our performance is not only cheerful musical and spectacular, but also for smart children, the joy of parents is science, by the way, it was from tabakov that the actor evgeny pisarev studied directing and managerial skills in the year of his fiftieth birthday, we invited evgeny aleksandrovich to become the hero of the project. once veliky tabakov was the first to entrust directorial experiments to evgeny pisarev. he allowed him to his little snuffbox and the big stage of the chekhov moscow art theater, we create, the genius muttered and began to look closely, according ticketing projects. pisarev became hits. among them are a picnic club ghosts, prima donnas and humpbacked horse. what do you have there? consider

pisarev at rehearsals, the cunning irrational leader oleg tabakov, assuming his physical finale and saw yevgeny in the leadership of the legendary theater, almost everyone in the russian theater community called tabakov the shadow minister of culture, but when the artistic director died suddenly in the moscow pushkin theater. roman goat. tabakov , without hesitation, suggested to the responsible comrades candidacy. pisarev moscow art theatre. federal theater one of the main theaters in the country, and you have become the artistic director of the municipal theater. this transition from the expensive-rich is modest, but sweet, as it was given to you when it seemed difficult for me to come from the megapolis. uh, in a small town, immediately called. ekaterinburg and we are his assistant and friend. you know nothing will come out of this village, she said even

after the first year. everything here is so rustic. i'm used to such scales, to such budgets, and to you will get such connections, as it were, through oleg. but she doesn't say anything here. yes, of course, paris will not work, but we can do our little david, uh. i somehow lived with this idea, uh, and i understood that u really need to go a different way, not the one that tabakov, in general, even bequeathed to me, because he had a very strict system of leadership. well, such a stick and carrot fire someone to show who is the most important here, even for no reason. well, i tell it so to speak, primitively, of course, it is not so. uh, primitive leader. i know very well, we did not communicate many times. well, he is such a success to me, without me everything should be super. successfully no experiments. although he said one thing you know in your own. to call those young directors whom he called, and why is this not an experiment and he risked a lot and so

on, but the image was such a bourgeois leader of such a strong dad. if i say, i am a kind dad, affectionate dad, dad is such a warm-hearted dad, then he outwardly created the image of such a dad. e godfather. here, and you can live under the wing of a strong person, so to speak, not to be responsible for anything once a year to put on a high-budget production to receive a good salary, but to be still an infantile child in general. but it happened. tabakov blessed me, and i finally became an adult at the age of 38. evgeny pisarev is a theater figure with a pedigree, he has an acting education received at the moscow art theater school, his master was people's artist of the country yuri eremin, who invited a talented young man to the staff of the pushkin theater as an artistic director which eremin has been for many years, your theater is this

family, yes, yes, that is, do i understand correctly that you are the father of vera lentova grant ma, and isakova ursulyak, the wife of the mistress lazarev, the younger brother and your students - these are your children. in that case, what kind of father are you? oh well, i'm a father, probably a good one, maybe even better than my daughter's real father. recently, i don’t talk so often about the theater at home, about the theater of the family, because therefore there are many downsides of, uh, family relationships. as a result, they lead a little to the communal, yes. but uh, when i came to the pushkin theater, i realized that according to the laws of the moscow art theater, where i worked with oleg palych tabakov, and nothing will work out in this place. well, no matter how, there is no significance, no status, no money like that, there are not so many stars and so on and so on, but there is some kind of friendliness. uh, nepotism,

decent people, some kind of people gathered, therefore, to build some kind of house where everyone will be human in the first place, it’s interesting to each other then take because the charm of some of this place and some of its own energy is not too much. maybe fat and bourgeois, but graceful and charming. it 's scary to return as an official leader in the theater where you once started your acting career, having played a hundred times in a fairy tale about a puss in boots , vera valentina lentova immediately supported me there. he said that i can always trust me, that she supports me and vladimir valentinovich even called me and then vern valentinovna said, you are my seventh artistic director. er, that's why i'll take you there. well, here it is, like her support, but on the other hand. you are my seventh right away. eh, some is eternal. uh, constant or magnitude. and there are some seventh, then there will be an eighth and so on. so i felt like a man some time like that. well

, let no one be offended by convenience. naturally, i call him evgeny aleksandrovich, since he has now become our chief director. as a matter of fact, i even celebrated my anniversary this year, but for me in my heart. he still remains zhenya and even zhenya, because i remember how he came to the theater as a completely wonderful boy who graduated from the moscow art theater school, it is important for us actors that he has an acting school. it so happened that recently the director and i speak different languages ​​​​of completely different languages. they say that you are smart enough, but this needs to be translated not only into human language, but she is not yet the language of an actor and a director who has an acting education. he owns this wonderful language, incomprehensible to other people, and this quality is fully present in him. he is easy to work with. we understand what he is talking about, pisarev revived the theater. i cannot say that with his arrival the theater suddenly rose from its knees. this is

not entirely true, because before him there was a wonderful main director. roma kozak who actually understood. a new audience came from their knees and into the theater, and yevgeny aleksandrovich simply supported this baton and you know. it seems to me that these qualities are connected with each other, that's what kind of person he is and what kind of director he is, because he is still a wonderful person. this quality is very good and often found, but not in high positions. to agree with the non-revolution of this word with one of the most mysterious divas of russian art, vera valentina lentova, whom you personally discovered for me as a great dramatic theater actress. we have a very good relationship. despite the fact that vera valentina of course, the person is very closed, but this closeness does not mean that we are not close. that maybe you don’t need to talk a lot with her, but you need to hear her, you need to see her. her eyes see her relationship verantina that a person who gives. well, to the whole

theater, almost everyone with whom he works with new year's gifts was rehearsed by madame rubinstein well, i 'm not talking about young artists who were naturally late, but i came there exactly at eleven, i even came out of myself at fifteen to eleven, then i understood that she is already in the erection room. she is already repeating. she is already checking something with the costume designer, and the make-up artists there. that is, this is a very professional, quivering person, very related to the big one. love for people and the place where she works. vera valentinovna alentova is busy today in three performances of the pushkin theater and all three productions by evgeny pisarev, their joint project madame rubinstein about the creator of the world empire of beauty helenia rubinstein is one of the main hits of

theater moscow and the premiere of this bestseller was timed to coincide with the eightieth anniversary of vera, tapes, say many actors who, due to illness, do not go on stage for a long time. he never deprives them of any bonuses or salaries, despite the fact that that they, in principle, do not bring income to any theater, this human quality is very valuable and the actors love him for this and appreciate him very much when i was still a young director. i staged a performance, bullets over broadway, and then vera valentina agreed to play with me. the lead role and the role is a little bit off her list because she was such an aging alcoholic actress and she was very funny and very brave went into this role selflessly rehearsed and acted all the time not afraid to make remarks. you could be all young directors are afraid they think they came, people's

artist. he thank god that came. uh, we need comments as much as the young ones. well, she lived with the director all her life and understood how important the director is to the actress, so we have a wonderful relationship. and i hope very much that madame rubinstein, because of our recent work of interviews with other artists, the corpses of the pushkin theater turned out to be dramatic not the most original. everyone repeated each other and the word word pisarev is wonderful, talented, kind and attentive demanding ones noted the special accuracy of his tasks, his unique sense of humor and incredible charm. yes , you yourself now see how in this photo shoot. they increased friedman, here evgenia is emanating streams of healing energy, take a closer look or kiss the tv screens, yes, and after the completion of the photosat, my headache disappeared. i have a feeling, no matter how many performances i have seen at

the pushkin theater, that there is some kind of recipe, eternal youth. all of you are young. and alentova is young and ibyakova is young. it seems to me that there is joy some in the theatre. here's exactly what i took. tabakov may have some business qualities and i could not inherit, but he had such joy, of course, joy. he always said theater was a fun thing to do. it is even necessary to play dramas and tragedies inside and have fun. you have to have fun in the theatre. we somehow don’t have despondency and pseudo -significance. no, we are engaged in some incredibly important business, youth is also in the fact that we communicate with the public. yes, and with each other are very equal. oh, the curse of the name theater pushkin and about the possible flight of evgeny pisarev to mars we will tell right after this advertisement it will not be long, so that you are surrounded by beauty, everything must

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an order right now and take advantage of all the benefits of this offer with the company's guarantee the imperial boutique tomorrow at 16:45 on ntv forever life line - you are the life line charity foundation. the moscow pushkin theatre, the former legendary chamber theatre, was founded more than 100 years ago by director alexander tairov and actress alisa konon. a fashionable

place at that time was famous for anti-people performances in 1949. the soviet government dispersed the daring chimney of the theater changed the name and repertoire freedom of his beloved tairov could not survive the excommunication alexander yakovlevich died at the main entrance to the building and those who loved him alisa georgievna cursed this theater. how did you get the theatre? i worked both under kozyk and under eremin. in those days, the priest came periodically once a year, which means that with a censer something was, it made me incredibly laugh. most importantly, i saw that there was no sense in it. and when i came, what should i do? i didn't understand this at all, because everything the interview began with evgeny pisarev came to the damned theater. well, how can you not be afraid here, bringing to you come and so on. it was already. eh, not even funny. i think that there has always

been a problem with the fact that the chamber theater was forged in tairov, everyone denied that everyone was afraid of this story. everyone somehow thought, but this is not about us, but i thought about what to do an evening dedicated to them. maybe even such an evening repentance of some kind of worship. it was the 100th anniversary of the chamber theater. uh, the fourteenth year, and we did this an interesting performance, which was called the chamber theater, for 100 years all of moscow gathered for it, there were tyuk and tabakov fedyamidova, everyone who could be, who never went to the pushkin theater at all, and something happened. that evening , something happened when the whole corpse went on stage and turned mentally to the people, without whom there would be no theater at this place, the impression is that they somehow changed anger for mercy, from that moment they began our luck. and i actually felt complete the master in the theater to the success of yevgeny pisarev in the pushkin theater at first looked closely, then

looked closely, appreciated, shook hands and accepted outstanding theatrical authorities into their camp. among them were oleg tabakov and alexander shirvindt and mark zakharov, who had heard something of pushkin's proteater, but had never been in it. he was rather jealous somehow treated me, it seems to me that he did not like at all when something was good and not with him, i saw that he was so active. make a comment when he uh realize that he didn't like the show very much. but when he liked something, he was directly worried that this was not happening in his theater. i told them a lot of good artists you have too much and even stole. i have verbitsky at some point, so he called me to the theater. although he didn't live there. i think that zakharov, despite the fact that every year he invited me to the theater to put on a play. you can't speak from tabakov. zakharov was upset and even took offense at

me, probably, well, although this is too petty a feeling for mark anatolyevich, he still appreciated it when he came to swift and already with a wand we sat through this whole big performance. grisha says he was right, but gorin still insisted that this was a theatrical play. and i wanted to make a film, grisha was right, and you won, but i was very pleased that, in addition to the fact that he came to the theater. he talked with the artists and did not leave me for a long time, that some time had passed, and when they handed over the crystal turandot, i suddenly saw that it was he who volunteered to give me this award, such things, which, of course, are not forgotten by the theater named after pushkin on tverskoy boulevard is a modest shy building, but with a bright and bold fish names and titles on it, as if with a sign of excellent quality, it is somehow not patriotic to compare with broadway, speaking of broadway, pisarev, in addition to managing the pushkin theater, today is one of the most

sought-after directors of musical theaters on account of his performances at the bolshoi theater and in the genre of the musical the sound of music, cabaret chess is the fruit of his imagination. in the camera lens or fridman and please smile close-up smile lyudmila petrovna worked as a librarian and she raised two sons, however, she supported the younger one in every possible way with her passion for theater. and that was my idol. this day, in general, turned my

life around. i definitely decided that i would be an actor, that i would do this. i never thought it was a tragic day, because i had the opportunity to meet him, but i thought that i would become an artist first or i would become someone, and then i would get acquainted. and here is such a strange thing that i remember this day, and then it seemed to me sad and even tragic. and now i think it was a happy day. he changed my fate, like the physical changes in the life of the director pisarev at the age of 50. i was always with me, i always liked to sleep for a long time, and in the evening i could not fall asleep. and i did not understand how my mother gets up at 5:00 in the morning now, winter is summer, or whether the earth is light somewhere at half past seven. i open my eyes and stand, but i must say, i do not suffer, because i have a lot of free time. when i have time to do some household chores. at the same time, i go to bed just as late, but it turns out that i don’t get much sleep either. i need. in general, it is quite cheerful that it is spoiling your mood in the morning cannot fulfill

spoiling your mood, of course, when something is wrong with my relatives, after all, my mothers are 90 years old. i am very worried about her. although there is care for her, but still we are at a distance or when there is some kind of conflict or malaise there. my daughter, for example, who now works at the youth theater, also graduated as a young actress, but the shchukin school still has some kind of anxiety, because i understand how vulnerable the soul of a young actress is, in principle, and only when it's your daughter. here are some i learned to cope with some personal things with workers inside personal relationships. e family of his own. some things can upset me. now, if evgeny pisarev was offered to lead an expedition to mars to jupiter, so somewhere into something unknown, but they said evgeny sanych is your

spaceship. you will go down in history, you can take five people with you, whom you will take and fly whether you will not fly, when the wonderful actress my friend yulia overpowered flew, and i directly called and said why and when she explained to me even told and very convincingly for her still did not convince me. and i hmm space is not interesting. to be honest, i'm interested in the cosmos within our relationship. here in you there, yes in myself i don’t know, but no, i don’t even want to. 60 years of the great russian

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25 years ago i am a television beginner, presenter of show business morning news on ntv . for the first time i came to the film festival. i did n’t recognize many people, marina golub, from the program for the future, went on the air in front of me and often broadcast greetings in absentia, but in reality we met under a palm tree in sochi, she took my hand and led me like a virgin present to the artists as a director, however, as a filmmaker. marina laughed and said remember, i am your godsister from this very day, the outstanding actress marina golub was the heroine of all my projects and one day will not be an exception on december 8 this year, marina would have turned 65 years old, 10 years ago she died. i

like everything in blessed memory, because we have a bang, everything goes out, this is a new track. wisdom she is hydro, she is talented elegantly and she is very kind. the real mona lisa of our honored artist of russia laureate of the prestigious awards theater star holder of the order of friendship for great services in the development of national culture and art, these insignia for her were nothing more than formalities. she asked to be represented simply by marina golub, and the truth was that it was enough for applause to explode at festivals, receptions, concerts and show halls.

marina golub worked with constant success on television in theater and cinema, which is not an event project in her biography, hundreds of important roles in theater and cinema on the screens of marina's big country for the first time flashed in 1980 in the film youth of peter here she is an inconspicuous maid in the general plan, and then everything, according to the laws of the genre, drew attention to her. the sovereign himself, or rather, the performer of the role of peter i, dmitry

zolotukhin, is how i remember that i just fell in love so completely, so crazy, but we had roman and that’s it. it was such love, and he loved, but it seemed to me that at first, yes, then no, then he became somehow he became a star. it seemed to him that a different life began for him. here, and he somehow upset our relationship. he tore them up. i was very worried. it's just like saying enough. i have then in my life hmm there were more repetitions. eh, when it wasn't i who terminated the relationship, but the men. and it always hurt me very much, she was very like that. she was a wise woman who always saw something somehow. i saw right through everything. i told her something about my life there. she told me so come on well done and i knew it. and i, says videla. i see yura in

your eyes. haha. i say, guys, that the deprived of nothing well done. masha marina almost always was frank she had nothing to be ashamed of and something to hide. the only thing she did not like to talk about was the fact that her age erased her incredible energy. yes, you and the numbers, open, marina is a man. she had three daughters, one anastasia dove was born on april 7, 1985. it was sunday. everyone left to break the water and something. well, that's it, and i, as if i called, as she came to me, a beauty, in my opinion, the guy gynecologist , still the minister of health, called all moskvina called, and her beloved man at that moment was nearby. this is already we did not communicate with each other almost did not say that it is not necessary to touch me during this period.

i will live on my own. let some men drink. they tell me, do not eat, brilliant this is what i liked best. i say don't pass don't eat. well, what do i eat. well, in general, they remained so. and why didn’t another child have a third spouse , anatoly bely? late everything began to happen to my husband. i was supposed to give birth, and there were difficulties, but i had the role of gertrude, an artist in an actress is always a dilemma. i missed something at that moment and uh, it should have been, probably, it should have been e to deal with the child, and not the role. and i got the role of these gertrude to you hut. bright. the texture of the actress has always

attracted the attention of men, yes, large, but incredibly, sexy men do not rush to the bones, even the most hungry misco prefers to joke, marina, i want to be thin, it doesn’t work. well , i'm a wide bone. well, very at the very least. it doesn't suit me very well. it's me, well, as it were, i'm pyshka manya amazing dressed with a sense of style. the decoration of the shoes of the handbag is these some kind of canopy hoodies, she had a very precise sense of herself in space. she was very elegant. marina golub knew how to listen and see a little more a little deeper than her colleagues. she saw the talent and began to help in the promotion of yuri kolokolnikov konstantin solovyov anatoly beliy, the artist bely is silent about the role of marina in his career,

he only talks nonsense about how he achieved everything, but the artist solovyov does not stop thanking marina by the way, see you before meeting with the dove. konstantin was a police sergeant to us and explained that this was a fable funny, then she did moikovsky with me in a cloud in her pants. here we are, and it must be heroic. she could flare up and hurt me. and sometimes even calmly explained sometimes. i mean, she was leaving. yes, even sometimes. so i said it, but i said tough things, right? so, and she actually helped me a lot in this regard, because a on the selection committee was not ready for improvisation. i was pleased that she only prepared me for me, the main mother of the world drama, the queen. danish theater triumph marina dove she went to this for 26 years. i started in the mos-concert, continued in the theater to change ur arkady raikin and the gogol theater, and here it is the reserve of the stars of russian theatrical life

of the chekhov moscow art theater. then acting of such a nature. without any conversations, they began to work, and to joke the last documentary filming marina golub a month before the car accident september 2012 in the afternoon of the moscow art theater, and in the evening hamlet and in the spotlight, of course, she is prima 's head to say it. that's all that's happening right now. this is a very difficult story. i can't

even say it, but i live in anticipation that something very good will happen. it 's all up there, so i wouldn't want to talk about it, have you ever seen the eyes of a woman who is in love or who loves it is beautiful to be or not to be is not a question with the departure of such a gertrude, the play hamlet in the chekhov moscow art theater is no longer played. i had a ram, and i flew away, sheremetyevo snow. i remember walking. something so snowy, the road, and a friend called a call. guess who calls there at 6:00 or 6:30 in the morning. ah, lyolya porechenkova m-m. misha's wife says. uh, you know that marina crashed somehow i remember that i

stopped. this is a snow covered road. smoked something for a long time, irreplaceable, of course not. there is a unique one here. that's the problem. she left just at the peak, which is very scary when the actors go into oblivion. and you're disappearing when it's already like the outlines flicker all, but that's what so many spectators came. also an amazing turn of events. marina

thank you very much manya miss love. spy games or bang-bang suspense with intellect on the big screen right after this advertisement on ntv, the legendary fox minister of death could not be changed by the famous friends of alexander belyavsky. i know it was a tragedy to conduct their own investigation into his mysterious death. someone helped him fall out for the cat. why is there so much mysticism around the bible of the beloved artist, that one fell out of the window, this one fell out of windows some strange situation. and who pushed belyavsky to step into the deadly void and the child, but

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calls to relatives beeline all year on your side. of course, you are not gifts, but everyone needs a gift, there is always a good offer. for example.ru mikhail shufutinsky called them his polar explorers. of course, i will go south. a call is being made to mikhail shufutinsky. can i hear sasha the polar explorer. i almost fell there, a boarding school for the disabled and the elderly , where we live out our text gemini who served 27 years for two. bitterly regret that they were once unable to overcome star disease. i have cancer, what will happen in another six months, probably to god we don’t know if we want to return, that golden time, of course, i would like mikhail shufutinsky to

meet again with his polar explorers in our studio, but can he somehow help not to cry, unfortunately, not only fate breaks us. and also our stupidity is that the program was able to do this beyond my imagination. today we will see. miracle is beyond tomorrow at 16:45 on ntv favorite series dog tomorrow at 22:10 on ntv the most popular movie series genres around the world detectives and spy games big killers big budgets big screens and high expectations this weekend began rolling a powerful and very spectacular story shadow take proud details about mikhail ivanovich lomov year 1973 music mikaela tariverdiva lyrics

by robert rozhdestvensky song of the year iosif kobzon sings a moment don't think okund from high time will come he will understand viska moment moment moment a moment later they sound performed by the murakami group sometimes where is the first moment? where is the last one? i was very worried that the song was a moment due to the fact that

it was from nu, previously performed by kobzon even when magomayev tried here, yes, he was not approved for this song. and here it is, uh, the responsibility for every note uttered, she is very great for herself and, for example, determined, so, if my grandfather, who served in the war, or whom this song was very important, and he, if if he heard it, and how would he react to me yesterday, for example, a message came from a person. s. well, already at a decent age, i heard a song here and sang it, and so first three dots. well, i say who the songs are, i understand both, and this is it for me this is important. a moment from murakami's soundtrack to a potential domestic movie hit shadow take the pride to its premiere at the october cinema and gathered the sultry lady in red a hungry

decontent. bloggers, producers, directors and forever young rodion gazmanov for powerful sharks and other roaches of cinema and show business, posing for the camera is a common thing, and for actress ekaterina sharykina - this is the first time in life to go out, honestly very unusual. well, first of all, this is all such high, art. i didn't think before will come yesterday ekaterina graduated from the theater institute in yaroslavl and today her name is next to philip jankowski and nadezhda mikhalkova in the credits of the film, the shadow of a proud man ilya kulikov's tape went into wide release last thursday. the director is sure that the collection of films will be excellent because the story is about an inconspicuous but important work. these counterintelligence officers are intriguing and eloquent, here is the slogan of the project. i say that it is a film about what you do not notice, it is very disappointing that the work is the work of many people who really risk themselves. uh, a lot of the time it goes unnoticed and people just

don't know it. and i wanted to tell about this, so that people would understand that somewhere there is. here they are, who are doing this, i don’t know, an invisible battle, if i may say so, spy games have always interested filmmakers of all times and peoples alone only soviet blockbusters. filmed more than two hundred. among them are the shield and sword trilogy residence 17 moments of spring. major vikhr knew them only by sight. and, of course, tasu is authorized to declare. he's like would be cool, but watch it now. eh, it's hard. of course, i watched it, but there i fell asleep about 15 times, as it were, and it is interesting, but it's hard. and so it was necessary to get away from this, but also so that, as if from a submarine through a torpedo tube, they would not swim there with some kind of nuclear warhead, and so on, so that this would not happen either. well, i think you managed to catch this balance. it's time, waiting for your

moment in the work on the film, you had to consult with the secret services. it's just like friends friends who are there for me just to know how does this happen. i ask for an explanation in simple terms. tell me how it is. and how is this? well, that is, and here it is. well, here we imagine , what, for example, uh. here. you recognized the spy and that's it. there you ran, in short, grabbed him and put him in a casim there. they say no. you that we learned spies and everything, we need to collect evidence for the court. if we do not collect, he will walk and will walk. that's exactly what these things are. they shackle a little somewhere, somewhere you understand how it all works. all this is not so. simply, congratulations. first of all, this wonderful holiday. let's canoe. and ilya kulikov is a screenwriter and director with a long biography a policeman from the ruble. capercaillie chernobyl exclusion zone sword dyatlov pass decorate his portfolio, the producers were impressed and entrusted

kulikov to master the budget. the story is already intriguing only with its description, he is an elusive spy who passes through the reports, like gordey, a real shadow, a man with many faces, whom no one has ever seen to catch the proud traitor target of russian counterintelligence. after all, this mysterious man steals a state secret before filming there were meetings with fsb counterintelligence generals. and there were a lot of questions about personal life, about hobbies. eh, the proka- correct loya even asked. for four hours we talked with them. well, he went out and had a feeling of some kind and did not learn anything. of course, they are masters of their craft, actor oleg gaz, the main star of the film, a stylish suit with a needle and a smile from the best dentists in moscow , they say that oleg worked on the set with joy. myself ran long distances. for almost 10 hours i lay in the cold rain and for the sake of reliable shots, i jumped and the car into the water there was a scene where here. e. i'm

lying wet in the rain, i'm dying to bleed. it 's a separate movie. i had to take it off, like i put on a wetsuit to keep warm, but it doesn’t matter. i'm lucky. eh, i managed to play such a russian james bond with his own complexities and problems. he's not exactly perfect. that's like classic james bond but ours. as you can see, i'm not at all a james bond damn car though leave 28-year-old oleg gaz sibiryak was born in nizhny vartovsk, studied in st. petersburg at the moscow art theater, is already listed as a leading actor, they saw him in films and tv shows. that's how everyone describes my profession. thank you threw, according to the exit poll conducted by our film crew .