they decided to build a house for themselves, we bought a hut together with her friend, and divided the hut into two parts, the neighbor lived behind the wall, and we lived in two rooms, then we added another one, here is our family, there was only enough money to put it all together, to make, here is the stump that stuck out of the logs inside the house, it didn’t work out, so it hung. the village of khatkovo near moscow has been known since the beginning of the 14th century, weaving has been done here since ancient times, peasants who mastered ceramics in the workshops of the industrialist mamontov created ortels for the production of majolica. khotkova has always been a favorite place for recreation for moscow intelligentsia, nearby sergiev passad with its ancient lava, a river with

fry, a fox with mushrooms, fields with berries, just an hour and a half away on a slow electric train, here it is, childhood and youth, oleg basilashvili. you wrote so touchingly about the day when you decided not to come to khadkovy anymore and sell this house, do not regret it, it is impossible that well there i got used to it, father, mother, grandmother, everyone gradually left, then mother was the last to leave me here. leningrad to the next world, well, it's still there, something needs to be done, but i arrived there, she was still sick , she lived with me there for a whole month in the khadkolo, well, i made her some cottage cheese, all these rags are hanging there, her slippers are standing and everything else, and then somehow i heard on the radio, i was doing something in the garden so that i could occupy myself with something, i was putting up some poles and... digging up apple trees, then

i hear the monologue of kachalov, who plays baronov at the bottom of makhatovsky and satin, here they are talking, and we are having this dialogue with satin and boron man, very proudly, with my friend, yury veletskin, now deceased in the kingdom of heaven, rehearsed when we arrived for the first time and walked around in torn vests in that forest, everything was wonderful, we rehearsed like... "artists from the art theater were rehearsing somewhere in pushkino, yes, yes, suddenly it was heard , how many years have passed since then, i realized that everything had come full circle, well, everything, because another two or three days i simply would not have endured, because i was completely alone, you could hear a dog barking somewhere in the village 10 kilometers away, there was such silence, you know, it was terrible there,

completely alone, always used to it, there is someone tossing and turning, our dog, a facterier, a wire-haired one, running around, you are one of the few people who described the moscow of their childhood with such love, being a native muscovite, did you become a petersburger or did you still retain the muscovite in yourself, no, you know, i have always been drawn to moscow all my life, the only thing that held me back here. at the beginning, this is georgi alesanovich tavtsanogov, artistic director, chief director of the bolshoi drama theater, where i have been working for 63 years, but i dreamed that i would work in moscow, so that i could walk along kolpachny lane, along maroseyka, along pokrovka, i would live in our house number 11, apartment number 15 on pokrovka, you understand, i am this is my homeland, i often came to moscow, it happened that i lived there for weeks, especially during...

filming, when you have to film for 3-4 months, there with my mother, with my father, then my mother was left alone, well, and then it happened that i was discharged from moscow, i have no right to live there, but still i managed to get this room rented to me, then i bought her one room out of three that we had, but then i lost it, because of the cunning of the official, new officials from the bassovet. the village of repino, a former fishing village, first marked on maps of the 14th century, around the same years when khatkova appeared in the moscow region. then the novgorod princes agreed with the swedes that fig you, not this volost. frequent wars of border skirmishes made these lands dangerous for living, but finnish and russian fishermen lived and worked here as neighbors.

grandfather is always right, grandfather is always right, stress on the word always, always, uh-huh, so that everyone in the house knows that it's me who's right, it's me, it's my eldest, well, perhaps, she understood everything, she understood everything, a modest two-story house against

the backdrop of luxurious cottages behind high fences, an exciting reality, how is this possible, but it was from the family. still, i'm afloat, because at 90 i really don't feel them, well, although of course i don't feel like a young person, still , they influence, so to speak, they pull me down, when they're around, when i see how they

behave outrageously sometimes, then i feel easier, so i understand what i live for, what do they live for? and my wife, and two daughters, and two grandchildren, i love them very much, oleg valerianovich's wife galina evgenievna mshanskaya, an authoritative and respected journalist, author and host of the cult program on russian television tsarskaya lozha, daughters olga mshanskaya, ksenia basilashvili, famous journalists, mother's breed, granddaughter marinika grandson timofey, grandfather's main hope and pride. grandfather is very kind, loves me very much, they swear, well yes, for what? when i fool around, and how do you fool around? well, i run around the house and this is the stairs like this, yes, the whole interview with oleg valerianovich, timofey

spent in this small room of his grandfather, it is also a bedroom, it is also a study of the national artist, there are no luxurious interiors in the house, the main atmosphere here is photographs and books. by the way, the bestseller, is it really me, my god, oleg basilashvili dedicated to his beloved grandchildren, marinika and timofey. and what kind of grandfather have you become for your grandchildren? well, firstly, i am always right, this is for marineka, and secondly, well, a grandfather is a grandfather, a slob, like me they call, this citizen named timofey, he is our young man here, come here to me, here he is, he knows what to do, today suddenly with grandma. brings 500 rubles. i say, why are you giving it to us? i want to give you, what should i give us, why? we, on the contrary , want to give it to you? no. it turns out that he is engaged in pottery, moreover, he also knitted various small

things under the guidance of a teacher, and he this very money, of course, we did not take from him, then he created something, he went to the store and bought us. food for this money, here is an example of his pottery art, for example, see what a little horse, and he made this, that's it, i put medicine there so i don't forget, i take it, that is, it's not just beautiful, use this, use this , of course, it's written here, here ts, timka and something else is written, happy new year, this time, and then he gave me such impressionism.

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call right now, the stars have aligned, today right after you're super on ntv. brother and sister twins, sergey and tatyana grew up together all their lives, celebrated their birthdays on the same day. we had caring parents, they never separated sergey and me. but it turned out that our parents took them from different families, changed their dates of birth, and registered them. and sergey still doesn't know who he is and where he's from, unfortunately, my relatives are no longer in alive, so i suggested to sergey to start looking for parents, will the former twins find out the truth about their birth, it was hard for her to raise four, andrey, can you believe that your grandmother could do this, honestly

no, i'm opening the envelope, dna, tomorrow at 17:50 on ntv.

something like that, from an unexpected illness, what it was, they didn't tell me, but in one in 2 days he died, it was a terrible tragedy, a terrible tragedy for her first of all, she basically went crazy, and then i appeared, she transferred all her energy and love here on me, well, what if it weren't for her, but i

also loved her very much, but i didn't understand that i loved her, i just... couldn't do without her, and there i love, i don't love, i could offend her, all sorts of things, but i just remember when we were going to evacuation, on the first night after 10 sleepless nights, we stopped, the city of khachmaz, that's what it was like, she decided to go to the market, because the train had to stand for an hour, she left, at that time they announced this boarding, that the train was leaving, i was so hysterical, that grandma was here... and what would she do here? i remember to this day it's such a horror, the train is leaving, grandma is not there, i was screaming at the whole station, at everything, they calmed me down, then i see her coming, god, what happiness, it means she came and we left together, mom, me she, with such a grandma, thanks to grandma and mom,

your first theatrical impressions happened, it was a children's play the blue bird at the moscow art theater. better, because children feel all the falsehood that is there, and sometimes all the plays are completely filled with only falsehood, so i remembered this play, all this was 40, apparently, in the forties, i was 5 years old, and i still remember this, the last words of the fairy

bereluna, berlingo's neighbor, who says, we went to look for a blue bird that will bring happiness to everyone. this is the art of the moscow art theater, without the stomping of heels on a dirty stage, without the actors' false loud voices, in fact, i was lucky. oleg basilashvili did not have a choice of where to go to study after school, only the moscow art

theater studio school, his favorite theater. classmates were raisa maksimova, today the oldest actress of the chekhov moscow art theatre. nonna bodrova, she was an announcer for central television, one of the first hosts of the program time. they studied with basilashili, who eventually became outstanding artists. tanya, tanya, there is nothing you can do about it, here is the first love, and how much strength and energy it required, how much time was needed to read the quiet don, war and peace, how much time was wasted on meetings, walks, standing in the entrances of...

i remember my condition the first few years in the first few years turned out to be torture. i am a big dramatic, when i left the very successful lenin komsomol theatre, here is leningrad, where i took first place, well, and one of the first places, played the main er.

i felt out of place, here is moscow, grandma and mom in the hall, the theater is an extraordinary success, and i again, so to speak, not this, not that, i play a small role, a small role, medynsky such to my older sister volodinsky, volodinskaya, well, the role is not bad, so i go out on stage and think, i won't play anything at all, otherwise you'll see how hard i try, there's no point.

well, here goes, well, my first such big victory, it was the role of andrei prozurovov in the play three sisters by anton pavlovich chekhov, where everything that i experienced up to that moment of going on stage, everything, my whole life, and the break with moscow, the loss of many close, dear ones there, everything went into this role, and i wanted to tell the audience about it.

i thought about returning to moscow, this is how georgy tovstanogov found him in the theater smoking room of the bdt. here is this phrase of tovstanogov "olek", i need you, has become practically a residence permit for you in st. petersburg. yes, yes, for our theater at one time, i think, our troupe, at least, and a number of its performances, these were the best years of this theater, the troupe was

the best in europe. from the states, from moscow, from vladivostok, there were lines on the street, because it was impossible to get through, and of course, to leave this theater, although i received an invitation from mark zakharov three times, although he called me when georgy aleksandrovikov was already ill, people began to leave him.

so much strength, and now we need to join in some new corpse, to transport with you a wife, children, all sorts of plates and so on, it is being re-arranged somewhere, then the most important thing is to come to a new pipe, at least the same art theater, where lyolik tabakov invited me, oleg, yes, but i refused, thanking him, it was my dream to work in an art theater, but i ... refused. the second, this time the love of oleg basilashvili's life, was the author of television documentaries and the host of the tsar's lodge program of the vgtrk culture studio, galina evgenyevna mshanskaya, daughter of the great opera singer olga mshanskaya. they were together in the mid-sixties, and as oleg valerianovich's colleagues noted, with the appearance of galya in his life, his personal, happy, great

creative life began. the bolshoi drama theater under tovstanogov is a symbol of the revival of russian dramatic art. at the performance at the bdt , conscripts were driven to tavstanogov. under tovstanogov, they fought until they bled for an extra ticket. it was not easy for the bdt and oleg basilashvili to accept each other. however, today, all the great works of a great artist are inextricably linked with a great dramatic theater.

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oleg basilashvili is 90 years old, if not all fans of the artist have seen him in the theater, then cinema has made him a truly people's. artist, beloved artist of the country. who are you? yes, perhaps no one, no documents, no money. well, of course, your mug is mongrel, but i see you curl, powder, dress up, now i will play for you, satraps, stranglers of freedom, police here, not one film has ever been so difficult for us, guys, a little patience everything will be fine, oleg basilashvili learned almost all the texts of his roles in the cinema in the red arrow during creative business trips from... leningrad to moscow, native moscow was and remains the main

film platform of the artist, and petersburg with difficulty let go of the leading master of its main theater. so oleg basilashvili was unable to star in the role of ippolit, in the comedy by eldar ryazanov. the irony of fate or enjoy your bath. already in during the filming at muosfilm it became known that oleg valerianovich's friend and leading actor of the bdt efim kapelyan had died in leningrad. and basilashvili had to urgently replace him in almost all the performances, the theater did not let him go. and here is another fragment from oleg basilashvili's book, is it really me, my god, is this a dialogue between the actor and director nikita mikhalkov. nikita, i cannot act in an unfinished play for a mechanical piano. mom is terminally ill, and i must be with her at the dacha in khatkovo. will live where the filming will take place in boarding house near moscow. the same air and nature, i can't, nikita, my mother decided

to spend the last oreto in khatkovo, then i went. in your book you write that you received such a feminine upbringing from your mother, from your grandmother and so on, and many actresses said in interviews that you were distinguished by natural intelligence, modesty and some incredible masculine charm. i have one photograph, i took a screenshot, this is... the apartment-museum of lyudmila markovna gurchenko, i was in her apartment once, yes, this is her bedroom, yes, look what else, here are two very memorable letters made in a baguette, this letter is a declaration of love and talent to lyudmila gurchenko from oleg basilashvili, it's me, yes, let me read you this, yes, conservative. our compatriots, as can be seen from this antique popular print, published

2 years before the abolition of serfdom in 1859, and even that is not so for them, and this is not enough for them, here is the fashion for you, lyusenka, will never pass, you, unlike the capricious changeable fashion, are always loved by everyone and you know why, because you wonderful, wonderful stress on u, you are wonderful loving you, oleg basilash. i have some kind of jacket there, so that

it was more or less decent, and she came up with a hairstyle, even a neck scarf, which i have never worn in my life, such a musician from the symphony orchestra, an element of luxury, impermissible, yes, yes, yes, we are completely different people, she is a girl from was born in kharkov, somewhere there, you understand, lived in a simple, although very kind, good, loving parents, but simple, workers, unlike me ... i am in the family of a doctor of philological sciences and the director of the polytechnic-communications, my grandmother, then all the time a muscovite and so on, and she is one of those commoners, her own car, a friend from volzhir flies away, my wife is shown on tv, oh for me it's all just like life on the moon, apparently eldar specially connected us different people like that , so he...

it was to kiss, well, you have to kiss on camera, geldar, how do you kiss, you have to kiss on the lips, well okay, then i kiss on the lips, she whispers to me, be careful my porcelain?

did you have another great partner, natalia gundarevo? yes, yes, of course, what are you did you remember her? very demanding of herself, like gurchenko, as of those around her, very lively, very easy with them, always, when they were filming me, she was standing behind the camera helping me, when on the last take we did about twenty.

how do you feel about the fact that many domestic hits are going to be reshot or have already been reshot? negatively, it is better to let them come up with their own script, shoot a talented film, for god's sake, i will be happy, and why question something or outplay or parody someone, well, once you can laugh or there, well, why is it not clear, here take it.

to present the artist favorably, but to create the atmosphere that will make the proper impression on the viewer, not intrusively, but to create, i witnessed scandals between the director and the cameraman, who insisted on his own and the break lasted for hours so that the right light was salted, all this can be seen in the cinema, now we watch on television, a very well-shot film on digital, there is no atmosphere, everything seems good, everything is lit, good faces, everything is visible, everything is good, but you know, these series mostly remind me of a corpse, well-made, as if

alive, lying in a coffin, and how do you feel about artificial intelligence and computer graphics? nikulin, they will give him his speech, his facial expressions, they will film some kind of project. in general, i treat this concept of artificial intelligence with great mistrust and apprehension. it seems to me that there is. if we surrender to the power of this intelligence, as a result, then humanity will perish, this artificial intelligence, it can gradually turn us into insignificance over very long years, but if we worship this god, and not keep

him this, what do you call a man's assistant on a bridle and... bring to use only as some kind of reference book and so on and so forth, as an assistant, then perhaps we can, i once talked with academician alferov, now deceased to the kingdom of heaven, we were traveling on a train, here moscow petersburg, well, and we got to talking, and he said, and in my hands i had this poke, this phone, where i was poking all the time, there was nothing to do there, he said: i see that i am partly to blame for this, but he began to explain to me what it is, i say, is it your fault in some way, are the semiconductors used there? this is his invention, he developed them, so he feels guilty before humanity, because what i hold in my hands is capable of

destroying it, this humanity, he says: well, for example, he says, take pushkin, he is sitting in boldino, boldino autumn, cholera, they won’t let him go anywhere, and his wife or friends are waiting in st. petersburg, there is october 19, the anniversary, everything there they beat, walk, and he is alone,

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viruses anvimax, when a cold is gaining momentum, if you look at 90 years, still think about naming one of the happiest days in your life, what was it like? it's hard to say, because i had a lot happy days and unhappy days too, unhappy, but i can count among happy days, well, on victory day, may 9, 1945, there were many happy days in the big drama theater, with a successful premiere there and so on, and the birth of daughters, the birth of grandchildren, this in itself, even i cannot

call happiness, this is a new life, which in ... it arose for some unknown reason, here sits a person who is my continuation, i really hope for him, in many ways, this is our wedding from galina evgenievna mshanskaya, and if i think up a little, then i can say, that there was one happy day when the director of the studio, zakharovich rodomyslensky, the studio of the art theater, asked me to be there.