while going on, a special military operation. while our guys continue to go to the front, i will show and mothers are desperately waiting and praying in the country, the sphere of culture continues mild schizophrenia from russia loudly departed. here, even without quotes, the most popular are the most famous, defining the cultural agenda of the individual, that pan hamamatam maxim galkin andrei zvyagintsev is the producer of a huge number of films and tv shows alexander rodnyansky. and also those to whom today's youth can be compared yuri dud vanin from msi oksimiron markin stern zemfira bloggers transverse madison gasanov sobolevsky comedians alexandra

gudkov and semyon slepakov and so on a huge list. in fact, the total audience listed in social networks is approximately equal to the population of our country. and if you take the views of their work, then it will go to hundreds of millions. do i need to send a request for their return to mourn to persuade? yes denezhek to change their minds to reason teach life of course not. why why persuade adults to love their native country? and is it possible that this is a different question? isn't that right now the moment to start a cultural reset. don't you think it's time to throw off the great shameful imitation of the west the feeling of a colony in the movies, and wherever you have to leave us, well, for our boys for the men who work for us for us and for our future for our children for our grandchildren,

in which all this will remain a legacy. all this is a disgrace. after all, quite recently. we knew how to make national culture. don't believe. let's remember. fight back the enemy with your strength cultural weapons with just such an appeal already on june 23 , 1941. the trade union of art workers turned to singers, musicians as a dancer and actor on june 23 and the day after the start of the great patriotic war, you know, on june 23, in fact. it was an order by the artist to serve for the good of the motherland to act as a powerful propaganda system to maintain morale and faith in victory among the army , the navy and the population recalls the great soviet composer. anatoly grigorievich novikov is the author of great songs that have become symbols of that dark-skinned-moldovan wars or roads dust to fog. on the first day of the war, the composers of the capital

gathered in the house of the composers, they came to feel the urgent need to be together at this historical moment, the rally was short and businesslike, like a gathering of fighters on military alert. fast. deal. the fact that we must immediately begin composing songs for the front at the end of the rally of a group of composers went to the union of writers for songs, new poems were needed. everyone set to work in 2-3 days it was written over 40 songs to the words of lebedev kumach isakovsky alexey surkov evgeny dolmatovsky. anatoly safronov lev ashanin the house of composers literally became a place where composers and poets, army musicians and palette workers gathered. during these war years. they remember novikov, i wrote over 60 songs with my greatest success, i recognize the lyrical song of memories of the difficult fate of a soldier and the road written with lev, the contribution of soviet composers to victory is huge, but i

will venture to recall only a few fates when people read the lines of the poet that era margarita aliger with bullets and heart. i live in the world. it must be remembered that this is not just a poetic metaphor. this is the specific german bullet that killed her husband, the composer. konstantin makarov rakitin double. he managed to write a piano concerto with an orchestra. opera of the bride of a soldier based on the story by valentin kataev i am the son of a working people and was called up for military service even before the war, so i immediately went to the front. shelling commanders wounded he was awarded the order of the red star for death or another. composer history. konstantin leskov, he managed to fight back in the civil war in the thirty -second machine gun regiment. where did his commanders send him to study at the saratov conservatory, as

he was still gifted before the war. he wrote a cart from rostov in the park of chaers, many other songs that made him famous. all peoples on june 22 found him in chislovovodsk, where he was on vacation. all the trains were full, the commandants did not they let anyone through except the military, but the sheets broke through to the commandant, declaring. i am the author of a cart , the fighters will need my songs and it turned out to be right that you were planted in the winter of the forty-first year, he already worked in the policy of the ussr navy in the baltic and wrote dozens of songs about the war, among which are certainly masterpieces. this bush has rakites on the verses of a front-line soldier. pavel shubin in a dugout, a fire is beating in a cramped stove at the verses of another front-line soldier. alexei surkov so it was such there were people and so on, composers and a poet life after death. soon they were not a precinct, but a ritual place, immediately this school died, as if in a

struggle. for the body they lose the soul of people, they simply deceive. do you remember why at the scene of a tragedy they are always the first to be like this? so u shady and actually not regulated. uh, legislation, medical cops and ritualists who worked in criminal ligaments. here died, man, where did you get the information from? i work here, as without beguiling father seraphim involved in fraud schemes, you can answer what you are hiding and who set up a morgue right in a car park in moscow, preparing bodies for burial in an industrial zone. it's legal in a container. i won’t talk to you angels of death tomorrow at 16:20 on ntv the very first days of the war

, actors began to flow to gorky street 16 now tverskaya, burning with the desire to contribute to the sacred deeds, they made up brigades leaving for combat positions already in august on fifth and sixth floors of the all-russian theater society. rehearsals have begun. one of the participants in these trips figuratively called the room you understand, yes, these were not one-time phenomena from independent artists, but a state program under the hands of brigades, the directors of the programs were the great mehrills and zavalsky raevsky and roads and so on for the famous front-line theater of miniatures merry landing was written by sergey mikhalkov boris gorbatov wonderful writer alexander khazin many other all theater workers were artists and also performed other functions at the same time. here is the director before the stagehand. often the actors moved with the troops themselves until the last moment without introducing nick the venues will be the next performances, so

the team has always been accompanied by a director who is able to adapt the scenography on the spot, we play depending on whether it is daylight or electric, and also instantly set up the mise-en-scenes. at the front, the situation was, to put it mildly, extremely difficult, but no one took care of himself; every artist understood that the outcome of the battle for humanity on the territory of the soviet union of plays depended on him. now they put it right in the village where the headquarters of the division was and also in the fields on the cannons of the forests, more often in the territories of aircraft hangars in evacuated factories on warships on barges in rural clubs, hospitals, anywhere, along with soldiers, circus performers, singers, actors sought to bring victory closer, supported the spirit and courage of soldier medical workers. all those who were constantly at the forefront of the movie star, merry fellows volga circus volga lyubov orlova, one of the main ones, maybe even the chief artist of the soviet union at that time, performed right on the

wing of a downed fascist plane, balalaika players the net was blown up, tanks with decorations were unscrewed, as best they could a curtain replaced a raincoat, a tent put a box of shells and a stool on the stage in such a luxurious atmosphere , passions were played out from the salon of princess karenina's colorless war. in short, i say again, it was a system. the honorary system could only not participate in this. well, how else to call it traitors , without exception, responded to the call to help the soldiers with weapons of culture, like little-known artists and stars of their niche or region, leonid is the favorite of the entire soviet union cliffs love and orlova mentioned by ivan kozlovsky the leader of ruslanov during 4 years of the war in front concerts attended the attention of 42.000 artists 42.000 in total during the years of the great patriotic war the artists performed for the soviet. warriors 1 million 350,000 performances of concerts of

creative meetings were not a single part. wherever the front-line theaters and brigades, along with the red army, the artists, in fact, went through the whole war, a huge cultural wave in the forty-first year went across the vast country, individual people. they might not be ready. but the system was ready in july 1941. the maly theater took over the military hospital of maryina roshcha , teams of theater artists were formed, vakhtangov, who, during the battle of moscow , somehow had to play a performance five hundred meters from the front line. blockade in january february 1943. even the evacuation did not stop this wonderful so necessary the work of the jazz accordion ensemble under the direction of rosenfeld, evacuated to tashkent forty- second, served three eastern front artists naturally climbed under the bullets, this was the norm

nikolai cherkasov, favorite actor sergei from einstein played alexander nevsky and ivan the terrible, he was the first to come to the front. here we have yevgeny tsyganov playing the soviet sniper kitsenko in a military drama. at the same time, as he himself admitted, the battle for sevastopol could not believe in the beginning and words, and moreover, he tried to stop it with posts on social networks people's artist of the soviet union, not on sazonov , told how he went to the first front line as part of the central theater. none of us could ever imagine. what to cook tosya romanova will never die, that the grand entrance will fall into captivity, the expressed plank in the floor of the car will run away and be captured again, and then our scout translator.

almost all members of the concert team will help him leave lucky for a partisan, return to the theater and become a conductor. died brigade number nine was surrounded and was one of the few who survived all the harsh days, a few days later , she hid alone in the forest, accidentally stumbled upon a camp of soviet soldiers, in addition to trips to the front during the war years, charity concerts and performances were organized, but the funds from which tanks and aircraft in just 4 years of the war sobr artists 98 million rubles. for example, jazz was very popular, for which the state jazz was responsible, an orchestra led by leonid utyosov himself. at first , the utessya performed in the military registration and enlistment offices and recruiting offices moscow, and in june of the forty-second year, the musicians were already playing on the kalinin front. subsequently, recalling the years of the war and performances

on the fronts, utesov reflected. i myself have never killed a single living being in my life. well , i’m sure that the nazis would have killed the enemy without hesitation, one of the last songs performed by utyosov and his orchestra during the war years was the road to berlin on may 9, 1945, the erf sir state orchestra, conducted by honored artist leonid utyosov. with a huge crowd of people met a grandiose concert on the open stage on sverdlov square in moscow, now theater square. that day, leonid, that is, he called the happiest in his life, and that concert was the best in his life. in general, the best authors and performers of that time, the legendary soviet composers, were responsible for musical concerts at the front. isaac dunayevsky, the author of famous songs is wide, my country, my dear heart, you don’t want to be alone. captain smile with the advent of war devoted himself entirely to front-line work composers tikhon khrennikov, who gunners stalin gave the order to write and matvey

blanter, which katyushin composed in the spring of forty- five, within two months. every day they performed in batteries of divisions, regiments of hospitals, glorified by the 62nd guards army. khrennikov said that he especially remembered the concert in the artillery regiment, which was the first to open fire on berlin. and you had such concerts. and they have a pop star of the soviet union at the front. naturally. from the first days she went to the front of the great patriotic war. here is her battle cross diary. i took it under the vineyard, i had just finished one of the songs, when the junkers appeared above their heads, accompanied by the schmits. bombs rained down. machine guns crackled, the earth trembled from explosions, i look no one and listens with my ear, as i think in the hall of columns, and i should not sit out in a trench. yes, and the concert is not worth interrupting. in general, the nazi raid withstood the program and brought it to the end precisely at the beginning of the war in

ruslanova's repertoire included the song valenka, which became her calling card at her own expense. ruslanova acquired two katyusha batafei at her own expense, which were sent to the first belarusian front in the corps commanded by her husband, major general nikolaikov, in the spring of forty-five, lidia ruslanova together. with the advancing army , berlin, not yet liberated from the nazi troops, arrived on may 2, 1945, on the steps of the reichstag. lydia ruslanova sang felt boots, what could be? more beautiful than the famous felt boots had to be performed several times, the concert continued until late at night, georgy zhukov removed the order from his chest and handed ruslanova after ruslanov's concert with coal. she put her signature. at the reichstag colony. next to the names of our soldiers about claudi shulzhenko and genus. nuyu, come

on, the news about the war that began, caught the singer on tour in yerevan right there, and the capital of the armenian soviet socialist republic, claudia ivanovna, and the musician and her jazz orchestra sent a telegram to leningrad with a message that that they handed themselves over by order of the leningrad military district, as soon as the artists returned to leningrad and were immediately enrolled in the red army. shulzhenko received the military rank. private command issued the ensemble. an old bus, which immediately turned into their mobile home, because shulzhenko gave three, or even four concerts a day, in the morning she sang in front of soldiers and commanders, who were about to go into battle during the day, she spoke to the wounded in the hospital, and late in the evening rejoiced the song, resting after the battles. that's what the fighters were waiting for. and that's what they got and

remember how selflessly and bravely. they fought . how did they give life to all mankind at what cost? now skeptics will definitely tell us that we should not confuse any war with the great patriotic war. i will now explain to you why this work during the great patriotic war did not achieve its level of result, because this system was built long before the civil war in the nineteenth year, two decrees were issued that artists should perform at the front before front-line soldiers. after the end of the civil war. it is not enough. who knows, all theaters, including the big one , were obliged twice a year on red army day on february 23 and on november 7th. let's give free concerts. it was 25 years before the great patriotic war, then the system was worked out in finnish at khalkhin gol during polish campaigns

for ukrainian belarusian lands, let me remind you, that is, from year to year, because culture saw this as its task, but this was not enough, because the state saw . it's their task the last 30 years from people who don't know each other. some of it can often be heard. yes, you can not organize a creative act by order. yes, it is impossible for an artist to force him to create under duress. yes, there is no such departure of the council that would not kill the spark of pure art thought, it seems, the obvious brothers, the strugatsky heap, dedicated the talmuds to it, describing exceptional biting biters with difficulty, surviving among the gray, biomass of slaves, and the totalitarian soulless machines of the state. but if you trust the facts, they are emotions and late strugatsky, then you can remember that almost the best soviet films about the war, including those created precisely by state order. remember this black screen, where it was embossed by order of the state committee of the council of ministers of the ussr on television and

radio broadcasting, such a screensaver was seen very often. yes, after all, in the soviet union, cinema was indeed considered the most important of the arts, and not a way of earning money or a mechanism for cutting among dozens of films, more than a share fell on children's films. and film adaptations were thought that films should adequately educate the rising generation of soviet citizens. this is normal, of course, freedom-loving directors openly said that they do not like directives, but sometimes they themselves admitted that the movie turned out much better than the one they wanted to shoot. remember what oscar winner vladimir menshova said as not funny, but earlier there were thematic plans that we cursed should be a film about the soviet army about peasants about workers about workers and peasants, but everyone, of course, strove to shoot about intelligentsia, and when a young director came, he was forced to shoot about the working classes, and such masterpieces as the height of spring on

zarechnaya street were obtained. this is marlene and his hoodlums ivan brovkin maxim perepelitsa, these are all custom films they were literally forced to shoot, someone will argue that the listed paintings have an iron right. a place in the treasury of soviet cinema, so what was wrong with the soviet union, it is curious that the agit, built in soviet times, accelerated and worked for a long time like a clock itself on its own, without additional impulses, it was for any soviet person not to leave his own. an artist, including the norm for some time, you can still imagine joseph kobzon with suitcases on the border with mongolia, and i can’t. corners to eat soldier 's porridge in field kitchens to get into dangerous scrapes, remembering dzhana bichevskaya in 1986. at i got a phone call in my apartment. the interlocutor on the other end of the wire said that i was

invited to tour in support of soviet soldiers in afghanistan, it was dangerous to fly there, the doctors said that i should not fly on tour with pneumonia, but i also felt in my heart that an inviting party was needed there said, you you can refuse no one will judge you, but my decision to fly. it was final, and what concerts alexander yakovlevich rosenbaum gave in afghanistan what great songs he wrote that war earth? here, without urgent torn shreds, they never had glasses, damn it, the water wanted. having fallen on the wing, our tulip fell, we cursed all our work. again pacha summed up the loss of the schengen company and in the

bag. but in the nineties, this charge among our artists began to excise, excise, excise, and finally dried up, what we have. now, when, after the partial mobilization was announced, it has densely entered almost every house, while performing in front of russian soldiers. to put it mildly, no one is eager, well, almost no one regularly goes to the front. alexey dmitry revyakin, similar to the django group, constantly crossed the bridge in the donbass yulia shcherina. singer utah was a great friend of the donbass actors and director our friend sergei puskepalits a great friend of the donbass remains sergei flyovikov, we sang the lord grigory leps alexander marshal the rondos group alexander ivanov evgeny mironov was taken to the donbass where he received his sight vladimir steklov has already visited donetsk more than once with other artists oleg chernov ruslan banking anton shagin again actress polina ogureeva too. but the main star of the theater, where she serves is

the same yevgeny tsyganov. she did not go, although she knew that the corpse was going to be in the workshop of pyotr fomenko. well, actually, there are still a dozen names that you already know, nevertheless, everything in general. this is a single phenomenon, one-time actions for the most part spontaneous, as before, the vast majority of stars. the cinema theater of the musical scene, as it were, is missing again, let's repeat 42,000 soviet artists visited the front during the great patriotic war. and now about 42. where is the order for this, if there is a crazy request, its going to be forgiven since february. every absolutely every soldier of the russian army. with all their courage, they are very sensitive and really waiting for this very support, that the conditional polina gagarina will come to him, singing the cuckoo tsoi as a military manifesto from the movie the battle for sevastopol, that it will be possible to take a picture with her to see her alive, at least for a couple of hours to exhale and smile from the top of

her mouth while the beautiful blonde stands out. came especially for you. it gives a feeling of need, it gives a feeling of not abandonment. this gives a sense of not being random. it's not that the guys won't do their job without songs and without dancing, this is a friend's business. the fact is that it is you and you yourself need to be with your people, where they were. even if unfortunately, however, if it is not your people, what is your demand? and

this is lisa sergey, our today's heroes the guys work as hospital clowns, disturbing joy appears, in general, they especially need to rehearse guys in their bedroom today we will redo it once visas, sergey gives so much warmth of creativity to others. then they also need to make some kind of inspiring space where the guys will restore their strength and internal balance - a special profession. this is not a circus you have an audience, especially when we put on all the same and