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Understanding 9/11tv Speto v SSSR NTV November 26, 2022 5:05am-5:51am MSK
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mom, watch me go for 6 kills in four robberies and seven thefts. tomorrow we'll be street riding. calm, he speaks like a movie tells. they talk to the follower. ask petrov to come to me. the citizen chief was called.
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russia ruined the fact that her officers too often killed each other in duels. as a result, there was no one to serve. it's a lot of work wrong everyone on the case for the next week we need a car in constant. today i will order. but in the evening
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the soviet union 1979 in the ussr passed under the auspices of the preparation for the twenty-second summer olympic games. in moscow, builders reported on the early delivery
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of facilities and want the head of soviet citizens to be 99% busy with daily bread and the ideological machine continued to give out on the mountain. huge amounts of information. called to inspire optimism and confidence in the future, the country's filmmakers were tasked with promoting the development of a positive attitude towards the world. and for this, to distract and entertain ordinary citizens, they coped with this task with honor. they made a really good movie adventures electronics pirates of the 20th century the adventures of sherlock holmes and the doctor. watson three in the boat, not counting the dog. and, of course, dortalen and trishkin in our country it was a film adaptation of the famous novel by alexander dumas in world cinematography sixty-seventh today, the full filmography
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of this novel is a little less than 100 films, there is not a single film state that would not have been marked by a film about the adventures of the musketeers, the first then not yet my film was filmed in the uk in 1898 the last return of the musketeers in russia in 2009 for soviet people living in 1979, the film d'artagnan and the three musketeers became a real new year's gift; the whole country watched it, from small to large, it seemed that there was no ideology in it. and there was something for which novels were loved at all times. dumas faith in friendship and love, devotion and nobility, however, subtle irony is half-named in the intonation of the heroes of maxim dunayevsky's song to the verses of yuri ryashentsev. they made this film, when viewed carefully, not so simple, but most of all, what bribed in the heroes of this film was the ability to enjoy life that which is so diligently
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planted the soviet ideological machine, and what our people lacked so much. criticism accepted. seemingly harmless adventure film with hostility. what the creators of the picture didn’t blame for bad taste in distorting the literary original, and most importantly, the song of the musketeers got the most of all in the excessive frivolity of the lyrics . and
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what did they write, then in truth in soviet culture this newspaper, which could knock you down like that seriously for many years. i even kept such clippings, and there the following songs were written, something similar from this film. uh, para-para-parade represents. uh, cheap pop hits that no one will ever sing in the history of critics were wrong. after the film was shown on central television, the then-popular so-called magnets zdat network for making and distributing, recorded in artisanal conditions, copies of the audio recording of the musketeers' song were recorded on tapes and passed from hand to hand. the whole country. i want to compare. well, almost like the songs of vysotsky on reels at that time you
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come to some city and these are the palaces of culture or from the windows of houses. yes, either the voice of vysotsky is heard or there is a parade , the popularity of this song at that time really could well be compared with the popularity of the songs of vladimir vysotsky, everyone knew and sang a simple song, having time for the joy of life, became practically the national anthem of the country to live in, which then was not at all fun. seventy ninth year lord, this is the time of stagnation. this is a boring time to infinity, when a sausage for 2.20 was considered the happiness of life, overstrained people were, you know, sighing how to feed children? how to get a job? like somewhere something like that, uh, snatch drag steal, damned epoch that today so everyone wants. oh, what a
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time it was, yes, a terrible time, and now a holiday appears in this terrible time , a holiday film appears, it really was a holiday movie, even a fast-paced plot gorgeous costumes witty dialogues phrases instantly become winged. the first part this is the power of friends, it’s simple, and what was it poured into the vocals the star cast of the song my
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life joy, we will have to rewind the tape another 40 years from 1979 to 1939, when perhaps the most famous american film version of the novel came out. then a hollywood actor. this film appeared in the soviet union immediately after the war and all the boys in the hungry post-war yards. immediately they began to enthusiastically play musketeers. i remember that i was here in the yard as a child. so, with a twig in his hand, he fought with the guards, the cardinal, who also had twigs, as alexei kozlov wrote in his book. the goat on the sax was a game in the wind, when
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massive sword battles were held in all the yards. moreover, they fought singing melodies from an american film. three musketeers it was clearly such a hit air, and there was uh, catchy the song of vara, vara, vara, vara hit, dads such musketeers such a cheerful absolutely broken song, when directed by georgy yungold. khilkevich started staging the film, he ordered the composer maxim dunayevsky and therefore yuri decided the song. toure was supposed to be the hallmark of this picture and a 100% hit musical film without one hit with fifteen songs, there is no hit. i say, well, what is it people have to go out. and when they get drunk after the movie, they should hug. what is petty mouse? this is the kind of song you need. i say, here is an american film, yes, three clowns are performed by a musketeer. and there is varvara varvara, i will call
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the riazhens. you said that there is such a thing, it means the director’s order, we just need to write with you so that all the people sing it. you didn't come up with vary vary vary? it's not a word. it 's kind of incomprehensible. such consonance is how the idea of a couple appeared. the playwright mark rozovsky, who at that time was writing the script for the future soviet blockbuster, also saw an american film in his post-war childhood and also remembered him. it was, uh, a trophy film with music, in my opinion, the color of that brother of color, who in hollywood worked in the yard and at pele varvara's school, dad dmitry daniil pokras were famous soviet composers, authors of the most popular songs in the thirties three tankers were
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given an order to him to west, moscow may land wakes up with fear, all soviet, all soviet land, the land happily sang the peppy marches of the two color brothers and no one knew that dmitry and danil also had a third brother samuel in years of civil war. he emigrated to america and began working in hollywood, it was samuil pokras who was the author of the famous melody for the three musketeers in 1939 , when this film was brought to the soviet union years to have a relative abroad was tantamount to a sentence, but to refuse the invitation, the leader did not
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dare and went to the kremlin. when the lights came on in the cinema, stalin looked for the composer through the eyes looked at him for a long time with unblinking eyes, and then said that you were trembling without trembling. music is good for every schoolchild after the war years. he put out his talented ear when i remembered this picture. and then i understood, i understood everything further, our uh versions of the legend diverge from yuri, evgenievich. the history of the creation of the main song of the film d'artagnan and the three musketeers has really become a legend, and like any legend , everyone tells it in their own way. that yes, of course, the good one that you wrote, but this is all for the intelligentsia. here is such a song, so that in
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taverns they would sing and for the general public they would never write to you. it was in koktebel in the summer of 1978 , sunbathing on the beach of razovsky and ryazovsky worked on the final version of the film script. a musketeers well, what is a beach? this is a completely different situation, this is a mass of familiar masses, uh, all uh, chattered on various topics and that means that they discussed it fervently. uh, what should this major hit be? e pictures yura was thoughtful he talked, listened, then he lay down on the mattress and sailed away somewhere beyond the buoy. yuri reshentsev was absent for about 15 minutes, then, according to razozsky, he sailed back and said the song was ready, and he had never floated a mattress cover in his life. hmm, so this is his own notion. well
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, i mostly did. it's in black on the sand. as it happened. in this case, it is not so important where exactly this famous song was written on the shore or at sea on a turning or non-hollow mattress. the main thing is that she appeared at all, but mark azovsky still insists on his versions. he himself does not remember anything, you understand, so believe me, here's what i said, that's true, and he is the author, he is a modest person. he says, i just sat on the beach and in 15 minutes i wrote everything to intervene in the dispute between two masters, the authors of the script and the author of the lyrics of the song. we will not notice only that the words of this hit were written literally in one breath. the melody was also quickly born and mark brought this text to maxim here in moscow. he simply put it on the computer and immediately played max a check such that if he write, then you can’t pull it out. but this one he wrote
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right away with the move and the wind, it was cold oh the wound. where are you sir? to hell with it, you can't afford peace . the secret of creating a 100% hit is still not known to anyone. true, some argue that its formula can be calculated by analyzing ratings, but this is a moot point, undoubtedly another, to write a hit you need that light, elusive feeling called inspiration. i am convinced that good, uh, music , as well as poetry, are born quickly somewhere with us some kind of receiver is sitting, which is how the antennas are tuned, which it
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receives from space, but it can be difficult to transmit from oneself. eh, the piano is already farther away from the piano, this multi-stage reception and transmission. here she sometimes suffers at some stage, but here it happened safely, that is, the reception was carried out quickly, the transmission was quick and, most importantly, to make it clear that they still get some modern sergeyevich khrushchev, everything is fine. one’s own or the slogan to catch up and overtake america can be said that the composer maxim dunayevsky and the poet yuri ryashentsev, this is exactly what they did, in any case, the main hit of the soviet film about the adventures of the musketeers turned out to be no worse than the american it's time to go. let's rejoice, as it coincides with the barbarian, but no one catches it, but today it is possible already. i'm thinking of revealing this secret, in my opinion, it's okay, there's nothing to be ashamed of, because i think that a barbarian is much worse than
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it's time to go, let's rejoice in our lifetime, happily. and the three musketeers sounded more than 20 songs, and if the musketeers song was written specifically for this pictures, then most of the rest migrated to it from the play 5 years before the film was released on the screens. in 1974, the premiere of the musical took place at the moscow theater for young spectators. the three musketeers as the authors of this musical were already familiar. we are a trio, duvaevsky ryazhtsev, razovsky. at first there was a play for the moscow youth theater
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which was staged by e shondrots of the old-footed. and we can say that the san-drots have stopped. i say this with complete honesty. uh, he owned the idea for three years to invite me and yura ryashentsev in order to so that we could be the authors of his future performance, which was originally conceived by him as a musical. android avtonogov was the son of the famous georgy the head director of the famous leningrad bolshoi drama theater named after gorky in the seventies. the bdt was one of the leading theaters in the country, each of its premieres became an event. in 1973, mark grozovsky staged a staging based on nikolai karamzin's story poor liza, which he wrote together with yuri ryazhov, on a small stage. after that there was a big interest in us and with andropov, the machine suggested that we
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make a play for the moscow youth theater. three musketeers. yes, it's not like a musical, but it was a performance with a huge amount of music, followed in the footsteps of his famous father and also became a theater director. he moved to moscow from tbilisi, where he headed the griboyedov russian drama theater just like the desperate gascon dartagnan in the novel, dumas had to be conquered. paris, the younger tovstonogov, was to conquer moscow, at least moscow theatrically. he needed something to put the same on what. all moscow would have gone and that's why he said, you will make the three musketeers for me, an amazing idea, a great idea, it was really good, but since the performance was originally conceived, a composite was needed for its realization, and then mark razovsky came up with a brilliant idea. he asked
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maxim dunayevsky to write music for the three musketeers, whom he had known since his student years and was the musical director of the pop studio. moscow state university accompanied our house just like an ordinary one can be said. oh well, now i'll tell you, what if he gets offended, but he was a moscow playboy, he always was. uh, a man with a good mood , there were always very beautiful women around him. and this is also a miraculous feature of maxim who hmm loved life. it’s all so musketeer there is an opinion that before the musicals of the metro and notre dame cathedral, nothing like this existed in our country, but it’s not so simple foreign words musical seemed to the soviet official something too bourgeois, which means
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obscene therefore, the staging of razovsky with songs by dunaevsky and reshentsev. modest passed the musical performance the first d'artagnan in this performance was vladimir tkachan. together. here one team was spinning, because it is very important that there is a team. and the authors of the script and the composer, of course, the director of the play from the androids of the former performer, when everyone succeeded someone with a single fist, a single team and everyone was friendly, the performance turned out, and male friendship and human devotion, therefore it is not surprising that the song became its main theme, when your friend is in the blood in the balance, your fate is full of enemies from you, but thank god, there are friends, but thank god, there are friends and thank god friends.
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here it was not. manages call in the war, as in the war. call lies down the family was noisy ringing. a rumor quickly spread throughout moscow that catherine had
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such a festive bestseller in the viewer's hands. well, that's all, and away we go and 7 years. all this was played to full and crowded halls, it turned out to be ironic and romantic at the same time. but soviet censorship, even in this staging, according to the well-known childhood novel. dumas managed to see the crimea and decided to talk with the songwriter, so yuri brezhnentsev, during the conversation between the duke and the queen of france, he says the people and the navy and the army or are needed so that i can succeed in love is not necessary. you know, we have a difficult relationship with england . he is the prime minister, england. i say he is the prime minister of england. it's okay. no, do n’t, and then here you have the queen, she’s very frivolous things, she says, don’t do this, actor
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vladimir dolinsky is now a happy grandfather, i would gave him to live, i swear how many years he begged for grandchildren from his only daughter. i don't really like children. for which he asked for forgiveness from his fifth wife so proudly stepping on his mountain and so afraid of losing me, and how he decided on a circular facelift this crease seam. why did vladimir dolinsky cover for the famous friend of alexander abdulov sashka lived in a hostel in a room she had nowhere to live at all, for which the article shook the term from 5 to 15 years, including capital punishment by execution and how he suddenly became poor, suma vladimir dolinsky's secret for a million today at 13:00 on ntv in the yard was
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excellent, let's recall the year 1974, the vremya program reported on unprecedented wheat yields and record harvests, and the shelves in the stores were empty official newspapers wrote about brezhnev's fateful negotiations with the american president ford, and in the kitchens of laughter to the anecdotes of the soviet leader slacking off, and on the stage of the moscow youth theater came to life forgotten by the era concepts such as nobility, loyalty and honor, shots rattled, sparkled swords and sounded immortal words. one for all and all for one parents play french nobles on the russian field in the era of socialism. it was less funny. what have we done? everything was woven there from such beautiful show-offs. here, for example, there was a scene, when in a
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tavern i am being shot at by hired killers. and there was such a trick invented that with everyone, you know, a hat flies , one hat, the second and replicas go about this. it seems to me that someone shot at us at the three musketeers, the whole moscow bohemia went to see him several times, despite the fact that the performance was staged at the theater for young spectators for schoolchildren. it was almost impossible to get on it, it was thanks to this crazy success that mark of azovsky had an idea no less bold than the decision of d'artan to return her pendants to the queen. and what if a feature film is made on the basis of the performance, and he invited vladimir sokolov, then editor-in-chief of the creative association of the screen, to the theater, see how the youth react. watch and then we'll talk. and so he came to the ordinary performance, not for the premiere. he was
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stunned, just a groan. he stood in the auditorium, and i didn’t have time to tell him after the performance that i want to do the script, how did he even put on my coat. he didn't say apply. i say what kind of application, well for the film. i say, but there are three parts. he says, well, there will be three series. as a result , it was really decided to make a three-part feature film based on the staging of razuzovsky, and with the same songs that sounded in the play to be shot. he was supposed to be at the odessa film studio, the director of the picture was approved by georgy yungol-khilkevich, i filmed for myself, because in the days of developed socialism. a person who was able to engage in non-standard creativity could only be saved in his own works. and it was the outlet of the sword. musketeers are romantic
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fantasies that were attended by a thirty-year-old young man who had lain there to go through his childhood in a cast. well, it’s generally my gratitude was the director was grateful to the great novelist not for a beautiful tale of male friendship and not for children’s games with twigs with swords in his case, that’s all it was much. seriously, doing. as a child , sports. george received heavy grass for almost 3 years from 14:00 to 16 years old, he had to spend almost complete immobility; only books were saved, replacing physical life with movement. i had to keep it simple. when i became a filmmaker, i always had the idea to shoot the babel sunset three musketeers and the count of monte cris, looking ahead. let's say that all three paintings by yungul-khilkevich. as a result, the user of the castle took off
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in dumas' paramana and the art of living in odessa according to the story of babel and, of course, wonderful and bright a film about dartagnan and the three musketeers to work on this film director. started in 1978 first thing. he ordered a hit for dunayevsky and ryashentsev for his future picture, and this hit, as we already know, was written. in addition to the musketeers' song, eight more songs had to be added for the film, which were not in the play, and in almost each of them a literary device was used, successfully invented by yuri ryashintsev. he mixed russian and french words in the lyrics for me it was mischief and i hope organic mischief. i just understood that i shouldn't
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pretend to be french, that's all. one of the ways is, uh, just say merci god you don’t need to translate every russian, you know what merci is, but it’s already more difficult, because she sang half a clapping, they really understand what this graceful kingdom is, the audience took it with a bang, literally the next day. after the movie was released. the whole country sang in unison. it's time to rejoice. and instead of thank you, the ceremony said. mercy bokku with the light hand of yuri cut stylizer is a poet who can stylize any time any era of any author, and here, uh, a kind of stylization of e french chanson, but in a russian way. and it gives such a playful start. that is, what is really needed in this mixture
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of french and nizhny novgorod was some kind of special charm, this technique of decision-makers later uses it in another film, ironically, this film will also tell about the adventures of friends of almost russian musketeers and will perform a song on verses. reshentsev. all the same mikhail boyarsky yes, it's fresh there stream grass densely in the style of lilies of the valley is empty stucco in my garden, dove, remember at least midshipmen ahead. he himself does not know what it is, it is some kind of nonsense of a french wine, pseudo-french, which cannot be translated. however, this pseudo-french song also became one of the main hits of our cinema along with it's time to go. let's rejoice. today it is impossible to imagine the film d'artagnan and the three
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musketeers without the poems by yuri reshentsev and the music by maxim dunaevsky of the film love there was such a hit, the exact music was killed in the film no artist will save with this assertion. one can argue today, as alexandre dumas would say 30 years. later, it is absolutely clear that the film owes its success as much as the songs to the brilliant cast . i knew exactly three actors who would be filming for me. these are tabakov cows to lose twice as much weight
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as i am now, a handsome man, written by the sea, the charm of the breadth of the soul, in general, he will give the last penny, as they say from the real porthos, to help the young enter the role, the members of the film crew tried to fatten him up, but unsuccessfully had to. to resort to the help of make-up artists and costume designers , he is an amateur who epicizes such distinct physical data. to eat, there such and so on, they artificially made such a large growth saved me, everything else was put on me. sat alone , too, there were no big problems. igor starygin was approved for this role. what is called immediately, his graceful gestures and the sly look of a heartthrob, were the
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most suitable for the image of aramis. veniamin smekhov later recalled that at first glance, starygin seemed a fragile intellectual. this impression of fragility turned out to be deceptive. aramis, along with everyone else, fenced, rode a horse and exchanged barbs with his friends musketeers. for which on the set he was even called a viper. but what is a knight without love, but in order to shoot the role of athos, veniamin, smekhov, the actor of the scandalous taganka theater, i had to resort to some tricks; i had to curry favor with the officials in order to be approved for the role of athos. well, that means you wrote with your friends, skit, i spoke between slichenka and mironov sher there in the house, but now i’m reading something of my own in the hall, all my people are sitting vysotsky is a fan of the musketeers because this is his
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friend khilkevich and volodya speaks in everything. they will approve. vysotsky was right. smekhov was approved for the role, and as a result, the musketeer's cloak and the noble pallor of count delyar brought the actor much more popularity than the main roles in his native theater on taganka bezudarchik. as for the main character of the novel by dumas gascons d'artagnan, his role was to be played alexander abdulov costume designer outstanding tatyana ostrogorskaya she said, oh, our spaniel came and everything, as if it was already clear. in addition, officials from the goskins insisted on the candidacy of abdulov, but when the director saw mikhail boyarsky, who was originally supposed to play
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even a saka, he realized that this was an ideal candidate for the role of a frantic gascon. i'm blown away, beauty. why burning eyes, as dima says, that the antartanya on the forehead passed into the nose of the line, and here it began. and boyarsky hated yungold khilkevich insisted on the candidacy of boyarsky cinema the authorities on the candidacy of abdulov at this difficult moment for the director unexpectedly intervened in the matter. maxim dunaevsky, the actor was sent to me for a test on singing, because we wanted d'artagnan to be a truly young singing artist. sasha abdulov also came to visit me and for many years, until he could not forget that i played my role, said that, unfortunately, georgy yungulkevich did not sing very well with sasha, then
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georgy yungulkevich sent mikhail boyarsky to audition for dunayevsky, he started. i listened to the first and realized that this is genius music, psychology is always spoken only in moscow, but only professional and sincere so much is written with an understanding of the origins. here is the time. here are three districts played. i already realized that i already knew it by heart right away. mikhail boyarsky dunayevsky liked it, firstly, he sang beautifully. secondly, like a real d'artan, he was temperamental and caught fire easily. i called the director after boyarsky's visit and told him i'm listening, in my opinion, this is a real d'artan. not what my patronage of the boyars got into the film, but in any case, it played a role. he learned the songs very quickly and immediately sang it's time to rejoice, because everything is a friend of another d'artanian. we just can't be reasonable. today, when we watch this
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cheerful light film, we cannot even imagine. what difficulties awaited its creators on the set, it was very difficult to shoot, because 140,000 rubles. they gave it to the series. i myself was afraid at night, the queen's pendants right before the shooting, because it was impossible to buy them. payment check. it was possible not to hear 5 rubles. commissions went towards us, they gave 150-160 checks for 5 rubles each. so that we could at least buy a subject, the picture had a meager budget, poor technique and disgusting film, no shooting in paris or gascony and there could be no question of leo and odessa because of the extremely tight
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shooting deadlines , it was almost impossible to prepare the actors for numerous stunt scenes. we learned horseback riding. we were doing. athletes world champions all this was in an atmosphere of extreme training. that is, we i had to get the hang of it all quickly. there were many of these and on swords. so there were a lot of very very different ones. nevertheless, all the brave four musketeers performed most of the tricks without doubles. although sometimes it was quite expensive for the actor, valentin smirnitsky fell off his horse and received a fracture and mikhail boyarsky’s ears almost died during the filming of one of the scenes, the tip of the enemy’s sword knocked out his tooth and pierced him. upper palate. before reaching the brain for a couple of centimeters, the actors were taken to the hospital, but after
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for several days, boyarsky, without having recovered, rushed to the shooting. a little bit of blood a little bit of fields well tell me, did not fall all and laughs of historical i, well, who never listened and never ride on it. what about fencing? of course, uh, hmm, something was forgotten. well, you need to remove the motor and the barrels fall and break, the chairs tables and forward. who may not have received. so you need to teach to improve the fight protest for a man who is acting in a fairy tale, and the reality of events is that you have real blood, therefore you are. atmosphere on set also looked like a fairy tale in the morning, the actors put on musketeer armor, and in this form, in boots with swords, they walked around the city. they say they even slept in camisoles and raincoats. we lived the life of the
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musketeers and in the frame. and outside the frame he remembered, then igor starygin they played. the musketeers themselves played vera the fact that they play musketeers and that they are musketeers, that's what was the focus here in creating this unusual atmosphere of an attentive degree, the song of the musketeers also began with it every shooting day in order to to the site. and casilla horses with an eye, who knows, maybe it was this atmosphere mood that reigned then on the set and brought the film such incredible popularity, my happiness, that they gave me in the
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soviet union to film the three musketeers, all this is unrealistic. delight of all girls this film. yes, there was a very powerful enthusiasm and everyone was on fire. here it is. it has such a hypnotic influence on people that no one can resist and you see, even in france they erected a monument with russian muzzles, but this is in general. can you film d'artagnan and three the musketeer was shown on central television in december 1979. it was the best new year gift that the authorities could give to the soviet people. it turned out that the citizens of the country, living in the era of developed socialism, which would later be called the era of stagnation, desperately lacked romance. i'm
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not a big fan of romance in general. i have said many times that the musketeers for me, uh, are by no means a model of humanity at all. porthos the careerist d'artagnan well, they had one thing that distinguished them from all other people. they have was a shrine friendship that's friendship made them deeply. we are prettier from here, all justification. romance in the era of total lies, when the only moral norm was the moral code of the builder of communism. this movie had the effect of a bombshell. he recalled that there are eternal values. such as justice dignity honor guo is not
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good, determined the success of this picture is not conviviality. not even gaiety, as such, not the irony of this whole big story, e.g. from french life. and i think we all it was thought all together that the main thing was. this topic is the theme of male friendship. here, this is our yard hatred of betrayal. hatred of injustice hatred of power, which intrigues the musketeer. this is a russian person. you see, this is fighting for justice or for some idea that unites our four of us. and here we will stand to die. you see, this is very close to our mentality, maybe that's why the film, shot more than thirty years ago, is watched with pleasure by more and more new generations of viewers.
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