show business i am sergei mayorov hello nikolai tsiskaridze in my professional life is dozens of performances at the bolshoi theater of his triumph in paris on the stage of the grand opera dozens of interviews of candid stories. the first of them is already 25 years old, a year before his fiftieth birthday, the national artist of the country, the winner of the state prize, the winner of the prestigious award, benu adela dance and national awards, the golden mask nikolai tsiskaridze sat down at the computer and wrote a book. the first print run sold out instantly, the printing presses started working again on a three-fold increase in the building by peregrine falcon to help, and from the film crew we flew to st. petersburg. are you a normal person or not? how many times does

a ballerina stop you from talking? well done fell well, that's right, that the heads would be here, it would be more interesting that way. in general, i like to experiment with nastya. i'm interested. in which situation it will not survive, it is called in all. for a long interview, the assistants of nikolai maksimovich offered the premises of the library of the vaganova academy of russian ballet for the past 10 years, it has been honored for the rector the main workshop of talents for the world's leading theaters . once again i went to the moscow store and saw a book called bolshoi theater ballets for a literary work. there was everything, anything, everything, all ballets. what in general, except for one ballet did not exist. i asked. so you know, so why, because i knew the person who gave the photos. i was told

that there was an order for this ballet not to be mentioned. it is clear spartak we have it, who received the state prize of russia there is no other performance. at the bolshoi theater which you can be so proud of. yes, after that i decided no, here i am then about the conflicts of nikolai will burn for with the leadership of the bolshoi theater in the media space, only the lazy, of course, did not tell. tsiskaridze is the undisputed star of the legendary troupe soloist, about whom all world ballet stars spoke enthusiastically at different times. he harshly criticized the overhaul. in the main theater of the country, both the composition of soloists of the bolshoi ballet and the policy of the theater and the quality of new supplies had a right to this. after all throughout my creative life. he spent on the stage of the big one, on the sidelines of which the emotional right was called nikolai the objectionable, the situation went so

far that the premiere of the state academic bolshoi theater of russia stopped letting the people’s artist on the threshold of the theater persistently calls an experimenter, i note that there are no former premieres in ballet. so it turns out that a book from any public person, in its form it becomes either revenge or save him in your case, in my case, a story. i don't understand i have nothing to confess and not, well, not to take revenge, there are just moments. you know, like my teacher. mario timofeevna semyonova once joked very funny, as far as i know, you are a smart boy and someday you will write a book to romanticize my image. we talked about it for a long time, then we talked to her. she said, kolya, you know, there are things about which, well, it’s indecent to talk, there and so on, of course, i know a lot of stories that she told me very tragic, or very, but important for her. she

trusted me so much that she knew what i was about i will never tell this publicly. and if there are people who, after the publication, books will be offended, well, i think some will be offended, well, they all have the right and one of them wrote his own. oh e, for god's sake, please, that is, there can be no objective view of all the events taking place at the bolshoi theater over the past, say, 20-30 years, and i never say that this is objective, because it's called my tyan-, and the name is not just my word, because it's my opinion. find things. i think it's very correct hmm to say, just my point of view on this event, and already how the other person thinks. mm. this is a completely different nikolai tsiskaridze star , there is definitely no person in russia. who would not know who tsiskaridze is naturally , not everyone saw him on stage, but they definitely heard

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. they rarely changed a new one, you can’t buy it, you can only get it and what role the flying saucer played in our history, the flying saucer became an excuse for the investigation by leonid kanevsky today 16:20 on ntv guest of our program, nikolai tsiskaridze, he wrote the book my theater and in a matter of days. she managed to become a bestseller, i note that for all his busyness, nikolai tsiskaridze came to the interview minute by minute, like a high-speed train, by the way, his life has been divided between the capitals for 10 years house in moscow work in st. petersburg in the library entrusted to him by the academy of russian ballet named after vaganova, we talked about people and events in the life of nikolai tsiskaridze. such a jump

to her cannot stand still. so the right hand. again not put it there, don't go near it. she herself stop, stop, stop. so your teacher is pyotr pestov. he was a very difficult person. i am very pleased that you remembered him. yesterday i received a message from golovkina's secretary, who has been working for more than 50 years at the moscow choreographic school, which i graduated from alexander lyashko. and now she was very friendly with the sand of berries, as if she were reading her life, because no one wrote about it in such detail, no one has ever described it that way. i don't praise him all the time. i describe it. honestly, how he was actually a very sharp, very complex person. maybe you once heard this from me at home, for example, i was punished very severely . well, i don’t know why i never

, even as a child, had any resentment. i knew that i was to blame for something. i knew what it was because i was either fooling around or being inattentive. i listened to a psychologist here who said that over there, well, there you don’t admit it, because you grew up there in violence. well, for example, i tried to put all this on myself. i understand i didn't grow up on strength. to this day i uh owe him, because his toughness is his wisdom. she allowed my lazy nature to an insanely capable child who found everything easy to teach uh to concentrate learn to try. why was he punishing you? i came to him at the age of 13. i started to look out the window of us. there was a birch very close to both the window and on it. uh, the crow's nest was demolished there. yes, and i'm chicks. right now, i watched their entire

moment of growing up, it was at such a distance, that's glass. and here is the nest, and it interested me more. and what he said, like, kolya, don't count crows. go work on the machine, the ax hung in the air, the ax hung. i don't know how he got it. here is for me. it 's still a mystery, we were afraid of him, like fire, and when we were already 18 years old. here we are released. i remember the lesson when the whole class sobbed 13 people standing and crying in the head without stopping work, but crying. that's how he escalated the situation never on stage. he didn't let me out. at the moment when there were difficult concerts at school or at the bolshoi theater so that he doesn’t insult me ​​strongly about 10 minutes before the exit. i should have been crying. and that's how you get out. well, probably after three months my tears dried up after four months. i'm just here when it

started. joys and set-ups at the bolshoi theater, but they have begun. i just can't describe it to you. with what power i didn’t care, i called him then, bought up, always on his knees . thank you i. now i understand why it was all he laughed and said he says, well not everyone, unfortunately, was grateful to me for the fact that i prepared them. he trained your psyche in anemcity, as he once said that he gave you advice to leave the stage on time, but i promised him on june 5, 1992. i left june 5, 2013. i promised him that for my 21 years i have money a day. gone. he told me not to dance for more than 20 years. i said. well, why pyotr antonovich well, maybe 21, well, well, 21, hold out and it turned out exactly 21 and you know, yes, on time, i think, but what was it in? mm wisdom. he very rightly said that your

nature. she will be fine while she is fresh, as aging begins, it will be a pity to look at you, and he was absolutely right, but after all, for any artist , leaving the stage. it's a tragedy. you were very small, come, it was happiness for me, because i danced a lot in this. that's even when i book this hmm well, there are all the dates. it’s not just written like that, because i honestly led all my life, this is a theatrical diary. only i, as a child of those who are many repressed and taken away. i'm used to not writing anything down, but i've only written down the hurtful when i've looked, looked back thought when i had time to rehearse or learn it all. and when i was sleeping , i understand what kind of load it is, because it says the partner of the city - it all adds up together, you think, but when here, and i ate, when there, for example, you understand from my youth, apparently it

was all easy. from the hands of peter antonche, you can say that you fell into the hands of yuri nikolaevich grigorovich you know, there is such a book called letters on dances, and there he explains in great detail what ideal ballets are, if a minister, an artist hurts, there is a decorator, composers, if they work in tandem, yes, not from the selection, all this will be great art. here it was at the grigorodische. this theater machine worked. unfortunately. i came already at the moment of the ninety-second year. that's just the soviet union collapsed when the theater was killed he was killed, but he still knows, that's by inertia, he works. it turns out that i worked under the grigorodichs 2 1/2 seasons. well, then it started. remember, yes, this is a phrase that do not bring you the inhabitants of change, my whole life is in an era of change. do i understand correctly that at the moment when the bolshoi theater, a removed grigorovich, all his misfortunes during this period

began. i think they're here a little early, because the cleaning was not one day, it was quite long, at first it was probably about five years. uh, it was the revenge of the team that cleaned for a long time. understand, this is a joint, the country collapsed, the communist party disappeared, supervision disappeared the bolshoi theater was the main calling card, uh, of the world. in the soviet union, these were very rich people who traveled abroad to earn money. uh, they brought uh, forced the whole theater, just non- stop and those who allowed to leave. there was a large cohort of these people, whom i, how to say, i found them as artists, or in some positions, but i was at this moment of meetings, but i didn’t catch the graduation, because i came. it's just that everything collapsed. this is the revenge of those

whom someone once did not let out, or those when someone got kicked out. she was the cruelest. she continues to this day at the bolshoi theater, everything was her ex-wife. this is a nephew. this is my cousin's wife's husband. and after working for 2 years. you slowly sink into these intricacies and understand why, for example, it is impossible for you to get into this squad, because these two people will simply never stand next to each other. and it was very. well, it's so difficult and my such a fast-paced career and a fast-paced look. you still talked about me on tv for many years. it happened only in one simple cause the old system collapsed. it's new hasn't taken over yet. and then i came in and tormented you, because , as far as i understand, at that time with a large theater there were clans, there was a clan of vasiliev, it was like a clan of grigorovich, and my part turned out very well that i was the first such serious roles

abroad and v- resurrected danced under the power of yuri nikolaevich, but when it was already the power of vladimirovich vasiliev, they gave an award. they were supposed to give it to me in paris, and they didn’t let me go there, and the head of the corpse told me, you artist. vasilyev created you vasiliev i say how i danced. that's it, that's not, it wasn't. here is what i told you about me with me. now tsiskaridze was not at the bolshoi theater when my student was one of the artists. not artik teachers. recently said the ciscarid for never danced at the bolshoi theatre. this is their attitude, and then it was in the same way that grigorovich was not here, as we dance grigorovich's ballet. no, it was said about everything. and the fact that they are still sick of grigorovich is the most box office performances. in the theatre. anyway, we will tell you that the genius of the other office of the rector

of the vaganov academy of russian ballet nikolai tsiskaridze is a two-room suite. behind that door are all conveniences, including an alcove for inspiration in the corners of 200-year-old antiques, the envy of the hermitage, but a detachment of telephones on an oak table. one of them is for communication with fashion, ballet has always had a direct connection with the authorities even before the revolution, ballet art is strategic spectacular export and the vaganova academy is ahead of the rest in quality and the number of ballet shots since 1738 is one of the greatest. graduates, hereditary ballerina galina ulanova, father of imam galina sergeyevna, were ballet dancers of the mariinsky theater later went into pedagogy golyan sergeyevna ulanova, one of the amazing women in your biography, when tatyana vladimirovna died, her adopted daughter

, companion, when they began to humiliate her very much in the theater, when, by the way, already tried not to listen and frankly pretended that it did not exist. here at this moment. we met was such a reviewer of some glossy magazine along the path, or something, his name was, who wrote that i supposedly invented everything. you understand that he is lying all the time, that this never happened there is the first obituary, which is a biographer. uh, galina sergeevna, the brilliant director lvov anokhin wrote. right away, when galina sergeevna didn’t stop and it says that working with nikolai was the only thing that made her life rich, because for her work, this was lepeshinsky’s life, which communicated with her. yes, a brilliant ballerina. she is also in one of the articles about a galina sergeevna writes that she was regularly called by a young dancer there nikolaevich who worked with her, and so on. and this moment, when

they didn’t want to listen to her, they wanted to remove her. erase and then when she became a symbol, yes, when she was gone, they all decided to remember her, and when it was the anniversary of galina sergeevna's death there was a concert in the tchaikovsky hall, her students really took part, who worked with her for many years . someone came out saying words and lvov anokhin introduced this evening. here he insisted for me to participate, because they all said, it's rather not, it didn't happen. crying lanova, i think few have seen. i have seen. i saw how she stood and cried, because she was very insulted. i had nothing to say. just said let's rehearse. i promised that it would be scary, scary, interesting, but so that the spirit

of the most captures further marina semenova nikolay fadeevichev elena obraztsova lyudmila semenyak olga lepeshinskaya vladimir vasiliev and ekaterina maksimova vladimir urin, through the eyes of nikolai tsiskaridze will return to him immediately after this advertisement. can i come with you where is your place? key position here, hold on, will you shoot back? this is a key search, i have a deer here. great, well done and clean doesn't even look like you, new season. well brothers in arms like this tomorrow at 20:00 on ntv superstar a new season today at

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for feces i will tear the chains, thank god this chain will not stand. today at 10:00 pm on ntv a year before his fiftieth birthday, the national artist of the country laure from the state prize, the winner of the prestigious benuad lian national prize, golden mask nikolai tsiskaridze sat down at the computer and wrote a book. the first edition was sold out instantly, the printing presses again earned a threefold increase in the building of the book. tsiskaridze is my theater, and time about people about myself is a story of a long journey, an outstanding artist of our time. this is not revenge on the offender said with koridze is a way to restore and preserve the memory of december 31 next year. there are chances to see you on the stage of the bolshoi theater on your anniversary. there, with this leadership. you know the funniest thing about the nutcracker from

december 31, please, you are absolutely real fact that the premiere of the nutcrackers at the bolshoi theater of the version, in short, was in 1966 in march 500, the performance celebrated the seas of 2014 showed it on all channels. well, not to mention that for 18 seasons 31 and the second i danced on december 31 2 january, 111 performances. of those 500, i danced. do you think i was ever remembered during the celebration of the five hundredth performance? i didn't exist. and how would you like to be remembered, in my opinion, i once told you, when you first filmed me, they asked me some question about success. i said that i told you then, in my opinion, that it will be possible to speak in 10 or 20 years, after i leave the stage, if they remember me. the nutcracker tsiskaridze will still be remembered, because it

was very decently performed because of this, it’s not a shame in the biography of nikolai tsiskaridze there are more than 40 ballets of classical and modern repertoire, more than a thousand performances played. he danced on all the great stages of the world, his name in the encyclopedia of world ballet art is inscribed in capital letters soskaridze laura from the most prestigious ballet awards in the world cavalier of the order in georgia france russia member of the presidential council for culture and art. great ballerina, 101 years old at 103. she died, you know, this is a great person, a unique woman, to whom history has advice. union it began in the imperial

russia then the entire soviet union, and she died in today's russia, yes, she walked for real. that's when you realize that at one time, in order for the whole world to recognize the soviet union , lev karakhan did a lot. it was her. eh, husband, but they were not scheduled, because in those years there was no official marriage, and you understand that in all these very large negotiations with china with germany from france with england there was a puppet everywhere , how skillfully it kept its tongue. tell you one of the unique moments. this is very cool. history boris timofeevna is 18 years old and representatives. uh, not org, times. in moscow, she persuaded me to persuade timofeevna to give an interview. marina for a long time, therefore, refused to refuse. how much? well, well, who is this woman, what is her name like i say, there, like maggie smith she

says, you know, she says alexey tolstoy stefan soyek wrote about me, i need this i say, well, a small phone, 90 years old, the whole world is you remember new york. this is not the last newspaper, generally well given. we interviewed so marina sat timofeevna, i answered the question. marina correctly said there, for example, again she asks a question. she pushes me. i answer. she says no. here it is not so. well, i do question at some point this lady says, you know, there was such an ambassador during the harriman war. ah, he left memoirs e where he describes an affair with you, nothing faltered in marina timofeevna. she says who is it again explaining who i don't remember. you know, i'm still an artist, i was on the stage of the orchestra pit, how do i know who came to watch me there? i after all, there was a big star, you see, why i

’m trying to write them in more detail, because we don’t even understand what role she played in making our country treated a little differently if the stefaik came to delight from beauty charm and the mind of this woman, who spoke brilliantly, for example, in french , but her stories were never trump, many there about how she danced in paris in 1935, where all the immigration came to say hello. and suddenly she says i want to live 100 years. i say why? and how shisinskaya didn’t come to me. she said that i was the wife of a diplomat. she lived the grand duke to her not parangu. i say i want to survive here, because the chassian did not live up to 100 years for several months, and my tyaffina 102, you understand, this is a unique

person, because she was not given a people's artist until she was almost 60 years old, almost when she died, a clerk from the moscow council yes said, you send her record, we will look and give an adequate assessment. she has all the awards of this country and not this country to be dead cemetery gunner 9 days. marina timofen. they buried. i did everything thanks to igor ivanovich shuvalov thank you vladimir and so on, that such a woman has found rest, uh, to the antler? yes, where it should have a place, that is, the bolshoi theater treated many who created its glory as serfs to absolutely everyone. for example, i will give you olga vasilievna lepishinskaya genius. i'm not saying it 's a symbol anymore. uh, these are the brigades that acted as concert brigades in the war. yes, olga vasilievna

all 4.5 years of the war. she went through everything because she danced in the field on stones on marble, she then had very big problems with her legs. i saw that already at an advanced age it was hard for them to walk on their feet, as if they were putting a wheel, it was 100 years old. have you heard anything about it? no? no one heard them, because the current large theater did not need such a person. when nikolai borisov did not become one of my teachers fadeeva, yes, and a brilliant dancer, new york, times, wrote figaro wrote to the background, hose times, wrote, but at the bolshoi theater, well, the pandemic on this day, on the day of the funeral, they did a lottery on the site. they didn’t even write that, well, it’s just that today my wife denis is grieving, my student premier of the bolshoi theater of erotica calls me, tells me such a thing, well, very late at night and nikolai maksimovich says there them tomorrow from which i don’t communicate, for various reasons the man has done so much good for me.

he just can't call me directly. he knows that i won't talk to him. he called mouth. he said that he was very fadeech badly. they took him away, like speed took away from the bolshoi theater, no one does anything, then, call kolya let him do it naturally. i took care of all this. hmm. i strained everyone who was possible . nikolaevich was immediately transported to the right place. he had a completely different care. and uh, they gave him the phone to talk to me from intensive care. a day later, he was gone. i am very happy. what well, at least because of this, i just talked to him like this, and this was practically the last conversation he had when he was gone, again, it is necessary to deal with a cemetery, not a single person, not a single person, did anything, a large theater in order to be at the vodevichy convent in order to be. well, a fitting goodbye. they didn't open the bolshoi theatre . white fe wasn't allowed. obviously quarantine. they

announced in the morning they were coming and no one. although it could and did. so, we sat at the coffin inside this atrium of the bolshoi theater. hmm , probably, an hour and a half full of emptiness, because those 20-30 people who came there, they passed very quickly. here we were sitting. you know, i no such respect. not a single person from the leadership went to the funeral, not a single person came to the burial of the ashes. why such dislike for these columns, on which the big one rests, and no one needs us, no one needs us , such names have disappeared from the agenda of the bolshoi theater. as a family to how semizorov, many others now have an anniversary to work in the theater. hmm, at the same time, she was afraid to call someone who was not pleasing to the management, because they would not renew her contract for 300 times otherwise

she apologized why she did not call? no need ludmila bathtub congratulated you. i don't want to hear anything about them, i don't want to know anything about them. nadezhda pavlova oh, nadezhda vasilievna, all my students were taken away from me very badly. ah. well, such revenge again. i do not understand they are the people's artistic country they are the spouse of the current heads of the corpses of a classmate. nadezhda vasilievna, what do you think, why will they not love nadezhda vasilievna, she could not survive there for more than 30 years. her classmates of course, she won't be now she's the main teacher, to get the role you have to work with uh. director's wife vladimir vasiliev and ekaterina maksimova in your life you know for me both one and the other - this is the genius of dancing. at the bolshoi theater, you know how the fans of their couple were, but there were specifically

vasilyeva, specifically maxim, and they were not friends. i was maxim's calmer, here i am, as you are katya for me. well, not only is she a brilliant ballerina, a very beautiful woman. a very very educated person, a very tragic departed and, you know , they pointed me when i came. well, just now you just go every first. it's your very close to you man and from the drama from the ballet. i have brought my life together with many, thank god, the only grave, at which many very many years have passed anyway. i can not come to terms with this and katya is such a farewell to anyone, of course. leadership in general , no one, no one needs it ends. in the process, and these sergeevna should already endure and i understand that people with, e,

a ritual tag, will bring it in. i'm coming. i say this. no, i won't allow it. this is a great artist, juris, the theater must endure the premiere of the theater, i quickly gathered someone to glory. god, we didn't all part with her really theatrical premiere. eh, i'm saying it can't be allowed. you understand, this is not just a person. well , someone had to do this, not just some ballet dancer. yes premier of the bolshoi theater but this is respect. it was someone who should have thought further, then the same thing happened with marina timofeina. i thought everything over with nikolai borisovich in advance. people said the same. we have to get ourselves together, they won't do anything. you understand, this is the moment of respect, i can't i can't understand why not. well, just, i see . here's a man ending his career. it's just, well, the last performance for him to make it solemn. they should destroy you like this.

to bring you to such a state that when you close the door you say, lord, thank god, i don’t want to see them anymore, who needs it, but those people who are in power. in the big ones, yes, of course, but tell me, now it’s so very relevant and everyone is talking about the russian cancellation culture. cancellation abroad, but it turns out that the culture the abolition began in our country and began long ago and has always been objectionable. well, listen to us plesetsky. how many years from changed? how many years did i remember this, i came to the theater, she constantly knocked out a stage for herself so that she could have some kind of anniversary at the bolshoi theater 5 years old vasilievna exemplary phenomenon she knocked out the hall in order to spend the anniversary her last exemplary score, which was she paid for the rent of the bolshoi theater for the rent of the orchestra for the rent of the choir and her foundation paid. it's all from the payment. i can

check further paid. uh, for the banquet hall of a man who for more than fifty years was the prima donna of a large theater and free large theaters. recently nothing you take a book, a terrific book. elena vasilievna parin did understand, i was friends with her for many years, and i can hear her voice, her intonation. where it is written. i didn't sing a single premiere. i didn't sing a single opening. tour. he says, well, how is this oil there, lord werther. he says, well, how does she say werther, i put it myself and myself i sang because they never gave me a premiere, there was always someone. in the book on the last page there is there thank you and the commemorative such, whom you thank, when you come to the temple and light a

candle for the repose. list i grew up in a very religious family. i was taught that in the temple you can’t ask for anything, you can only thank the list of those who are very large in the other world. well, first of all, all teachers. well, parents, of course, grandmothers, grandfathers, nannies and all teachers have a very large list of them. and unfortunately, already have friends. one of my very close friends is a colleague. she was older than me, an ordinary beauty girl. lena bukanova. it so happened that life was that she was the star of the gardéballet. she was the first line sold, then with my light hand. it happened. i did everything to ensure that she became a teacher of the bolshoi theater, they rotted her. it passed away from cancer . instantly, here, she just burned down, she was buried on the day of the opening of the collection of the corpse, the corpse came to see her off. well, it was very early, about an hour at 3:00 was the meeting of the troupe. do you think someone said?

let's remember a man who worked for 35 years at the bolshoi theatre. today we said goodbye to him, no. they don't care, that's what shocked me the most. it's time to let nikolai maksimovich work, his phones vibrate like crazy , he works like a powerful generator without interruption. pumping energy only manages to pump fuel, and the fuel for him is the success of his students of the emotions of grateful spectators. and yet the scene. yes, he is no longer the nutcracker and the principle does not go for the most part, but sometimes he allows himself to appear on the stage of the mikhailovsky theater in st. petersburg in the role of aunt simonov in a comedy molet, a vain precaution and heartily pound with wooden shoes, beloved stages, yes, and in the classroom at the academy the rector is not, and they start dancing so that the students see,

understand, fix it came it is time to pass on the legacy and refectory of marina semyonova galina ulanova nikolai fadeev olga repeshinsky ekaterina maximova and many other prominent or loved ones. there are two moscow st. petersburg so already roaming does not exist, but i understand, but throw it away, or something, it still needs to be done with those who do not know those numbers. the backstage program of the superstar show return, which starts on the air of the ntv channel tonight, immediately after this advertisement, we will go there to figure out who is an enemy and friend. why did alexander serov put hundreds of thousands of dollars on the neck of an adult daughter for a car to study. do you think she thanked me

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starts the third season of the show superstar return we went backstage to figure out who is who 's enemy and friend. the appearance of superstarmash rasputina in the show is always exciting for all production services and the production staff, as if on command, they quietly stretch along the line on the day of the premiere of the show, maria nikolaevna began with important appeals to the almighty help us all quick- minded people. i think that kindness is not beauty, but kindness of the heart and reasonable perception

today in the world. and in our country, as they say, they will lead to a saving result of the whole nation, all of us russians and, in general, all the peoples of the world. i would like to throw a mite at all sensible peoples of the world. unite. remember how countries unite here, and here are sane good people, because there are a lot of good people, despite our incendiary temperament, outstanding charisma and cheerful disposition. masha rasputin is called by her first name and patronymic behind the scenes of the project and is addressed with respect. as you already understood. i'm very kind. i can not. in general, i initially said that this was some kind of absurdity, how famous people can be. they have already taken place. they have their own famous songs, compositions, hits, and suddenly they sit and they participate, they are participants. as

you can see, i only give high marks to everyone - it's rare when i'm there, well, i didn't like the number at all, not even that it's an artist, but i didn't like the number at all. itself there songs or something such, not that. and so i all i can't i can't i can't. i already have colleagues under all of them jury. and as they say, why are you so kind and fluffy for everyone in between. and here it is? i say, well, i can’t, when people’s artists, i know him well and feel good about him. how can i give him a low rating. this is kindness. is it congenital or acquired? no, this and congenital acquired congenital inherited from mine. as the ancestors of grandparents say, you understand, if this is a competition for young performers, maybe i'm no longer that serious but more demanding. well how can you find more.