i can love so much a complete stranger who has become so dear, kostya. kostya, she lost consciousness, kostya, we need to intubate, we won’t have time, do what he said, kostya, we need to go to the hospital, to the operating table, where the table is, and the heart has stopped, we need to pump, we can’t pump, we can’t do anything, let’s pump, come on defibrillator, you can’t pump it, you can’t knock, at all. i, she has a wound in her heart,

imagine, rajka.

don’t miss out on monday, they’ll call you soon, the continuation of your favorite series, and what happened to you, moms, it’s better to do it yourself look how very mysterious it is, the substation is restless, so gather a planning meeting at five, i’ll show them how to create

trouble, it’s difficult to call, well, it’s clear, you have argyros, why, why, your soul is lousy, there’s no corner at the substation that doesn’t would be connected with raya, but gosha kutsenko does not give up, if you have something left of hippocrates, you are obliged to help, otherwise, otherwise, what, otherwise, i will unleash my filscher on you, and as usual, he saves lives, therapists, surgeons and cardiologists in ikushene. as far as i feel, man, it just got through me, ambulance, from monday at 20:00 on ntv, one of the country's largest theaters burst into

its hundredth season, what scope and what surprises are they promising us, what is the new reading of ivan vasilyevich bulgakovsky about, are those who believe that with modern there’s something wrong with actors and playwrights, why obscenity and nudity are unacceptable on stage, and how a fig in your pocket interferes with art, let’s talk about this with the artistic director of the satire theater sergei gazarov. sergey, i congratulate you and the theater staff on the opening of the hundredth season, how pleased we are with the discovery. how was your ivan vasilyovich received? is the hall sold out for a month in advance? yes, even for two, therefore, no, i’m not only that, and i’m very pleased with the opening of the season, in my opinion, it turned out to be this phantasmagoria of bulgakov’s, for some reason , we’ve already played four performances, and i, it’s growing, the glory god, it is developing, and this is a good start, we have two more high-profile events ahead.

prime minister, i hope that they will be loud, i kind of wish our hundredth season everything, everything, everything, here you are - on the one hand you call this performance a restoration justice, right? that is, it seems like the play was written specifically for the theater of satire, but was never performed here, on the other hand, you present it as a story about the unwillingness of some people to accept some kind of technical progress, there is genetic engineering, for example, you said, and artificial intelligence, that as they say, what is more important is the restoration of justice or this message, which seems more modern, well, uh, things are different, the restoration of justice, only because listen, the theater of satire has done so much for this, but it should have happened sometime appear here, and as for the main idea that we today, the whole world today is striving to create clones, to create a person, yes, but naturally, controlled, but here, this is a field that no one

has walked on and knows neither the rules nor laws, all we want to say is that we need to be very careful, we see... it’s already come right to this from all sides, because the whole world is doing this, we’ll have to learn to live with it somehow, yes, so, well, we'll have to figure out whether this is a minefield or a swamp or is it just asphalt, well, we have to do it, it’s just with the understanding of what we are doing, six premieres are promised in the new hundredth season, and on all stages, if we say, then all six, they promise including sivilsky barber, that is, it’s like such an homage to the fact that the cult legendary performance, yes, i’ll be honest, i’m alexandruvich, i say, alexandruvich, shouldn’t we take a swing at comrade beaumarchais, we ’re still thinking about the century, that it’s us we'll show you this evening, i say, listen, well

there’s some coolness in this too, let’s get the guy married, he told me then something that i didn’t expect, but i didn’t even rock the boat further, because he said: “ you can’t do this, and i understood all this depth feelings of this past time in which they played it, created what it was for them, how it later became embedded in their lives, yes, and i, of course, this is a forbidden territory, where, but there will be a prequel, yes, yes, i i say, listen, yes, well, i say, let’s have another story, especially yura muravitsky, a master in all of these delart's affairs, we somehow told him this, and he grasped, yes, i know how , what, what, here we are, getting started with this work, there is an opinion, by the way, that the actor has now gone something too

square, well, he’s all, he’s all made of cliches, he’s not engaged in self-improvement and so on, do you agree with this opinion or not, look, i’m... as if from that school, leaving, yes, unfortunately, leaving, you can do this call it old-fashioned, you can say that there, well, this is customary in our theater, this is the old school, that’s why they’re not late, man, they know the instructions of the first rehearsal, for example, yura vasiliev, yuri borisovich, well, he’s a fantastic person, how many times have i begged him, don’t glue your beard to the reading, play tsar vasilyovich, but don’t glue the bark, why, no , no, i’m there, and we all understand that this is a school , this is a faith, it’s different, it’s simple, the question here is a little different, when inviting artists to work here, i always ask the question, what’s with the movement,

what’s with the vocals , do we know languages, do we know how to juggle, what else can we do, do we play musical instruments, and today the youth of the theater has been recruited... and the youth who were here, we have pulled out all these advantages, and we are absolutely free in this, we can sing wonderfully, perform vocally, we know how to play, we we know how to dance, that is, we can do any genre, absolutely, and this is just cool, so - evil tongues say that there is a theater of satire in the country, but there is no satire? that is, she is not on stage, she is not in the theater, you need to follow her with some stand-up comedian and so on, only so after all, no, no, no, i think that these evil tongues are precisely those who want to see figs in their pockets and are constantly hinting at something, it seems to me that

this is so, an agort of people, because to say that there is no satire in society is a very strong statement, but in society there is. so on stage no, not on stage, i want it to be sharper, you know, we had such a wonderful period, which was called, they designated it with glasnost, uh-huh, as soon as it was explained, what is it? and how will we live now for two years the russian theater failed, it had nothing to play with, because when we found a clash between communists and capitalists , even in manteca and capulet, we dealt with it well, well, a little tragically, but dramatically, but we dealt with it, and when we engage in creative art, and how we will inspire people, isn’t this, so now everyone is your channel... he’s these bloggers, all of them please, someone is hiding without their name, someone

under their name, they, that is, they are just coping with its task, and the theater must, but we shouldn’t follow them around the pits and say that they lack something, no, this is not the task of the theater, yes, to be uncomfortable and so sharp, in general, this cannot be the task of the theater, i didn’t write about it anton pavlovichov, yeah, he wrote about people about his feelings and how they form in him and what he faces when they form, for some reason no one deals with this very difficult thing, so let’s give a hint, antom pavlovich, in my opinion there’s something there about this, let’s talk about it now like this more strongly, so yes, now it’s so fashionable in cinema to make all sorts of remakes, to rethink already known plots, and in the theater , of course, the classics, yes, including the theater of satire, are aiming at them, so, but how important

are new works, fresh, as they say, modern playwrights, very important, very important, but are there enough of them or not so much, what are there enough of them in general playwrights ide, no , no, not enough, not enough, in any case, i ’ll tell you this, all our attempts to date are somehow tie your... fate, life, work, with young authors, they are not very successful, no, we have, we have , we are lucky, we seem to find, but during this time i met, re-read a lot of plays, you know, i’ll tell you this, i didn’t i don’t want to offend, i’m not interfering anywhere, there is some kind of one-day thing, it seems to me that if tomorrow something changes, in the city, in the country , outside the window, between us, between people, yes, this

idea, it will simply disappear , uh-huh, she's talking about something like that, it feels like it's a news channel bigger than, like, today there, i don’t know, in the wind, uh, swearing on stage, undressing, dressing, doing some running lines, something else, well, yes, media, content is all sorts of cool. well, okay, no, i think everything has the right to be on stage, absolutely, with a small amendment that there should be a need for it, secondly, that it should be meaningful, but in satera’s theater there will be no swearing or nudity, no in any case, well, for now, in any case, i’m running this theater and this hasn’t happened before me , it’s unlikely it will happen if you can’t express it other than swearing your feelings or thoughts, then it loudly declared itself, well. well, yes, but then it turns out that it’s not us who don’t swear in it, we talk in it, but then it

’s yes, no, it’s uh, it seems to me that everything, everything we’re talking about now, it has, indirect attitude to the theater, but why can we stage hamlet for six centuries and each of the directors considers it his duty that he saw something else there, that he has not seen anything before, well, how did hamlet turn out to be a woman, please, hamlet provided, he saw it like that, well, let’s see how, but every time something, something happens, some kind of excitement, because there is a great dramaturgy, inside of which, again, there is a person, with human qualities, and not invented, fashionable, or, well, now there are a lot of unprecedented things, yes , they write , absolutely, well, something either can be or cannot be, and why then doesn’t it come out? not on the subway among people in the carriage, he doesn’t yell obscenities, if he’s so strange, well, listen, uh, this, this, you know

, this, i’m free, i’m liberated, some kind of good artist, this set that i said, and the more the better, then he can express himself in a different way, in different ways, and not just with obscenities, or there was a section shown, well , this is some bullshit, and as in the joke, i forgot to buy eggs, yes, yes , yes, yes, yes, yes, you also said that you will strive for scale, definitely, we have a 17 m stage, we have a 17 m stage, we have 1,200 halls, so we have performances that are simply... ... well, a wonderful wonderful decoration that takes into account the volume, rich if necessary, dear, if necessary, but it is necessary, it is necessary, it’s a holiday, we need to give it to people, we we i’ve had my fill of entreprise, there’s a table, two chairs, a rug on the left, well, people are protesting, they want to see the costumes, they came to the theater, well