find what the heads of the legal department are wearing. let's go to the store and we 'll buy everything for you. yes, that's good. all wait. max i'm sorry, it's all right, it's all right. no. i told him, you told me to tell anyone. did he inject? some rubbish, i told him everything. everything is fine. everything is fine. we were counting on this.

you wanted him to kidnap me and torture me no john we just thought that you would put this information on the internet, but would you shoot some kind of story there? it 's a sensation. who do you think i am? well, you yourself said it was your profession to tell the truth. me then when it's true, maybe kill someone? and where is cooler than robin hood didn't get to him? no, he's all right. he was already waiting for him in the hospital. i'm telling you the mouse, we set it all up on purpose. you used me, yes, and if he killed me, we provided for everything. i gave you a tracking device. leave.

you used me like some kind of mannequin. i just wanted to never call again. i hate. thank you stepan stepanovich you helped me a lot. i am

i didn’t help you, but people, well, yes, of course, thanks and a separate one. thank you for not leaking kosogorov's information anywhere. you didn't mention his name, he went by my code name robin hood though, how the hell is he a robin hood killer and a clown. but now i owe you. if you need any help, thank you. by the way, how is he komi gunshot wound serious damage to internal organs, numerous fractures now he is in a specialized medical facility under reliable protection. him from there never get out. who knows? goodbye goodbye

i hope the rest of the professionals in your department are under control. street my address soviet union my address puzzling world street my address soviet union on june 19, 1967, the

premiere of the film vertical took place in moscow, it did not cause much excitement the story of a group of climbers stuck in the mountains was in tune with the time, but did not discover anything new movie. people walked several times with notebooks and pens to write down words. they went to vysotsky the song that sounded from the screen immediately became incredibly popular with critics. she was silent for about six months, and then on the page of the leninist newspaper in vladivostok, an article appeared under the title crowd obediently to ringing phrases of popularity. vysotsky finally came up with an explanation. here is what was written in this article. now our people are going through a well-known crisis according to this song. a holy place is never a mass of songs. empty recall at least the infamous lilies of the valley. they also claimed to be excluded. popularity, but the appearance of really good songs have sunk into

obscurity, most likely this is the fate that awaits vysotsky's songs we will never know. whether the author of this publication was sincere in his delusion or simply knew how to listen well to the editor-in-chief, but even then it was obvious that he was wrong. it is hard to imagine what should have happened for vysotsky's song to sink into obscurity. for almost half a century they are known and sung by millions of people songs from the movie vertical stepped over the frame and the film and time one of them destined to become the moral ideal of a whole generation of hands, the author turned out to be neither a friend nor an enemy, if more than once at once. he is a sucker or a good guy in the mountains, take a chance, do not leave him alone. let him

connect in one with you there you will understand. who are the songs with the guitar one of the symbols of the sixties, the generation of romantics sang vizbor okudzhava yakusheva putin the theme of distant wanderings of difficult mountain hikes of the tourist campfire was a favorite for such gatherings, the authority of yuri vizbor was indisputable with the advent of vysotsky's songs from the film the vertical situation has changed dramatically, working there as an idol, and so on, yura somehow came to vladivostok, he didn’t come there anymore, because yura was a very proud man vizor, he is a wonderful author, but you know, but after this song by vysotsky about climbers. it’s impossible to sing a song about vysotsky’s friend, like vysotsky

proved by three generations of performers of a bard song, it’s even harder to imagine that they sang it horror but that’s exactly what happened when galina khomchik appeared on the stage of the grushinsky festival and began to sing in front of an audience, well, in the amount, probably, 10,000 people, because there is a colossal audience of these 10,000 with a single voice. sang along with me. here it was a feeling incomparable to anything once again telling me that this is a great song. if only he is not skulent, nena, let him be gloomy. and when you fell, he moaned withstood, if anything, he stood drunk with you as if in a slaughter on top , then, as for yourself, rely on

him and every word in this song, it is clear to everyone , understandable to everyone and close to everyone, because it is about eternal values ​​about eternal true and since then i sing this song quite often and sing in large halls and always picked up, uh, by a chorus of voices who understand her, who love her and uh, who know that they need this song, the magic of vladimir vysotsky’s songs remains and, probably, it will remain a mystery, there comes a moment in the life of everyone who thinks in russian, when he discovers this poet for himself and chooses a song with which he lives a certain stage. time passes and another song. it turns out that it is more consonant and closer, which one is closer it's hard for me to say, but i, for example, i heard him sing. here is our mountains. it was still in cheryomushki, we lived in cheryomushki until the sixty-eighth year. i have a childhood memory i hear him sing

what it means to put aside the talk, but that doesn't mean it's closer, but i think it's actually a song about a friend and it's actually one of his best songs songs for a movie the verticals were not ordered in advance, professional composers did not work on them. and poets. they were conceived as amateur songs that climbers invent on the go and sing during halts and no one made high demands on them and no one assumed that these songs written by vysotsky on the go during the filming of the film would turn out to be plow songs, if suddenly it turned out to be suddenly singing well, at least everyone knows my second son in our country, who is 25 years old , the younger generation sings it with great pleasure, i see children at concerts how they open their mouths and sing along with this song. they know it, and they understand it. they feel that in this song

there is something that clings and then does not leave a person. let him understand the links in one with you there. who is a it all began in sunny spring odessa in 1966. in one bundle were students of the last year of the gig, stanislav govorukhin and boris durov, they came to the odessa film studio to shoot two short films, but unexpectedly the director of the film studio offered two inexperienced directors in the script of a full-length feature film with a very strange name. well, what goes useful fighting the first screenplay i wrote after graduating was the screenwriting department. vgik studied. i am his evgeny gabrilovich. this was my diploma. this is the movie vertical from this, the script turned out to be, as they said then, burning in the soviet union,

each film studio had its own production plan for the release of paintings. the odessa film studio was supposed to hand over five films a year, and at that time there were only four films in the works. the idea of ​​making a film about climbers seemed interesting and although only nine months were allotted for the production of the picture, the novice directors agreed, they changed the name of the script from idiots to obsessed ones and set to work began to shoot the picture, as they call it today, there was nothing offered to me. stasik govorukhin immediately offered this role. i read the script in my own gladlorist. nothing to do. i was told right away he was more of a doctor's play. well, in principle, the self- approval of other actors for the roles passed quickly and without problems, however, there was one thing, but durov and govorukhin saw the picture as a poem about

mountains and mountaineering, and it was absolutely clear that the poem was unthinkably endowed. this means that someone must write them and sing them. the first candidate for the role of a singing character became a popular bard of that time, yuri visma. and since a person, like a bird, is not an elevator, not a helicopter. important papers won't help. my friend went there on foot and only with a backpack. and only accompanied by this, it must be said that with this climbing song was my long-term friend, wonderful, author barr, a journalist, a very of many talents and the actor, by the way, is also a lawyer, juris, he seems to have written a lot of songs before that, but the most famous older popular and now popular songs of skiing by the stove are all well known, but the vizbor, the script for the future film did not

like being filmed. he categorically refused, especially in the role of a rodist, who, according to the authors' idea, does not part with the guitar and entertains the whole team, then govorukhin decided to invite vladimir vysotsky, though he personally did not know the rising star of the taganka theater, but his songs, semi-legally, sounded from tapes, all over the country knew and loved the theme of these songs had nothing to do with mountaineering. but the manner of execution is very. suitable for a camping repertoire , they do not give me more interesting books and my guitar. without a string, i can’t be higher and i can’t be lower. and i can't have the sun. i of the moon when volodya was

banned and actually didn’t really want his songs to sound and really wanted him to be filmed, there were no official bans on vysotsky’s performance, but his songs were considered seditious, short, khrushchev's, the thaw was already behind, and it did not open all the doors to the need for censorship. no one doubted hinting at the imperfection of the soviet way of life, no one or almost no one dared to. the soul of a bad society and i can tell you my last name, first name, patronymic knew all the troubles, the whole street and the whole savelovsky station fell in love with me. i knew that they were interested in me, but i still neglected to approve vysotsky's candidacy, there were problems, the director of the odessa the film studio, which itself offered the unknown

talker and durov to shoot a film so necessary to fulfill the annual plan, was frightened by the pressure of young directors. thanks to the talking stanislav, who simply insisted that he starred in this picture. and even when the director is the director of the odessa film studio. from the ban here he said that oh, we don’t need vysotsky in the picture. this is the main pain. let's get someone else. stasik said no. i do not want to shoot with another artist, it was young vladimir vysotsky who was good. probably known only for taken by the theatergoer exactly two years before govorukhin and durov undertook to shoot a film about climbers in the spring of 64, vysotsky met yuri beloved. then he moved from the pushkin theater where he ended up after graduating from the moscow art theater school to his beloved in the drama and comedy theater on the tagan. he played the then sensational performances of anti-worlds and 10 days that shocked the world, but played

minor roles, and only in may of the sixty- sixth year, at the premiere of the play life of galileo, the public first saw vysotsky in the lead role for many. it was a shock. it is known who will most call the successor barberia. barbary mr. galileo is familiar with barbie channel scientists on the papal throne so now they need people like people who understand mathematics, this is zori we will live to see the time when we don’t have to look back like a criminal in claiming that two and two are clean in the new year . i remember hmm , overcoming the fury of the leningrad party, volodya called me to leningradka and i must say that hmm i did not like this performance. i liked his role, but in the evening they were already drinking not nags, too, of the deceased now. i say, well, some nafig. uh, galileo mushrooms sits scientist. he

's all cloaked, and you're not even running around screaming. he is such a snap with fixation such a ryazan physiognomy of him, except for us. he was terribly offended, the performance, taganka put on a lot of noise, and in leningrad and in moscow, the opinions of the capital's artistic environment were divided so sharply that creative disputes could end in a quarrel for life stanislav govorukhin did not see the performance and for the first time vysotsky's photograph caught his eye in the acting file cabinet. but he guessed his hero. he had to hook the viewer with his charisma and their unusual songs only later after volodya’s death. i realized one very important thing for myself that vysotsky’s personality was so furious and like everything absorbing that all the roles played by vysotsky are vysotsky, for example, galileo vysotsky from the vysotsky gallery , may not train captain is a bug. vysotsky is vysotsky captain of the jalovs and even hamlet vysotsky is, of course, the vysotsky stone vysotsky

admitted that he also loved the role of galileo, as well as his hero in the film vertical, after all, this would be the first character so similar to vysotsky in life, primadushny lack of drawing. slightly ironic, not pretending to be superman in the film, he did nothing heroic in the city, he followed the heroine through a puddle and sang his songs. but he always sang about what vysotsky did not doubt. contains his own music. i would say that there are no false notes in this music, that is why it affects each of us in such a way, because there are a lot of falsehoods in our life that are told to you in eyes are one thing, but they think completely different. and they tell you one thing, but they act completely differently, all this is false. you feel this falsity vysotsky in general and in his songs, if a friend the song about a

friend has no false notes, she created the absolutely honest honesty of vysotsky's songs. an inexplicable phenomenon, no matter what topic he took on, everyone was sure that vladimir vysotsky sang about himself in the early sixties, the most famous were his songs on the so-called thieves theme and the country of millions of citizens who had recently left stalin's camps willingly listened to them, because, unlike the peppy and provocative soviet songs , they were not. and there was hidden pain and the absolute truth of life. he reached vologda, you know, he penetrated the fabric of any part of society, so that with a brilliant poet he wrote, as if on their behalf, and no one even managed that he was not on the island. dad, for example, did not sit in the zone, although none of this happened. this could never have happened when the great

patriotic war began, vladimir vysotsky was 3 years old, and for the first time he was thieves' folklore. heard in the moscow courtyards of his childhood and treated him as a poet treats interesting material. actually. he just tried his hand, he just developed his own russian language, which he had organic for any class, because it is for the battery, too, of course, he was not thieves. he was not a thieves, he didn’t fight, he didn’t sit in camps, but his hoarse voice, sounding from tape reels, became his own in every house, and the details of his biography. even the very name of the owner of this voice is then in the middle sixties for most, remained unknown. therefore, participation in the picture of govorukhin and durov became a real gift of fate for vladimir vysotsky. i remember that with everything in the world- wide glory of the people, he once told me that he dreams of only one thing. so that at least once

his poster is vladimir vysotsky and his speeches, where printed letters are printed, and here is the film. the vertical was a professional opportunity for him, and there in the credits there will be the title vladimirovich in august 1966. vysotsky flew to the shooting in kabardino-balkaria. here, in on august 12, 1966, the tent camp of the film expedition was located in the helga gorge. we have several instructors. they have been on difficult climbs. one of them even fell flying meters. all of them are very curious people and unlike all of us below. he says that these are

amazing people, that this is an absolutely incredible community of people, and he really got carried away with it thanks to the shooting. vladimir vysotsky first time in the mountains. he never did mountaineering, was fond of skiing, did not go hiking, signing an agreement to participate in the filming. vysotsky of course, he knew that songs were expected from him, but what kind of songs, not his own speeches, did not exist. letter to my mother. uh. he says that i signed a contract, that maybe i 'll write some climbing songs, but he took it very lightly. he says, if it doesn’t work out, he says to the climbers, he’s full of some kind of songs, and he’s so easy, they don’t even have it's easy so disrespectful that some songs they say there, i don't remember not bad ones. well, there is some, well, some primitive songs of his own and he says, i will sing them the acting nature of vladimir vysotsky his unique ability to instantly

get used to any atmosphere and immediately become his own made him literally from the first days plunge into the climbing world, as they say admirers, he fell ill with gars and immediately lines were born. better mountains can only be mountains that no one has been to. yes, he is a complete fanatic. became. he fell in love with what he does. he did n’t do hack work at all, you know, if he did, he did everything for real vladimir vysotsky to his wife lyudmila abramova. if you could see the paw on which i walked today the sheer smooth wall. you would probably think well of me thoughts in connection with this new one. which i didn't know at all. and i did n’t even suspect a lot you need to either not know or know in such a way that it becomes ordinary for granted. it's hard to take the alpinists

of the film vertical already a famous climbing songs, but it was not needed. everything turned out exactly the opposite after the release of the film on the screen, the climbers sang vysotsky's songs. the consultant on the set was the master of sports in mountaineering leonid eliseev, he told a lot of stories and cases in the mountains. and he himself was sure that a truly person can only be recognized during the ascent and can not be otherwise. it was under the impression of communicating with eliseev that vysotsky wrote his song about a friend. or maybe one incident that happened on on the set, the film was shot, here

they lived in tents, they forced us to train when you hit a crack. how to sit on a crack. how do you need to drink between the legs in order to catch on, so that someone behind her in a bunch with you, you would hold him up and suddenly two guys climbers come up to us in this state, and they ask the guys in the climber was an artist here we are shooting a film. and what? it turned out that a group of climbers who climbed at night fell under a rockfall. one person died several were injured at dawn two climbers from this group. we went downstairs for help. if for the rescue she did not reach us. this is our height of 34 3.000 m. yes, this is how much we are now suggesting that it was impossible to fly up there by helicopter, and so our guys they understood that while the rescuers climbed for a very long time and almost all of ours were volodya vysotsky sadzh, one voropaev and govorukhin and durov and alik after

all, osipov of the operators helped to lower them and the deceased climber to lower the camp food, and this evening. volodya, he wrote this song of a guy in the mountains of shadow, take a chance. not drop one of it. let him connect with you there, you will understand who this song was like not only climbers, it turned out to be in tune with its time, a test of strength in male friendship. for the so-called sixties , such concepts as truth, honor, courage and adherence to principles were not abstract in nature, they were perceived taking into account the conditions in which contemporaries were born and lived. vysotsky, those for whom the words of his songs were revelations. not so long ago, we remembered that terrible epoch, which i partially i belong when a friend met a friend, as he wrote, my friend huberman, who is close in this game, from

pavlik morozovoy, well, chad is everywhere, she was born without him, peers around me knock one for all and all for one, and then the concept of a friend was very relative, because what was considered valor to convey to another, and so on. and so the song about vysotsky's friend in this historical context was of great importance. not just such a rental song for the film, but the song knows a lot about what these eras are. if suddenly it turned out, suddenly her friend and not an enemy. and so, if you don’t immediately make out, you don’t understand the horse well, this is very important. central show avatar welcome to new worlds very touching. i heard the soul, where instead of the stars they sing their fabulous avatars of eastern blood, the singer from the

first release, as she set the bar, so she keeps it. woo-hoo, and shrewd members of the jury. what does not happen on our show avatar, nothing is the correct version completely confused me. god, where would i bring you have to guess. who is the owner of the avatar is difficult, but very interesting. this is my last day. titanic is us the premiere of a new original music show, the moment of choice has come. show avatar today 20:20 on ntv the sixties in our country are a very interesting time. this is a difficult psychological rehabilitation of society after the debunking of stalin's personality cult

; this is a frenzied race for america to be no worse not only in space, but also on earth and in the construction of a hydroelectric power station and in household trifles in the sixties; these are poetic evenings in the polytechnic and the birth of a bard song. a country that has not yet forgotten the stuffy fear of stalin's camps and harry of the war years. i tried to take a deep breath of fresh air. and this heady air turned the head of a whole generation, among other things, they were saturated with heroes. that is, the thirst for some feats. this is the feat of the cosmonaut, this is the feat of conquering the himalayan eight-thousanders. that is, generally speaking, adventurism is characteristic of young people, while our society provided such an opportunity. how much courage?

how many heroics are in his serious songs? i think nowadays such songs would be such things vysotsky did not, and i would say that in the sixties a person gained or began to gain freedom in the sixty-sixth vladimir vysotskaya, we turned 28 of his generation, people born in the late thirties and at the very beginning of the forties desperately lacked the feats that their fathers inherited , and in the basements and semi-basements for the kids. i wanted to write vysots under the tanks. a few years later in a ballad about childhood, late for the war. they asserted themselves in another. these were the years, the passion for mountaineering and tourism, you understand? why is our the technical intelligentsia, especially , was fascinated by this then. i would call it such holiday passions of adrenaline, or something,

traditionally masculine qualities were lacking, such as the ability to take risks and the willingness to lend a shoulder in difficult times were incredibly in demand in the sixties, there were few demographers in the country, then they would call it a pit and will do hypothetical calculations. how many millions of unborn children from young men killed in the war were not counted strangely, and vysotsky's peers had to live not one, but several lives in yourself because of that guy. conquer the peaks lay tracks in the impenetrable taiga build new cities fly into space and again and again test the strength of yourself and the one who will be nearby, if the vapors are in the mountains, not ah, if you immediately become limp and step down onto the glacier, uh,

when people united it with one rope in one tent, in which they sit there in a blizzard in a thunderstorm, or something else just uh, the hope that we are all together and we combine our efforts as soon as this quality disappears. everything. it's already a disaster. the theme of friendship was not the main theme in the film rather, the script of the film intended to sing the vertical, severe everyday life of climbers to reflect the romance of long hikes and at the same time show. the mountain peaks that are on the territory of the soviet vast motherland. the song about a friend gave the film a completely different volume, everyone suddenly started talking about eternal values, the meaning of life, friendship without unnecessary oaths. and with a wonderful song , vladimir vysotsky converted most of the soviet people to his faith, and for vysotsky there were weaknesses in friendship for him. it could not be him himself

did not allow. he did not forgive anyone friendship to the end to death to any sacrifice that was necessary for him friendship was more important, i think so, but i think that i'm right more important than family, more important than any there, i don't know it's scary to say love for a woman for him friendship is the biography of vladimir vysotsky today is known literally for the day as friends of the legendary bard, everyone who was somehow familiar with him signed up . and was near when these poems were written. friendship for him is, as in his time, micah at the holy light mikhalych who called his friend at night. yes, at 3:00 am here. are you crazy? look what time he says, and i thought that friendship is a round-the-clock concept. here is for vladimir semyonovich. friendship was also a round-the-clock concept; one could rely on him,

indeed, with him one could go on the attack for sure or to the cities. yes, the song of a friend is not the only one where vysotsky speaks of friendship. this the topic was too significant for him , because he said it in one of his songs. today, my friend is covering my back, which means that all chances are equal saying that vysotsky’s real friends were few. with all the openness of his nature and irrepressible thirst for communication in our world of the cantilian age, even a hatted acquaintance with the legendary bard, for some, turned into an opportunity to give an interview and show yourself. such for whom to distribute interviews about a friend for money, for those who really knew and loved vysotsky, this is out of the question. we are the yard guys, this was sacred to us. here is a friend, yes, it dies itself, comrades rescues. so that's for him. it was a very serious concept. he had

very few friends. i would say he had a huge amount of buddies. well, it’s just that everyone wanted to dream, especially when he already began , so to speak, already at the peak of glory, and her friends. in general, as far as i understand, i, too, in general, are not his friend to be friends with. it was n't easy to be tall. someone could not stand his explosive nature, someone was afraid, as if from this friendship of what didn't work out. from the memoirs of david karapetyan friendship. with volodya, they now recall this with pride, and then many tried not to advertise their friendship with him, they would tell that they saw how they drank with him or just talked somewhere and everything could instantly jump off and the title and the award and the role of karapetyan. david was one of the best friends. he wrote in his book that for volodya vladimir friendship was above all. even then he wrote

that even if suddenly he was wrong, volodin was always right. if anything, he is with you like a pain on at the top stood drunken means how to put a song about a friend on him, many perceive it as vysotsky's song about himself. he tested this for himself, how to walk in one bundle, step on a glacier and stand on top, if anyone is interested, vysotsky's personality should be listened to this song in this song, among other things. the nipple is very well defined. who is vysotsky from the heroes of this song? of course, the one who tests another, and not at all the one who is tested correctly, is the recommendation of a person who has the right to speak and sing like that, because he has already decided everything for himself. this is especially true today. when the further we

go from vysotsky 30 years from the date of his death, the more his image is distorted for the film vertical vysotsky wrote six songs, members of the artistic council, to whom govorukhin handed over the finished picture, they were outraged at you, vysotsky alone remove something. otherwise, we will not release the picture on the screens as a sacrifice, we decided to sacrifice the song rock climber why do you go to the head, at least it sounded good in well, you could

get rid of it, without pain. that is, it was appendicitis, which was excised and actually nothing has changed in the body. the rock climber is still known as a song from the movie vertical many are even surprised to learn that in fact it does not sound in the film, but thanks to this sacrifice. the other songs remained untouched and the summit and the ballad of the alpine arrows and farewell to the mountains was a picture put together. i say guys, let's finish the ending, i now offer you. come on, here they are these words. here they go, let them into the city and dissolve like let's go to the train station. they come out dissolve all waved a pen, and volodya was just mine. that's it. here i write was how many words. hopes, how many songs and themes the mountains wake up with us. and they call us to stay, but we lower the catfish, who for a year

who is behind everything, because always because we always have to return the finale of the film the vertical did not add up vysotsky's songs set such an emotional degree that no ordinary forgiveness at the station turned out the heroes uttered the expected ones in such cases, the words would arrange the next meeting, but the words of the song and the voice vysotsky had nothing to do with such a happy ending. and when they looked at the screen there is no final and did not know what to do. they cut out all the words, they

turned out to be absolutely superfluous, as soon as the song sounded, just like the song about a friend in the middle of the film, it did not require any comments. remained, but without our replicas, all our greats are everything. our forgiveness goes on this song it was the point of the movie and very precise right absolutely point so every every song literally. this is a hero. so leave the necessary disputes. i have already proved everything to myself. the best mountains can only be mountains, and those that have not yet been in a song from the movie vertical were later called a climbing cycle. they sounded in concerts, when already in the seventies vladimir vysotsky appeared on the stage as songs, but then, when in all cinemas of the country

they began to show the govorukha poem about climbers, vysotsky's songs were not perceived separately. they were the heroes of the movie it turned out more important than the credits that young vysotsky dreamed about. he was pleased with the way it turned out. he really liked how these songs were included in the film, because uh, this is just that, uh, a rare lucky break, he wrote a lot for the movie. here, but very often songs were not included or partly included, or they would go in some kind of background, and here each song is such a microfilm, as they would say now a clip is such a task, no one had director govorukhin did not specifically shoot clips for vysotsky's song, the actors did not felt on the threshold of glory because that they touched the work of vysotsky, except for the terrible incident with the deceased climber, there were no incidents during the filming of the film crews. hlos home is also simple and without tearful emotions. how the heroes of the picture did it,

everything is tested by time and vysotsky’s songs, too, we were an illustration for these songs to volodya’s songs , you understand, if the song were cut out, then i just don’t tell our heads that this picture would have been forgotten on the second day. no one would ever remember them, but they live. she already forgive me 45 years on screen thanks to. only if vladimir semechek in the film vertical was the leader of the 1968 box office. almost 33 million viewers watched it. people went to vysotsky’s song and just to see the face of a man whose hoarse voice sounds . as we remember and know him, that is, the person whom everyone knew and loved, roughly speaking, was. connected here are these tape recordings of poor quality and

a man with a guitar, as he actually looks in this filter from the movie vertical, the most positive of the entire cycle, turned out to be a kind of pass for vysotsky to the legal world of music. the recording company even released it on a separate disc. this small flexible disc became the first official recording of the poet and bard vladimir vysotsky; now it was possible not to hide the recordings of his songs, at least those that had already sounded from the movie screen, in general, it was impossible to walk around moscow at all nowhere just from all the windows. if the road turned out to be the road. i was even joking with such horror, so i wrote on our heads about the occasion. now, out of all the rivers , it means that everything around there is also one high stage for vladimir vysotsky himself. he could have been a real breakthrough. he would receive various offers, including from the director of the

animated film well, you wait, vyacheslav kotyonochkin. he wanted to invite vladimir vysotsky to voice the role of the wolf, but then another captivity of the mcc took place very inopportunely. komsomol spoke a lot on it from the literary influence vysotsky as a result of the management of soyuzmultfilm, vysotsky's film for children was categorically forbidden to be taken to youth, but kotyonochkin nevertheless found a way out in the first series. well, wait, vysotsky's voice didn't sound. but the melody already familiar to millions of people sounded. for example, i remember, i was just amazed when, in well, you wait, the wolf climbs over this very one and whistles whistles a song about a friend when