difficult level of protection the door is installed crookedly. the canvas is too thin, a special material, a gasket between the door and the wall , the developer's calculation that other doors will suit the tenants from them has evaporated. they will change it anyway, and only a couple percent of 10,000 apartments in this residential complex alone will go to court, five of which are already some violations. we haven't even entered the apartment yet. it's not. here we are. now the most important thing will begin. some of the walls are cast reinforced concrete, and some are masonry from such blocks, so even the thickness of the seams between them in the laws turns out to be strict normalization, because it is through the seams that heat escapes, the thickness of the masonry joints should not exceed two millimeters. and if we now go over, there is a seam for everyone here, it is a4-5 mm , somewhere 7 mm, such as the protective properties of the entire structure as a whole decreases by an average of 27% because of this, not only the heater

will have to be driven in winter , but the wallpaper can also move away and the plaster. freezing. it may start to fall off, but there are pluses through such seams, you can communicate with neighbors. see what you can be friends, like neighbors in that movie. we'll have to shift, but demand compensation from the developer, to fix the construction traffic jams. i immediately, it turns out, and i can’t, we must first offer the developer to provide an opportunity on their own. here is the defect to fix. when the house is built by the developer and the new settler, it remains to settle the formality to sign the act of acceptance of the transfer of the apartment, in which to fix the area and the condition that there are no claims, but if there are any, the developer will take them into account. if only

attention to the errors was pointed out by an expert from the national register of specialists in the field of engineering surveys and his candidacy was agreed with the construction company, so the name of the receiver should be found among hundreds of thousands of specialists in the register, which is available on the internet. however , many new settlers who did not hire an inspector simply refuse to sign off the act, although in fact lawyers explain to sign it. as it is necessary even if housing was built in a crisis, and in this act, it turns out, it is not even necessary to describe claims. the thing is, that after signing the act, the owner of the apartment, as if in fact, begins to live and use it from that moment on. the protection of consumer rights begins to work legally, and da rantia begins to act on housing and you can present your claims, even after a year, the time for this is almost unlimited. it's just that developers want residents to think that everything is decided only on the day of acceptance in the allotted 40 minutes. the general

warranty period for the entire facility is 5 years; it is stopped by our town planning legislation regulated by the law consumer protection in general legal subtleties, from which unprepared buyers. can the roof travel fully the services of a professional expert. for acceptance, it also costs a lot of 10,000 for the acceptance itself 50 for preparing the vision of the case and another percentage of the amount that will be recaptured from the developer, but it will still be 10 times more than the cost. how will the story of my litigation with the builders end? i will definitely share it so that the sale of apartments as well as sausages and vegetables of clothes also becomes more honest. one day nicholas

tsiskaridze remembered that revenge she was the most cruel farcated the whole theater just without stopping, as she knew how to hold her tongue with her teeth indignant. do you think you remembered me at least once, you understand that tsiskaridze is lying , he never danced at the bolshoi theater, this was not. i want to survive and, armed with a pen, went on the attack, and then i went in . once , once once once once once

dozens of performances at the grand theater triumph in paris on the stage of the grand opera dozens of interviews and candid stories. the first of them, 25 years ago, on the eve of his fiftieth birthday , the country's people's artist nikolai tsiskaridze sat down at the computer and wrote a book. the first third edition, sold out instantly peregrine falcon to help and from the film crew we flew to st. petersburg. or not. how many times does a ballerina tell you to stop? well done fell it's good that it would be more interesting in the head like this. i at all i love experimenting with nastya. i'm interested. in whatever situation she does not survive, she survives in all. for a long interview, nikolai maksimovich's assistants offered the premises of the library of the vaganova academy of russian ballet for 10 years now, he has been honored as

the rector of the main talent workshop for the world's leading theaters from the moscow store and saw a book called bolshoi theater ballets for a literary work. everything was there. all ballets. what in general, except for one ballet did not exist. i asked. so you know so why, because i knew a man somehow gave a photo. i was told that there was an order for this ballet not to be mentioned. it is clear spartak we have a performance, who received the state prize of russia, there is no other performance. at the bolshoi theater which you can be so proud of. yes, after that i decided no , so then i didn’t talk about the conflicts between nikolai tsiskaridze and the leadership of the bolshoi theater in the media space, only the lazy, of course, is for the unconditional

star of the legendary corpse of the soloist, to whom all world stars enthusiastically responded ballet and at different times. he harshly criticized the overhaul. in the main theater of the country and the composition of the soloists of the bolshoi ballet and the policy of the theater and the quality of new productions, had the right to do so. after all, my entire creative life. he spent on the stage a big one, on the sidelines of which an emotional truth-seeker. they called nikolai an objectionable, the situation went so far that the premiere of the state academic bolshoi theater of russia, the people's artist , was no longer let on the threshold of the theater persistently, calling me an experimenter there are no former premieres in ballet. so it turns out that a book from any public person, in its form it becomes either revenge, or save it in your case, in

my case, a story. i don’t understand, i have nothing to confess and no, well, let alone revenge, there are just moments. you know, like my teacher, little timothy semyonova, she once joked very funny, as far as i know, you are a smart boy. will you ever write a book romanticize my image. we talked about it for a long time, then we talked to her, she said, kohl you understand, there are things about which, well, it’s indecent to talk, there and so on, of course, i know many stories that i didn’t tell us very tragic, or very, but important for her. she trusted me so much that she knew that i would never talk about it publicly. and if there are people who are offended after the publication of the book, well, i think some will be offended, well, they all have the right and one of them wrote his own. oh . ah, for god's sake, please, that is , an objective look at all the events taking place at the bolshoi theater over the past say 20-30 years can not be. and i'm not , i'm not saying that this is objectively, because it

's called my theater and the name is not just my word, because it's my opinion. find things. i think it's very correct hmm to say, just my point of view on this event, and as another person thinks hmm it's completely different there is no person in russia. who would not know nikolai tsiskaridze on stage, not everyone saw him unconditionally, but they definitely heard from ciscarids for hundreds of stories. in our case , it will become significantly larger immediately after this advertising. forward the resort only shoots, a little, around

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and how a crystal vase helped to catch a criminal, they took care of the vase like the apple of an eye and took it out only to remove dust, as a result of they were with leonid kanevsky today at 16:20 on ntv they said that you don’t have any foresters here at all, they deceived something here forester is in the teeth. ke today, the hero of our program, nikolai

tsiskaridze, he wrote a book, my theater, she i have already managed to become a bestseller three times; i note that for all his busyness, nikolai maksimovich came to the interview minute by minute, like a high-speed train. by the way, the life of toskaridze has been divided between the capitals for 10 years, a house in moscow , work in st. petersburg in the library entrusted to him by the vaganova academy of russian ballet, and we talked about people and events in the life of an outstanding soloist. well, it can’t be like jumping up to her to stand still, right hand. again put in the wrong place, do not come near her. she herself stop, stop, stop. so your teacher pyotr pestov. he was a very difficult person. i am very glad that you remembered him.

yesterday i received a message from secretary golovkina, who has been working for more than five years at the moscow choreographic school, which i graduated from alexander lyashko. and now she was very friendly with the sand of berries, as if she were reading her life, because no one wrote about it in such detail, no one has ever described him that way, but voluminously, i don't praise him all the time. i describe it. honestly, what a very sharp person he really was very difficult. maybe you once heard this from me at home, for example, they punished me very severely, and pyotr anton punished me very severely. well, i don’t know why i never, even as a child, had any resentment. i knew that i was to blame for something. i knew what it was because i was either fooling around or being inattentive. i listened to a psychologist here who said that over there, well, there you don’t admit it, because you grew up there and contributed. well, for example, how i tried to apply all this to myself. i understand i don't

i have grown up to this day, and i owe it to him, because his toughness is his wisdom. she allowed my lazy nature to an insanely capable child who found it easy to learn how to concentrate and learn how to try. why was he punishing you? i came to him at the age of 13. i started to look out the window of us. there was a birch very close to both the window and on it. uh, the crow's nest was demolished there. yes i am right now i've watched all of them. eh, the moment of growing up, it was at such a distance, here is the glass. and right here nest, and that interested me more. and what he said, like, kolya, don't count crows. go do the machine, the ax hung in the air , the ax hung. i don't know how he got it. here is for me. it's still a mystery, we were afraid of him, like fire, and when

we were already 18 years old. here we are released. i remember the lesson when the whole class sobbed 13 people standing and crying in the head without stopping work, but crying. that's how he escalated the situation never on stage. he did not let me out this moment when there were difficult concerts at school or at the bolshoi theater, so that he would not insult me ​​strongly about 10 minutes before the exit. i should have been crying. and that's how you get out. well, probably, after three months , my tears dried up after four months. i'm just here when it started. muck and setups in the bolshoi theater, but they began. i just can't describe it to you. with what power i didn’t care, i then called him copied, always on bended knee. thank you i. now i understand why it was all, he even laughed and said, he says, well not everyone, unfortunately, was grateful to me for having prepared them. he

trained your psyche in pharmacies. he once said that he gave you advice to leave the stage in time, but i promised him on june 5 , 1992. i left on june 5 , 2013. i promised him that for my 21 years i have money a day. he told me i haven't danced for over 20 years. i said. well, why petrovich well, maybe 21. well, okay, 21, stretch it out and it turned out exactly 21 and you know, yes, on time, i think, but what was it in? mm wisdom. he very correctly said that your nature. she will be fine while she is fresh, as aging begins, it will be a pity to look at you, and he was absolutely right, but for any artist, leaving the stage is a tragedy. you are very small. come , it was happiness for me, because i danced a lot in this. that's even when i do this book hmm cases, and there are all the dates. it’s not just

written that way, because all my life i honestly kept this theatrical diary. only i, as a child of those who were repressed a lot and they took away. i'm used to not writing anything down, but i've only recorded the ballet when i looked back, i thought when i had time to rehearse or learn it all. and when i was sleeping, i understand what kind of load it is, because it says the partner of the city - it all adds up together, you think, but when here, and i ate, when there, for example, you understand from my youth, apparently it was all easy. from the hands of pyotr antonche you fell into the hands of yuri nikolaevich grigorovich, you know, there is such a the book, but vera is called letters on dances, and there he explains in great detail what an ideal ballet is, if the minister of the artist hurts, there is a decorator, composers, if they work in tandem, yes, not from selection , all this will be great art. here it was at the grigorodische. this theater machine

worked. unfortunately. i came already at the time of the ninety-second year. that's just the soviet union collapsed when the theater was killed he was killed, but he still knows, that's by inertia, he works. it turns out that i worked for 2.5 seasons under grigorovich. well, then it started. here, remember. yes, this is a phrase that do not bring you to live change, my life is all in an era of change. do i understand correctly that at the moment when the bolshoi theater a removed grigovich, all his misfortunes during this period began. i think they're here a little early, because the cleaning was not one day, it was quite long, at first it was probably about five years. uh, it was the revenge of the team that cleaned for a long time. understand, this is a joint, the country collapsed. disappeared communist party disappeared supervision the bolshoi theater was the main uh,

calling card, uh of the world. in the soviet union, these were very rich people who traveled abroad to earn money. uh, they brought uh, they frenched the whole theater just without stopping and those who allowed to leave. there was a big, like a bunch of these people whom i, well, how to say, i found them as artists, or in some positions, but i was at this moment of meetings, but i didn’t catch the graduation, because i came. it's just that everything collapsed. this is the revenge of those whom someone once did not let out, or those who were kicked out of someone. she was the cruelest. to this day she continues to be big in the theater, everything was her ex-wife. this is a nephew. this is my cousin's wife's husband. and after working for 2 years. you slowly sink into these intricacies and understand. why, let's say? it is impossible to get into this composition, because these two people will simply never stand

next to each other. and it was very. well, it's so difficult and my career is so fast-paced and soaring. you still talked about me on tv for many years. it only happened for one simple reason. the old system has collapsed, and the new one has not yet taken up space. and then i came in and tormented you, because, as far as i understand, at that time there were clans with a large theater, there was a clan of vasilyev, it was, as it were, a clan of grigorovich, and in my part of the hall it turned out very well that i was the first such serious roles abroad and in moscow danced under the power of yuri nikolayevich , but when power was already in place. e vladimirovich vasiliev was given an award. they were supposed to give it to me in paris, they didn’t let me go there, and the head of the corpse told me that you are an artist. vasilyeva i created you vasily. i talk like i, i nikolaevich, danced. that's it , that's not, it wasn't. here is what i told you

about me with me. now tsiskaridze was not at the bolshoi theater when we were one of the artists as his student. not artie educators. recently said tsiskaridze never danced at the bolshoi theatre.

hereditary ballerina galina ulanova, the father and mother of galina sergeevna, were ballet dancers of the mariinsky theater, later they went into pedagogy , one of the amazing women in your biography. when tatyana vladimirovna died, her adopted daughter, companion, when she was started very to greatly humiliate in the theater, when they already tried not to listen to her word and frankly pretended that she did not exist, at that moment we met there was such a columnist for some glossy magazine along the track, or something, his name was, who wrote that i supposedly made it all up. how do you understand that he is

lying all the time, that this never happened there is the first obituary, which is a biographer. uh, galina sergeevna, the brilliant director lvov anokhin wrote. that's right, as galina sergeevna did not, and it says that here is work with nikolai on credit. it was the only thing made her life rich, because for her work. this was life or pishinsky, which communicated with her. yes, a brilliant ballerina. she, too, in one of the articles about galina sergeevna, writes that she was regularly called by a young dancer there who worked with her, and so on. this is the moment when they did not want to listen to her, they wanted to remove her. erase and then when she became a symbol, yes, when she was gone, they all decided to remember her, and when it was the anniversary of the death of galina sergeevna there was a concert in the tchaikovsky hall, she took part really students who have worked with her for many years. someone came out and said the words and lvov anokhin led this evening. so he

insisted that i participate, because they all said, it's rather not, it was not. crying oolang, i think few people have seen. i saw. i saw her standing and crying. that's because she was very insulted. i had nothing to say, just rehearse. what will be interesting, but in order to be so interesting further marina semenova nikolay fadeevicha elena obraztsova lyudmilaka olga lepishinskaya vladimir vasiliev and ekaterina maksimova vladimir urin through the eyes of nikolaevsk we will return to him immediately after this advertisement. drop to get back. why are there so many new things ahead?

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people's artist of the country, laureate of the state prize, laureate of the prestigious benual dance prize of national prizes , golden mask, nikolai tsiskaridze, sat down at the computer and wrote a book about my theater about time about people about myself, a story of a long journey, an outstanding artist of our time. is not revenge on the offenders is said to be a way to restore and preserve the memory of december 31 next year. there is a chance to see you on the site of the bolshoi theater on your anniversary. you are there with this guide. know the funniest thing about the

december 31 nutcracker, please. you absolutely real fact the premiere of the nutcracker at the bolshoi theater version of grigorovich was in 1966 in march 500 performance celebrated on january 2, 2014 . showed it on all channels. well, not to mention that for 18 seasons. with i danced the first and second on december 31, january 2, 111 of these 500 performances i danced. do you think i was remembered at least once during the celebration of the five hundredth performance, i did not exist. and how would you like to be remembered, in my opinion, i once told you, when you first filmed me, they asked me some question about success. i said that i then, in my opinion, told you that we could talk about success in 10 or 20 years. after i leave the stage, if he remembers me. the nutcracker tsiskaridze doesn't care will be remembered because it was very

decently performed because it is not a shame in the biography of nikolai tsiskaridze more than 40 ballets of the classical and modern repertoire of more than a thousand performances played. he danced on all the great stages of the world, his name in the encyclopedia of world ballet art is inscribed in capital letters soskaridze laura from the world's most prestigious ballet awards cavalier rodionov in georgia france russia member of the presidential council for culture and art. marina semyonova great ballerina 101 years of life at 103, she died. we have she lived here for two, just like the magdalena of the great pernative. you understand, this is a great person, a unique woman, with whom the history of the soviet union began, she began in imperial russia, then the entire soviet union, and she died

in today's russia, yes, she really walked when you understand that in due time , in order for the whole world admitted the soviet union lev karakhan did a lot. it was hers, and her husband, but they were not scheduled, because in those years there was no official marriage, and you understand that in all these negotiations with china was very large with germany from france with england everywhere there was an orien, how skillfully it kept its language. tell you one of the unique moments. this is very cool. story. little timofena turned 90 years old and the representative of uh, new york, times, in moscow persuaded me to persuade mario timofena to give an interview. marina for a long time, therefore, refused to refuse. how much well, well, who is this woman, what is her name, like, i say, there, like magismite. she says, you know,

she says alexei tolstoy wrote about me i say this to me, 90 years old, the whole world will remember you, the world is trying. this is not the last newspaper, generally good. eh, they did. we interview so the whole thing is small. i answered the question. marina correctly said there, for example, she asks us a question again. she pushes me. i answer. she says no. here it is not so. well, i do at some point. this is a lady, she says, you know, there was such an ambassador during the gar war. riemann ah, he left memoirs e where he describes an affair with you, nothing faltered in mari timofeevna. she says who this again explains who i don't remember. you know, i'm still an artist, i was on stage in an orchestra pit, how do i know who came to watch me there? i was still a big star, you know, why i'm trying

to write them in more detail, because we don't even understand. what role did she play in that our country was treated a little differently if the stefaik came to delight from the beauty, charm and mind of this woman who spoke brilliantly, for example, in french, but never trump many of her stories are about how she danced in paris in 1935, where all the emigration came to say hello to strangers. and suddenly she says, i want to live 100 years. i say why he says, but how shisinskaya didn’t come to me. she said that i was the wife of a diplomat. she lived the grand duke to her not parangu. i say i want to survive here shisinskaya survived until she was 100 she didn’t live for several months 102. you see, this is a unique person, because she

was not given a people’s artist until she was almost 60 years old, when she died a clerk from the moscow council yes, you said send her record, we will look and give a worthy assessment. she has all the awards of this country and not this country, and to be buried by the gunner of the cemetery for 9 days, marina timofeevna was buried with them. i did everything thanks to igor ivanovich shuvalov thanks to vladimir putin and so on, that such a woman found a resting place, e-e pontovy yes, where she should be from her place, that is, the bolshoi theater treated many who created his glory like kieropka serfs to absolutely everyone. for example, i will give you olga vasilievna lepishinskaya genius. i don't say it anymore symbol. uh, these are the brigades that performed in the war as concert brigades. yes, olga vasilievna all four and a half years of the war.

she went through everything because she danced in the field on stones on marble, she then had very big problems with her legs. and i saw that already at an advanced age and it was hard to walk, many, as if they were putting on a wheel. it's been 100 years. have you heard anything about it? no one heard them, because the current large theater did not need such a person. when they became nikolai borisov fadeeva one of my teachers, yes, and a brilliant dancer, new york, times, wrote figaro wrote finational, times wrote, and at the bolshoi theater, well, the pandemic on this day, on the day of the funeral, they did a lottery on the site. they didn’t even write that, well, it’s just that at 18 today is the day of mourning, my student, the premier of the bolshoi theater of erotica, calls me and tells me such a thing, well, very late at night and nikolai maksimovich says there is their belt tomorrow, with whom i don’t communicate via various reasons. something did me so good.

he just can't call me directly. he knows that i won't talk to him. he called mouth. he said that, like fadeech , they took him very badly, like they soon took him from the bolshoi theater, no one is doing anything, then call kolya let him take care of it. naturally. i took care of all this. hmm. i strained everyone who was possible. nikolaevich was immediately transported to the right place. he had a completely different care. and uh, they gave him the phone to talk to me from intensive care. a day later, he was gone. i am very happy. what well, at least because of i just talked to him like this, and this was practically the last conversation he had when he was gone, again, it is necessary to decide from the cemetery, not a single person, not a single person, did anything, a large theater in order to there was a very monastery on the water in order to be enu, a worthy farewell. they did not open the bolshoi theater and did not allow white fue. obviously quarantine. yes, they announced

in the morning not to come and no one. although it could and did. so that we sat at the coffin inside this atrium of the bolshoi theater hmm probably an hour and a half full of emptiness there, that there those 20-30 people who came, they passed very quickly. here we were sitting. you know, i don’t have such disrespect, not a single person from the leadership went to finish drinking, not one person came to the burial of rights, why is there such a lack of love for these columns, about which the big one is kept, and no one needs us. nobody needs us. let the agendas of the bolshoi theater disappear such as we mince, but like semizorova, many others now have an anniversary to work in the theater. hmm, at the same time, she was afraid call someone who is not pleasing to the leadership, because they will not renew the contract with her otherwise she apologized for 300 times why she does not call? no

need ludmila bath congratulated you. i don't want to hear anything about them, i don't want to know anything about them. nadezhda pavlova oh, nadezhda, they took all my students very, very badly. ah. well, such revenge again. i do not understand they are folk artists of the country, they are the wife of the current leader of the corpses of a classmate. nadezhda vasilievna, what do you think, why will they not love hope, vasilina 30. there for more than a year she could not survive the success of her classmate, of course, she will not now she is the main teacher, in order to get a role you need to work with uh. spouse director vladimir vasiliev and ekaterina maksimova in your life you know for me i am one and the other is a dancing genius. at the bolshoi theater , you know how the fans of their couple were, but there were specifically vasilyeva, specifically maksimovich

, and they were not friends. i was from maxim's fans , so i'm from sing katya for me. well, not only is she a brilliant ballerina and very beautiful woman. a very very educated person, who left very tragically and you know when i come to novodevichy. well, now you’re just walking, every first one of yours is a person very close to you and from a drama from a ballet. i have brought my life together with many, thank god, the only grave, at which many very many years have passed anyway. i can not come to terms with this and such katya. farewell to look for anyone, of course, from the leadership. in general , nobody needs anyone, this ends. in the process and should already be brought to you by sergeevna and i understand that she will be carried out people with uh, ritual tag. i'm coming. i'm

not saying this. i won't allow it. this is a great artist. she has a theater to endure the premiere of the theater i quickly gathered someone to fame. god, we didn't all part with her really theatrical premiere. eh, i'm saying it can't be allowed. you understand, this is not just a person. well, someone had to do this, not just some ballet dancer. yes premier of the bolshoi theater but this is respect. it was someone who should have thought further, then the same thing happened with mary timothy. i thought everything over in advance since nikolai boris then people said the same. we have to get ourselves together, they won't do anything. you understand, this is the moment of respect. i can't understand why not. well, just, i see. here's a man ending his career to give him just, well, one last performance to get this rejection gone. they should destroy you like this. to bring you to

such a state that when you close, lord, thank god, i don’t want to see them anymore, who needs it, but those people who are in power. and tell me, now it’s so very relevant and everyone is talking about culture cancellation of russian cancellation abroad, but it turns out that the culture of cancellation has begun. in our country, it began long ago and has always been objectionable. well, listen to us plesetsky. how many years from changed? how old is she, i remember this, i came to the theater , she constantly knocked out a stage for herself so that she would have some kind of anniversary at the bolshoi theater, and only 5 years old elena vasilievna exemplary, she knocked out the hall in order to spend the anniversary and the last her score is exemplary, which was she paid for the rent of the bolshoi theater for rent orchestra for the rent of the choir, her fund paid. you will pay everything. i can check further paid. e. banquet hall a person who

has been the prima donna of the bolshoi theater for more than 50 years has recently given her free large theater nothing to you . take a book, a terrific book. elena vasilievna made a guy understand, i was friends with her for many years, and i well, i hear her voice , her intonation, where it is written. i did not sing, not a single premiere. i didn't sing a single opening. tour. he says, well, like this oily, lord, verters. he says, well, how does she say, i staged it myself and sang it myself, because they never gave me a premiere, there was always someone. about the book on the last page is there thank you and remember who to thank whom? when you come to the temple and

light a candle for the repose. oh i have a big one. you list, i grew up in a very believing family. i was taught that in the temple you can’t ask for anything, you can only thank the list of those who are otherwise very large in the world. well, firstly, all pedagogy. well parents, of course, grandparents nanny and all the teachers their very large list and unfortunately, friends are already appearing. one of my very close friends is a colleague. she was older than me , a girl of extraordinary beauty. lena bukanova. it so happened that she was the star of the corps de ballet. she was the first line betrayed, then with my light hand. so it happened. i did everything to ensure that she became a teacher at the bolshoi theater, they rotted her. it died of cancer. that's instantly. here, she just burned down, she was buried on the day, the opening of the collection of corpses , the corpse came to see her off. well, it was very early. somewhere around 3:00 i was on board. do you think

someone said? let's remember a man who worked for 35 years at the bolshoi theatre. today we said goodbye to him. no, they don't care, that's what shocked me the most. it's time to let nikolai maksimovich work , his phones vibrate like crazy, he works like a powerful generator without interruption. pumping energy only manages to pump fuel, and the fuel for him is the success of his students, the emotions of grateful spectators. and yet the scene. yes, he is no longer the nutcracker and they don’t go to the prince for the most part, but sometimes he allows himself to take the stage of the mikhailovsky theater in st. petersburg in the role of aunt simon in a comedy jet, a vain precaution and heartily pound with wooden shoes, beloved stages, yes, and in the classroom at the academy there is no rector, no, and they will start dancing so that the students

see, understand, fix it came it's time to transfer pyotr pestov's legacy marina semyonova galina ulanova nikolai fadeevicheva. olga repeshinsky ekaterina maksimova and many other outstanding and loved ones. there are no more robings for two moscow st. petersburg phones exists, but i understand, but throw something away , to do with those who do not know. a special place in the book and memory of nikolai tsiskaridze is occupied by the world's greatest ballerina maya plisetskaya about her immediately after this advertisement on ent.

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tomorrow at 20:00 on ntv this year on november 20, maya plisetskaya would have turned 98 years old 8 years old she is not with us, but the feeling of her immortality and nikolai tsiskaridze agrees with this maya mikhailovich loved the bolshoi theater, no matter what world stages she danced on, in whatever countries her fans carried her in their arms, she always aspired to go home to moscow in the big plesetskaya said that the stage of the big

treats her, i notice maya mikhailovna went out to dance until 1990, the physical may mikhailovna outnumbered the common man by four times not around. just a person who was appointed, right? well, what do you understand , the female age on the stage, we want or don’t want men from ours anymore, because they wear and they, uh, still jump after that, the spine. e. well, he won’t let you just dance anymore, and maya mikhailovna she lived exactly 25-25 almost 50-odd years. she also danced swan lake and there is an insanely good record, if anyone. now she dances so young, like plesetskaya at 50 something. i will shout bravo first. but after that, she very cleverly went to the repertoire in which she was inimitable and despite the fact that her roles are danced to this

day, no one can do it. me personally as a child. the first time i saw her in carmen when she was probably 58 years old, then 60 for the anniversary already at the bolshoi theater, not a single woman a twenty-five-year-old, not thirty-year-old , not one can come close to plesetskaya's mother at 60 years old. damn, she regretted that nikolai maksimovich did not become his partner due to age, adored my mikhailovna and devoted chapters to her in his book my theater, which in a matter of days of sales became a bestseller and almost an encyclopedia of the modern history of the bolshoi theater, this phenomenal gift, of course. when she went on stage, even when she just moved her hands , there are very few people who have such energy, but any theatrical action. it's an exchange of energy, yes, when you can't take your eyes off it.