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Understanding 9/11tv Inspektor Kuper NTV October 1, 2022 5:25am-6:05am MSK
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as a rule, all yards were divided into a zone of influence of city punks, trying to command in a strange yard meant only one fight, to provoke it it was enough just to come into the yard to stand up with a defiant look and spit seeds on swept paths, their yards immediately went out to defend the territory brass knuckles and knives have never been beaten with fists. well, at best, quit on the street or wall to wall to the first blood. here, as we said, then with a spatula. it was the nose, as soon as one of the dogs bled flowed. we all stopped the fight and defeated those who had a completely different morality and a completely different attitude. not until the first blood, until
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someone pulls out a knife or in the yard slang. cleaver bladed weapons were rarely used, but the threat acted unequivocally and petty. as the kids were called in the same yard jargon , the current barbarians lived well on razin street. we had a tatar janitor, he had a son, vaska, and that's when this vaska for some reason was remembered. to me for a long time, he sometimes went out into the yard with a huge piece of bread for 28 kopecks, which was cut. that's it. along the long loaf, of course, everyone immediately ran and shouted 48 half please, if vaska did not have time to say 41 half not half, but everyone got a bite. there is a friend. i have known him since childhood, but i am silent even about her. soup, why are you silent, even
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a casual friend whose friendship is customary to remember well or not i have nothing to share and many people, despite adult disappointments , managed to maintain childish sincerity in themselves, when we parted ways, a hotel in russia began to be built on the site where our yard and our house were, then for a very, very long time and still my brother and i know where the people who lived in our yard live. they are not related to us. no, well, over the years they have become, maybe even closer to the early sixties - this is a building boom throughout the territory. soviet ostankino television tower in moscow but the main thing is that residential buildings are being built in 1 year 1964 in moscow, it is planned to build about 3 million m². housing 40 schools 84 kindergartens 11 cinemas 109
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shops and cafes in tashkent are building earthquake-resistant brick houses, and every house in moscow and tashkent and anywhere has a yard very quickly. it begins to function according to all the laws of the soviet hostels, not everyday and not banal associative. we were a happy generation, because we believed that we would suffer a little more, well, we will build such a wonderful fair. uh, non-partisan. uncensored society, just don't break it. the soviet union, of course, no one was going to break it. us necessarily reflected in the songs, because the soviet song was the cementing mortar that held together the most diverse peoples customs and characters.
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it was not an easy task to get the song to sing, the whole country of sound recording is definitely. it's incomparable. and god forbid that all this goes forward, but then the songs were created. you know, like pancakes, well, just not a coma, but no one thought, but it's forever, because all the best that muslim magomayev did at christmas was written in the heat of the heat. here they were created and here for tomorrow. it was a recorded song. and in our yard we recorded in a studio on kachalova street, now malaya nikitskaya and the next day it was put on the air. and no one thought that it was forever, but the popularity of the songs was monitored, and the authors of the performers were still worried. any song that sounded on the radio was a kind of tuning fork in the mood of society. it was necessary to
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get into this mood, but they were not sincere and were written by authors with absolutely magnificent melody from verses. is it now we are talking music and my words or is it the music of such and such into words we never said such a word then. we spoke the elements, so this song, and in our yard it would seem. well, not even a song. about the song, playful, written by arkady ostrovsky and his moschanin, the task of the song about the girl in the yard turned out to be more difficult than that of many other pathos and patriotic ones. in principle, it is another matter to evoke public consciousness. to reach out to every yard. yes, every soul 's letters from radio listeners were a rating that could not be rigged. and now, if the songs have already received an output. if they were heard, then
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started feedback listeners had the right to get what they want at the end of something by request specially inscribed programs nightly programs after midnight today this is not today. we listen to what we are given, whether we like it or not. here you sleep, my beauty, according to this principle, the authors are huge. a compliment that the song in our yard sounded in the yard in the same sixty-second year, a combined record was released, where this song was recorded, the player could be put on the windowsill and set the maximum volume. then an additional meaning appeared in the song in the yard, they began to speculate for whom the song sounds. oh,
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the sound is coming. i stand and keep silent and dinner ahead of this video for the song. and in our yard it was filmed in 1964, and it is no coincidence that in the same year a weekly hit parade of pop songs began to appear on television in the uk. in order not to come to our filming every week, the singers recorded their performances, adding a spectacular and appropriate video and sent it to london soviet people did not know about this, not by ear , but ideologists and party radio and television stations were well aware of what was happening in the world at the beginning of the sixties - this is not only a mass song, but also mass television in our basement near one of the living in the yard. now i don’t remember who got the tv
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, it was called kvn, its size was probably, well, 12 by 12 is more unlikely, because in front of it there was such a hemisphere there was a lens, a lens, with water the room was large, they filled it full. that is all they were freed, whoever he needed to sit down, they would definitely come there and watch this tv, they didn’t even think that it was inconvenient or ugly they pasted three multi-colored stripes on this lens. tv became. colored in the new year , i want to perform a new song written by the composer arkady ostrovsky and the poet lev ashanin. they decided not to leave the theme, which became a popular song. and in our yard they wrote a new song called and again in the yard. do not be sad. maybe we'll meet again, take i won't run away from you. how long will i stay on the road? i'm a month, and i'll come back here again, in the yard, the
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record sings to us and i'm sorry. and everything with you still does not give the program at the blue light then went on . every week, like the english hit parades , all the stars, both famous and beginners, then twenty-five-year-old iosif kobzon and the blue light sang in it. this clip with the song was watched in our yard without looking up from the screen. and, of course, they wondered who this inconspicuous stranger was , i remember. here is my first school love i remember little litvinov. i remember her. i didn't see her. i don’t know if she is alive, but i remember how i copied books, copied lyrical poems, as if from myself, that i am such a talented kid. well , i tried not to take the classics. not pushkin i'll tell him he took it. abaya took such translations from him. eh, some. well, here he wrote poetry, accompanied her. we are in the
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forty-eighth. we studied today in dnepropetrovsk on volodarsky street well, when the lessons ended, i was waiting specifically to bring her a briefcase. she's the truth on me no i didn’t pay attention, i remember my rural love, milochka isaukova, too, i remember, i remember my student love, it was always possible to explode. let's get it right. a witness to one deadly aria and a disqualified aria continues to eat while driving. i'm rolling. how is this possible a special purpose motorcycle. to be honest, at first i don’t get it. secondly, he is a very heavy electromelon from a motorcade only on the main
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road in our road and how to survive on them the main road. where are these 20 on ntv for inconspicuous girls from the song, and we didn’t have a prototype in the yard. or maybe we don’t know something from the biography of lev ashanin, only inconspicuousness, in the early sixties, was no longer such an unconditional ideal of beauty. wearing short skirts to rise in price for everyone there, uh, aunts from the screen and to death to death poor unfortunate mothers, who are boys , they are naive, they are, like children, as now, come so once, well, so that he does not say anything to her. no, it was just ruled out. so, i think that this ashanian was cunning when he wrote, i i look and there is nothing in it, and i keep looking, i ca n’t dare my eyes. he wrote everything about his wife. i don’t know,
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of course, this is a song about love and, of course, the left-hander captured the mood in one of the lines. whole generations. after all, until recently it was considered indecent to openly look after pretty girls, and public hugs on the street could bring a political thaw to the police station . experienced in every yard, even the girls divided into two, the camps of 11 teenagers remained at the level of the fifties, such were the komsomol members, pigtails, they braided and made such lamb. yes, so to speak, a different type of teenagers were we instantly cut it all off. they went short, cut already in kapron, then in stockings or pantyhose. we
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instantly renounced these bagels, these nasty girls who did everything right and left well so normally with a briefcase and loved teachers were the subject of gossip of the whole court. they stood out strongly against the background of the average poor masses of their girlfriends and friends, but poverty is not a password, uncomfortable housing and ugly clothes gave rise to another rule of the court in the new to go out indecently. in many cities and provinces there was still no light, we were preparing lessons with kerosene lamps. if so, for a long time we lingered on the street playing with cloth swords we lived in poverty, there was nothing so entertaining. dressing fashionably on the street meant simply dressing in new clothes, and then one had to be prepared for the fact that friends and comrades rushed from all over with screams we will update and each from the expansion drove a dirty
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sole onto a clean boot. this went on until then. so far, no one could determine the degree of novelty. short trousers of a pipe, sticking out socks , a scarf or a tie were excluded from the circle of their yard forever. it was scary, because trust between friends was valued above all else - love. friend why? she is silent, even death spoke little about love. it was somehow not customary to help out a love song don’t say, they sang everything said when you klavdia shulzhenka and inspired this idea to all the young citizens of the country of the council gradually the songs became revelations and moved from the courtyards to the kitchen. they sang
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okudzhava and vysotsky to galich but in the sixty-second , songs were still rushing from the open windows, which were broadcast on the radio. what was different? from that time on, you know how disgusting raikin's time was , but the fish in kama was so, uh, one of the varieties of this fish, there were just songs and the main thing was to allow them to be broadcast. it was very difficult for the song. and we have in court in this sense, a happy fate, a recognized poet. a well-known composer wrote poetry, a young singer, a student of the gnesinska, wrote music. iosif kobzon performed it and gave it to that very ticket, because there was such a program, like good morning, in which songs sounded and at 10:05 a program was released on sundays and at 11:00 people
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woke up before the song. and in our yard it hit the air of good morning. i had a completely different one. radio presenter vladimir demin in the radio commission, we organized such an ensemble of a musician professionals and there were concerts a lot of concerts and, of course, they were looking for popular songs. once the head of our ensemble said this, come on, such a new song has appeared. and in our yard we will record it, and there i will put microphones in the conference hall of the orchestra ensemble and recorded this song. but it was like shit and no one had sung it yet, and then he sang her kobzon, but here, as the first performer. i had it copyrighted in 60 second there was no problem any popular song could be included in the repertoire singers and the ensemble, especially songs written for the state radio and recorded at the studio of the same radio, scattered throughout the union at
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the speed of trains that carried numerous groups around the country. i traveled a lot. the political officer on the edge of the troops on the border to kamchatka to chukotka in magadan traveled a lot, and i sang in our yard, and even the dark night and the lonely, accordion, many, many songs, but we get up you know, she's kind of, of course, still so kind, and she wanted to sing like this loving eyes. and we have a girl in the yard. one among noisy girlfriends is inapplicable, but none of the guys is inconspicuous. i slava after the radio broadcast went to kobzon. he went to work in a brain-concert and started with a song in our yard in his solo career before that, iosif kobzon was known to the soviet youth public, as a
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passionate singer of the cuban revolution, he performed in a circus with an absolutely significant song for his time, cuba love my. the song resounded throughout as the revolution in cuba was received with enthusiasm as was the placement rockets on the island to protect this revolution from the american imperialists, fidel castro called his country one of the soviet republics and became a hero in the eyes of the soviet people. in the image of a young fidel, kobzon more than once performed on a blue light, but even revolutionary paphos and political relevance did not make this song popular than the unpretentious song about a bakery girl and heels that sounded very popular that same year. and especially because her
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file review is wonderful with its velvety gentle. what he looked at, there is nothing in her after her, i wanted to heal her myself. as i understand it, all the girls who were with him and to this day there they are all beauties. so in this case, the songs do not correspond to his biography, the role of the girl who looks after her went to the singer, with whom hundreds of fans of radio listeners were secretly in love, the first two songs were written from the face of a young man, in the third series she had to tell her story so far , the silent heroine, and then the girls went into battle that you are telling this all the time to the orienka . e. tell something girls in the courtyard they continue this story with the song i'll wait for you, which was performed by e, unforgettable maya kristalinskaya and it's time to sleep. the songs
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of the yard cycle appeared not just one after another a year, according to the song, they were stories of heroes who told about their feelings, as they grew older, the classic version of the series only became classics themselves, the authors of arshanin, ostrovsky wrote a cycle of songs for the first time. well, according to the principle of our russian. manka is not at home, vanka is not at home , the boy left, said goodbye, the girl is gone, and then i sang the fourth song this cycle. here is the yard again. here is the yard again. my good old house. i have n’t been in it for 3 years, but when the authors already
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understood that these heroes were growing up, it was already 1966, and they perfectly understood that they needed to go somewhere. it was impossible to turn this story further to pull the intrigue, a love triangle suggested itself, but this was contrary to all soviet canons, therefore, they decided that childhood love would develop into true mutual love, which would overcome all obstacles and end with a wedding, and this wedding will definitely be celebrated the whole yard was supposed to be so according to the script according to the plot that this is love to meet and there will be such a happy ending, happy ending , delirious in hops, let me repeat that i love you. do not trust anyone that the stars have fallen asleep, that love will fall asleep. you hear, trust no one, it
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was the fifth song of the autumn melody cycle, acs we teach airplanes to fly and alexandra pakhmutova's song series in memory of gagarin became one of the unique components of the soviet pop song. it's just a pity about the fate of that inconspicuous girl, that we have radio listeners in our yard, they will never know hope that there will be a final song. uh, this hope did not come true, because the suddenness of life left arkady ilyich, the cycle remained unfinished. but in the repertoire of maya kristalinskaya forever. the song came in i'll wait for you. kristalinskaya was incredibly popular in the sixties and with intelligent eyes. she sang very good soulful love songs with a touch of mysterious sadness, which reflected her fate and
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corresponded to the mood of soviet women who are over 30 this age was considered almost hopeless. modules sixteen-year-old our generation was different, we went dudes well, as now before dudes from the cart. i don't know washcloths, whatever you want. we already listened to the beatles in the sixties. well, i'm 60, and a little later it came to us at 60 they had. and we later came here, the beatles arrived later. yes, michelle is. and i look at her there is nothing in her, you know, and i keep looking at the class, and then they come, what we loved, of course, then they go to school coming to school. we were supposed to love. i look and after that there is nothing in it, and yet they loved the songs, after all, except for the first verse. there was also a lot of history in it from the voiced youth of those for whom the songs of the beatles then, too, would become iconic 60 second
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, not everyone knew english. and here is the favorite verse of the song, and in our yard there was everyone in and the main performer of this song, but there is one there , you know, when a boy suddenly tries to pretend to be a man, i’m not afraid. i'm not the guys of the night, nor the day, nor the cool fists, neither water nor fire. and with the grid at this good or knocking in the morning heels, she just wakes up and looks out into the street and listens to when these heels of the girls will tap, for which he fell in love with you childish love, a good song, advanced youth, in the sixties she bought records on the ribs secretly read, the calf butted with the oak of the sunflower at self -creation she cut off her school braids and resolutely shortened the skirts, altered from her mother's dresses. but
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when these advanced boys and girls went out into the yard, they obeyed a way of life similar to the medieval russian artery, which is there strictly observed according to the rules unwritten by anyone, but a pop song. they mostly sounded already among the masses in houses on rubble. to build these houses quickly, quickly, the entire entrance was going to and all the pellets were these songs. cool fists no water no fire oh renet we put a tape recorder on the piano pioneer there is a built-in microphone. this is how we wrote it down, so who was so impressed there
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there, and julia is my daughter, she put on heels and ran from the room in the kitchen so that she does everything with heels according to the texts with spoons and cups. there is a yard. dominoes were making blows jumped out of her old cycle and sounded from the stage. well , not one either, but in the new cycle of old songs around moscow, we had, uh, a composition dedicated to moscow. there were three songs from this cycle, and in our yard there was a song of lanterns and two songs about moscow, the song street lights, perfectly
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complemented the courtyard theme in the sixties he sang it. true, not about moscow, but about leningrad, the famous jean tatlyan does not let them sleep out of the way. nym uh, the song that i listened to, uh, at the institute in the first years of lanterns. it was just transmitted from hand in hand on kept his films turned out to be long-livers moscow and st. petersburg heard them again in the 21st century. this was already the third birth of soviet songs of the sixties, and at kobzon's concerts songs from the courtyard cycle sounded again, it is no coincidence that this cycle appeared with the name of these authors. arkadyevich ostrovsky lev ivan-shawl. you see,
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these were talented mischievous people, as they say, parents do not choose a child born to these parents. everything is logically happening. it appears precisely in these authors, no one else i could not write this, with all the components of success. even to each other, it’s not that you can order a song to the editorial office on the radio directly on the air or he sleeps himself with a terrible english drift. whether this is a criterion of popularity is unknown, but there is another old way to find out scenic or not? iosif kobzon is still using it. iosif kobzon is a kobzon, so when he comes out he sings his program, and then the crane comes up and says.
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well what do you want to hear? i have such. uh, that means reception, in a concert, when i ask my listeners. well, what else will a friend vote for you, and in our yard, what kind of memory do you have. but remember, why because we all grew up in the yard and we know these stories, we know our love, which, so to speak, were at 14. how we were furious playing some kind of yard games and in general, mystery, these memories of secret love fell in love. and on the chaste romance of the sixties they made a simple song, diamond in the yard is practically immortal, you know, we were waiting for the first kiss, i remember, let's say escorted the girl and kissed her on the cheek. it was winter. in general, it was insanely cold. and so i
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said goodbye to her with dina latsikova. yes, i said goodbye, by the way, yes, there were no thoughts. excuse me for being rude and getting under your skirts. we have been waiting for this hour. well , i don’t know how they are waiting for the most intimate in their lives, we danced. so you know how today let's say dancing. and forget about everything, i watch from the window in the early sixties pair dances, gave way to the foxtrot twist, and no one was taught under the game, especially in the yard, but the slow dancers launched especially so that you can still dance at close range, and most importantly, touch your partner. the accepted distance between the dancers almost on outstretched arms was called the pioneer for a
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reason. they say that the expectations of love are different than love itself. we waited and hoped. when we held our girlfriend in the dance, we were shaking with happiness, now this is not the poor generation, they do not tremble, because they have sex, uh, above all, but for us sex was also not true, someone says that the ussr is not there was sex there was sex there was sex when we fell in love and when so to speak already. some kind of close relationship was approaching. this is completely different. i look, if nothing to me. no, but i realized that i didn’t take it away, but i keep looking, i don’t take my eyes off, and we have one girl in the yard. certainly, but none of the guys is inconspicuous, i look
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and trace nothing to me, and i still look, i don’t take my eyes off. alexey gennadievich you are at home, today is the 20th day of payment. do you remember i brought you a watermelon? and alyosha well, you just teach me a master. this means you need to
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feel the principle of the pendulum swinging swinging, you feel the energy, lyosh, i feel your hands on my waist. well, actually, i'm very gentle, it just somehow happened. jealous, i'll probably bring it.
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orlov alexei gennadievich is married to a certain orlova oksana viktorovna, they broke up, huh? he, and i came to him for rent. today is the twentieth day of payment. and that your guest drank a lot? well , alexei gennadievich drank, he was very worried about his discord with his wife. in vain he did not have to be so upset over trifles. why are you gluing it? or it seems to me, anya, we are friends. look at me and he's not my type at all. wow a bottle, but you drank glasses, well, of course
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, yura is a drinking buddy. bisk of the season burglaries five episodes in a month not a single undiscovered friend of mine and nosov breaks the sword. if you want to set up an alarm, please contact us. you are so good. and i thought that all the cops of the group were not stepanenko's bluffs. what is it worth, you know, a great connoisseur of the poetry of the silver age shines his eyes on the consequences of the lamp and reads them out in blocks and colors. after a couple of hours , it pricks like pretty little ones. nafamin, my friend of youths, sorry girls. yes, yur is listening here to such a case on one corpse of a certain alexei gennadievich orlov.
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yes, yes, on your territory, yes, it looks like he got poisoned with cognac. we ought to let him know. you, as always on time comrade, i actually have a day off. why the hell would i ask the widow yura to be an intelligent woman. well, it’s not for me to send stepanenko so that she has a condra. okay agreed. i go to the call and stop putting pressure on me with burglaries. listen cooper is good at haggling, huh? okay, i need to leave. well we are wanted to play more. check
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out the pure cases, this tsatsk is worth 10 pieces. yes, good booty today to steer your mother. hello hello, two fantasies. there is some fantasy. imagine that you are married
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. imagined. every day i imagine it is only useless. in short , you are married, but you don’t live with your husband, psychologically incompatibility you kicked him out, but after a while he finds out that he died, and he learns that your actions are from a completely stranger. i don't even know, man. still, the bottle came right to you. hi valera, let me in. nothing has
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girls without protection leave, where to go. what the heck? who are you? remind suleiman what you owe?
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