[000:00:00;00] automatic bursts overhead, they will go there anyway, because it will be impossible for them to stay here, and what will happen next, when they come to egypt, do you think they will remain there in egypt, no, they will most likely go again towards europe, and you and i will see just another grandiose migration crisis, but these will be extremely embittered people who will be supported by those who are already there, and that’s all, i’m not even considering the option of this interstate clash, so that on one side there are the states, israel, someone else there, yes, on this side there is iran, and lebanon and someone else there, i’m not even talking about that, i, because this will all be the third world war in the grand scheme of things and here we can’t help but remember vladimir volfovich, everyone has probably seen this video, and that’s why we need to stop before it’s too late, and if they don’t do this, i understand what they are guided by, this is

the desire to take revenge for the fact that here we are. ..they saw for these corpses, for this festival, for this attack, it’s all clear there, but if they they won’t stop now, this will lead to disaster not only for the palestinian people, but also for israel, for sure, and in addition to israel , maybe it will also suck half the world into this funnel, as they say, that’s the horror of the situation, that’s all, thank you everyone, we meet in exactly a week, in this studio, remember that all participants in our program have their own truth, but we will always get to the bottom of the walls, let’s do this, now we’ll do it together with anton, then later sasha will stand with you one more time, get ready, please, how could you not go to the dance with me, i will take revenge

, don’t you dare, i’m there, something needs to come up with some kind of signal for the orchestra, a rehearsal with the director and artistic director of the lenkom theater mark zakharov is always something special. mattor can be creative, good-natured and even allows himself to joke. but everyone knows that with one quietly spoken word he can kill on the spot. being late does not forgive even one minute and does not make an exception for anyone. neither for honored artists, nor for his own daughter. and he really doesn't like it when i give interview, he swears at me, if i start talking, i’ll say, i really think he’s a brilliant director. there were many unpredictable events and

sharp turns in the fate of mark zakharov. maybe mark anatolyevich has already learned from some bitter experience, today fame comes through this stupid box called tv, and today you can become famous without being, so to speak, capable, talented, but simply showing every day, and this person, chose his own path at some time which he does not follow turning and walking along it for many, many years , it amazes many people. he himself gained fame as a difficult, closed and rather gloomy person, to such an extent that his friends behind his back call him not mark

anatolvich, but the darkness anatolvich. seeing zakharov laughing is also not... she rarely laughs, she smiles, she smiles so that no one can see, yes, so as not to lose her dignity, but so that she laughs out loud, i don’t remember, even, even in her youth, she has such an analytical character, he will first think if it is funny, then he will think how funny it is. then will think if this is cheesy, then he will think if i’m spoiling the wisecracker with my sharp reaction , but it turns out that there is mark anatolyevich zakharov and this, however, the general public has never seen this before , yes, very witty, ironic , who doesn’t take himself very seriously, now we somehow all live together outside the city, but i

had one, and she still has one. dog, lushka, foxyha , which is mine, with whom i went everywhere, but as soon as we moved out of town, this meadow is my foxyha, which i raised right away switched over to my father’s side and in a second i moved somewhere into the background or third plan. mark zakharov himself does not like to comment on facial expressions, but he knows his character thoroughly and does not hesitate to give himself frank assessments. and now i’m trying my best not to lie to you. when i’m with the artists or at this table and pre-press space, i... don’t give the impression of a doubting person who doesn’t know what to do, no, i show certain strong-willed qualities and some anger that i

have, it’s athletic, it’s professional, it, uh, has an effect on people; as confidently evil and even slightly demonic as mark zakharov appears today, he certainly wasn’t always. they came to my place for my birthday and in the yard they saw a huge rusty battery, but not like today’s all so plastic, but such a wonderful cast-iron battery, discarded, rusty, huge, marx said, oh, we’re scaring the mask, i had a mask in my personal message, it means they took this rusty battery with difficulty. they got it, that means it was before me, i opened it, they say they gave me this the battery, it was time to take away the rusty shit, they took everything away from us, and after a while the doorbell rang again, i opened it, and they

stood there again with this battery, i said, now it’s a different matter, so that’s all the rezhi suura was, of course zakharov, these were the unforgettable sixties, zakharov calls this time... dense, energetically saturated and crazy. mark anatovich, our director, already khristomatina, a great, soviet , russian director, that’s it, yes, but if you rewind these 50 years, this is a completely different figure, because in terms of mischief, all sorts of inventions, any readiness for endless improvisations and scams, he was number one, he couldn’t just sit and drink vodka.

50 years for friendship is the same honorable period as a golden wedding for married life, especially since with such friends as marx zakharov and alexander shirvind, the show always goes on, yes, when they really need it, we choose some neutral day to meet on mainly at mark’s, because he has a wonderful, cozy house, two dogs, we come with ours, the kennel there is such a scary one, and uh, it’s very tasty there, a very narrow circle, only this narrow circle knows the real tastes of mark zakharov and his small family. they adore herring when they come to visit, when, so that my wife doesn’t cook there, it’s still herring with potatoes, there’s no way without it. all of them

are just three people, mark zakharov, his daughter alexandra and his wife, nina tikhonovna lopshenova, once a gitis graduate, actress of the miniature theater. when we lived together at the dacha, we regularly played poker. ninochka beat everyone, and she’s cunning, after all there was a wonderful actress, once upon a time, before we sit down to play, she says, oh , we haven’t played for a long time, let’s remember the order , this is the same thing, on a piece of paper i had it written, two, three, which means full frit, core, royal flush , she checked everything, yes? pretended, only she won, pretended, pretended and won, and we played poker quite often, for money. mark zakharov, unlike

his friend, rarely shares memories of the antics of youth and cheerful dacha gatherings, only memories of school years, make his voice warmer, they called me mek, which i liked , because there was... a passion for english, english songs, english films, of a trophy nature, basically there was a period when ... captured in germany and foreign some words seemed very attractive and interesting, i liked the word mk. file on the legend, mark anatolyevich zakharov, born on october 13, 1933 in moscow, the only child in the family, raised by his grandmother, sofya nikolaevna bardina. grandmother was the head of an exemplary orphanage. they say that a person is formed in the first 3-5 years of life. these years

mark zakharov lived with his grandmother. my father, convicted in 1934 of law-revolutionary activities, was expelled from moscow. mom, galina sergeevna, left the theater studio, where she studied with zavatsky, and followed him. well, yes , the fifty-eighth article, definitely, my generation, he is definitely connected with this article, someone either a brother or an uncle, or a father or mother, or himself. must be involved in some anti-soviet, allegedly crimes, and therefore their life was ruined by this fifty-eighth article, their mother did not become an actress, although she wanted to be one, and they had to go to logging with their father, at the beginning of the war their grandmother died, their father was at the front, their mother and ten-year-old mark returned to from the evacuation in moscow, with great difficulty, i got two rooms back... in a communal apartment on krasnaya presnya, and got

a job. later, in his memoirs, zakharov would write: a hard, half-starved, unpromising life had begun. the first joyful childhood memories of mark zakharov associated with the return of the father. he pops up in my mind more often, maybe he had some special impact on me. my father was a fan of such an obvious... broad humanitarian education and tried to take me to museums, show and tell me something that had nothing to do with the fact that let’s quickly decide who you want to be and what you want study what subjects you like, what subjects you don’t like, categorically, nowhere are they taught to be presidents, prime ministers, chief directors, artistic directors and

the nobel prize are not taught, people then become themselves. what mark zakharov has become is most interesting to learn from those for whom he is today the chief director and artistic director. i didn’t hear him raise his voice, everything was moderate and very restrained. but it would be better if she screamed sometimes, trying to explain to you how to do it in this or that situation, but he takes everything from his personal life, gets personal, comes very close, looks, says something to you, bad, as if with all our might now, that’s all, everyone should strain their intellect now, here’s the director’s and actor’s, how

to do this, that come here, maybe there’s something else, let’s try this option, mark anatolvich owns a wonderful phrase, he said somehow anton, understand, the audience needs to be underfed, what does this mean, mark anatovich, he says, well, he has already fallen in love and you don’t have to play anything further, he will already love to watch you, without stopping, his blood composition is different than what we all have, absolutely, i don’t want to say hackneyed phrases, but everyone understands who they are dealing with, in

1955 i was preparing for a theatrical career, and the only moscow offer i was offered was the circus stage, that’s what plunged me into some, some depression, zakharov did not go to the circus, but was assigned to the perm regional drama theater, played comic roles there, imitating georgy vitsin, as he himself admits, tried to stage plays in the amateur theater at perm university. there i am i staged plays out of stupidity, because you can’t remember pogodin’s aristocrats without a shudder, think about this white sea-baltic canal, now it sounds... nikolai pogodin’s aristocrats is a comedy on a theme from the life of prisoners. in the film version it was called prisoners. it always seemed like some kind of occasion for some kind of fun, carnival, spectacular, scenic,

student attraction. for the aspiring director zakharov, the son of a former political prisoner, this performance turned out to be fateful. and then i realized this it was a very important moment for me, i realized that i had some kind of inclination towards this matter, and that they listened to me, oddly enough, because i was such a pa... a muscovite, when he left for perm, it is not known how and how long would the passive muscovite mark zakharov have lived in the city of perm if nina lopshenova had not come to him as the wife of a decembrist.

my parents, they lived, it’s scary to imagine how many years, they argue , sometimes they argue how many years they lived, 55, together, 56, and my mother, of course, is that wall, that fortress, that block that is behind them, and in general, a man is, of course, a woman who stands behind him. they met at the institute, the future actress of the miniature theater and the mother of alexandra zakharova, who was responsible for the student wall newspaper. the future artistic director of the lenkom theater drew cartoons for this newspaper. both of them enjoyed going to the skating rink with great pleasure. it was fashionable then. it was, perhaps on my part, not a very serious civil marriage, which turned out to mean that i had to inform the state, and we formalized our

relationship in january 1956, this is, of course, an indecent phenomenon for a free artist, which every director considers himself to be, but nevertheless , it turned out that there is only one wife, not five, not six, although it’s probably wonderful when people know how to change their lives like that, accept such courageous, drastic actions, we do not condemn anyone, on the contrary , i admire and wish all the best, and there are exceptions that are also useful, in 1996, 30 years later, he returned to per. mark zakharov has not ceased to be the artistic director of the leninsky theater komsomo, it’s just that now he was campaigning permikov for president boris yeltsin. i believed that people like gorbachev and yeltsin , they are not from mars, they came, of course, from

the depths of our society, but they are not saints, they did not give some utter gifts. miracles of the people, but they understood something, they did something, they became cosmic figures in history, nothing can be taken away from them, their merits, the merits of mark zakharov himself were also appreciated by the homeland, for the fact that tickets can never be obtained , and even on this a mafia has already arisen, it is announced to the theater, president's gratitude. dossier on the legend. mark anatolyevich zakharov. people's artist of the ussr, four-time laureate of the state prize, holder of the order of merit for the fatherland of three degrees. but

mark zakharov considers, of course, the lenkomu theater to be his main achievement in life. here he raised three generations of actors. here he staged his best, here he received president dmitry medvedev at the tea table and today, without any affectation, he reacts joyfully when the theater on dmitrovka is called zakharovsky. his analytical mind and healthy sarcasm still serve well. about three or four years ago i suddenly met a man flying towards me with some kind of familiar face, i understand that i don’t... recognize him directly, but it would be awkward if i somehow, so to speak, dodge this meeting, i would also rush in with absolutely the same enthusiasm. to him, we kissed each other, and he looked at me intently and said, mark,

where are you now? i realized that all the thinking about the director's fame, glory, merit, order of the first degree, for services to state, all this is blech. no, and has the character of some relative joys. zakharov’s independent work as a director at the satire theater began with a scandal in a production based on a play by alexander ostrovsky , written 110 years ago; ideological workers heard an unacceptable, harmful echo of modern life, but they were still allowed to perform 40 performances, but then the profitable place was removed from the repertoire forever. zakharov regarded this as... success, these are just

myths, and they are true, but his performance is a profitable place, and it may even be good that his they took it off because sometimes something great, what you did, suddenly starts to get overwritten, and over time, a year passes, two passes, three passes, suddenly everything is about this, about this, about this, about this, and what- something like that, but the one who saw it, here is a lucrative place, its destruction , it stays with you forever, this is what you live with, a bad fate befell zakharov’s next production at the theater of satire, a comedy by grigory gorin and arkady arkanov, a banquet, a director’s career hung by a thread, but it was those first stacks of zakharov’s colleague remembered as the breakthrough of the soviet theater into space, in your subconscious all the time there is this feeling of something new,

invented, listen, this is the same as inventing, i don’t know, a rocket that goes to the moon there, this is also inventing - a great performance that will remain in people ’s hearts, he continues to live with it, and why does he begin to love theater in general? as such. mark zakharov was 32 years old when he began to invent his rocket to the moon. he considers this time to be the most fruitful. in the sixties years, it was a very dense energy-saturated volume. it was a combination of youthful maximalism, which is very important, because everything is done seriously, before the age of 40, as we know, all events are serious, going out into the street or clinging to

subway cars, this is still before the age of 40, and children are born, up to 40 years old, the most successful and beautiful. the only daughter of mark zakharov, alexandra, is an actress in the theater run by her dad. she played many roles on stage in films, has the title of people's artist of russia and two states. vote and they took me, i i didn’t play anyone’s roles, i didn’t get involved in any performances, i invited them to play ophelia, then i went to the extras for quite a long time, about 10 years, and this is true, these were the most difficult rehearsals for a beginning actress, although everyone who at least once rehearsed with zakharov or listened to him... they unanimously speak of his outstanding teaching abilities. indeed, they are necessary for any director, it’s just that no one

knows that mark zakharov developed them through trial and error, and in raising his own daughter. i was three or four years old. my father took me to the cultural park to entertain me. you know, this was the attraction of the vertical race. they turned off the lights when they started rushing around, which means the motorcyclists, i remember that... it was very scary, i cried, i cried so much, screamed, mom, mommy, i want to go home, and how everyone turned angry at him, like what what kind of father are you, where did you bring the child, what is this , the mother was very worried, cursed in order to atone for her guilt for racing vertically, mark zakharov began to film his daughter in films, the first film was released in 1983, it was called the house, who built swift. he was a great inventor, our dean, uh-huh, so after all, your dean was married, but he was not married at all, there were

two women in his life, but his moral principles did not allow him to injure either one... this film is mark zakharov filmed exactly the same year that alexandra graduated from the laka theater school. she received several offers from various theater directors, but chose to remain under her father's wing. and how this issue was resolved, but not for me, i still experienced some discomfort until then, until she successfully starred in the tv movie criminal talent. nat. yes, gray-haired, on the plain of the sea, the wind gathers the clouds, between the clouds and the sea there is a carrier of black lightning like, oh, why don’t you like the gorkys, so the daughter

passed the aptitude test from her father. sashenka came to the theater, young, beautiful, light as a feather, it was felt that there was a lot of content in this young creature, which would later be revealed, she grows with every work, in any case, it seems to me that mark anatolvich has, for what to be proud of this actress, but she wants to defend her title, it’s very... difficult, for her it’s very difficult, to be the daughter of the chief director , dossier on the legend: mark anatolyevich zakharov, since 1972, member of the cpsu, since 1973, chief director and artistic director of the leninsky komsomol theater, once

a merchant club was located in this building, built more than 100 years ago. performances were played. they gave musical divertissements and entertained the rich audience in every possible way. after the revolution, anarchists first settled here, and then and communists, or rather komsomol members. and lenin spoke to them here. this whole difficult story today fits into one short word: lenkom. the fact is that this theater, the lenkom theater, and it was called the lenin komsomo, it was also called the tram theater. in general, there were trams. all over the country, there was such a movement, just as there once was a folk theater movement. after that, there were different directors here, and good directors. one of these directors was anatoly vasilyevich efras. each of his performances became an event. and it was a special period theater history, but not for long. for his apolitical distortion of the classics, efros was fired from the main

director and transferred to another theater. the next... letkomov people call the period without a director. i remember once i was walking up the stairs in our theater, and there was no director, i was still just a kid, i was walking up the stairs, suddenly a man was running, and i knew him by sight, he was running, running, out of breath, i say, listen, what are you doing here, he says, yes i’m like - off to the side somewhere, after 3 days mark anatolch zakharov was appointed chief director, introduction mark anatolvich's appointment to the responsible position of chief director was preceded by another important, one might even say, landmark event in zakharov's life.

702, there was one person , very pragmatic and cynical, who helped me in general , probably, and he said: “do you want to be in the theater of satire all the time, or do you want to have your own business,” i said, well, of course, i want to have my own business, since the power of the communist party seemed eternal at that moment, he said i need to write application to the party, as soon as you pass the candidacy period, you will run the theater, that’s what happened, i just...” they asked in the culture department of the moscow state committee to change the tie and color of the jacket to a more modest one, stylish jackets, fashionable ties and bright scarves always distinguished mark zakharov from the crowd, he does not change his taste now, but then the color of the jacket was, of course, not the only condition for joining the cpsu.

i came to the then head of the city organization, grishin, at the bureau, where he told me, we know about all your mistakes, about all your misconceptions, let's... hope that now you will start working without experiments, so i said that of course, now i will be without experiments, i jokingly told them, then you won’t have any phone number to call dova, so they really appreciated this black humor, and i became the director of this theater, the performances of the linkom after mark zakharov arrived there... they immediately created a sensation, he did not fulfill his promise to abandon experiments. we were given the opportunity to first make a loud, crackling

performance with vizbor, avtograd 21 in 7, and then in in the seventy-fourth year, grigory gorin presented a dramatization of the novel by charlit caster, tillul spigen, that’s when the sales began, the play “til” marked a new era in the history of lenkom. the queue for tickets took several days. replies from the play were stolen into quotes. for 17 years the performance lived on the stage of the theater, it opened the superstars nikolai karachentsev and inna churikova. one fine day the bell rang, i opened the door and mark anatolych stood with him, also a very interesting man, rafi goriginich ekim. and they offered it to me. to play neli, rehearsals began, i thought that yankovsky would play, because it seemed to me that tili was only yankovsky, who was

kolya karachentsev, i didn’t know, this is a mirror, everyone can see themselves here from the country, for just one florin , i give a complete portrait likeness, nikolai karachentsev made his debut in the theater back in 1967, right away. after graduating from the emhat studios school, but it was after til’s triumph that he became famous and began actively acting in films. if there is a director and director of such a class as zakharov, then participation in his play, and even if it’s a central role, then it’s of course a discovery , it’s just a discovery, well, there was, well, yes, some kind of ivanov, petrov, karashchintsev, sidorov and someone else. zakharov came, he saw what this man could do, he made a performance, til, became nikolai karachents, til’s performance could

easily join the list of prohibited productions by mark zakharov, if not for inna churikova, he came to us, oh my god, remember his last name , he was an actor, a wonderful guy, and came to host the play, and behaved so unworthily, wonderful guests came, luda gurchenko was there, there were some other wonderful people there, he asked everyone to leave, everyone to leave, he humiliated him, he did not accept the performance. and i went there to the boss and talked to him, i begged, asked, the til performance took place, but since then , every new work of mark zakharov, and

the director himself, received special attention from the relevant authorities, every performance of lenkom in the seventies, early eighties years has its own almost detective story. our world and the beloved brainchild of mark zakharov, based on the poem by andrei voznesensky, we took some phrases that somehow resonated with me personally... “we are children of half the road, our name is half the road, none of us mastered the road, and was there a road

ahead, forgive me russia, i did not overcome the whole journey with me. on the initiative of the french couture designer pierre cardin, in 1981 the entire troupe of the drama theater was supposed to go to paris, both for that time and for the performance, which in moscow was not allowed to play on weekends and holidays . i went to this famous house on lubyanka, i met a very interesting person, whom i still remember, i remember him with some generally good feelings, although i understand that i touched only on some superficial nuances of this personality, he was very polite with me, ironic and said , well, we will help, we will help, today mark zakharov recalls the events...

the excitement of those days with its inherent irony, then it was no laughing matter. later, after paris, i had some problems, because i met with representatives of our immigration there and there were some unwanted meetings and contacts that came back to haunt me later. the success of the play in paris and then in new york was so stunning. that even the stupid and humiliating situations that accompanied these tours were remembered almost like an anecdote. it was a time when on any trip abroad there was always a man with a suitcase, who then showed me a list of those who would give back to our homeland, tell all our military secrets, and hand them over to the enemy. file on the legend: mark anatolyevich zakharov, famous soviet director. has positive characteristics,

morally stable, went on tour to the countries of the socialist camp, poland, bulgaria, czechoslovakia, went on tour to capitalist countries, france, greece, germany, the netherlands and the usa. none of the theater troupe, loyal to comrade zakharov , remained abroad. the film, directed by mark zakharov, was treated more favorably by fate and censorship than by the performances. with the exception of one circumstance: they forgot to include them in the history of soviet cinema. some completely inexplicable thing happened with mark’s work zakharova. our critics are clearly divided into theater, television and film critics. television critics mainly deal with politics on television, shows, incidents, who ate who.

film critics of television... are not interested, they never write about tv series, theater people naturally do not watch television, or in general, perhaps they also do not have enough time for cinema, as a result, all of mark zakharov’s work related to cinema , it seemed to gasp into some kind of black hole, it fell into oblivion, this it’s a paradox, but if there is no written history of mark zakharov’s cinema, this does not mean that audiences do not know and do not watch his films. mar zakharov didn’t make arthouse films, he made films that are watched and loved by everyone except critics, this movie is contraindicated for them, they don’t like romance, they don’t like fairy tales , a comforting fairy tale, his very first film, train stop 2 minutes, filmed in 1972 little known, but his 12 chairs, an ordinary miracle, the same munchausen and the formula of love can be called whatever you like.

popularly beloved films, leaders rental or classics of soviet cinema. god, what a triumph it was. so, the meeting continues. namar zakharov is also a very smart director. and as a co-author, he called another person, also incredibly smart, grigory gorin. and his films are smart in the square. what happens? people who tend to just relax, not think, nothing, they remove the top layer in these films, the love relationship between a bear and a princess, or the adventures of this ostap bender, people who also tend to think in films, they find an abyss of phrases there, behind which there is an abyss of meaning, good afternoon,

i am the king, my dears. good afternoon, your majesty, this picture of zakharov was more difficult than others to break onto the screen. the commissions and artistic council saw a certain subtext in every joke, and the film was difficult to defend, and two whole episodes of baron menhausen were received more than favorably, only one episode was cut out, all the phrases that immediately went to the people were approved by the censors. so, i always treated you with sympathy, i respected your way of thinking, the free line of the shoulder. skinny knickers, you could become an example for our youth, he is an amazing person , i am always amazed by him, because we have known each other for 40 years, i

have been here with him for 22 years, i am always amazed by him, whether he makes films, or writes books, or... plays, always at the highest professional height, he has all this, he has such qualities in his works as rage, rage of thought, or something, tenderness, love, and truly gogul's sarcasm, incompatible things, but with him it exists together and it is so explosive flammable

mixture, it turns out that it burns a person, mark zakharov made his last film, kill the dragon, a long time ago, in 1988, and he was also the director and screenwriter, he decided not to go on the set again, there were a lot of different kinds sold... in the same rut with an endless number of kings, princesses and ministers, administrators, will not lead us to any good. in recent years, the theater has taken up all the director’s time; his favorite things are still rehearsals and a seat in the seventeenth row of the auditorium. he sometimes sneaks in somewhere around the seventeenth a row comes out from behind, look, it seems to him that no one knows about this, but the performance is going a little worse, everyone starts trying, the feeling of an exam, in general, when mark antonevich is in the hall, there is a feeling of an exam,

for me personally it’s true, but i’m passing the exam god knows how many years, he is stingy with the external manifestation of emotions, he made his non-smile a kind of trademark, but... he remained the same mek, a tireless inventor and romantic. marcon, a director in law, goes through everything, through binge drinking, creativity, friendship, love, uh,

aging, that’s how biographies come together. hello everyone, this is a housing issue, i'm a westerner. our today's heroes love collecting maps of countries and cities they have visited. some have already been hung in the corridors; we will support their passion and dedicate an entire room to it. the updated bedroom will become a contour map with markings and pictograms, i hope it will inspire