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tv   Odnazhdi  NTV  May 21, 2023 2:05pm-3:01pm MSK

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and in love on the eve of a significant date once in the spring, dina korzun returned to her homeland with her family. the migratory bird has become sedentary. i still live on this planet. once upon a time. once upon a time once upon a time once upon a time television magazine of history about big stars of a big country i am sergey mayorov hello director of mosfilm film director karen shakhnazarov is pleased to present to the audience his new film khitrovka sign of four, which has just been released in wide release. this is an action-packed adventure detective story with unique historical figures and great artists.
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one of them he appeared at the premiere immediately after a complex operation. a mystical story about art and crutches from evgeny darling and denis morozov . it is especially hot today at the oktyabr cinema , numerous spotlights, stars and red -hot red-hot carpets raised the degree of the event to the limit among the guests alexey uchitel. pavel lungin vladimir khotinenko leonid yakubovich and even evgeny petrosyan special attention to mikhail porechenkov , konstantin kryukov and evgeny stychkin precisely they played the main roles in the new project of karen shakhnazarov. humor, but it's still a detective. here it is already, it can be different, it can be tragic in this case with humor, yes, but this is a detective, of course, the first
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premiere in the same hall shakhnazarov's bark was exactly 40 years ago, when he shot the picture, we are from jazz this time a new genre and a new cinematic , the film shag nazarovo was based on a real historical event in 1902 . the moscow art theater takes on the production of maxim gorky's play at the bottom directors and founders of the theater vladimir nemirovich danchenko and konstantin stanislavsky ask to write or vladimir gilyarovsky , who knew the moscow pipes well, to give the moscow art theater troupe a tour of the hitrufka, but then vladimir gilyarovsky is murdered, this is how he described the trick at the beginning of the 20th century. a gloomy sight was petrovka in the last century and really no power. i didn’t dare to poke my head into these gloomy abyss on the red carpet of a trick, honored artist alexander oleshko poke his head on crutches for
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secular moscow was a complete surprise defile alexander vladimirovich on one leg. one of the journalists suggested that olezhka is still a master of disguise in the image of vladimir ivanovich nemirovich-danchenko, who was injured in a shootout at a cunning, but emperor paul the first became the culprit for the transformation of the artist, playing him on the stage of the vakhtangov theater olezhka stumbled and got drama. i was told at first that it was the ambulance doctors winning, and so i am 2 days after that with a torn ahi. tendons uh, sang spoke tried to walk and even dance, but danced with his hands. i now know how to do all this, as someone said that there was some kind of wonderful concert in which my
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plesetskaya danced with her hands. so i danced with my hands. and when i could no longer dance, neither with my hands nor with my feet, it turned out that i urgently needed to fix my leg. well, i fixed it, so i'll have a nice new one soon. today i have red plaster in honor of the red carpet. by the way, i didn’t do it on purpose , for some reason it all coincided, so i have a joyful story, joy through pain olezhka smiles at the photographer, while his assistant stands nearby with strong painkillers at the ready. artist. he says that he could not miss the example of the film, how to play a historical character in it, great acting luck alexander began the struggle. behind the stereotypes, reminding everyone that behind the television and pop concerts lives a strong drama artist, his pavel is the first in the vakhtangov proof theater. yes , you shouted, long live emperor pavel
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petrovich and when the people did not see me next to you, the whole area was power. are you producing yourself high-risk boots brought new beautiful long over the knee boots, and i didn’t have time to get used to them yet . i told my partner that sparks just fell from my eyes, he is in the truest sense of the word. and how can one play with such pain, but nothing happened that pavel is not only poor pavel well, my interpretations are a little lame well, in any case, a few more performances. and then everything will be fine ever took on performances. they are in the rostenic, morally crippled emperor paul. faced with severe moral and physical problems, they said
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that pavel was taking revenge, but i specifically asked that the premiere not be in mid-march at the end, because paul i was killed, uh, in mid-march at the age of 46. i played pavel the first at the age of forty-six at the end of march. this means that i skipped all the difficult moments and went further, didn’t slip , forgot about the time error. it is known that sacred dates in the russian calendar have long been shifted 2 weeks ago the ussr after a 6 -hour operation, alexander oleshko was sent home, recovery is still ongoing, rupture of the achilles tendon is a severe injury. this is the most powerful and strongest tendon of the human body can withstand pull to break up to 350 kg talent olezhka weighs much
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more for which the actors were approved for the role of the classic and theorist of the russian theater vladimir ivanovich nerovich. danchenko with a lot of us hear you. a talented actor , director, and your theater is already legendary thank you. you are too kind, you can imagine what it is to play. the great square has a step nazarov the great nemirovich-danchenko, uh, with such a wonderful story. well, this is just a separate chapter of the book of memorials. if someday i start writing to you, but in fact the film is amazingly fascinating, here is a mixed genre and detective and comedy and uh, irony and drama and uh, amazing script, wonderful actors, and i really wanted even the time of mirovich-danchenko. and when we rented you a hut with a real dice basement hook,
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who played stanislavsky so that the two of us went to the museum of nemirovich-danchenko's apartment and rang the doorbell. he says you don't have to ring the doorbell. you must in rome just open the door with your keys and have the museum attendants look through the keyhole or in the eye and faint. i didn't make a biopic. that is, i didn’t pursue shoes to create an image of a deep image there, numbered, it’s not psychological, but i needed an image, further in this particular sting and sasha olezhka in my opinion, a magnificent artist who can do anything what is a person. and
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returning to the stage georgievich the attention of the audience and excellent box office. let's go to syria to save our only son soon on ntv and right now look at kion borscht premiere tomorrow at 20:00 on ntv in lenta
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we sit silent the most beautiful thing. what happened? you are super 60+ new season of the show not only about music, but also about real life today at 22 on ntv about people's artist of russia lyudmila dmitrieva carousel of anniversaries 75
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years of a happy life of mom and grandmother 50 years of a bright creative biography 30 years of fruitful service in the theater of alexander collegin . this is satan lyudmila borisovna, a great master of disguise in comedy and dramatic roles. she looks equally convincing, but, unfortunately, today the actress is forgotten by filmmakers. and why did the cinema lose the bright colors with which she masterfully paints her images? my colleague denis morozov is about one of the favorite actresses of her childhood. are you hiding something, do you believe in mystical
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coincidences, for example, that lyudmila dmitrieva, who was born in soviet lithuania, once registered on lithuanian boulevard in moscow not on purpose. this is what happened in 1948. her father, boris mikhailovich, was killed in a shootout with forest brothers in the baltic states and mother valentina lavrentievna. i went with my daughter to moscow, by the way, this is her apartment. my apartment is downstairs on the ground floor, but my son and his wife are very crowded there. eh, a child , i’m still a grandmother, and when my mother left , masha’s daughter, who got this apartment, was already gone. she said mom. please move, you once co-served. lyudmila borisovna was the center girl, she moved to her husband, the actor borisuardov, whom she met in a theater studio. textile institute, where she received her first education at that time
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boris viktorovich broke up with his wife mira ardova, who later married the macaws from all russia igor old gena, so lyudmila borisovna found herself at the epicenter of the creative atmosphere of the capital in an apartment on ordynka, where the writer and playwright viktor efimovich was a cheerful restless family. ardova lived for many years, she andreevna akhmatova i fell in love with that family very much, and they didn’t love me there and i lived with pleasure and still remembers that they came there on holidays with joy. i was going there a lot of peoples artist actress. in general, life on the organ was very interesting. i have never seen such a thing again. i came there, and when i saw, uh, alyosha uvatalov, who was walking to her home to her mother. i only saw him on tv. i couldn't even
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say hello. well, it’s impossible to suddenly see your idol in a simple life, but then i got used to it, and i called him alyosha. we were very friends. happiness, lyudmila dmitrieva lasted 7 years, as psychologists say - this is a critical figure for most couples borisardov once again fell in love with his daughter with the operator olga razuzovskaya, and also not for the last time. you know, when you are at that age, when this is your first marriage and your only and beloved person. how to ask for it is not difficult to forgive. i couldn’t, i cried for a very long time and did everything possible so that the person still chose not me with the child, but another woman. and i still
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would love, this is my very first and beloved man, but there was something to hide there was a moment when i wanted to throw it under the car, but this minute, then it passes and then, of course, you think what a fool you were. well, so such a life must be passed, it is necessary to somehow survive and live on as new rushed. today i hope, no, i'm here, well, the car slowed down a bad step, but then i was young and despair was very strong despair, i was crazy in love with the storm, but everything passes and it passes. life as a producer gives roles today, comedy, tomorrow, tragic lyudmila borisovna treats the drinking of her fate as an actress and she dreamed of being herself childhood. i've been all my life. while i was at
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school, i was waiting all the time, waiting for my dad. i didn't see when it was stored. i was very small, and therefore, apparently, this is my inner world. my drama was born with me, and the comedy was betrayed to me by my grandmother. that's how i entered school in the studio. i met raza entered me. apparently , just uh, there was already something in nature itself. and when i spoke, the whole course was going to laugh. i was very serious when i told the warrior woman. leskova is very serious there, they laughed and declined. here you go such, apparently, a gift in me still was look for a woman seen, right? now you understand how funny it is when they give you dry old sweets. but i loved my master of the gun so much
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that for me they did not exist, like some kind of old stinky candy. it was a gift from my beloved master, and i played it so seriously that it was probably funny to sit and celebrate our long acquaintance. i 'm busy soon, but then. definitely this is for you. today for tea a box of fresh french chocolates a gift from fans to close the gestalt mademoiselle suzanne brisard in the film alla surikova city woman business card lyudmila borisovna dmitrieva hat. it's all about. her role, not that the main one, but so
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bright that the directors stopped seeing behind her the multifaceted personality of the actress and, fearing to destroy the image loved by the audience, stopped inviting her to their projects. roles i always treated each role very seriously. i don't have a favorite role. for example, the king in look for a woman. i didn't take it at all in the beginning. when we watched it for you in the hall at mosfilm i burst into tears all over, because i considered myself worst of all worst of all, and when the light turned on and yursky told me he ate next to me. and lyudochka, i congratulate you, you have a wonderful job. i didn't believe him. i just cried. i cried bitterly, because i was the worst of all and for several years. i did not believe in it, tell me why
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the last ones are there? well, 10 years old, you have so little in the cinema, because at some point, uh , after the nineties, very few were filmed, but someone was filming, but they began to sell films. when it was uh, the cinema and the main director was . i filmed a lot. and when the production became a movie, i was rarely invited. uh, because i'm not a star of the stars invited myself, i never pian myself, and i never had. i'm sorry. that's how artists now have agents agents, they never had her agents - these are theater directors who always saw dmitrieva's people not only as a spark of talent fireworks, having given birth to the fourth year of the moscow art theater school, lyudmila borisovna fell out of favor with her master
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viktor karlovich munikov. he didn't forgive her pregnancy and starred in all the roles, then she decided to appear to the teacher oleg nikolaevich efremov. he sits like that, seriously. see how well, you're organizing a theater. well, you know, i don't have a very bad relationship. i don't go there. well, we'll see. and he is silent, i understood that all the krants were quiet, went home, burst into tears, that i was all on the street, i was nowhere and that same evening, when our people were playing cards, i received a call from the moscow art theater , the secretary called and said, lyudochka please come and get the role for you oleg
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nikolaevich gives the main role in performances. nina, that's all. so i ended up at the moscow art theater until 1990 . the actress has played more than twenty roles on the stage of the famous stage, but after 15 years of fame and success, you hut. she again became a victim of pregnancy, relations with efremov rolled downhill. in general , he didn’t really like very few people who gave birth during his tours, uh, and i was already in my belly and i refused to tour, i gave birth safely. alyosha after 3 months there was supposed to be a tour somewhere in the union, i again refused, because i fed for 40 years give a birth to a baby. and also feed. yes, even a boy, yes, even a second husband. well, i
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thought it was hungrier that way. i lost the very powerful support of oleg nikolaevich himself, i refused twice, but he does not forgive this. they came. everything was successful. and i wanted to get an apartment. i was told to go with a letter to be signed by oleg nikolaevich, so i went. e. well, they didn’t tell that he would sign. if i leave the theater, i said, let him sign the letter to me safely they didn’t give me an apartment, because someone gave a bribe there and someone else got it instead of me, but i ended up without a theater and without an apartment, but with little son alexei lyudmila borisovna gave birth, from the second wife of the television
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artist decorator yuri senchin, he fell madly in love with me. and i accepted him, and then i was already grateful to him for his love, but love once and then it already comes out of life and you have to live and you have to pay debts and you need to understand who is next to you. he says, well, we have a baby waving. you should have your own child, and for him i took the son of her husband lyudmila borisovna did not become her world in 2020 at the height of the pandemic, her two children brighten up four grandchildren and her favorite theater tsitara, in which she plays the main roles. for 30 years now i have participated only from everything. i love my job. i love
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sasha kalyagin. i am extremely grateful to him that he took me to him and believed in me. in general, i was friends with him at home. i really love my profession. i really love the people around me. there is a very good team there . uh, actresses actors, i'm used to it. this is my second family seventy-five on pension. she's not going to. he says that the theater gives the viewer energy, the role of meaning you know, i don’t feel my husband, i just don’t feel, i play all the time. i was always in the care of my grandchildren. so they have already grown up and now i, uh, just doing work, taking care of roles. well, yes, i never take care of myself, but grandmothers still have dreams, of course, of course, probably,
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they remain. everyone has their own dream to be healthy. children, grandchildren have a dream. she is already so she is more general. she does not apply to me personally. i would just like our country to remain in our country, so that the people in it breathe a sigh and begin a peaceful life, so that no one dies, no one perishes. because i know what it is, my own father died. this is what my dream is. and everything else i accept life as it is in the program, the story of how in the spring the famous actress dina korzun returned to her homeland with her family. the migratory
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all the end of life. migration processes of creative people in any country of the world , the physiologically conditioned process of creativity cannot exist without throwing searches for the upheavals of conflicts, both physical and psychological, some in moments of crisis go into themselves. this is an internal migration, others go to the village to their aunt in the wilderness in saratov. and whoever has money, a second citizenship or can be seen, residences fly to hell dina korzun, the star of the film country of the deaf and a dozen other first-class projects. once , on a wave of success, she went to london and now
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she returned to russia, she says that only here her real home and the whole family next to her the return of korzun turned out for herself and the audience of the premiere of the play, as i regained consciousness, which can be seen on the stage of the practice theater, and then see him on the dina gordon tour of russia today. the heroine of the project once we met dina at the moscow musical theater, we haven’t seen the heliconter for a long time, it seems she hasn’t changed at all, she’s as beautiful and open as she was, though her gaze has become deeper and speak, she has become slower, thinking every word that can make you hold your breath. hmm strong emotions that another person goes through when i sympathize, when someone is very bad, you can forget how to breathe when someone is very good. and you, too,
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are in this m-m in this emotional upheaval and you can also forget sympathy. how to breathe. i am surprised by people who talk about how they lived through the most difficult trials in life. they talk about it sometimes calmly and you feel it. this lived experience, the beauty of the human soul. me surprises. by the age of 52, under her thoughts and feelings, korzun brought a performance to the stage, as i came to the consciousness of her mono, history. it is impossible to hide behind the scenery or hide behind a partner for almost two hours of a korzuna. alone with the viewer and her whole
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life, as in the palm of your hand, a public exposure of the soul and mass psychotherapy, which turns the viewer, now into an attending physician, now into patients. the price is on your knee and to believe me everything would be somehow empty, i even hide. my pleasure. please help, it's very scary. being frank is very dangerous. how were you reconciled? for this job? and i'm always like that. you know , i'm a person who isn't afraid, i don't know how to do it any other way. we have entered such interesting years since the two thousandth 2020. well, someone is a pandemic, i started working on this performance. it was then in the spring, when the pandemic closed all airports, that people stopped flying. some families. we were
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even forced not to see each other, for more than six months different countries were closed theaters were closed theaters were closed, the whole life, as it were, stopped and everyone began to worry, someone to look in inside myself and i wanted to somehow support my friends and acquaintances to say that all the trials that come to us they have a root, because the whole world is built on causal relationships and it is very important to speak for nothing. and for what? to be loved. you feel responsible to your audience, yes, that's why i play such a performance to me somewhere, probably 10 years ago, with the birth of children. it was connected, but there was an internal professional
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crisis, when i realized that i did not want to play, uh, murder thrillers, but propaganda of crime is something dark. which scenarios were just not offered exactly, because i felt responsible. i have such hmm lively and strong energy that i put into creating some images and then he lives this film this performance and how a subtle poison can destroy the consciousness of the audience. this is a weapon. this is a delayed action weapon. and sometimes very obvious. i had such an experience in the theater when i experienced such a catharsis, when i sobbed so much that i was literally there in the coming days, after that experience. became a different person. it felt like an upgrade to another level. friedman from the sofa to
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the floor to the window sill with bare feet leaving the comfort zone dina korzun grew up in a communal apartment on the outskirts of smolensk as a child studied ballet in her youth she painted, but one day she entered the theater institute. being a student. she got her first major role in the film country of the deaf and immediately lit up as a star. i hate all men. i am a young graduate of the moscow art theater school dina korzun met her future husband when they were 23 years old louis frank, a swiss by birth with an excellent pedigree, he
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wrote a song in french , came to russia from new york to study as an actor according to the stanislavsky system , oleg tabakov himself was subdued by his talent when he saw louis in the role king charles the seventh dino fell in love with a foreigner and followed her husband to switzerland belgium great britain we are all not just residents. there is one city of moscow or a family member or a citizen of one state in first and foremost just a part of humanity. i didn't go anywhere. i live on this planet. there is no doubt that every artist dreams of making an international career, diny korzun succeeded, she managed to work in hollywood, was nominated for awards, worked as the best actress at prestigious international film festivals at the royal national theater in london and even starred in the cult british tv series
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peaky blinders, 20 years of successful international career. london was the home of dina korzun as it turned out for a while, but became the birthplace of her two daughters and tala and sophia, the eldest son of the actress from her first marriage. timur stayed in moscow, this was his principled position, my son will soon be 33 girls 13 and 14, we are friends in the first place. although i am such an authoritative mother. and if necessary, my authority turns on, and it is undeniable, i am ready to support any of their projects in undertakings. they are very friendly. all among themselves and i am sure that this is also the result of my contribution. that is , at first we lived there and the children did not see each other so often every evening. we thought about timur they talked about timur, they prayed for
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him before going to bed, therefore, when we met, it was as if i were not separated. he graduated from the financial academy and did some work. yes, in different financial. uh, the company said, mom financially, it's not mine. he has another love - the mountains, by the way, louis my husband opened the mountains to him. they walked and walps. they were climbing elbrus now. here they are somewhere near irkutsk, there are icy mountains, along which they merged traces with weapons in america, and it’s very important that you go up there? are you walking with someone? yes, but how save so many years of marriage to two creative people, actress and musicians can love each other respect each other. and someone has to be stronger and wiser, it's louis, it's always a compromise, always a compromise. yes yes even know to speak the same language and be citizens of the same country. i see some
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people can't compromise. what language are you in? by the way, speak russian english. when we met, i did not speak a word of english, except for yes, and he hardly spoke russian. and now for 28 years in the place. he is great, he speaks russian reads and writes i speak english. it's a beautiful day we'll be back right after this commercial, we'll talk about why many artists have become common goods, who bought it and amuse 7 years ago buried me hard, so they lived a difficult life, but kept their youth in their souls. from what
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together on the channel unknown russia and russia on a new new channel package it was not by chance that the place of our interview with dina korzun was chosen by the moscow musical theater of helikon opera, namely, the historical white-columned hall of princess shakhovskaya, historians say that
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empress maria feodorovna elizaveta alekseevna and alexandra fedorovna were here , italian french soloists pereschalyapin sobinov danced isadora duncan a. claude debussy played his first concert in russia. gelik is not just a theater, an authoritative center of world art. now there are a lot talk about a powerful wave of russophobia in the world in the world. you never had to do cinema, and then, probably, i would not have been invited to work if they somehow didn’t respect me, didn’t want to see me next to oh, therefore, there was always a very respectful attitude, an absolutely complete understanding, it’s interesting to work with each other. hmm have heard forever from directors from partners dina korzun is a big international star, in whose biography there are two dozen serious
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film works in the united states of america belgium switzerland and great britain although herself star. she does not think she says that wherever she lives, she always remains a bearer of the russian language and great russian culture , not so long ago the word artist, as the profession sounded proud, and now it is acquiring some negative topics. why do you think, because it was a bearer of culture? i remember i always have. and when i started filming back and asked about life in our country, and i said that that's when the revolution swept away that life and once. i don’t care about classes , somehow even in the soviet society began this stratification. and now the elite of the actor, they were the bearers of culture and the actors were very respected from them, they were expected to be carriers of the eternal traditional values. it
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was true, but true. now the actor sounds with some reservations, because hmm we have to sell our art art has become m-m based on commerce, that is, the success of an actor depends on how much tickets are sold for him. how many people he will gather the hall, and this is not always not always necessarily the cultural level. look films in which our idols are filmed. hmm , not everyone is lucky enough to be able to act in something. not just cult. well, beautiful, where there is a good plot, where really the actor is the hero, the actress is undressed in almost every film.
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think this increases respect, it is unlikely that an artist becomes a commodity such a necessity , agreed before the court they understand that they say that they do very well question on stage mind, of course, you need this tool, but i must be smart you can be a very educated person to have several educations and know six languages ​​and have encyclopedic knowledge, but do not have emotional intelligence. and this person will be helpless in many circumstances. in this, i am absolutely sure i have seen many examples of this. i do not consider myself a smart person. i am a very emotional very warm person. that is, i'm not his mind, i can't practically calculate anything. i'm here with the heart of the actors are smart or not. it seems to me that if we do not develop, this one, both emotional and intellect, then on stage eat nothing to do.

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