the guys are going to attack the bookmaker fart on ivanovskaya again gas and a lot of victims, waiting on the street. let's go wait fart here even

natasha went. well, pick up the phone, eh? well pick up the phone. god forbid, even one hair falls from natashkin's head. nothing sled, we'll make it, don't worry. i hope otherwise i can't vouch for myself. good luck gentlemen. damn well on our side will be sure. let's see sanya. we are with these gentlemen. good luck. let's save your natasha

this film has a very strange fate, as if from the very beginning. he lived his life, he chose actors, directors and titles, he was conceived as a merry west or something like the elusive avengers for adults. at first it was called the basmachi, then

the desert, then save the harem, and finally, the white sun of the desert in a year and a half of filming, he changed four directors and three screenwriters, more than half of the performers in the film are not actors. old men play old men bandits bandits about it. ahead of abdulla is a ballerina from leningrad , a graduate of a circus school and even one representative of an ancient profession. the revolution freed you you no now the master is gone, sir and call me simply comrade of bitches. nikolai gubenko began to act in the main role, georgy yumatov was approved, and anatoly kuznetsov starred. the image of katerina matveevna was found among the editors of the ostankino television center . vladimir motyl, a written

and edited by another director mark zakharov the only thing that happened immediately and easily. this is a song for the film written by isaac schwartz and bulat okudzhava and performed by a non-singing actor pavel luspekaev, the legendary and adored vereshchagin, nobility, lady luck. wait and it takes me to death lucky in love the film

the white sun of the desert had two premieres, one in leningrad in december 1969, the other in moscow in march of the seventieth pavel luspekaev attended both he enjoyed the success of such a success in his life there was not yet a success at the moscow premiere came with his friend mikhail kazakov, as soon as the song madam sounded behind the scenes, luck of success, pushed kazakov in the side and said my girl well, genuine such own transient music of the heart, but also this with this ear. the white sun of the desert, of course, it entered, uh, into our memory, of course, this hero, as it were, was

written by okudzhava with a thin brush of their times, of course, he is also part of us, madam, luck is the only song in the movie. yes, and outside the movie that pavel luspekaev sang. more precisely, he managed to sing. a month after the moscow premiere. he died from a ruptured cardiac aorta. he was 42 years old. lucky in love, there is doom. yes, there is doom, and from my point of view, it is ethically appropriate for a person to be ready for anything, it is appropriate to prepare his heart and his mind. to this extreme not invented from the general, so to speak, mouth. uh, the opinion has been removed that this success is absolutely ubiquitous , nationwide, beyond time. and so this means

partly magical, and this magical success began on the black sea coast in a place with the romantic name koktebel in june 1967 . two screenwriters and one director andrei konchalovsky gathered there, not for a joint holiday, but to collaborate on a new film one of the screenwriters. valentin yezhov had experience and a name in cinematographic circles, the other rustam ibragimbekov. just finished, the aspiring screenwriter was invited to a couple that summer lenin prize. hedgehog, only due to the fact that the events. a very big expert is exactly like the east , so i hid that i had never been to central asia and pretended to be very good almost a participant. uh events of the great october revolution. well everyone knows this has not yet been

uttered, the famous phrase east is a delicate matter, and the difficulties with the disclosure of the topic had already begun, the film did not work out, the script by friedrich greenstein, with whom konchalovsky was friends and worked, turned out to be unsuccessful. how to do evolution in the desert? with whom to fight and what is the moral of this unusual picture, all this was not yet clear from the stories of one of the authors. valentin yezhov, he told me personally. the first version was written when konchalovsky was married to an alibasar actress. and that's where this script began to be written, first, then he talks about her, natasha listen, he says. and what are you son and it doesn’t work about you about one, somehow here’s grief, it arises, and so on and so forth, the idea of ​​​​saving the harem seemed like a godsend, here, the main task of the new just government is to save women

from the veil, and men from polygamy and everyone will have. a separate spouse is an excellent plot for a soviet adventure film, but when the script was essentially ready, the group lost its main director, and loudly philosophically went to moscow for the festival, the next one returned from there and said, guys, you know, you are wonderful writers on turgenev are better. but what do i shoot? eh, so they will say this picture, yes, konchalovsky made a good western, and turgenev is offering me a noble nest. don't be offended. i will part with you the dragon lost one head, but two remained ezhov ibragimbekov arrived in moscow with a ready-made script and began to look for a director. a

newly created experimental creative studio was responsible for the film. experiment. it consisted in the fact that the author was given a kind of carte blanche freedom to work without constant supervision, censorship checks. the finished film had to pass for strength. it was about 60. uh, the picture began to shoot the sixty-eighth, which means that the so-called experimental studio was created a little earlier, which commanded, as the director commanded pozner, the father of vladimir pozner, and the artistic director was, chukhrai senior grigory, the choice fell on the director vladimir bloodworm known for its independent disposition and uncompromising work. they took a risk because the bloodworm didn't have the best reputation. he just finished the movie zhenya zhenechka and katyusha, who did not fit so well into the canons of depicting the heroism of soviet people during the

war years, that he could be the last for the director . at least, it was in this vein that comrade baskakov, deputy minister of cinematography of the ussr, spoke while i was a bloodworm in the cinema. and when we got acquainted with vladimir shmotyl and talked with him, it became clear that yes. it's definitely a choice. from the very beginning, we professed the principle that the hero of this film is a victim of circumstances, that he is not a revolutionary, he is not a bolshevik. a normal russian peasant and in all circumstances, who wants to be a man and a man. here is his credo. the bloodworm's consent to make a film about the adventures of a russian peasant in the asian deserts was forced, knowing about the mood of the ministry, he understood either this film or none, even if it was required to observe the weston style, which was called eastern from english.

from the eastern east, it means that the times of the civil war in russia in central asian e were taken as the basis, which means that films about melons began to be created in film studios, that is, about the fight against soviet power with the bosmatic movement. vladimir motyl immediately set two conditions. the first is to shoot no sand embankments in the pavilion only in the desert and only in the heat, so that everything is truly the second to look for actors anywhere, but so that everyone absolutely falls into the type of cases on the set near makhachkala, the director helped to fulfill this requirement. we're shooting one day tomorrow and we've lost props for a dry watch. and something else is missing. shooting tomorrow, and every clock has already been

played in all frames, and panic, what to do i had to stop shooting or reshoot everything again or order a new prop that would exactly repeat the missing things, both of which are similar for a death film, but there was neither time nor money director, vladimir motyl, found a third way bloodworm, thought to think so, call me the main street authority here. who was called here, and he says to him do you want to act in films? yes , of course, now, if you bring such things, tomorrow you will study, the next day. all stolen items were returned to several local dzhigits got roles in extras, and one of the dagestan authorities. he even played a cameo role. if you remember, there is an episode when a bitch bathes, and he is in a hat and with a gun in a red shirt - this is he. oli, in my opinion, his

name was, as far as my memory serves me. so unexpectedly, one of the conditions of the bloodworm, who was so striving for a true reflection of life in the game, turned out to be fulfilled. cinema. you bandits played against bandits. they decided so, although there the imported actors were likvin's extras and plus even there in one of the most you starred andrey smirnov, that is, our director known then, as it was, here, uh, the unemployed man was sitting with him, the film was closed, and he, as it were, starred in this extras as this bandit, so it turned out so extraordinary from the point of view of the adventure genre. this, in principle, is even an adventure movie, but it turned out that this is such a folk es m-m working on a picture in 1968. vladimir motyl did not aim at the folk epic, but diligently approached him. he diluted the gunfights in the hot desert with dry memories of green birches and beauty. ekaterina, matveevna, insisted on participating in the filming of the russian hero pavel

luspekaev, and for the songs he turned to the most popular one, and lyric to his friend bulat okudzhavetel. he certainly had a long-lasting relationship. and then i think moth was terribly liked, like many others. henceforth, then i liked this beginning, this entry. here is your honor. these are the words of your honor. i think that was enough for charm, for example. lady separation i'm cold with you, that's what a piece of letters, wait i 'm not lucky in death, i'm lucky in love. composer and sex

schwartz turned out to be the only one of the creators of the film who visited central asia in 1936 during the period of stalinist repressions, his father was arrested, and the family sent him to kyrgyzstan when the exile ended in forty-five and sex schwartz returned to leningrad and entered with the assistance of dmitry shostakovich at the conservatory, education in the post-war years in the ussr was paid. for the young schwartz, who already had a wife and a child, the question arose about the expediency of studying. but suddenly at the conservatory he was informed that he could no longer pay schwartz accepted such an indulgence for the decision of the rector's office and only after many years found out that dmitry dmitrievich shostakovich himself paid money for his studies incognito in 1976, but then in the sixty-

eighth he did not immediately decide they didn’t say to participate in a new adventure project. my friends there are editors that don't have to go picture. oh, she is so in the blockage there in general. it is unknown what happens. you will fail everything there, well, here i am i went to look at this article. i really liked him, i really liked him. i realized that because of this it could very well be an interesting and interesting work, and in terms of music, bulat okudzhava's poems immediately went to music; this was a feature of okudzhev's poetry. i used to be acquaintances. i really loved his music. music with

words, of course, and his poems and you know this, unlike many of my colleagues who treated bulat in such a way, you know, with such ease. neglected then i heard gorgeous melodies very bright of their own and lovely completely spontaneous is rightfully considered the progenitor of the soviet author's song. he began performing in the late fifties of the last century. at the same time, after shakespeare and burns, amateur writers and performers began to be called bards, paying tribute to the era of romanticism in english culture, but soviet bard. the song was not like shakespeare's sonnets, it immediately became a unique phenomenon song, geologists students sang . tourists, journalists, actors,

taxi drivers, people who have never studied music showed each other how to clamp the guitar strings, people who had never studied technical rhyming texts and sang them anywhere. for that era and its most important intonation so pseudo-heroic, of course, it was the okudzhak hero that was always important to me and sincerely needed, fragile with well not like a paper soldier, in fact , not so lacy and sticky, but i needed one with a sad face. with the intention of going to podvigzhevsky, the heroes were fragile and not very similar in some ways to the damask-kudzhava itself. his destiny can be called typical for the generation of the first soviet boards in 1937, when he turned 13, he was

arrested and shot on false charges by the father of the first secretary. they were not the tagil hormone of the party, the mother was exiled to the karaganda camp, bulat miraculously avoided being sent to an orphanage at the age of 17 he volunteered for the front. after the war, he graduated from the institute, worked as a teacher, wrote poetry and novels, joined the ranks of the cpsu in 1961, and in 1961 he quit all jobs and never worked for hire again. poems and songs became his bread. any work, especially in the cinema, was desirable in the sixty- eighth year. he came to leningrad and brought his schwartz to the composer. he was also pleased that some kind of professional composer recognizes others, when others, as he later told me , did not recognize him, somehow he took it with such a know. interest will earn. and i wrote

a song. and the song seemed to be liked first of all by vladimir motyl. she had nothing to do with western music, but absolutely responded. madly loves to be sad. like this, to make the soul curl up, unfold a tear leaked, but after that it would be good. here in this song everything she picks up everything pulls everything up. and in the

end, the madam will bring in your love the nobility. separation, you and i are relatives for a long time, that's what a piece of writing in the konyrte, wait, don't tear no luck. i'm lucky in death in love. having started filming, the director, vladimir motyl, began to change the script. it is by his will. vereshchagin is by no means the main character. former head of the former customs. suddenly, sukhov sang, performed by anatoly kuznetsov, and he absolutely did not look like that po a red army soldier who must alone defeat a whole gang of basmachs, when the bloodworm wrote the director 's script, we all really didn’t like it and went on, work, as it were, to find a compromise between what

was and between what the director offered. it was rather. it looks like a recovery. so to speak , the ruins came up and destroyed a lot, having extensive experience in theatrical productions of vladimir motyl on the set, he was always authoritarian and brought all his ideas to the end. he was born in 1927 , and in 1930 his father was arrested and exiled to solovki a year later, his father died in the camp. his mother was sent into exile in the urals, where vladimir motyl grew up in the sverdlovsk drama theater were the first productions of the young director, a graduate of the sverdlovsk theater institute, before the film the white sun of the desert. there is little about vladimir bloodworm. who knew the motel is a very complex production of a man his film stops all the time. with us, too, it means that while we brought this picture to the end

, various kinds of financial and organizational problems were stopped several more times. very badly gave the third, kochuria was put somewhere. so, in a warehouse. if one day on some sunday they were not supposed to show this picture to someone, something not braids, you do n’t even remember anyone. the film the white sun of the desert was indeed the first to be shown to brezhnev; his entourage knew perfectly well the taste of the chef's hours of rest, he watched american action films with pleasure. and films about indians. i looked at it not by chance, but insofar as he was a big fan of the genre. her favorite actor was chuck connor. that's all the movies that came out with him, so, uh, participation, they would immediately be scrolled at brezhnev's dacha, therefore, when he found out that e was filmed in the soviet union. so the first western is such a plan, like the white sun of the desert. naturally, he also decided to look, he really

liked it. all this business, positive reaction. leonid ilyich brezhnev, of course, immediately became aware of the film white sun of the desert, the green light was given, and therefore the second premiere took place in moscow, the film was launched in all cities. the ussr watched the song madam several times. good luck. here they learned by heart. this song, by the way, is terribly popular, yes, and this is a classic move in skits. yes, when you m-m take and remake a song, all attempts are the majority, at least what i know how to write. uh, congratulations or some kind of skit on this topic on the topic of your nobility ended in failure, because the joke could not come up with more soulful words and appropriate . it was impossible the desert was followed by another no less successful at the box office in 1975 after the release of the

film captivating star of happiness started talking about the unusual creative union of director vladimir the poet’s motel was so okudzhava and composers and sasha started talking about philosophical dramaturgy, and the phenomenal unanimity and unanimity of the filmmakers, how it turned out, no one thought they were united by works and hardly wiser life experience. people told each other about their childhood and their fathers who were shot, and we do not draw any conclusions. only facts. yakov motyl died in the solovetsky camps in 1931, the son of vladimir motel, director, screenwriter, people's artist of russia in 1937. the son was an akudzhava poet, writer, playwright, the founder of the bard song iosif schwartz was shot in 1938 by his son. isaac schwartz

composer people's artist of russia mrs. pobeda means my song is not light until the end stop the devil swearing on blood. i'm not lucky in death, i'm lucky in love, three pictures were made together by the bloodworm schwartz ekujaba. all of them are popular and beloved, but only one film has become a talisman amulet, a good parting word for people whose work begins outside the zone of gravity. everybody knows, that cosmonauts always watch the white sun of the desert on the eve of the launch, and no one can explain this. as far as i know, the astronaut cannot explain it either. it's just that the cosmonauts took it, as if for a standard, for a cult such a whole ritual will be made of it, that is, before flying into space, the astronauts must have seen this particular film. no one remembers exactly

kotya, the astronauts were the first to watch this film and hear the song lady luck. it could have been in the same year that the first premiere of the film took place, then is in 1969. that year, five rockets of the soyuz series were successfully launched, and a total of 11 cosmonauts went into space once. the first time they went into space, and everything went well. it turned out that the astronaut people are superstitious, they said, since it happened so. let's make it a tradition, so to speak, a tradition - it lasted quite a long time, it was violated on september 16 , 1985, just before the flight of the soyuz t-14 crew consisting of vladimir vasyutin georgy grechka and alexander volkov on the sixteenth numbers. in the evening they show us this film. we

sat, uh, buckwheat vasyutin, and here volodya vasyota tells me, sash, how much you can watch, probably half the film. let's go for a walk, get some fresh air, otherwise we'll have to fly for six months. oh, to sit in this volume of alcohol for six months. let's take a walk, what's this movie? well, we went out with him. the launch of the ship was successful, and after 2 weeks vladimir vasyutin fell seriously ill, following the instructions of doctors from the ground. volkov introduced strong drugs. then again the second repeated breakdown one course and a person already. well, already decided to live it does not lie. so the earth decided to stop flying ahead of schedule, and we were allowed to land. and volodya was sent to the hospital, he was cured, but the fact is that after that all the crews again watched the entire film to the end. since then, the attitude towards the film.

cosmonauts became even more trembling the evening before the departure always ends with the words of okudzhava, you warmly embraced the noble, but you didn’t love. wait on tender cheeks, don't catch it's funny, of course, but here is such a collection such was the records of st. petersburg. i even had the honor of getting there, as the person who wrote, when the most cosmic song was written, somebody said that he would sing the most cosmic song. he

would probably have decided that talking to a madman, he was not going to drink and generally doubted that he would still be able to play a movie. when he selected the actors, uh, he had an idea to attract a bloodworm to his picture, just the leningrad actor pavel spikaev, because he himself is a leningrader, as if he loved the bjd big drama theater, his clauspica is good the only catch was that he knew that uh, at that time, uh, i reproach, the operation was done. he became an invalid in fact and a bloodworm. he knew this very well. this was the first work in the cinema after the operation, and for its success it became a matter of principle and honor to do everything myself without stuntmen, to act in scenes with fights and without a professional soundtrack. peter mans. about lady luck.

i'm not lucky in death i'm lucky in love writers envelope, wait, irvy i'm not lucky in death i'm lucky in love, if there are any standards a real man of a real man worthy with all the sprees with all the successes and failures, then this is certainly vereshchagin in the performance, and she applies this song to herself and understands that it is absolutely about him and it doesn’t matter who sings it now and uh adults from of that era, or people who are

now well, a little about 40, who live outside russia, this is their nosta and about a foreign land and about luck and about victory and about anything, it’s all theirs and it’s like such a spell that not i'm lucky in death i'm lucky in love, acting performance of the song cinema is a special genre. now it is impossible to imagine a diamond hand without an island of bad luck, and three poplars on plyushchikha without a song. tenderness, but in the sixties, when these films were shot, each such song made its way to the screen with difficulty and was an event in general

. let's take it professionally, you will open your mouth, so to speak. due to the fact that no one voiced paul to calm down, and he himself, to the accompaniment of two different guitarists, recorded a song with lady luck. there is an exact time of birth november 14, 1968. in accordance with the schedule of work in that studio of helen 's film, pavel luspekaev recorded several takes of this song. the recording lasted 16:00 to 20:00. i attended the recordings of this song. all this was done at the leningrad studio, where this song was written and sang it, performed it successfully, the second third, how painful. here i got up already there

already, but still the song was recorded, watched all the musical fragments of the film, corrected the shark, specially came to see how he lays down song over the filmed scene, lady luck, as if not letting go of its authors. the plot is there, when dryly enters the fray, when she picks up the tempo of the music. that's what i liked, when the horse neighs the horse, he falls and this music starts and then it's on the longboat when i did it, this music. she just fit perfectly. here on this plot. although the music based on this song is madam, good luck schwartz's melody in the orchestral arrangement has acquired a completely different texture. it sounded like symphonic music. she helped feel the drama. the death of the vereschadin. she led the viewer to the climax of the picture and yet initially. it was an ordinary song written for a movie character. this song was absolutely cinematic and

it was destined to become loved because the character was frankly becoming loved by the people. and here, for sure, the song helped the character. well, because these are exact personal e songs, and luspekaev's personalities tell a lot of dust and there were no faces as if he had lost both feet. and he barely moved. everyone wondered how he walks without crutches. it was impossible to believe that the success was filmed in almost all scenes without understudies, according to other rumors, he calmed down, amputated not only his feet, but also both legs and fought. he is on prostheses , there was not a lot of talk there, but it's all not true, so to speak. he was ill called a disease, obliterating the interior is such a complicated name, but simply put, there was no patency of the vessels and there was no infection of gangeren, because the blood

could not flow to the limbs. he had his toes amputated several complex operations and suffered from the need to move around with a stick. prior to that , he worked for 12 years on the theater stage in tbilisi , kiev and leningrad, either because of a leg disease or because of disagreements with the director in 1962, he left the bdt and began acting in films before the film the white sun of the desert - these were episodic roles in twenty pictures, when the inability to walk normally and even stand almost closed all the paths to the profession for pavlo-uspekaev. he, as a gift of fate, received the role of a preacher, no one else, a bloodworm to shoot agreed. he shot deeply. he was supposed to have one such sukhov, uh, this is such. uh, a crafty rogue from russian folk tales. said is an aboriginal who helps him, which means this, which means a rogue,

and the second must be a miracle hero. this is such a concern for the shoulders, although the mustache. here is this chapaev's his love means strong drinks and the same song that was included. she just had to . so that he was limping, no one ever heard him complain, he was heroic, success was not only in appearance, heroism was in character. his success so merged with his hero that they began to call vereshchagin pasha. although in the script he was listed as alexander. do you know? when you speak of a person who walked out of life in general, perhaps, in comparison with death,

everything else seems to be vanity. and so to speak, not very important, but he became a nationally beloved hero, fell into the category of literary heroes, who are perceived as real people. that's how tom sawyer is like huckleberry fin whatever, i don't know, you can name dozens of heroes of world and russian literature, who, as it were, are already perceived as people who lived, then the image of this customs officer also reassures him. he is real. it seems to me that i always stayed after filming in the white sun desert. he immediately received two offers for the role of a major of the moscow interior ministry, in the adventure film green chains and for one of the main roles in the musical comedy wonderful character. in the first one he was good in the role of the general in the movie three fat men. there

is a shkil in the republic, but first of all and for all time, pavel uspekeev will remain in the memory of the people as a fearless and a little sad vershchagin playground and at first they look at him so much what kind of character a person is, then we became friends superbly simple and then it was a pleasure to work with him . it's just a pleasure to record the song lady luck in the studio. this is the only performance of it by pavel did not work out and today, after several decades, vereshchagin's songs are performed his friend. luck for someone is good, but who else has

nine grams of heart, don't call. eh, no luck, no death, nine grams of luck in love, stay in your heart, don’t call, no luck. more than 40 years have passed in my death in love, and the song lady luck is still sometimes called vereshchagin's songs, though it has turned from a cinematic into a concert restaurant and even a drinking one , almost everyone knows and willingly sing it. even those who don't have. hearing. even those who are embarrassed to sing

and everyone becomes a little more heroic in the moment when he sings this song a little more like a man, and the women sing along realizing that these are the men we have, but they are so wonderful, despite the fact that they drink, but at some point. they are such a real comparison with the song. boy, but it sounds trite, no one needs to be convinced of how popular this song really is in 40 years. after the screen skins sounded for the first time many people know it by heart and for sure, at least once in their lives they were at a concert where the whole audience sings it knows everything, therefore, i will just begin, and here

it was necessary to endure, so that e people, because yours immediately began. and then there's yes and after this song bullet yourself nine grams heart wait, don't call,

no luck. i'm lucky in death in love, your nobility, madam separation, you and i are relatives for a long time now, what a piece of letters, wait, don't tear . get out of the boat. there there there there there music when and that's it

and that's it. and the bearer of this song becomes the most important. and this song is a good man, and the song a good man, lady luck, for whom are you kind, and to whom otherwise wait?