my own communication, my relationship with my eldest son. we even filmed a movie. he is, in short, a prolific cinematographer. we filmed with him the battalion continued the dynasty, like a grandfather. yes, continued the dynasty. yes, and what you allowed yourself in your youth and cannot afford now, firstly, i do not allow myself to swear. i am i try not to allow myself to take it out on people, what was in me there, some kind of excessive, maybe emotionality. i don't allow myself to eat. just how much i would like to eat and drink.