oh you can't find it. hands behind the back of the hand of god, so that he remains alive, the chief, but i did not want to. well , to be honest, i was scared. he fell asleep. i thought that i would shoot, well, there would be a prosecutor.

in the summer of 1965, posters for the concert of lyudmila zykina appeared in the city of donetsk. a fairly well-known young artist toured the country, moved a lot from city to city and. so, i finally got to the mining center in eastern ukraine to perform. zykina should have been at the stadium, some spectators stocked up with binoculars from the book. lyudmila zykina on the field. by the spotlights released in the distance, a woman similar to me gradually, walking along a bright green lawn with a microphone in her hand to the center of the field, where the assistant was, the second audience applauded, shouts began from the stands. what song does the singer want to hear, as if she hadn’t heard and sang the volga flowing, and only then it turned out that the trick on the very first

words didn’t get into the text of the song through binoculars. it was clearly visible. how many men ran onto the field exhausted the swindler from the platform the song recorded on tape continued to sound in the stadium and while she sounded people did not disperse. this was their favorite song. it was one of zykina's favorite songs and not just a song. it was her story about herself. who has ever heard zykina sing? a river flows a river flows. no, my paris of 1964 in the famous olympia gathered the whole

color of the parisian art world, jean-paul, belmondo will be given out by ber cardin and laurent's son charles aznavour and others russian songs sounded from the stage absolutely exotic for a sophisticated french ear, but when the last bars subsided, it flows volga hall burst into applause, nothing understood from the song the french welcomed the new world star lyudmila zykina. now you are watching a show of modern clothes, the stage is some unthinkable scenery. some unthinkable, uh, sveta's technical installations are all, yes, the 21st century, this is necessary. one microphone two button accordions and a huge number of spectators and try to inspire all those who listen. that i am a brilliant

singer means that i do not need to sing. it’s just that it’s not enough to feel everything so much in order to conquer, how to attract both ears and eyes and, most importantly, the heart, the parisians did not know how to magnetize, that this song was written for a panoramic film about the russian river, commissioned by a french film studio, the very appearance of soviet artists. in paris, it was already a sensation for the first time in the history of the soviet stage. a group of artists, musicals, went on a trip abroad. among them was. i am unknown to anyone outside the ussr before the tour. some newspapers called us not a musical, but after the first performance, the tone of the press changed. a few years later,

lyudmila zykina will perform solo on the stage of olympia. syrtom by the invitation of bruno himself as the renunciate of the director of olympia, who, in violation of all the rules and traditions , will himself rise to the stage and announce the exit of the russian miss volgina, they were called miss volga abroad because she already represented this river. the volga is not just some kind of contemplation of the beautiful and beauty of russian nature. she represented her, as the pride of the country, the list of cities of the soviet union and foreign countries registered lyudmila zykina takes 14 typewritten pages in most concert programs in the last line. as it is said for a starter, although it would be more accurate to say for dessert. so the song the volga flows, the composers of the concerts knew for the songs, stormy applause and challenges will follow, written by people agreed the queen of the russian song, the queen of the russian song, and so

on. further, you know, she was not a queen , she was not a queen, she was simply a great russian woman, and if she had not sung, lyudmila georgievna from afar, the volga river flows for a long time, how do you know if this song would become folk or not? when lyudmila zykina turned 17 her she was accepted into the pyatnitsky choir by competition, she sang the second counter in a low voice and stood fourth from the right before her solo career was still 13 years old, and before international recognition and one of a kind. the title of miss volga and even more what it is this is a large creative team that

works, creates, and sings according to the plan of one person, the artistic director. and i am deeply convinced that already at that time. she was well aware that obviously god had given her more than just standing in a group of second ice. choirs pyatnitsky's empire, as it were, was not limited by the scope of the choir, but to get on the solo stage with the folk repertoire. even in those days of the communist understanding of political correctness, it was almost unrealistic, especially since neuyazvitin did not yet have a musical education at a school and political school, she graduated from ivanovo when she was already 40, and she had 10 years of solo performances behind her shoulders, for which she fought desperately . - this is a great age for creativity. you are a psychological barrier

for women from here. this is an insidious particle of the ear. you know with me. the fact is that a lot in our time, i now vulgarize the feeling of love, which for a long time practically from god does not mean a feeling that is then accompanied by some kind of intimate contact with this person. i love my father. i love my mother. i love my children. i loved i also loved to madness people he because for me it was an incentive to motivate me to develop my own creativity. throughout

her life, she was compared, then with the volga, then with a birch, then with russia on stage, she was punished quite imposing and solid russian sarafans, then huge dresses with the same trim. alyaris completed the image. in fact, lyudmila zykina had a height of sixty-five meters for a stage, even a small one. new to the public has always been a certain monumentality. well, of course, i'm here on the outside of male attention somewhere i suppose. it seemed to me frank somewhere it was. maybe, uh, just an honorable act, but she always remained a woman, and even in those moments where she was completely unknown, for example, we flew uh on vacation. sharm el-sheikh, when he entered the hotel, then, well, everyone just pulled along there and immediately felt that this was a difficult woman, the image of a difficult woman. zykina destroyed everything throughout her life, as she could, she cooked borscht and fried

cutlets for numerous guests at the dacha, drove a car and drove on her own tours from moscow, for example, to nizhny novgorod, under any circumstances, and she did not shy away. no work was oddities that did not share. she could have something for skids, for example. why do i need zykina to boards? lyudmila zykina always chose her own stage clothes according to a simple principle, mine is not mine for filming the first and only video for the song volga flows, there was no suitable dress in her wardrobe . zykina even said that the volga river is flowing, in this clip, where she is sitting on a ferry in a dress that she sewed literally the night before this shooting. god be. maybe you

get tired from the road. d. the volga flows song is one of those few songs that almost everyone can guess from three maximum four notes of hunter valik from heavy. yes. eh, i'm just saying it there. the volga river flows, but the first phrase for a singer is a very difficult thing for a singer. it is necessary to have not only a voice, not only a timbre, but a certain courage of a song flowing volga was not at all designed for virtuoso voice. in general, it was intended not for female, but for male performance. it was the song of an old tugboat leading his

tugboat on its last voyage. along the volga, it was written by mark frankin at the request of the director. yakov for a film that he was going to shoot in a rather rare and not very a panoramic film about the volga in a popular format, but the test for this film came from paris itself from the french family of the frame, so as not to lose face and so that the song would turn out mark frankin called lev ashanin natives of the volga city of rybinsk from a radio program with the participation of markov radkin we sailed from gorky to volgograd on the steamer argun, on which the main shooting of this film was carried out. the composer and the poet wrote a song together. not very good. in the truest sense of the word, the arshanin changed words to the music of the franks. on ken texting l husband ashanin's words the first text of the song sounded like this from afar the river flows like a wave of its worries and its

water will never come back. these words easily fell into the mouth of the tug driver, but the authors were unhappy with another hit. the song obviously did not pull, and the volga itself, along which the film crew was sailing, demanded a different volume, after all, to talk about the volga about the song. she is so wide, she was so unpredictable, as you know, that's where the elements will lead, wide free as a song? like russia gentlemen

while sailing along the volga every day they composed new versions of the song the music has not survived. but lev ashanin retained the words of these numerous attempts to call the song a pier from the memories of lev ashanin. the refrain sounded like this, my pier is behind there, love, there, rains to fradkin. i really liked this phrase, which is now a refrain. from afar , it seemed for a long time. at first, with a simple introduction, the song was written with the expectation that mark bernes would perform it in the film, he called it womanish and refused, although he recorded the song and even performed with it later on a blue light. for everything without anything

life is impossible in the film, vladimir tro sang the title song of the reflections of the old tug driver. zhe the discoverer of many soviet hits took zykina, she also learned this song from the film, but much earlier than he came out on the screen. she recorded another russian folk song for the same film, the volga flows, which is called dropped a ring, but the song of the volga river sunk into my soul later, she told how she got close to this song. these are her

own words, before approaching morkovkin and asking if it's possible to sing the volga flows in a concert? and she says, i tried to drink it in different ways, at first she imagines tragedy, then she imagines a contemplation , then ironically, then i was looking for a state of crying, then i was looking for a state, on the contrary, of laughter, and then when it was already necessary to meet mark fradkin, and i came and began to sing to the piano. i already sang because i just felt it and even went to a concert to hear how it would sound with the stage. he says in his interview when i talk to him when he came to her concert. he came. he tells me himself, i was stunned. that is, i did not write such a song b from the point of view of interpretation. she opened it up like that. she presented it this way in an interview on the radio. mark frankin did not hesitate

to admit that the song performed by zykina acquired a new sound. above what the composer gave her from that moment on, the volga flows became zykin's, the volga flows is the calling card of the summer dahlia. from afar, the volga river flows for a long time among the fields among the snows. it can't flow through the snow. it means no matter what it is fate is the fate of russia, its fate. she changed the interpretation of birds and placed more emphasis on the word mother. here, there is a saying. mother happens everything son, but soon you will get tired of the roads. she spoke it

out, very beautifully, in a wise way, warmly and already as parting words. and when we drank eh, basically. this song was the conclusion of all our concerts, and the concerts or the two of us when she went out and to her department. and then, when she sang the volga, another boy sang along with me and i left the oculus, and we started together from afar, the volga river flows for a long time already ending. this is a duet on a new interpretation of this song zykina began working in 2005, when i was not even the seventh, but the eighth decade today, the ensemble. zykina russia is rehearsing this song. without her, another boy sings along to me that

situation when she drank this one, and i was not agreed with us, and she simply called me by the hand and i left. i don't know about all these uh. well, i don't know how gossip gossip talk non-talk. to be honest, i don't get it. i don't even read and read these newspapers are someone with no, the newspaper is talking about what is there, it means that it is written that we are in some very trusting relationship, even very close ones, and i made some kind of sad face, but why are you so sad to limmud yuryevna? you don't, but it was a joke. i need customers. cool. all the carcass compromising evidence only on me. there is a city on a short leash held. this is how vladimir vinogradov was killed with the same weapon that killed his wife nikolai ivanov, we have another corpse

about 7 interesting ivan shibanov, you don’t even can you imagine what olga smirnova got involved in. i already told you where you are going and i will not leave you. the speed here will be, real, tin warning air, and the second one in your head, understand? a flock of premieres all monday at 21:45 on ntv allo stars another boy recording zykina's performances, a huge number of anniversary concerts alone in the kremlin palace of congresses with her participation were several hundred. they

were first broadcast live on all television programs, and then repeated at the request of the workers, not a single officialdom could not do without a song performed by zykina was not slow to appear. the reverse side of the proximity to power, her name began to grow gossip. from the book of lyudmila zykina my volga flows for a long life. i heard a lot of tales about myself, from which not only ears can wither, then zykina was expelled from the party, which she had never been a member of, for family reasons, then zykina bought half of berlin during the withdrawal of the western groups of troops, then whipped from the nozzle in the bathhouse for a non-existent love for kosygin. to me washed the bones, for several years in a row it was transmitted by word of mouth and discussed in the corridors of the ministry of culture, even in the press, which at that time did not print, neither gossip, nor secular gossip,

information leaked. zykina chose the most elegant move to refute capricious rumors. she did not pretend that she did not know anything, but laughed at her failed suitors, please. you were at the factory, then you were in the choir , and then for some reason you were immediately in the government under the arm of the leader. where is this huge period of time to government sites? oh, volodya well, i knew for myself that this is how they write in the archive of zykina's friend vladimir demin, in addition to posters, records and photographs, there is a record of 1961. demin director, screenwriter and presenter of this program zykina for the first time on the screen, a modern folk song occupies a leading place, dear geo. you can't sit. red maidens in the forest walk them ants

grass, rummage and pick flowers and just a girl from the choir of no royal. no she is, when she was already performing, and then, as you understand, she it was the queen walking, and there, usually a simple girl of the cliff, vladimir dyumin, considers himself the discoverer of zykina on television, it was scary to start immediately, they decided to start with the radio , songs sounded on the radio from morning to night in every program. good morning. the song, performed for the first time, radio forged frames, must have sounded. and before the joint campaign of the chorus girl zykina and the homegrown producer demin turned out to be a failure in the holy of holies of the musical editorial office of the central radio, they were not allowed in our girl's boots. they so very much all of them suddenly, when absolutely dahlia

entered the room, kali ala, i don’t remember my last name. i took. here, i brought a good brought a good singer, but an amazing voice. she looked at lyudmila's clothes like that with her hand, and then she doesn't speak separately. why do you bring someone to me, someone brought me in boots with a diagonal skirt, what kind of singer? where did you take me? i say, well, you listen, well, they didn’t listen, but i didn’t have any left and threw it on television. so, by the will of fate and against the will of the children, lyudmila zykina began her career, the way everyone still dreams of striving for glory with a solo performance on television. today, believe me before sleep, what happened, then calls all who is what, but these ladies who

worked for us in radio commerce as music editors, i say, listen, well, you sang it in the program. i say, this is the thing in a diagonal skirt in boots that you bring back to us they say on the radio songs performed by lyudmila zykina sounded mainly, folk of which her repertoire consisted in those years, and on television in next time i'll throw it in a blue light. the village walks a blizzard floods the white light. it was another and very high springboard to the world of all-union glory. and love in the sixty-third, the song volga flows on a spark mark bernes sang the next year lyudmila zykina for a long time the river flows the river flows lyudmila zykina never thought about a

stage name her name and surname were easily remembered sounded moderately simple and convincing in russian for foreigners had lyudmila associated with the russian beauty, and sundresses and beads with russian culture. now there are two more stable phrases easy to translate into any language, russian nature is the volga russian song. this is zykina, we were together with residents in many countries. we were with him together in america in europe, we could meet, we could work. yes, this is germany and they are in berlin, for example, they, well, they carried her in their arms. they loved her, they perceived her very well. and this song made a

very good impression on them. lyudmila zykina came to the group of soviet troops in germany quite often in the seventies in the composition of this military association included six armr. they were located throughout the gdr . the final concert, as a rule, took place at the embassy in berlin, then the artist was given several hours of free time. and suddenly we hear from afar, for a long time, the volga river flows, a melody simply in a musical performance with

such inspiration. and he says, listen, you heard you heard and all the movies are wrong. he says i know better. no, i know better, because i'm zykina, you don't look like her. she says, come on, let's start with the intro, and she sang the whole transition. so many people gathered in the passage in berlin, just a pedestrian underpass. it was, of course, madness. it so happened that zykina's touring career began with a trip to a military unit in 1958. she performed in a concert for the soldiers of the northern group of forces, and then sang at a drifting station near the north pole

. probably there was some kind of complex mixture of heroic patriotism in her songs and the usual everyone understands the homesickness in 1983, together with her russian ensemble, she went to afghanistan in 2 weeks, gave 36 concerts for our soldiers and officers. on november 15, 1983, there was a concert of artists from moscow, zykina herself beat first with an orchestra. rum is just that. everyone asked for it. orenburg and i shouted to the volga and she sang and i decided when i return i will go to the volga and lower my hands into it for myself and for tolik of all the guys who will not return. hey your palmsstan,

i remember such a case, i pitched a tent when we general i won’t name this item for a year now, and that general well, it wasn’t very neat there, so she washed everything with her own hands, but left a note so that zykina would put it that way, that is, war is war, and zykina’s order went legends as well as rumors of wealth and love affairs. she could wash the floors and cook dinner, she loved to embroider, fish , and surprise her friends with unusual dishes , such a huge porcelain pan. why are you

going? these are calf tails. i say here they are made with such a taste that they would lick their fingers, however, it was true and she loved making pies. she was hospitable, she always liked to meet people, she loved to make friends sincerely, she was a person in this sense of hospitality. lyudmila zykina has always been a separate topic for many. it seemed that this could not be almost 50 years of absolute recognition and glory by some miracle did not spoil her character, she knew how to laugh , laugh a little. we've been so hilarious. love it so much, she loved the ditty so much, and she knew how to sing so much, and we did it many times at her dacha in meetings of the new year of the old new year on her birthday on june 10, we gathered such memories

so much laughter. how many islands how many u? about a wonderful pure moral, if you like , even when ditties were from the point of view. hmm large meters is not very profanity - this is called yes, but only the island is smart, not not, so that there is no dirt there, or everything was arranged in turn by viktor temnov, the famous author. rolled boris burunov, the most popular entertainer of that time, makes eight bars, you see it is being done introduction. it’s like preparing for a neighbor, yes, then the cup itself goes on for eight measures, again a loss for the next sitting one, you screwed up, you didn’t enter, but this doesn’t mean that you had to leave the table, but stay, but not later. and so that's it, it was spinning spinning.

funny. or sometimes bruno is not accepted. well, yes, then that person is waiting in line, to have time for another ditty, but we will remain to say. together, and this is still this action, and everyone else is listening. and it's a long, long, long time because we have a supply a supply of gigantic for lyudmila zykina cheerful friends noisy gatherings at the dacha, all these borscht and cutlets that were eaten without a trace a song to the accordion, temnov, or the guitar that zykina herself played, everything, this was not just a background of active creative activity. it was an attempt. at least somehow realize the dream of a big friendly. and most importantly, my family, maybe not to call for use. e such here is the rule to speak. into the camera, but i want to say that i did not have my own

children, but whom did she notice, whom did she love, so the words of the song said the mother is hard to speak, but i want to tell you, she could calm down. she could give hope. i think that if the lord granted, i would be so lucky to have my children. she may have been the most reverent mother, not wasted maternal generosity, hidden sadness and patience inherent only in russian women found their embodiment in zykina's songs, do you understand? i didn’t meet pyatnitsky anywhere; i happened to travel a lot around the world, but i didn’t see people in the hall anywhere wept. everywhere a restrained smile and a lot of applause. and we have the opposite, the auditorium is

crying, while forgetting to clap. this means that zykina touched something with her songs, hidden in the soul of everyone who attended her concerts. and it did not result in a thunder of applause. here imagine, yes, three-quarters of the crying phenomenon of the zytin song cannot be explained by words in the hall. everyone had the impression that this song was for you and about you, the enchanting timbre of zykina created a feeling of boundless trust with a special articulation delivered every word. these are the qualities that were in zykins. she was full of them, she also learned that she had diction to think, she got straight to her by the age of twenty, impeccable articulation, even when i speak on the phone, every word is there. i don’t want to compromise some famous singers, uh, who, while singing, uh,

utter four words, i can’t understand what words, but zykina uh, all my life i was ready to learn, and besides god’s gift of this voice great amazing timbre of beauty extraordinary. it also had to be processed and polished and clean and she does it. oh-oh, everything is ripe. in her seventies, in her seventies, lyudmila georgievna zykina began teaching at the gnessin school and even received the title of associate professor and then professor of the folk choir department, fate, as if following the script of the song to the bank of the volga, first a

seventeen-year-old girl from the pyatnitsky choir came out and then looked into the volga , an experienced teacher of choral art, but if someone considers himself a student of zykina, then, of course, not the choir, but the soloists and came to religion. and uh, for that, to please her. she says that you can have time for gifts. i say, oh, my dear. well , well-known things, well, wonderful. i began to sing to the orchestra, it is very loud there. oh, you little darling, red girl. we'll go talk to you. i wanted to show the power of my voice, remove and so on, and she says, uh, how can you communicate with your darling like that, she is deaf-mute with you or somewhere she is far from you. you shout to her, you need to re-understand, if you declare your love, then you must explain it so frankly and not

so don't scream. oh you soul, point red face. she showed me very few people who know that lyudmila georgievna zykina until the last days. she practiced wakal herself, did exercises and drank like a freshman before an exam. i sang it for 45 minutes in class. here, according to the well, according to the system according to which it is generally accepted, that is, at first there were lowing exercises in order to bring the sound closer, that is, the sound is approaching, then we sang uh in the eye in order to bring these vowels closer and in order to then there were very it is convenient to pronounce e, v e while singing a song . so warm up the vocal apparatus and keep the muscle tone of the vocal apparatus normal. in the

singing room, she said, if i suddenly stop singing, i will become unclaimed. i must be in demand. it would seem that lyudmila zykina never had to complain about being in demand, but this does not mean that her path was all strewn with roses for many years. she received the lowest rate for a concert of 16 rubles. in order to have enough for life and for concert dresses, you had to get at least 15-20 orders per month mos-concert strictly regulated all performances and tours. orders. it was necessary to beg the imam much. live boldly until the rag falls out of your hands with cuties and it doesn’t matter if you are a star or e. tomorrow you need to wash the floors, uh, you can never be ashamed of that. those who you are, and it is important that you eat your bread worked out and any

business can be done beautifully. lyudmila zykina well, learned her mother's order and really lived boldly, especially since it corresponded to her nature. i remember, it means right. eh, i don't know maybe books, by the way, but uh, when the first word democracy appeared in our country. there was the last uh congress of the supreme council and mikhail sergeevich gorbachev is going to be there, and she, uh, came to the podium and said, they say democracy is democracy. here i have russia today. so far, i'm keeping democracy a mess. mikhail sergeevich tightening the screws democracy is an order for her rather long creative life lyudmila georgievna zykina sang more than 2,000 songs , of which only two composers, fradkin's brand flows

volga and a song about bread, a certain poet of storms, surname. well, these are poems of a tractor driver who worked on bread, accidentally sent from siberia from altai. eh, the bread began to burn, and he began to extinguish it. it was a case there in the seventies also lives. now you remember without me, i didn’t get out of the fire, i took the wrong tone, but bratkin is a wonderful composer, he is aiming, if he wrote a song, he would spend a lot of time for a long, long time, for what fell into the top ten of the song, the volga flows really got into the dessert for the russian-speaking public, her words were remembered with foreigners, who did not understand a single word from the song, listened to her, as if spellbound, like

a revelation on the topic what is the mysterious russian soul, in general, all her songs, why are they very popular? because they are rich folk melodies of russian melodies and the listener who i listened to, whether then moscow kharkov khabarovsk vladivostok leningrad berlin listeners have a listener i attended these concerts when she sang these songs her songs and the volga river flows she was very popular. she was very popular. i am as a performer, a person who worked with her on stage and sang. i considered it an honor to work with us? zykina, it was very interesting, and alexandrova lyudmila zykina often performed for me, and once, leaving the stage, she heard backstage. here is such a voice. we have a very interesting very

good very capable artist soon vladimir he has a good voice and at one of the concerts volodya heard lyudmila georgievna sing and for some reason he decided. so for myself i decided to try this, and it worked out. we are a little at first they smiled, everyone looked, and then look. maybe it’s really serious with him, it turns out a little, it looks like lyudmila georgievna. and lvov is all for his son. maybe zykin did not see. if you can imitate, then someday you will sing as well as you can, only you, all the more so since this song is in any case

firmly connected with the name of lyudmila zykina smile or kharlamov's hockey game, so there is zykin's volga here zykin cannot be measured by our stereotype. that's how zykina told me, the covenant that she gave you, live deliciously, because you can't to live for the sake of, but you need to live for the sake of life, delicious and how much the lord will give, when lyudmila zykina sang the song volga flows, she changed the last words and sang turning to the audience. and you are 17 years old. it always caused tears and applause, and as the composer viktor temnov told us in an interview, the heart flew out of the chest for repairs.

whole average snow where? my flow. and i'm 17.