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Understanding 9/11tv Speto v SSSR NTV December 24, 2022 5:05am-5:51am MSK
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a nearby factory processes up to 50,000. t cocoa a year, cocoa beans are dried , processed and ground, obtaining a finished product, excellent, suitable for the production of chocolate in this small workshop they make their own chocolate to buy and try, which can only be found in the vicinity of san francisco for macaris. europeans added to cocoa two new ingredients that the american meso indians did not use - milk and sugar. and in the 19th century, when they began to add alligator to chocolate from cocoa, it became possible to create chocolate bars, such as as we know them. now the machines evenly mix sugar and oil at a temperature of 45 °, to make a tile, the mixture needs to be cooled to 28 °, stir on a cold granite table, add a little more and finally get molds ready chocolate real dominican chocolate,
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made from cocoa beans that once considered sacred, sacrificed to the gods, who served as the most valuable and hardest currency. a bitter drink, of which the indians called chukulakli. soviet union new year's eve in our country
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the hostess always prepared in advance stocked up with scarce products, and since everything was in short supply, it began in the summer, when they cooked jam and pickled mushrooms, the best jar for the new year, the heads of the families mined sand at neighboring construction sites to install a christmas tree in a bucket, the children were exhausted in anticipation of gifts and the beginning winter holidays, and all without exception. waited. what will be shown on tv on january 1, on new year's morning 1976 , the male part of the population of the ussr clung to the screen showing hockey cska montreal canadian our match with professionals all players were presented separately. they went out on the ice to the applause and greeted valery kharlamov especially vigorously . a draw score of 3:3 proved the professional
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level of soviet, allegedly amateur hockey, and at 17:45 the first series of the new television film the irony of fate or enjoy your bath watching lyrical comedies on the new year has always been considered the prerogative of women, but this time, when barbara brylska appeared on the screen, the male part of the population of the ussr again clung to the tv, and when her heroine, shkolnaya the teacher, nadya sheveleva, sang a novel, with tsvetaeva's verses it became clear. for such a woman. you can go not only to leningrad but also to the ends of the world. okay, i stand by you , even if you don't deserve it. that
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i am sick. won't float under our feet. i like that you can be funny crumpled stunned dumbfounded, director eldar ryazanov said about himself after he found out what impression his film made on viewers, two series in a row, without looking up, according to the most conservative estimates, 80 million people watched to the last sound and to the last tiger and all 80 million believed that andrei myagkov and barbara brylska were singing in the cinema, the real performers sergei nikitin and alla pugacheva remained not only behind the scenes, but also behind the scenes of fame. nothing about
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title titles and the like, for me the most important thing was to have fun and give pleasure to people and those who starred in this film. the shooting of the film irony of fate or enjoy your bath took place in leningrad, moscow in studio scenery. and here in this house on vernadsky avenue on the set. alla pugacheva never met the actress for whom she sang, there was no need to be true to her principles. barbara brylska knew all the texts by heart and came to the shooting prepared even better than her russian-speaking colleagues in one day. she memorized tsvetaeva's poems and sang in the studio in full voice. tell me honestly now , of course, i did not remember. what was the sequence only to the music, and then they put the voice of alla pugacheva just
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opening their mouths. i learned the song. i sang it , i had a voice then and i sang it beautifully. i even liked it myself. unfortunately, not a single recording of barbara brylska's voice has survived even later. she has never sung this romance in any setting. today in our film barbara after much persuasion , she agreed to break the silence of more than 35 years of dinner. i don't like that i wasn't you. everything. no, i don't remember, i don't remember eldar
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ryazanov, of course, understood that he would face two problems at once. what voice will his heroine speak, and how to sing the first problem, the actress valentina talyzina decided the second novice singer alla pugacheva that, in fact, was the first acquaintance with the proposal to write music for the film director. eldar ryazanov turned to several composers at once, mikael tariverdeev responded, he was especially attracted by the fact that the main character of the future film sings romances to the verses of marina tsvetaeva, and for nikolaevich this was not the first experience with poetry. tsvetaeva back in the early seventies. it was written by marina
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tsvetaeva, a local cycle on the elements, which at that time was an extremely rare work with riverdiev turned out to be fruitful, but not easy. although the composer himself invited the singers to sound, they recorded many takes, the riverdave was dissatisfied, even the experienced sergey nikitin demanded that he did not immediately record his songs for the film. i asked the fuck myself where my beloved did not answer me. shakes his head. i asked who fields? where is my beloved, the top threw me autumn foliage. i asked 8 and so on. i remember there were four takes on the fourth, they said stop. e was recorded, and intelligence
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reported that when alla borisovna recorded her songs, there were uh, a drama of dramatic moments, without a trace, it is difficult to imagine crying alla pugacheva, but eyewitnesses say that it is a romance. i like that 43 takes were recorded, the only way mikhail tariverdiev was able to achieve the desired sound. he removed from pugacheva's voice what later glorified her pop intonations. alas, not by me for what i am, alas, the war is not by you, i can confirm how as you say, if i cried, i did not turn out at all terribly. no, i tell it like it is, because work
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is work. i imagine the experience differently the work of 25-year-old alla pugacheva was no longer small. at the age of 17, she went on her first tour of the arctic and tyumen as part of one brigade of radio stations youth , then for one year she was a soloist of the lipetsk ensemble with the then fashionable name electron, she worked in the ensemble of muscovites in a variety orchestra under the direction of oleg lunstrim since 1974, as part of the famous ensemble merry fellows there was nothing even remotely similar to romances, the work of the old- timers turned into torment for pugacheva. it seems to have been done there and it seems to be said stop, and then calls and says. i listened to how many times there 30 times and
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everything is different. it’s possible just to release a disc from the era of pugacheva’s duplicates for the collection, then no one collected it, but the disc with songs from the movie was released, for some reason it dates back to 1975. although the premiere of the film took place on january 1, seventy- sixth on the cover of a soft vinyl disc, 5 songs are listed and their performers are there and alla pugacheva but in spite of everything, most people for a long time continued to believe that barbara was singing brylskaya, moreover, alla pugacheva never performed these romances in her concerts. i'm not used to singing it, because how would i give out a secret that it will work? it was not all the same somehow to nothing after the first resounding success of the film the irony of fate, of
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course, an invitation to various television programs followed. one of the most popular at that time was the film panorama on the irony of fate in 1976, the leading film panorama was actor yuri yakovlev, one of barbara's partners brylskaya according to the film, the same ip fiance nadya sheveleva, varvara had already left for warsaw and therefore was not invited to the tv program for yakovlev and brylska, this was for the better, both of them had not the most pleasant memories of filming. there was such a moment. yuri yakovlev where we played the bride and groom, we love each other. he comes in and we were supposed to kiss, and the camera really loves when people kiss, and at the same time she sees everything. barbara admits that this is a dues that an
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actor pays for his profession to kiss not by mutual agreement, but by the decision of the director, but on that once the dues are not paid i wanted the actors to constantly pay when they have to kiss, lie naked in bed, touch each other. only believe it is always coercion. but why should i kiss him for real, when can i do it? delicately, barbara persuaded eldar ryazanov to change the misan scene and set the camera so that the kiss could be played, we reach the kiss. of course, yakovlev is eager to kiss,
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but i slipped away anyway. we kyk-myg so he still had claims against me. why not? after all, this pair of wills? still can't see it the kiss is not visible, and i do not owe taste to participate in the cinema panorama, alla pugacheva was invited, it was assumed that she would sing songs from the movie irony of fate that had already become popular. mikhail riverdiev was ready to accompany her on the piano, but he failed to repeat his best 43rd double of the romance. i like pugacheva could not. i know she doesn't talk much because she's on set,
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he told her more. songs and she sang to the soundtrack and she was offended by him for the performance of this romance from the stage mikhail pereverdeev chose a completely different singer galina besedina. i like that you can grow up funny and not play with words. and do not blush suffocating wave slightly touching the sleeves, generally romance. i like being unlucky on tv, even when barbara brylska met alla pugacheva for the first time in front of an astonished audience, the program was not a success, but we were supposed to be a sensation, we were invited to ryazanov’s tv and me to
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improvise something to the music there. we tried to sing something there and so on. you know, that i was dissatisfied with myself, she saw alla pugacheva and turned out to be somewhat disappointed in the one that was so penetrating just a couple of years ago. normal as far as i remember, she had. such golden red hair the usual hairstyle is not the way she wears now. i like that you are not sick of me. i like that i'm not sick of you, what is
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never a heavy globe of the earth. won't float under our feet. this performance to the phonogram did not bother anyone, no one even picked up a fake guitar, but more than alla pugachev she never sang any of the songs that sounded in the film the irony of fate, not to the soundtrack or, as they say, live. it was enough for me that every year it sounds on the air. that's right from the tv screens. indeed, this film has become an indispensable attribute of the new year's eve for 10 years, they have been waiting for it and watching it with the same pleasure as for the first time they knew by heart the plot of the remark about the jellied fish and the words of all the songs, but watched it anyway.
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forced break for a period of struggle for a sober lifestyle during perestroika only spurred interest a few years after this anti-alcohol company or which gorbachev launched the film, but it was banned, it was not shown. here we always put the film. e irony of fate and at 12:00 the chimes were beaten, which were distributed and from the film by eldar ryazanov time was changing. fashion appeared other films of the irony of fate, again they began to show on january 1, because its characters remained the same beloved and dear, as in the distant 76th it was no longer a secret to anyone. what alla pugacheva and sergey nikitin sing behind the scenes no, it was important in the song everyone learned by heart a long time ago and sang in the company. they proved to be almost eternal, like the film itself. where is your way to the baptismal site,
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if we turn to creativity, can you notice? that this composer rarely claims something in his melodies? and he seems to be doubting something all the time, they ask us all the time. i write to you by chance yelling or i like that you are free and me or trust moment moment all the time. here we see this e interrogative intonation. and even in this song that i sang your favorite was your favorite was your
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favorite has become. my wife wrote music for 132 films for me, it is both sad and cheerful and pleading and life-affirming, but always recognizable with the exception of one song that eldar ryazanov once did not recognize . it happened that, ironically, eldar ryazanov and mikhail triverdeev ended up in pitsunda in 1974 at the same time, eldar aleksandrovich is a very similar person. uh, well, sociable, there were a lot of people around him. he told some stories, including him told that he was going to shoot a film, and he somehow began to sing the song na tikhoretskaya and uh, told this about this song , said that i would like my film to have such songs, but now , unfortunately this song is folk, and at that time
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leonidovich was passing by and said, eldar what kind of folk song is this ? light steam. and here it was not without controversy, and the hottest battles unfolded around. the most sentimental romance, i like that you are sick not by me all the time was like that. the dispute between well, not before a fight, but as if in the form of a discussion, but still a sport, how to sing it to get into the character of the heroine. i like being funny. and don't play with words. and not blush, suffocating wave slightly touching the sleeves on the steering wheel of
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the main character of the film tried svetlana nemolyaeva lyudmila gurchenko alisa freindlikh ryazanov did not approve anyone and after some hesitations called warsaw, a phone rang, and i heard that eldar ryazanov was calling me, i almost fainted from excitement . we don’t have such a tradition as a director, he will never call an actor, he will instruct, this is his assistant, whom i knew the film, from which i knew the director ryazanov, was released almost 20 years before this telephone conversation. it was carnival night, and here is the
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film by which eldar ryazanov recognized the actress. this scene is only in the polish version of the film, however, it is possible that soviet filmmakers, according to professional necessity, had access to the original copies. films began to tell. why did the idea to invite me come from? that i recently saw the film anatomy of love, i say, oh my god, but now i'm a blonde, they already managed to repaint me, but it does n't matter. i can stay blonde. first, soviet children saw it, in the late sixties several films about indians were released at once. the main role was played by yugoslav goykom metic, the rest
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of the indians were portrayed by actors from the gdr and other countries of the socialist commonwealth in one barbara brylska starred from such films the falcon's trail and wanted her career to have completely different roles, for example, the priestess in the film pharaoh barbara was invited to the epic, liberation and the film of the city and for years, and yet she was very worried before the trials of the truncated one. i spoke in russian, they gave me the text, the shooting began. i gave it my all , because i loved very often, and if i take on something, then do it with full dedication and here i go. me after a test shoot. and ildar says thank you barbara thank you we won. the filming was explained by the fact that
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the management, of course, had very big doubts that a foreigner should play this role. all the more reason to sing then that nadya sheveleva was a teacher of the polish language in order to justify the accent, but this number did not pass the language, who in russia should be a teacher of the russian language, so the polish actress became a teacher of the russian language, which means that russian literature began to sing romances based on poems by marina tsvetaeva, about whom she knew nothing before. tsvetaeva belongs to the generation that turned out to be the most talented generation of the silver age. yes, she is akhmatova boris pasternak osip
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mandelstam herself tsvetaeva vladimir mayakovsky sergei yesenin and nikolai gumilyov. this brightest pleiades must be remembered that they were very young people very young there is an exact date when the poem was written. i like that you are not sick with me, on may 3, 1915, marina tsvetaeva was then 23 years old. she was married, had a two-year-old daughter and already had some poetic experience behind her , two books, poems, an evening album and magic lantern. she is very pleased. in those premieres to hear this whisper. e hmm glory behind her back is the color of her tsvetaev poems of her this time, and they are very gravitated, perhaps, to a romance, even such a salon was often seen
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in the company of another poetess. sophia parnok relationship that connected two young women was then called sophic love 1915 , the peak of these relationships and in the same year. marina tsvetaeva wrote a poem. i like that you are not sick of me, dedicated to a new person on her way mauritius mins to the groom of the younger sister anastasia in general, it doesn’t come to say much about him. he was a reserved person. far from bohemian. and he was sent to a for service in alexandrov a, vladimir province, and anastasia followed him there , her youngest son was born in this marriage, and mavrikins a-a died. and mm, shortly after that , a small child died of them with anastasia, it is unlikely
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that we would be talking about this person now, if not for these lovely lines that were written to him. i like that you are a little sick, that the heavy globe of the earth has never float away. under our feet during the life of tsvetaeva - this poem was never published for the first time; it happened in 1965 on the wave of the so-called thaw, the book immediately became a bibliographic rarity and was passed from hand to hand, then in general a huge number of poems. people memorized , copied, passed on to each other and in the seventy-sixth film the irony of fate. even in the form of a romance, marina tsvetaeva’s poems sounded like revelation. it seems to me that
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after the film the irony of fate, many called their loved ones because they wanted to just to share some kind of warmth. this is the effect that real art brings in the film romance sounded. not the whole poem by tsvetaeva consists of three eighty rezens. left two tariverdiev allowed the duet of galina besedina and sergey taranenko to sing one more quatrain. burn for the fact that i'm not you. kiss other
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words that never in church silence disappear over us. alleluia, of course, did not enter the romance with the accusation of promoting drunkenness. ryazanov could still resist somehow. this was the basis of the whole in history, the mention of the church wedding ceremony was ruled out by life itself in the soviet union; it was so obvious that it did not even require explanations, however, the difficulty with the release of the film irony of fate. yet they were and were. they are connected precisely with the songs of riverdeev. the film was completed in the middle of 75, put on the shelf and waited for the new year's premiere. and as we approach the new year, as it were, questions began to arise. in particular, sergei lapin, who headed the committee. tv and then they said why it is so conservative history with such poetry in general, such music. it seems that the conservatory was bred, who needs it , these conversations so they remained on the sidelines of the
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guests of the radio committee. and the film irony of fate was shown on january 1, as it was planned , moreover, about a month later on february 7. on saturday, it was repeated at the numerous requests of viewers that evening , stariverdiev had such a story , leontievich told me that he was walking late at night somehow along the street from the collar. some guys with a guitar shouted. i like it and played there for such an hour and it was, of course, already pleasant for him, the wide resonance and incredible popularity of the film the irony of fate or enjoy your bath led to the fact that five people from the creative group were nominated for the state prize in this group. oddly enough, the composer mikhail pereverdeev did not enter, because there was no precedent when a composer was given a goose for film music. and ryazanov just said that i refuse something. if
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the composer does not come forward, it was the first award for film music and the first recognition of tariverdiev's merits, despite the fact that he had already written music for the songs of the series 17 moments of spring. and twenty more films. i think that he created the genre, as he said, that this genre stands at the junction of music, chamber music, songs, and this genre of us. you are real, of course, it was melion who created it. and it was always a song, romances, songs , reflections, songs, monologues on the elements. barbara brylski, the only foreign actress awarded the highest soviet award, and for filming for her in almost no movie, what was left? great happiness, but this does not mean at all that i myself could not
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do it. i did all this, someone decided that i should become a teacher of the russian language, my accent would be heard, neither valentina talyzina in the voice that barbara spoke, not alla pugacheva, in whose voice she sang, did not receive any awards for the film, then alla pugacheva made a dizzying career became and deserved and popular, and in 1995 received the state prize of russia and valentina talyzina starred in almost 70 more films and became the people's artist of the rsfsr, but the story with the award for the film irony of fate did not pass without a trace for them, and everyone was so cute during the filming, just wonderful, then they aged 20 years and their character deteriorated for 20 years. maybe envy oh well , the actress who played
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the episode could receive the state award. a small role though, i had a major role. i did not award myself an award and deserved it. i didn't deserve it separate issue. now no one remembers how this issue was resolved, but since the leningrad teacher of heavenly beauty appeared on tv screens in a modest dress with european charm, the polish comma soviet began to be written about barburulskaya in all encyclopedias, the actress to wind only at the end of the hair, and drinking romances with a guitar has again become as fashionable as in the days of ostrovsky's dowry
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apparently, my role took place and someone decided that i am worthy of this state prize, and if valya talyzina has claims against me, after all, i myself heard from her. at one of the receptions where she screamed loudly. listen, how is it? i spoke for her, which is not true at all, she only voiced her voice, i just lost my voice. that you can try.
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the film irony of fate, uh, this is a serious picture, despite such a cheerfulness and recklessness of the plot, but this hmm is a great work of art, because it speaks of some very high human values \u200b\u200bhigh note human values in the film set unconditionally. heroine. barbara brylska's other characters are constantly balancing on the verge of comedy and grotests. unlike them, you
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need a serious girl. it seems that only in her mouth can a romance sound. i like that you are not sick of me. oh this is eternal music, this is eternal music and eternal elements, because one nikolai, leontyevich is practically only now. i do not know such a composer who would write to the verses of great real poets. this is the genre that most, as it were, for listening. here's how it would not be possible for such a mass execution. here to sing in chorus. all his songs, the most incredible performance of the romance. i like that you are not sick of me, the guys who sounded in the film in chorus. under our feet this film was shot in 1983
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by director dinara asanova and starring valeriy reception. the theme of difficult teenagers. they are in a sports labor camp. and then on parent's day. with completely serious faces without a hint of irony, they sing in chorus the romance of entanglements, the meaning of which they hardly understand. and play with suffocating words, why dinara asanova included this episode in her film, no one will tell now, but this scene is one of the most powerful scenes, the pictures sing. uh, i like that you're not sick of me,
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but it's generally amazingly done. you see, when these youngsters still do not understand, they still do not understand. they don't understand how to live. how are these next. well, this is great. you see, this is what beauty will save the world. it seems to me that, probably, this was somehow laid in the basis, but this frame. it was one of the first pictures for many of the guys who actually played themselves, it was the first and only filming. cinema unusual theme unusual director's handwriting harsh almost documentary narrative dinara asanova died suddenly during the filming of her next film, when she was only 43 years old. i like the movie the boys will always be her complete mystery. forging, that is, this is dinara, she is an oriental person, you understand, it
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was given to her to rise above the situation. this is wisdom. her teen choir it would be absurd to compare with the performance of this romance in the film the irony of fate or enjoy your bath, but for a very long time no one dared to turn on the romance. i like in my repertoire any professional performance , willy-nilly, was evaluated only as better or worse for pugacheva to take this romance, and how to re-sing it. although it is better to sing it, it is generally impossible, but nevertheless. it was not scary, because everything turned out completely different for us. we had a duet. it was like a dialogue between a man and a woman. it was a completely different reading of this romance. this only duet performance was made with the blessing and with the direct participation of mikhail tariverdiev immediately after the release of the film the irony of fate. thank you with my heart and hand for the fact that you
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didn’t know me yourself, and saw me, the very night peace of the cherished meeting hours for our walks under the new one behind the sun. we don’t have a head for the fact that you are for the fact that you are a little sick for the fact that, alas, it was not you for exactly a year that riverdave was preparing a concert program, with which he himself went to bam. it was the construction of the century of baikal the amur mainline, for the construction, which thousands of komsomol members left in the mid-seventies, life seemed to have returned 40-50 years ago, they lived in barracks, they worked to wear out the connection of civilization only through visiting artists, and we traveled
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to small different cities and villages and village and performed for the workers for those who built this bank. they were simple, completely guys who went there not at all for the fog. they went for big money. so, of course, when they listened to us, we were always very worried about seryozha, that, well, somehow it will be difficult for them. and that we will not pass, so that everything will not be so fearful of the actors were not in vain, the balovites were very different, they were pioneer heroes who worked as agreed for the idea and swindlers of all stripes went endless tales about huge salaries that the builders had nowhere to put up, difficult conditions life made everyone equally rude and suspicious recognized only bam. fellowship knocking at their hearts with a graceful rendition of love poetry was less of a problem. we were somehow in the same in a tiny, very remote village
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on a woman, far to the north, it was terribly terribly cold. uh, in the hall everyone was dressed, and everyone was sitting there. such young people in pea jackets. everyone was sitting there in some kind of sheepskin coats, and it was also very cold for us on the stage. when the concert ended, then such a huge guy in such a huge torch comes to the stage, he takes his hat and throws it on the ground, he says, i have never heard such music, such poetry. well, now i want to throw my hat on the ground and start living in a good way. such a complex psychological the effect was unlikely to be calculated by the performers and the composer himself . here is a poem of the fifteenth year, it is addressed to everyone, it is, perhaps, more universal. if i may say so, and i would say that in it. perhaps, less than tsvetaeva's own
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personal voice, this is generally a female voice, in general, uh, loving hearts in general, a woman. a complex smart, ironic romance, i like it, was not written by mikhail tariverdiev specifically for the film not for the performer the main role in this film is not for the voiceover singer, but after the release of the irony of fate, no one has ever perceived and does not perceive this romance. otherwise, as a song from a movie, it so happened that he owes his glory to two men and three women , barbara marinettaeva, brylskaya and alla pugacheva, each of them told about something about his own. each of us heard echoes of our own feelings in this romance. i like
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that i'm not sick of you, that the heavy globe of the earth will never float away under our feet. to me i like that you can be funny licentious. and don't play with words. and do not blush with a suffocating wave lightly touching. ru. kava
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