hallelujah for 20 years already, the mdm theater has been a place of endless joy on the map of the country . mama mia beauty and the beast the sound of music ghosts the chicago vampire ball chess ghosts 20 years of broadday glitz and glitz for nearly 15 million viewers and now the import substitution program in action every story in every person's life begins with the word once upon a time. we were visiting the musical , don't be afraid, i'm with you.

smartphone without official tv footage don't be afraid of anything for the musical, i'll be back with you at the end of the release and we'll sing and dance brightly, and immediately after this advertisement we'll give up the air space to the queen of her majesty's russian song. babkina nadezhda immediately after this advertisement. i love to return to our house,

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and 1,000 rubles. cashback on the first purchase i think it's pain spasm pain spasm. what's the difference spazmalgon double action fights pain relieves spasm spasmalgon from pain and spasm, and to fight also with heat spasmalgon effect order spazmalgon on apteka.ru. the host of the premiere tomorrow at 20:00 on ntv imperial mint presents a medal in honor of the 140th anniversary of the birth of the matrona of moscow illuminated during the solemn ceremony patron saints play an important role in our lives and matrona, one of the most famous matrona nikon was born with a linden with a birthmark in the form. cross mother wanted to give the girl to an orphanage, but when she saw a white room in a dream, she decided that this was a divine sign and left her daughter in the family all her life. matrona received people, healed them and helped advice

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. were you in the truck where the driver was shot dead? i defended my life, it is necessary, help the gang to take and go. there is order on all four sides, it was not established by you, and i don’t understand what you are talking about breaking it. the owner of the premiere tomorrow at 20:00 on ntv if the process depended on me the names of icebreakers of nuclear powered ships, then i would give the most powerful of them the name of nadezhda babkina and the issue of the northern sea route would be definitely resolved. she would have paved the way in the arctic ice for all babkin's ships. she is like a motherland, beautiful

, strong, vociferous, emotionally boundless nadezhda georgievna happy birthday to you, strength and health, 73 years old is far from the limit of your beauty and power georgievna i was friends with humor, therefore i'm fine. i'm just a little crabby talking to you every time be afraid. that's why i'm afraid i’m doing it right, it’s just nadia from whom everyone around is pulled out with a string and no laxity, one appearance of the hostess of a russian song hints to you in no other way, stolbovaya noblewoman. she went through fire and water

and copper pipes. costume hair ornaments, expensive watches, rich interiors. everything, as it were , speaks of the high status of ms. babkina , while people who know her closely admit that there is no person in the world warmer than the participation of a pillow. how did it happen that you did not take the heart? and i know what it is, how difficult it is for a person not by words, but by myself i know as needed. a kind word, as needed, the right intonation can even cry together. why it's hard to imagine you crying. no, very easy. i am a woman, i am vulnerable like everyone else, but

i want to show all my feelings to anyone, but all the feelings that in an astorch on the front line on a horse nadezhda is such a name. and i seem to be working out my name, but the fact is that any sadness is any tragedy of any person. she saved me a little bit and with the instant decision of veronika igoryan skvortsova she saved me at night at 2 o'clock in the morning the light came on and i have very powerful

girlfriends and sveta orlova, and they all paid the price. yes, they tell me nesterenko nadia, imagine, we are on our knees, i speak in front of the icon, and the girl who helps me around the house, she is a muslim, and she stands in front and prays to her allah to save you and we stood talking all night and like this you know things, they give such inner strength that you have no right. my life just can't see right. and when i regained consciousness, i had such a desire, i was not going to think so. i think i'll get up now, two guys came to me, says, well, they understood that it was not necessary, not nadezhda georgievna

. i began to cry. that, as if i had ended, and i have so many things to do. and how will i leave my family , how will i leave a big family in the theater, and how will i let the people down in all other regions, they all prayed and sent text messages and sang, they made a flash mob about a cossack. nadya, it was such a disaster for me. nadezhda

babkina of the breed of people who are affected by the coronavirus . can it only tickle their nerves until they take away courageous deeds 73 years ago, she was born in the village of petropavlovka, astrakhan areas. georgy ivanovich babkina and elementary school teacher tamara alexandrovna babkina nadya kazachka wake up from the cradle, go to church, pray, wash horses, take care of the horse, like their skin, this part, integral to the cossack and small, the same as the germ, which they will bring up in the same way, then, it means that they have, uh, they eat everything that they have prepared there and the absolute normal life has gone here doing housework with postings, someone is walking the yard, someone may be collecting hay. but if i smeared the yard as a child she smeared the yard with clay, as if it were the whole

floor of a real one, and on top of this hut, when it all dried up, she threw rugs, there woven and with a rag taken off and when people entered. uh, into the yard, they fell apart right there, because all the passages were uh. confident with these rugs. although we had a barn and cattle, where they kept and chickens, there were also a barn for hay and gardens and a well outside the yard, where we dragged water with a yoke. they didn’t come up with fairy tales, they came up with this real life, and i will show the vein and tell about it what it is truth.

guys, soon obzh is a young pre-war novel by nobel prize winner mikhail sholokhov quiet don the first attempt in our country to create an epic portrait of the cossacks , and by the will of the people, who played from the family. irina bystritskaya instantly became the idol of the country, overtaking love itself orlova more than half a century has passed and here is a poster with a familiar name appeared on the facade of the russian song theater in the roles of the next idols of the generations of marga, bogatyrev, dmitry miller tatiana arntgolts mikhail gorevoy and, of course, nadezhda babkina with the artists of her corpse. no songs. of course it didn't work out. over

the past few decades, almost no one has ventured into a theatrical production of the quiet house. where did such a courageous moment come from, where it is simply necessary to do this, because there is a parallel with today, as you know, history is cyclical. i thought about this topic for a very long time and realized that i it is necessary to do this quiet flows the don well , first of all, i am a cossack full of tempers. e all originality. uh, everything, culture, uh, the whole character. e of this estate is known to me for certain. because it is with the blood of my mother and the harsh upbringing of my father, and i believe that this is right. uh, no matter how hard they raised me. anything happened. i

have never been angry with them in my life and have never been offended. well, because the cult of the parents, firstly, and god they are very pious people, believing people, and today the same way. well, then there are many other nuances. eh, you know such a little bit, as i say, part of such a kulaks. e, everything, in itself everything in the house. here let live. let it go out, but lie. let it lie broken, it will come in handy. and suddenly, and you reach out there is nothing. here there is something in the roosters. everything is available. what are the problems and here it turns out that actually it's about us. hallelujah for some time there was a feeling that the theater of the russian song, in which we are located , was a rental site. and now every day, then an absolute hit, kalina red for two hares. here we are waiting for a quiet must respectively yama and in almost every

performance. and nadezhda georgievna babkina is not in the lead roles, which is surprising. it's not me. doesn't bother my theater of the russian song the ship is so back, then, respectively, all my teams that are in the theater and seven. they have all the ideas about the russian genre of folk singing culture in different directions. we have folklore. we have absolutely authentic teams. we have a head team of russian song, which is capable of everything up to operatic works. but violence is born, the most important thing is first, unexpected. second, a lot. conversations i argue that i really like learning to speak, but i know exactly what i want. and when i build the theater, i understood what it should be. just nadia in difficult

proposed circumstances. here she is a foreman at the construction site of her theater, control over every kilogram of cement and every nail, but already on stage, as a dramatic actress , she makes a cash register. here in the auditorium, as a director, on whom the last word depends in a new production, but in the role of the artistic director of the grandmother's house with colleagues, he is making plans for the future. excuse the state academic theater of russian song and the office of the general director. there is the management of the theater, social activities, deputy collectives, theater projects, solo concert activities, plus television activities. here, i won’t say how not to go crazy from this round dance, because when you change activities, you switch a little. and it's also an encouragement

whether, gives you understand a certain suspicion and then you switch again and so on, but still the process of sleep is very important for me. i have to sleep at 8:00 at least if it's 4 hours and if it's four hours in a row for three days, but er, i can still hold out for a while this time and i'm blown away i just don't have strength, it doesn't depend on youth and young there are already those that flow down the wall. and you know, uh, somehow the structure of the body. uh, and then i want to say, god asked you to have some kind of diet. how do you support? i eat potatoes, then i eat cucumbers. once we went to a nutritionist in a clinic. and i know i still keep in touch. yes, we lay with you for one thing. and when i came, i lay down on the massage table before everyone says, the hour will come grandmothers there somehow

know everything from the shift desk. babkina comes in and lies at the table. i was being massaged quietly, it was impossible to give anything quietly, and only babkina’s voice over all this room, well, come on harder. well, why are you stroking me? come on, get stronger. for me. this is another shock such a meeting with you stroked to stroke me there is someone, but to work as it should. here you see, this is what you need. so i always want to understand the power of something. where are you from? where does all this come from, and what is the energy of an alcoholic? no, i can drink this. which company depends? i'm crying, you poured me. no, wait, he says, he can give a napkin. we urgently need to go for 2 minutes, we fell down again, that since we got sick we need to. i'm sorry,

i understand. now an important event has taken place in the theater, the artist fell ill and the hope of the dahlia the wind blew away to decide who would replace him in the performance tonight. here it is the life of a folk artist. we will find out how nadezhda babkina became a woman of easy virtue , for which she collected alms on the streets of the venezuelan capital and why she put boris moiseev at the box office of her theater revelation is just starting thousands of rubles under the recycling program. why did marina

anisina escape from france with her bourgeois children, what does the adult daughter of olga kabo earn a living ? what the illegitimate daughter of andronokonchalovsky chose the profession as a doctor in the family, wouldn't it hurt? why do celebrities keep their children in their mother's skirts and give them a private life? i want free swimming. i need to match applicants. i always looked, if there is a male core, that it is love or guilt laws, when they were not around, why i don’t even see it was my mother’s holiday spent so much. if there is a desire to participate, i will not refuse the stars aligned. i taught myself today right after the mask show on ntv today at 22:0 ntv means

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today nadezhda babkina turned 73, but she looks and feels exactly half, if you read her age, from right to left, you get a completely adequate figure 37, how does the people's artist manage to keep her youthful energy, how does she manage to go on stage, manage the huge economy and the creative team of the russian song theater , continue her musical career, conduct social and political activities, and even feed the needy about, we know right now in the continuation of our heart- to-heart conversation the moscow state academic theater of russian songs is somewhat reminiscent of an elite anthill. hundreds of worker ants move through the endless

offices and corridors clearly, distributing duties to keep the colony running like clockwork. the queen queen nadezhda babkina lays her eggs on an industrial scale in the form of productions for every taste here and concert programs and musical comedies and interactive fairy tales and soul-stirring dramas. i always understood, studying in gitis and i know your teachers. they always said that babkina well, except for vocal talent. there is also an incredible dramatic talent talent dramatic actress. and now i'm sorry never 16. we suddenly saw this talent to the fullest your role in the pit is the gap and the prostitutes who will be honest ex. i'm sorry. you're

organic, you have doors on organically. well, yes, of course, because i feel this role and imagine how i would get out of this situation, it doesn’t have to be somewhere like that. i will never be like this in my life. this is you in the proposed circumstances. director and then sometimes this role jars me, but i have to jump over myself and my inner dimensions. if this is a role, then i must keep it to the end, it is a rarity. i am yours and old black well done, the performances that we put on are many different from other theaters. father enters the stage ends, the last cue. the curtain closes, the artist

bows, the psychologist leaves again, and another story leaves me. i invite each artist by name and each artist is abzagated by name and brings flowers to each, and at the end my speech is made according to the script. i say, what time do we live, what kind of people are we, what are we burgers? when they say a pie with nothing, this is not about us, then we have tasty food and the kitchen is same. i have a whole process of baking. bread, everything else is all their own, it is not imported . soup borscht. they feed and eat. and where are these where to run when everything is at hand? well, what other artistic director of the theater thinks about the stomachs of his artists, that broth yes, more baked pastry , cucumbers yes, nadezhda babkina is crunchy as a self-assembled tablecloth or a russian oven fairy tales geese and swans have always fed the suffering, i

remember one story in the early nineties very funny. you may not remember me then, but it was a tour in venezuela like i don’t remember venezuela for the rest of my life mikhailovna morgunova in spanish and led concerts. i don't know just a word of spanish. but there was no fee and everyone was very hungry. i went to the fountain. sing did not starve, did not starve, only one group of russian song, because canned buckwheat you all had soup and the smell of buckwheat along these corridors. i just folded my stomach into a knot and i remember how boris mikhailovich moiseev yes came up to you knocked and said, here we are at you that there is buckwheat there, you told him a big village. yes, the door was closed to hell. i have been for a long time. yes i'm amazed was how far-sighted it was to

save money on these costumes, to pay people some fees. you really carried buckwheat stew with you, just tiles. and where does it all come from? i’m still a cossack, scraping it in the bottom of the barrel and something yes, this, and then , when everything and it was over, we went to the square and began to sing, and i also earned money. how can i say, moiseev says, nagy maybe i'll come out too. i say, you don't need it yet. i say, i will do everything without you. and we will eat together do not worry, i will feed everyone, and then it happened when they wanted us from the hotel in front of the money . and we started singing again. how to earn some money to drink so that we would not be evicted, so that at least such events would spend the night, they are not forgotten, there were a lot of them in those days, but somehow we were not angry. you survived, we crowded together and you, in an amazing way , actually forced all people to svetlana mikhailovna morgunova. you are friends, you

support him boris mikhailovich moiseeva helped almost to the last and at first, when the storms could, so that he was in socii. he sat in our administrator's window, gave out tickets and signed and gave photographs, and he was in demand among the people. he came specially to take pictures with him. and for him it was such a spirit. uplifting and he was happy. lately, there have been fewer friends. you know, not that less. they are as they were, but there are new ones that i don’t know that they don’t see you. but as you can see the moth in the light, so are they, and moreover, there are a lot of young people, and i don’t refuse them, but they will receive, and they are all all those who are older, well here dumped the well-known case of the word appeared. well, it's not my life. i can’t talk about this topic, and they are their own masters of their own destiny. all the rest are spinning, spinning as much as

they can. egor i'm talking about the fact that people are becoming in demand, and they are even more about how busy they are. if you've seen my employment schedules for retirement don't feel like it, don't misunderstand. i personally do not need anything, i have everything. i don't live on the street, i have a house. i have a village house. i have a family. i have, uh, everything is fine. nothing for me no more. i won’t take anything with me, but i really want to invest a lot of what i know in the team in the theater team of the country to support everyone, you know, i’m especially a very popular person in the folk genre. especially in the regions. everyone considers me their own and i am repulsed and not afraid of this, and i, frankly speaking, am glad, therefore welcome to the academic moscow theater of the state russian song with love for you nadezhda babkina if you are 1,000 km from moscow

and cannot visit babkin's hope in her theater do not be upset this season on on the ntv channel, she will come to every house in a new project, fashionable people will advise, how to live in order to live beautifully nadezhda georgievna will measure people and in a talk show i ask you to forgive me and again become the chairman of the gereshow country of talents, in a word , babkina is ours, and in a couple of minutes we 'll be back at the musical nothing. don't be afraid, i'm with you grant of eighty thousand rubles under the recycling program or trades? the last words of the shepherd unique footage from the personal archive of the adherents of the siberian sect, where

people were turned into obedient puppets of the ne technique there was a voice. i call blood, which the members of the sect were afraid of, and why they gave the pastor the last thing they said they should not give it to me, and i will wash it and personally hand over the secret video experiments of a self-taught hypnologist to my followers into the hands of the lord. exclusive footage of the collapse of the last sect of modern russia in the author's project of andrei kunitsyn man in the right today 16:20 on ntv, the host will premiere tomorrow at 20:00 on ntv fight, there may be a different mechanism for the development of pain, one is not important. what

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protect the joints and spine. i think it's pain spasm pain spasm. what is the difference spazmalgon dual action fights pain relieves spasm spasmalgon from the pain of spasm, and to combat the heat spasmalgon effects, order spasmalgon at pharmacies. natural chocolate n. only cocoa with sugar, pure milk without additives as well. taste the taste of salted caramel that is created by the very nature of the loud full house on the occasion of the anniversary cell show of the musical nothing. don't be afraid, i'm with you. this is the first project in russia in the format that means

you are my love, of course, the media is already having a good sleep, your love is the road is spectacular a romantic story about a musical youth in leningrad fartsovku love, television betrayal and friendship is permeated with nostalgia for the times. how good we lived badly, but no blackness of jaundice, light, light , energy and flight of the soul performs eight times a week, 36 performances a month, weekends only on mondays and that's it. this is the magic of the theater only live at the same time. hundreds of people work in each performance, 34 artists on the stage, six insure backstage, 16

musicians in the orchestra, plus the conductor, a dozen strong guys from the production part. and also sound engineer illuminators. costume designers, make-up artists, props. large scale production for the first 100 performances. nothing, do not be afraid, i'm with you with the same full house watched by more than 200,000 spectators. i honestly admit that at the very start i said that nothing would work out. and you see, that's how it happened. i'm never wrong, like my mom used to say, uh to this good music everyone's a fool. maybe we 'll try for bad and i can say separately. yes , it doesn't look like a bitch, thank you our country still did not remember everything, the original large-scale musical nord-ost, which became a musical of incredible success

and bitter memory in russia, the nord-islanders were the first. who dared to a huge production, made according to broadway patterns, daily shows for a thousandth hall with a complex change of scenery, a large orchestra and vocal artists with choreographic training, their followers, the russian musicals monte 300 graf orlov anna karenina, the performance is interesting and loved by the public, but compromised they are played by small sets with breaks in the poster artists sing live, but do not be afraid of anything under the instrumental soundtrack. i'm with you the industry's strongest challenge, entertainment joy for the brain tapping familiar music. this is a certain pleasure that the human brain experiences. so wanted very much with the girl the story was absolutely. kendam with hope with joy at the end mikhail mironov, author of the play and director of the musical, don't be afraid of anything , i was with you nikolai fomenko at the premiere,

when i realized that it was so, i transplanted that someone there, and i ran away, because i'm a coward and sit next to the person. whose pain is the heart to let go in a year, but on the stage we somehow treat this with love. but it was not clear how nikolayevich would react to this, but it seemed to be according to his reaction, because he spoke publicly, because i was told that he had already said in culinary conversations. he was happy, happy for mikhail, nothing, don't be afraid, i'm with you the first independent project in the musical theater . the temporary implementation of ideas was extremely compressed 8 weeks for the broadway production. mironov applied the rules of these technologies in a state of permanent stress. i was drinking. yes, in my consent, i understood that this would be the task of blood. well, having signed up for this , there was no time for such reflection, and for

the revitalization of the team itself. we just had to release it within the time frame that was supposed to happen. of course it did. all that was supposed to happen was the scenery that became possible there, and a lot, a lot, a lot, a lot of cool and interesting things, but on the other hand, such a sharp deadline. uh gives a certain nerve, a certain drive and a desire to accomplish the impossible, but it also benefits the work. it seems to me that for 8 weeks the turnkey project at the same time at the mdm theater was casting actors , dramatic choreographic and vocal rehearsals, scenery was mounted, their machinery was launched, lights were installed, sound was adjusted, costumes were finished. there were pr campaigns. no one slept, everyone sang and danced around the clock. i wanted terribly, er, to have my feelings from leningrad from st. petersburg, which is. to me it seems that most of the inhabitants of our country

give up in the summer in st. petersburg for the weekend. and what is it? these are the streets - this is the white of the night. these are walks. this youth is love. these are dreams. it's kind of a fairy tale. it's all about true love that never ends. and it seems to me that this is a cultural code , and it exists as it was in the eighties, and it also exists. now. i really like the scenery and they. and when they rotate, uh, the image of peter uh, one hundred percent director of the musical, nothing, don't be afraid, i'm with you. it's very uh, history, downed and very thanks to the musical form, it holds up very well and i had a case when we did a tour version of mamamiya, and i did a scene that we called hipr when the girlfriends come, and i could not understand why the scene was not standing. and so i rehearse it

so and so nothing works, and then i removed one pause and everything fell into place. it was just a fantastic discovery for me. how important are rhythms. how important it is to keep this form of musical drama in the musical behind the scenes. anna shevchuk is called the godmother of the genre. she started moving the roque went through all the mamamia beauty and the beast franchise projects cinderella the little mermaid ghost singing in the rain in all these hits. she worked with directors from america, great britain and germany, who, having done their job, went on to stage around the world. and shevchuk remained to support projects in good game form. i noticed everything turned up there. here, she did not miss anything. all the stars of the genre stand at attention when the director shevchuk comes to the theater so that the musical artists

called in the broadway manner. starkete is an artist of high quality, what should i always be for a good education so that the artist of the musical knows how to keep the process, but because, for example, in our musical, do not be afraid of anything, i am with you. a very interesting idea from my point of view. all musical numbers have processes everywhere and are everywhere, but as if relying on the process that takes place inside the number and they are just such small mini-performances. it's very interesting to watch plus when it has a good voice and, uh, skill to keep the process it becomes very interesting, that is, it enhances the impact, rather than just a good voice and charisma there, for example, yes, he should have everything here. you don’t know what project you will get into, so you need to have knowledge in all areas, in general they are teaching now. eh, i see, so they have the basics of their classical dance and jazz and folk they now know how to do

a lot and the main thing is that they want to develop. this is cool. irina koshuba choreographer of the musical do not be afraid, i'm with you when i hear the original music still no arrangement. i really wanted to turn to boogie-woogie. i specifically hired professionals of incredible boogie-woogie world champions who came to do master classes further. i came across the fact that in its purest form this choreography does not work for a musical. this cannot be done 34 times a month once. it's impossible to do over vocal things two, because it's very difficult. i wanted some crazy stunts. and in order for it to be such a rich number, of course, we had to cut it all further, we talked with evgeny for a year there is it possible to remove the vocal parts somewhere? in general, it was such a compromise, well, it’s interesting their compromise, not easy, irina

kashubo is called an outstanding chrevf in the russian theater. she began her career as an ensemble artist in musicals. then she became a dance captain, and now in her creative biography there are three dozen high-profile titles, where irina kashuba, already the main dancer, don’t be afraid. i'm with you, she is called her favorite project, there were a lot of unbearable numbers. something didn't fit into the show at all. uh, some music. e things we never won. so it looked somehow off-broadway, so it's all left a in the basket operation with incredible physical exertion. live orchestra, live sound, solo sound and ensemble polyphony, scenery movement to music and light, and that's it. it is subject to a wave. his hands are eugene for a year, the musical director of the show , fear nothing. i am with you the winner of the golden

mask, there were already unforeseen situations. well, there were performance stops here, quite simply. for example, they did not give how according to moon the day before yesterday there was a performance stop. the decoration didn't turn. and we just couldn't . and how should the conductor behave in such a situation? he has no right to stop the performance. it just doesn't technically have, that is, e if the command from the leading swift manager does not follow, only she, only he or she can make this decision. why is there no collegiality here alone? no. this is how the supreme commander-in-chief in this case always presses that he cannot quit from duty search. well, we can't continue. it's not for you, they decide there and they will tell you, in fact, in every project in which i worked. it happened, and it happened not to be dispelled, and it went on in any weather , by the way, in a year evgeny was not only a brilliant conductor and musical

director, but also the author of 12 of his own musicals composed in 12 years. and how many children during this time you had three four times less than the musical , i make it more productive participants are just taking their first steps in this genre. they are yesterday's graduates of the shchukin moscow art theater school, the vaganova choreographic academy school as the leading actress of the troupe. julia iva, she was born in ukraine, studied singing in dnepropetrovsk, graduated from the faculty of artists at the gites musical theater under professor berdtman, dmitry alexandrovich calls yulia his star julia , and where is the outstanding ukrainian forums, and the form is all right here inside and splashes out right in the very

performance to the audience. it doesn't matter, the forms are not always important. eh, purely visual. eh , an opera singer doesn't always have to be pompous. she may be slim, but at the same time magnify it. and a huge voice, with which, uh, from within itself, this power, uh, is sent and breaks through the whole hall, the beloved master. dmitry alexandrovich burton always said a student should be hungry thin skinny no matter how, but the main thing is that it be professionally beautiful and accurately and honestly the way to the stars. julia has few willows. how different from hundreds of similar stories, began the assembly of kings. in the little mermaid she continued on the second and third roles in beauty and the beast, she took the leading position in the ghost, and for the role of florence in musical chess she was nominated for the main theater.